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    Movie Review

    An animated Will Smith makes Spies in Disguise fly high

    Alex Bentley
    Dec 24, 2019 | 2:02 pm
    An animated Will Smith makes Spies in Disguise fly high
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    As a live action actor, Will Smith has not exactly been lighting it up in recent years. In fact, in the past 10 years, his only true success was 2015’s Focus, and even that got middling reviews. However, as the mostly animated Genie in the new version of Aladdin and now as the lead in the animated Spies in Disguise, the ability to utilize elements not available to him in live action movies has proven to be a boon for his career.

    Smith plays Lance Sterling, a spy who plays by his own rules and prefers to work by himself. His antics raise the ire of his boss (Reba McEntire), but earn him praise and admiration from most of his co-workers. They include gadget engineer Walter Beckett (Tom Holland), whose ideas are way outside of the box and get him banished to a cubicle just outside of the bathroom.

    When one of Sterling’s missions runs him afoul of evil mastermind Killian (Ben Mendelsohn) and his own agency, he decides to go into hiding. He turns to Walter, who had been developing a new idea that could make things disappear. When Sterling accidentally ingests the potion, it becomes mixed with one of Walter’s pigeon’s feathers, turning Sterling into, you guessed it, a pigeon.

    The spy genre, especially as portrayed in the James Bond and Mission: Impossible series, is one where filmmakers can let their creativity go wild. Directors Nick Bruno and Troy Quane, working from a script by Brad Copeland and Lloyd Taylor, go all in, dreaming up innumerable outlandish concepts. Because it’s an animated film, none of seems out of place and almost everything shown is tons of fun.

    Sterling’s inability to use his normal skills as a pigeon and the way he and Walter find alternative methods is also highly entertaining. Things that would seem unnatural and goofy in a live action film make total sense in the context of this film. Sterling also attracts the attention of an eccentric group of real pigeons, and the way they help him throughout the film is both hilarious and strangely touching.

    The filmmakers also do a great job fleshing out their characters. As the main characters, Sterling and Walter are a given, but Killian is given more than just evil plotting to do. Also interesting is Marcy (Rashida Jones), an internal affairs officer at the spy agency who tracks Sterling around the world.

    At his best, Smith has just seemed cooler than most other actors, and that comes through loud and clear here, even in animated form. As Holland has shown as Spider-Man, he has an innocent goofiness that works well for this character, too. Jones gives Marcy a nice spunk, and Mendelsohn, experienced at playing villains in movies like Rogue One, is right at home.

    With lots of Oscar-worthy dramas and Star Wars dominating theaters right now, Spies in Disguise is great counter-programming and a perfect holiday option for families. It’s also the best thing Smith has made in years; maybe he’ll use it as a springboard toward better live action choices in the future.

    Walter (Tom Holland) and Sterling (Will Smith) in Spies in Disguise.

    Walter (Tom Holland) and Sterling (Will Smith) in Spies in Disguise
    Photo courtesy of Twentieth Century Fox Film Corporation
    Walter (Tom Holland) and Sterling (Will Smith) in Spies in Disguise.
    movies
    news/entertainment

    super duper

    Quirky Houston DJ drops genre-blending mix CD inspired by video games

    Craig D. Lindsey
    Dec 26, 2025 | 9:15 am
    DJ Squincy Jones
    Photo by Dustee Torres
    DJ Squincy Jones

    If you’re the type of person who has dubstep, Southern hip-hop, and Koji Kondo’s iconic “Ground Theme” from Super Mario Bros. in your streaming-music library, then Squincy Jones has created the perfect playlist for you..

    DJ Squincy Jones

    Photo by Dustee Torres

    DJ Squincy Jones

    Super Nintendub is the name of the mix where the Houston-born-and-bred DJ mashes up all those aforementioned music genres. A capella bars from Houston heavyweights (Megan Thee Stallion, Paul Wall) and other Dirty South MCs (Three 6 Mafia, 8Ball & MJG) gets laid over grooves from underground dubstep artists (Numa Crew, Blay Vision, Hamdi). But we also get music from various Nintendo (Castlevania III, Ninja Gaiden) and Super Nintendo (Super Mario World, Final Fantasy VI) games. Jones also throws in audio samples from commercials and gaming-heavy movies like WarGames, The Wizard, and the Adam Sandler-produced Grandma’s Boy.

    Needless to say, Jones has always been a gamer. He’s had his run of game systems: NES, SNES, Sega Genesis, even the old-school Atari 2600. He recalls his days blowing the dust out of such cartridges as Contra, Double Dragon, and Duck Hunt. In the past, Jones has released a series of mashup mixes – titled Blend Pack – with cover art that resembles/salutes classic video games.

    “I'm a huge fan of all the eight-bit and 16-bit stuff,” says Jones (government name: Shane Rector), 41. “I play a lot of the new games, or I have played a lot of the new games, but not as much anymore. You know, being a parent and having a full-time job – you don't really have time for video games anymore.”

    Super Nintendub is a sequel to Nintendub, a dubstep mix he played during a party way back in 2008. “I added some a capellas, [like] a Bun B a capella,” he recalls. “I had some other Dirty South tunes from the time. I layered them because they're at the same tempo as dubstep. Another friend that does music gave me a folder of Nintendo songs. So, I just randomly layered it on top and kinda slowed down the Nintendo music, and it sounded cool as hell to me.”

    The mix picked up fans overseas when he dropped it online. “I've always wanted to make a follow-up to it because I got so much good feedback,” he remembers. “People from all over were writing about it."

    Jones decided to release Super on compact disc, sold in rectangular keep cases – packaging that’s very familiar to gamers – with double-sided artwork also by Jones. (A digital link is available upon request to those who buy the CD.) While the limited-edition disc is available for purchase on Jones’s Bandcamp page, the CD mix shouldn’t be confused with the Super mix that’s currently playing on the page.

    “I wanted to have them in the mix as well,” he says. “But I'm not entirely, you know, confident with my production skills. So, I just kinda had it on the side to go along with the release of this mix.”

    Since releasing Super in September, Jones says he’s gotten good feedback from those who’ve bought a copy. “Because it looks like a video game,” he says, “a lot of people are like, ‘Oh, cool! Is it an actual game or an actual DVD or whatnot?’ But it's always hit or miss because some people are like, ‘Oh, man, I don't have a CD player’ or "Wow, you actually printed a CD,’ because everything's, you know, digital.”

    He’s looking into playing a big-screen version of Super, where videos of the rap songs are spliced in with video-game footage and other retro clips, somewhere around here. “I was thinking like either a movie theater or somebody mentioned Aurora Picture Show, or maybe Wonky Power, to do like a viewing or showing or whatever – kind of have a party for it.”

    Even though Jones enjoys merging gaming and music – his dual obsessions – he still prefers to be known as more than a video-game DJ. A veteran of the Houston DJ scene for a quarter of a century, he continues to do gigs like his upcoming monthly residency at Eight Row Flint.

    “I do open-format DJing,” he says. “I've done raves and dubstep parties. I've played on the radio. I've played at Mid Main, where it’s a mainstream crowd. In this day and age, everybody has their branding or whatnot. I just love video games, so I just kind of take that as my branding, I guess.”

    music
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