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    Live Music Now

    Rolling Stones and RodeoHouston headline Houston's best concerts of 2019

    Johnston Farrow
    Johnston Farrow
    Dec 31, 2019 | 10:42 am

    Bayou City live music fans experienced an embarrassment of riches in 2019. CultureMap previewed hundreds of shows over the past year in its Live Music Now column, reviewing and attending many of those, making the task of selecting the best of the bunch no more than a fool’s errand. Ask anyone about their best 2019 concert experiences and each list would be different.

    Yet, the end of the year requires us to stretch our journalistic muscles to filter down the shows that wowed, thrilled, and brought the noise. These were our favorites.

    Show of the Year: Rolling Stones at NRG Stadium, July 27
    You can’t always get what you want, but Rolling Stones fans got more than enough satisfaction when the rock legends rolled through Houston on their No Filter Tour. Sure, we had to wait a few months to see the septuagenarians due to Mick Jagger's emergency heart surgery, but the anticipation only served up a bigger payoff with a sold-out crowd singing along to the classics, including “Jumpin’ Jack Flash,” “Sympathy for the Devil,” “Start Me Up,” and “Brown Sugar.”

    Will it be the last time we see the U.K. hit-makers? Judging by the way Mick, Keith, Ronnie, and Charlie performed and responded to the appreciative audience, don’t be surprised if they have a few more tours under their belt before all is said and done. But if it is the last we see of the Stones, the 19-song set alongside the best production values in the world will be remembered for years to come. Satisfaction, indeed.

    Show of the Year runner-up: Travis Scott’s AstroWorld Festival at NRG Park, November 9
    Following the dissolution of several major Houston festivals (Day for Night, In Bloom), it looked like the city would be left without any major music gatherings. Enter hometown hip-hop star Travis Scott, who built AstroWorld Festival across the highway from the old Six Flags amusement park and turned it into an international audio-visual destination. It sold-out it’s second edition early, despite not announcing any of the line-up ahead the event.

    Those who had faith in the world-beating Scott were aptly rewarded by performances from some of the best rap artists in the world (and Marilyn Manson for some reason), something that caused a near-riot as kids tried to jump the gates when they couldn’t get a hand on a ticket. Fellow Bayou City artist Megan The Stallion, Pharrell, Playboi Carti, and Migos all came ready to impress. And of course, there was the headlining slot by Travis Scott which included Kanye West, planting a flag for AstroWorld Festival for years to come as the biggest thrill ride for local music fans.

    RodeoHouston delivers the goods at NRG Stadium, February 25-March 17
    RodeoHouston is this city’s most popular sound and light extravaganza for a reason, drawing the biggest performers in the country industry and beyond. The 2019 line-up didn’t disappoint to the level that we’re not sure how it will be topped in 2020. Tens of thousands of music fans showed up every night (over 1.3 million total came through the NRG Park turnstiles), RodeoHouston records broken several times throughout the three week event.

    No other show could beat the extended closing performance by the King of Country, George Strait, which shattered the RodeoHouston and NRG Stadium attendance numbers with 80,108 on hand. But other shows were just as electrifying, including the black magic vibes of guitar legend Santana, an actually decent, slightly family-friendlier show by hip-hop star Cardi B, and a star is born opening set by Kacey Musgraves, who rode out of the stadium on a white horse (naturally). Despite a few hiccups due to the unpredictable winter weather, RodeoHouston 2019 was an undeniable success.

    Muse at Toyota Center, February 22
    Think about the things that makes a great rock show and British band Muse had you covered. Crazy lights? Check. Loud, face-melting guitar riffs? Definitely. Mass singalongs? For sure. A 50-foot animatronic robot that overshadowed the stage blowing everyone’s minds? Hell yeah.

    Muse’s latest album, Simulation Theory, might not have been as well received as previous efforts, but those who attended the U.S. tour opener at Toyota Center experienced years of hit songs and virtuouso playing by frontman Matt Bellamy and company. The visuals were the most bonkers we’ve seen in years, something that has made them a must-see live act back across the pond and made for one killer experience.

    Michael Bublé at Toyota Center, March 26
    We went into this show expecting pure schmaltz — Michael Bublé is the kind of crooner your grandmother used to swoon over — but the Canadian singer charmed the pants off everyone at Toyota Center, playing ringmaster and jokester between originals and covers. A full-sized orchestra brought serious Bond vibes and Bublé proved why he does a modern day Sinatra better than anyone on the touring circuit. Call this one a pleasant surprise and a hard-won appreciation for the Grammy Award winner and master performer.

    Anderson .Paak and the Free Nationals at Revention Music Center, June 11
    What a killer lineup. Not only did you get the soul meets funk meets hip-hop meets R&B of Anderson .Paak, but there was the monstrous bass workout of Thundercat and indie hero Mac DeMarco. .Paak and his band of Free Nationals brought the house down with a three-tier level set with the band leader showcasing his multiple talents in front of a sold-out audience. If only all shows were this creative.

    Hometown heroes doing us proud
    We might be living in the golden age of Houston music with the city seemingly producing more commercial and critically acclaimed artists and bands than ever. Local concert stages proved just as much with some of the best shows coming from homegrown acts.

