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    Live Music Now

    Rolling Stones and RodeoHouston headline Houston's best concerts of 2019

    Johnston Farrow
    Johnston Farrow
    Dec 31, 2019 | 10:42 am

    Bayou City live music fans experienced an embarrassment of riches in 2019. CultureMap previewed hundreds of shows over the past year in its Live Music Now column, reviewing and attending many of those, making the task of selecting the best of the bunch no more than a fool’s errand. Ask anyone about their best 2019 concert experiences and each list would be different.

    Yet, the end of the year requires us to stretch our journalistic muscles to filter down the shows that wowed, thrilled, and brought the noise. These were our favorites.

    Show of the Year: Rolling Stones at NRG Stadium, July 27
    You can’t always get what you want, but Rolling Stones fans got more than enough satisfaction when the rock legends rolled through Houston on their No Filter Tour. Sure, we had to wait a few months to see the septuagenarians due to Mick Jagger's emergency heart surgery, but the anticipation only served up a bigger payoff with a sold-out crowd singing along to the classics, including “Jumpin’ Jack Flash,” “Sympathy for the Devil,” “Start Me Up,” and “Brown Sugar.”

    Will it be the last time we see the U.K. hit-makers? Judging by the way Mick, Keith, Ronnie, and Charlie performed and responded to the appreciative audience, don’t be surprised if they have a few more tours under their belt before all is said and done. But if it is the last we see of the Stones, the 19-song set alongside the best production values in the world will be remembered for years to come. Satisfaction, indeed.

    Show of the Year runner-up: Travis Scott’s AstroWorld Festival at NRG Park, November 9
    Following the dissolution of several major Houston festivals (Day for Night, In Bloom), it looked like the city would be left without any major music gatherings. Enter hometown hip-hop star Travis Scott, who built AstroWorld Festival across the highway from the old Six Flags amusement park and turned it into an international audio-visual destination. It sold-out it’s second edition early, despite not announcing any of the line-up ahead the event.

    Those who had faith in the world-beating Scott were aptly rewarded by performances from some of the best rap artists in the world (and Marilyn Manson for some reason), something that caused a near-riot as kids tried to jump the gates when they couldn’t get a hand on a ticket. Fellow Bayou City artist Megan The Stallion, Pharrell, Playboi Carti, and Migos all came ready to impress. And of course, there was the headlining slot by Travis Scott which included Kanye West, planting a flag for AstroWorld Festival for years to come as the biggest thrill ride for local music fans.

    RodeoHouston delivers the goods at NRG Stadium, February 25-March 17
    RodeoHouston is this city’s most popular sound and light extravaganza for a reason, drawing the biggest performers in the country industry and beyond. The 2019 line-up didn’t disappoint to the level that we’re not sure how it will be topped in 2020. Tens of thousands of music fans showed up every night (over 1.3 million total came through the NRG Park turnstiles), RodeoHouston records broken several times throughout the three week event.

    No other show could beat the extended closing performance by the King of Country, George Strait, which shattered the RodeoHouston and NRG Stadium attendance numbers with 80,108 on hand. But other shows were just as electrifying, including the black magic vibes of guitar legend Santana, an actually decent, slightly family-friendlier show by hip-hop star Cardi B, and a star is born opening set by Kacey Musgraves, who rode out of the stadium on a white horse (naturally). Despite a few hiccups due to the unpredictable winter weather, RodeoHouston 2019 was an undeniable success.

    Muse at Toyota Center, February 22
    Think about the things that makes a great rock show and British band Muse had you covered. Crazy lights? Check. Loud, face-melting guitar riffs? Definitely. Mass singalongs? For sure. A 50-foot animatronic robot that overshadowed the stage blowing everyone’s minds? Hell yeah.

    Muse’s latest album, Simulation Theory, might not have been as well received as previous efforts, but those who attended the U.S. tour opener at Toyota Center experienced years of hit songs and virtuouso playing by frontman Matt Bellamy and company. The visuals were the most bonkers we’ve seen in years, something that has made them a must-see live act back across the pond and made for one killer experience.

    Michael Bublé at Toyota Center, March 26
    We went into this show expecting pure schmaltz — Michael Bublé is the kind of crooner your grandmother used to swoon over — but the Canadian singer charmed the pants off everyone at Toyota Center, playing ringmaster and jokester between originals and covers. A full-sized orchestra brought serious Bond vibes and Bublé proved why he does a modern day Sinatra better than anyone on the touring circuit. Call this one a pleasant surprise and a hard-won appreciation for the Grammy Award winner and master performer.

    Anderson .Paak and the Free Nationals at Revention Music Center, June 11
    What a killer lineup. Not only did you get the soul meets funk meets hip-hop meets R&B of Anderson .Paak, but there was the monstrous bass workout of Thundercat and indie hero Mac DeMarco. .Paak and his band of Free Nationals brought the house down with a three-tier level set with the band leader showcasing his multiple talents in front of a sold-out audience. If only all shows were this creative.

    Hometown heroes doing us proud
    We might be living in the golden age of Houston music with the city seemingly producing more commercial and critically acclaimed artists and bands than ever. Local concert stages proved just as much with some of the best shows coming from homegrown acts.

