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    Innovative, empowering film festival showcases Texas-made movies at Houston art-house venue

    Craig Lindsey
    Oct 13, 2022 | 4:31 pm
    For Love movie still

    Catch the acclaimed short For Love at the film fest.

    For Love/imdb

    A socially conscious film festival screens this weekend, one meant to empower and highlight women (trans & cis) and non-binary filmmakers.

    The Bechdel Film Festival, an international showcase created in 2015, runs this weekend at the pioneering 14 Pews (800 Aurora St.). Viewers can expect films all genres by women and non-binary filmmakers of all ages. The festival centers on Texas filmmakers, works-in-progress, short films, and student filmmakers.

    New for this year, the fest highlights Texas-made films.

    Things kick off on Friday October 14, with a screening of Zara Katz’s A Woman on the Outside, a tender portrait of one family striving to love in the face of a system built to break them.

    Saturday, October 15 afternoon will see a workshop screening of Raul Salinas and the Poetry of Liberation: Un Trip, a half-hour, split-screen jazz film based on the words of “Un Trip through the Mind Jail” by Raúl Salinas, written in 1969 in Leavenworth Federal Penitentiary.

    Two blocks of shorts, all directed by women, will follow. The evening will close with a panel discussion/happy hour and a screening of Jenny Waldo’s Acid Test, based on true events that follow a Latina teen's tumble through self-discovery into adulthood.

    Sunday, October 16 will begin will begin one more afternoon block of women-directed shorts, followed by three movies:

    • Anuradha Rana’s Musher, a heartfelt look at the culture of sled dog racing in remote Upper Michigan through the eyes of an 11-year-old girl and three women.
    • Kat Broyles’s Moondogs, about three teenage girls on a road trip across West Texas, in order to get their friend to the nearest abortion clinic.
    • Nadia Szold’s Larry Flynt for President, which chronicles the wild ride of the Hustler publisher's campaign for president in 1983.

    All short/film screenings are $10, while the panel discussion/happy hour is free.

    For a full lineup of screenings, tickets, and more information, visit 14 Pews online.

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    Movie Review

    Billie Eilish takes fans behind the scenes in immersive 3D tour film

    Alex Bentley
    May 7, 2026 | 3:30 pm
    Billie Eilish in Billie Eilish: Hit Me Hard and Soft - The Tour Live in 3D
    Photo by Henry Hwu/courtesy of Paramount Pictures
    Billie Eilish in Billie Eilish: Hit Me Hard and Soft - The Tour Live in 3D.

    In 2021, at the tender age of 19, singer Billie Eilish was already the subject of a documentary, The World’s a Little Blurry. At that point, she had only released one album, so the film threatened to feel too early for such treatment. The ensuing five years have only made her a bigger star, though, so in many ways that movie now feels prescient for the person on display in the new concert documentary with the unwieldy title of Billie Eilish: Hit Me Hard and Soft - The Tour Live in 3D.

    Directed by Eilish and blockbuster filmmaker James Cameron, the film takes viewers inside Eilish’s 2024-2025 tour in support of her latest album, 2023’s Hit Me Hard and Soft. Filmed mostly at her series of shows in Manchester, England, the movie is a showcase for Eilish’s music, but it also serves as a smaller exploration of the type of person she is, as well as the impact she has had on her legion of fans.

    The draw of the film is the use of Cameron’s beloved 3D technology, which he has employed in each of the three Avatar films. Unlike in those films, where the 3D has the odd effect of making the visuals too realistic for their own good, the technique brings an intimacy to the large-scale show that underscores the unique bond the singer has with her supporters.

    Eilish and Cameron go back and forth between performances at the concert to behind-the-scenes sequences, detailing the enormous effort it takes to put on a show like that and how Eilish spends her time getting ready for it. As in The World’s a Little Blurry, this film continues to portray the singer as down-to-Earth, someone who yearns to maintain the connection to her fans that she’s had since she released her first single, “Ocean Eyes,” 10 years ago.

    And as the many emotional songs in Eilish’s concert playlist prove, the feeling from the crowd is mutual. While Eilish has multiple bangers like “Bad Guy,” “Therefore I Am,” and the Charli XCX collaboration “Guess,” it’s the sad songs like “Everything I Wanted,” “Happier Than Ever,” and the Oscar-winning Barbie anthem, “What Was I Made For?” that hit the hardest. The depth of feeling emanating from her many sobbing fans singing along to crushing songs cannot be understated.

    For audiences of the film, though, it’s the breadth of camera angles and shot choices that make it truly dynamic. There are cameras everywhere, including in the crowd, inside a cube at the center of the stage that rises and descends, following Eilish as she traipses every inch of the long, rectangular stage, and even a small one Eilish uses to bring an extra personal touch to the in-arena screen. Combined, they capture the complete energy of the concert, something that is not always the case in a film of this type.

    Eilish has almost as many movies — two — as she does albums — three — which borders on overkill for a singer of her age. But both her music and the movies show her to be a person who knows the responsibility of being a celebrity, someone who understands that her fans are the reason she’s famous at all. Her career may go up or down from here, but it’s clear she’s already made a huge impact on those who love her most.

    ---

    Billie Eilish: Hit Me Hard and Soft - The Tour Live in 3D opens in theaters on May 8.

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