    Other than AstroWorld Festival mentioned above, ZZ Top celebrated their 50th anniversary in May at the Cynthia Woods Mitchell Pavilion, Megan Thee Stallion brought her "Hot Girl Summer" to Revention Music Center in September, current it-girl Lizzo played a sold-out show at the same venue in October, international funk group Khruangbin topped a huge year by playing a packed White Oak Music Hall lawn, and Alief rapper Tobe Nwigwe performed his biggest show yet, also at Revention in December.

    Tame Impala at White Oak Music Hall, October 5
    Anyone who passed the N. Main exit on I-45 North on the afternoon of October 5 caught a strange sight: a line of hundreds of music fans lined up across the bridge connecting both sides of the highway. They were waiting to see Australian psych-rock wunderkinds, Tame Impala, set to play a side show at White Oak Music Hall around their two headline slots at ACL Festival. The sold-out lawn show featured brain-warping lights, lasers, and the unyielding charisma of frontman Kevin Parker with a nice waft of high-grade, mind-altering substances.

    Billie Eilish at Toyota Center, October 10
    The biggest pop star in the world came to Houston in 2019 in the form of a teenage girl from Los Angeles with only one album under her belt. But boy, was it a doozy. Billie Eilish’s When We Fall Asleep, Where Do We Go? is in line for a boatload of Grammys in 2020, she gave a jaw-dropping performance on SNL, and basically set a new course for youth culture. She didn’t need to sing a single word at her electrifying Houston stop: the sold-out arena knew every synth-and-angst-laden syllable.

    Rufus Wainwright at Heights Theater, November 21
    A new album on the way from singer-songwriter Rufus Wainwright meant those packed into Heights Theater got to hear a few new tunes in addition to a selection of heartfelt and witty selections from the gorgeously voiced Canadian talent. Intimate, soulful, and funny, Wainwright showcased the power of what a theater show can be and highlighted why smaller local venues are just as important for music as much as the amphitheaters and sports arenas.

    CultureMap show of the year: The Rolling Stones at NRG Stadium

    Rolling Stones Houston concert 2019 NRG Stadium
    Photo by Jacob Power
    CultureMap show of the year: The Rolling Stones at NRG Stadium
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    Movie Review

    Meta-comedy remake Anaconda coils itself into an unfunny mess

    Alex Bentley
    Dec 26, 2025 | 2:30 pm
    Jack Black and Paul Rudd in Anaconda
    Photo by Matt Grace
    Jack Black and Paul Rudd in Anaconda.

    In Hollywood’s never-ending quest to take advantage of existing intellectual property, seemingly no older movie is off limits, even if the original was not well-regarded. That’s certainly the case with 1997’s Anaconda, which is best known for being a lesser entry on the filmography of Ice Cube and Jennifer Lopez, as well as some horrendous accent work by Jon Voight.

    The idea behind the new meta-sequel Anaconda is arguably a good one. Four friends — Doug (Jack Black), Griff (Paul Rudd), Claire (Thandiwe Newton), and Kenny (Steve Zahn) — who made homemade movies when they were teenagers decide to remake Anaconda on a shoestring budget. Egged on by Griff, an actor who can’t catch a break, the four of them pull together enough money to fly down to Brazil, hire a boat, and film a script written by Doug.

    Naturally, almost nothing goes as planned in the Amazon, including losing their trained snake and running headlong into a criminal enterprise. Soon enough, everything else takes second place to the presence of a giant anaconda that is stalking them and anyone else who crosses its path.

    Written and directed by Tom Gormican, with help from co-writer Kevin Etten, the film is designed to be an outrageous comedy peppered with laugh-out-loud moments that cover up the fact that there’s really no story. That would be all well and good … if anything the film had to offer was truly funny. Only a few scenes elicit any honest laughter, and so instead the audience is fed half-baked jokes, a story with no focus, and actors who ham it up to get any kind of reaction.

    The biggest problem is that the meta-ness of the film goes too far. None of the core four characters possess any interesting traits, and their blandness is transferred over to the actors playing them. And so even as they face some harrowing situations or ones that could be funny, it’s difficult to care about anything they do since the filmmakers never make the basic effort of making the audience care about them.

    It’s weird to say in a movie called Anaconda, but it becomes much too focused on the snake in the second half of the film. If the goal is to be a straight-up comedy, then everything up to and including the snake attacks should be serving that objective. But most of the time the attacks are either random or moments when the characters are already scared, and so any humor that could be mined all but disappears.

    Black and Rudd are comedy all-stars who can typically be counted on to elevate even subpar material. That’s not the case here, as each only scores on a few occasions, with Black’s physicality being the funniest thing in the movie. Newton is not a good fit with this type of movie, and she isn’t done any favors by some seriously bad wigs. Zahn used to be the go-to guy for funny sidekicks, but he brings little to the table in this role.

    Any attempt at rebooting/remaking an old piece of IP should make a concerted effort to differentiate itself from the original, and in that way, the new Anaconda succeeds. Unfortunately, that’s its only success, as the filmmakers can never find the right balance to turn it into the bawdy comedy they seemed to want.

    ---

    Anaconda is now playing in theaters.

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