    Other than AstroWorld Festival mentioned above, ZZ Top celebrated their 50th anniversary in May at the Cynthia Woods Mitchell Pavilion, Megan Thee Stallion brought her "Hot Girl Summer" to Revention Music Center in September, current it-girl Lizzo played a sold-out show at the same venue in October, international funk group Khruangbin topped a huge year by playing a packed White Oak Music Hall lawn, and Alief rapper Tobe Nwigwe performed his biggest show yet, also at Revention in December.

    Tame Impala at White Oak Music Hall, October 5
    Anyone who passed the N. Main exit on I-45 North on the afternoon of October 5 caught a strange sight: a line of hundreds of music fans lined up across the bridge connecting both sides of the highway. They were waiting to see Australian psych-rock wunderkinds, Tame Impala, set to play a side show at White Oak Music Hall around their two headline slots at ACL Festival. The sold-out lawn show featured brain-warping lights, lasers, and the unyielding charisma of frontman Kevin Parker with a nice waft of high-grade, mind-altering substances.

    Billie Eilish at Toyota Center, October 10
    The biggest pop star in the world came to Houston in 2019 in the form of a teenage girl from Los Angeles with only one album under her belt. But boy, was it a doozy. Billie Eilish’s When We Fall Asleep, Where Do We Go? is in line for a boatload of Grammys in 2020, she gave a jaw-dropping performance on SNL, and basically set a new course for youth culture. She didn’t need to sing a single word at her electrifying Houston stop: the sold-out arena knew every synth-and-angst-laden syllable.

    Rufus Wainwright at Heights Theater, November 21
    A new album on the way from singer-songwriter Rufus Wainwright meant those packed into Heights Theater got to hear a few new tunes in addition to a selection of heartfelt and witty selections from the gorgeously voiced Canadian talent. Intimate, soulful, and funny, Wainwright showcased the power of what a theater show can be and highlighted why smaller local venues are just as important for music as much as the amphitheaters and sports arenas.

    CultureMap show of the year: The Rolling Stones at NRG Stadium

    Rolling Stones Houston concert 2019 NRG Stadium
    Photo by Jacob Power
    CultureMap show of the year: The Rolling Stones at NRG Stadium
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    Movie Review

    Timothée Chalamet cements star status in new movie Marty Supreme

    Alex Bentley
    Dec 23, 2025 | 4:30 pm
    Timothée Chalamet
    Courtesy
    Timothée Chalamet

    In a time when true movie stars seem to be going extinct, Timothée Chalamet has emerged as an exception to the rule. Since 2021 he has headlined blockbusters like the two Dune movies and Wonka, and also earned an Oscar nomination for playing Bob Dylan in A Complete Unknown (his second nomination following 2018’s Call Me By Your Name). Now, he’s almost assured to get his third nomination for the stellar new film, Marty Supreme.

    Chalamet plays Marty Mauser, a world-class table tennis player living in New York. But reducing Marty to his best skill doesn’t do him justice, as he’s also a motormouth schemer who will do almost anything to achieve his dreams. He doesn’t have any qualms about wooing married women like neighbor Rachel (Odessa A’zion) or actress Kay Stone (Gwyneth Paltrow), or hiding his true ping pong skills to win money in scams with friends like Wally (Tyler the Creator).

    Marty is seemingly on the go the entire movie, whether it’s trying to convince Kay’s millionaire husband Milton Rockwell (Kevin O’Leary) to fund his table tennis ambitions; or trying to track down the dog of Ezra (Abel Ferrara), a man he accidentally injures; or trying to avoid the ire of the boss at the shoe store where he works. Just when you think he might slow down, he’s off to the races on another plan or adventure.

    Directed by Josh Safdie and written by Safdie and frequent co-writer Ronald Bronstein, the film is an almost continuous blast of pure energy for 2 ½ hours. So many different things happen over the course of the film that the story defies conventional narratives, and yet the throughline of Marty keeps everything tightly connected. His particular type of brash behavior turns much of the film into a comedy as he does and says things that are both shocking and thrilling.

    Another thing that makes the movie sing is the fantastic characterization by Safdie and Bronstein. Almost every person who is given a speaking line in the film has a moment where they pop, which speaks to airtight dialogue that the writers have created. Characters will be introduced and then disappear for long stretches of time, and yet because they make such an impression the first time they’re on screen, it’s easy to pick up their thread right away.

    Safdie, as he’s done previously with brother Bennie (Uncut Gems), calls on a host of well-known non-actors or people with interesting faces/vibes to inhabit supporting roles, and to a person they are crucial to the film’s success. O’Leary (of Shark Tank fame), rapper Tyler the Creator, director Ferrara, magician Penn Jillette, and fashion designer Isaac Mizrahi each deliver knockout performances. The relative unknowns who play smaller roles are just as impressive, making each beat of the film feel naturalistic.

    Leading the way is the powerhouse performance by Chalamet. For one person to believably play both the famously reserved Dylan and also a firecracker like Marty is astonishing, and this role cements Chalamet’s status as his generation’s movie star. A’zion is a rising star who gets great moments as Marty’s on-again/off-again love interest. Paltrow pops in and out of the film, lighting up the screen every time she appears. Fran Drescher as Marty’s mom and Sandra Bernhard as a neighbor also pay dividends in small roles.

    Josh Safdie’s first solo directorial effort is unlike any other movie this year, or maybe even this century. Thanks to its breakneck storytelling, a magnificent performance by Chalamet, and countless intangibles that Safdie employs expertly, the film smacks viewers in the face repeatedly and demands that they come back for more.

    ---

    Marty Supreme opens in theaters on December 25.

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