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    the stones return

    The Rolling Stones rock Houston with unforgettable, satisfaction-filled show

    Johnston Farrow
    Johnston Farrow
    Jul 28, 2019 | 3:00 am

    The question of the night loomed over the proceedings with well over 50,000 packed into NRG Stadium: Can a band — all members over the age of 70 — still rock a huge crowd?

    The answer: yes.

    The Rolling Stones are well past their expiration date and defiantly so. They have been a going concern for over 50 years, the former rivals to The (freaking) Beatles and have assuredly turned their many hits into becoming the biggest band in the world, no questions asked. At this point, they are only on the road to prove they can outdo any young band that might think they can take on their mantle.

    Lead singer Mick Jagger recently had heart valve replacement surgery, and he even acknowledged the postponement of the show that was supposed to be months ago, apologizing, in saying that he “f*cked everyone’s plans.” Drummer Charlie Watts is 78 years old, Ronnie Wood looks way better than he should, and Keith Richards, well, he is still walking.

    Jokes aside, the Stones almost thrive on these thoughts to make converts anew, something they've been doing for decades. This was one helluva show and one that the Bayou City won't soon forget.

    After a set by Bishop Gunn that would have made Black Crowes fans happy, the Stones came out to "Jumpin' Jack Flash," the 1968 hit that still had the resonant, exciting charge as the day it was released. A huge bank of video screens mostly focused on the big four — Jagger, Richards, (Ronnie) Wood, and Watts — and showed that they still had the goods. Any concerns that Mick would be able to give his nimble best were destroyed as he pranced across the huge stage, his iconic moves still as vibrant as ever.

    Between songs, Jagger alluded to their history at NRG Stadium, noting that they were the first band to ever play the venue after it opened in 2002. Later, he pointed out it had been 55 years since they had first played Houston, a mind-boggling fact to anyone born years after their start.

    Fans of all ages showed their approval for their biggest songs — “Let’s Spend the Night Together,” a killer “Sympathy for the Devil,” and “Paint It Black” was everything and more that a fan could expect.

    Significantly changing the setlist up from earlier in the tour made a statement and kept the audience on their toes. The early ’80s hit, "Start Me Up," that launched the modern Stones was a welcome addition. “Brown Sugar” and its extended jam closed out a killer first set.

    The Stones pulled off the perfect one-two shot encore with the mind-blowing “Gimme Shelter,” back-up singer Sasha Allen stealing the spotlight. “(I Can’t Get No) Satisfaction” had the entire stadium up and dancing, proving that good songs can never die, that people will continue to pay to see one of the most legendary acts to ever take the stage.

    Setlist
    "Jumpin' Jack Flash"
    "Let's Spend The Night Together"
    "Tumbling Dice"
    "Out of Control"
    "Doo Doo Doo Doo Doo (Heartbreaker)"
    "You Can't Always Get What You Want"
    "Sweet Virginia"
    "Dead Flowers"
    "Sympathy For The Devil"
    "Honky Tonk Women"
    "Slipping Away"
    "Before They Make Me Run"
    "Miss You"
    "Midnight Rambler"
    "Paint It Black"
    "Start Me Up"
    "Brown Sugar"

    Encore:
    "Gimme Shelter"
    "(I Can't Get No) Satisfaction"

    The Rolling Stones tore through tunes like "Street Fighting Man."

    Rolling Stones Houston concert 2019 NRG Stadium
      
    Photo by Jacob Power
    The Rolling Stones tore through tunes like "Street Fighting Man."
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    Movie Review

    28 Years Later revives zombie franchise for new generation

    Alex Bentley
    Jun 20, 2025 | 5:00 pm
    Aaron Taylor-Johnson and Alfie Williams in 28 Years Later
    Photo by Miya Mizuno
    Aaron Taylor-Johnson and Alfie Williams in 28 Years Later.

    The 2000s brought two of the best zombie movies ever made in 28 Days Later and 28 Weeks Later. Both films, despite being made by different filmmakers, featured intense action with fast-moving zombies, harrowing sequences, and real emotional connections with their main characters. Now the original director and writer — Danny Boyle and Alex Garland — have returned with the first of a possible three sequels, 28 Years Later.

    The rage virus from the first two films that turns humans into insatiable monsters has successfully been contained to the United Kingdom, and one group of survivors has managed to band together on a small island off the coast of England. We’re introduced to the group through Jamie (Aaron Taylor-Johnson), his wife, Isla (Jodie Comer), and his son, Spike (Alfie Williams).

    Isla is sick with an unknown illness, while Jamie is set to take the 12-year-old Spike on his first trip to the mainland to hunt zombies. That trip not only gives Spike an education as to the different types of feral zombies that now populate England, but also a clue that other people have survived there. When he discovers that one of them may be a doctor, he makes plans to take his mother there in hopes of finding a cure for whatever ails her.

    While the first two films were notable for their brisk pace that kept the potency of the stories high, Boyle and Garland almost go in the opposite direction for much of this film. The first 90 minutes are relatively slow, with only a couple of sequences that raise the blood pressure. The final half hour or so go a long way toward filling that void, so it’s clear that the filmmakers were biding their time for the story to come in the sequel. A bit more balance in this film would have served them well, though.

    What they do show involves some weird, wild stuff that is objectively upsetting, even for fans of the genre. The zombies have evolved in strange ways, giving them a variety of body shapes and abilities to suit the environment in which they live. These storytelling choices may thrill some and have others scratching their heads. Another human character living on his own (played by Ralph Fiennes), appears to have gone the way of Colonel Kurtz in Apocalypse Now, with a revelation that is bone-chilling.

    Boyle, who’s directed everything from Trainspotting to Slumdog Millionaire, doesn’t have a signature style, and he makes some choices in this film that test your patience. He occasionally employs an odd technique in which the film stutters, for a lack of better term. It’s a bit jarring, especially since it doesn’t seem to improve the storytelling. He also inserts scenes from older films involving medieval warfare that emulate the bow-and-arrow weaponry used by characters in this film, but the exact connection he’s trying to make is unclear.

    The young Williams has a lot put on his shoulders in the film, and he proves to be up to the task of carrying the story. He isn’t precocious or annoying, instead reacting almost exactly like you’d expect a boy of his age to do when faced with extreme situations. Taylor-Johnson and Comer are good complements for him, drawing him out with their polar opposite characters. Fiennes makes a huge impression in the final act of the film, while Jack O’Connell makes a very brief appearance, teasing a bigger role to come.

    It’s difficult to fully judge 28 Years Later because it’s designed to only give you part of the story; part 2, The Bone Temple, is due in 2026, while a third film will follow if the first two do well. This film has its moments and winds up on the positive side of the ledger, but it’s also a frustrating experience that could have used a more stand-alone story.

    ---

    28 Years Later is now playing in theaters.

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