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    Movie Review

    An animated Will Smith makes Spies in Disguise fly high

    Alex Bentley
    Dec 24, 2019 | 2:02 pm
    An animated Will Smith makes Spies in Disguise fly high
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    As a live action actor, Will Smith has not exactly been lighting it up in recent years. In fact, in the past 10 years, his only true success was 2015’s Focus, and even that got middling reviews. However, as the mostly animated Genie in the new version of Aladdin and now as the lead in the animated Spies in Disguise, the ability to utilize elements not available to him in live action movies has proven to be a boon for his career.

    Smith plays Lance Sterling, a spy who plays by his own rules and prefers to work by himself. His antics raise the ire of his boss (Reba McEntire), but earn him praise and admiration from most of his co-workers. They include gadget engineer Walter Beckett (Tom Holland), whose ideas are way outside of the box and get him banished to a cubicle just outside of the bathroom.

    When one of Sterling’s missions runs him afoul of evil mastermind Killian (Ben Mendelsohn) and his own agency, he decides to go into hiding. He turns to Walter, who had been developing a new idea that could make things disappear. When Sterling accidentally ingests the potion, it becomes mixed with one of Walter’s pigeon’s feathers, turning Sterling into, you guessed it, a pigeon.

    The spy genre, especially as portrayed in the James Bond and Mission: Impossible series, is one where filmmakers can let their creativity go wild. Directors Nick Bruno and Troy Quane, working from a script by Brad Copeland and Lloyd Taylor, go all in, dreaming up innumerable outlandish concepts. Because it’s an animated film, none of seems out of place and almost everything shown is tons of fun.

    Sterling’s inability to use his normal skills as a pigeon and the way he and Walter find alternative methods is also highly entertaining. Things that would seem unnatural and goofy in a live action film make total sense in the context of this film. Sterling also attracts the attention of an eccentric group of real pigeons, and the way they help him throughout the film is both hilarious and strangely touching.

    The filmmakers also do a great job fleshing out their characters. As the main characters, Sterling and Walter are a given, but Killian is given more than just evil plotting to do. Also interesting is Marcy (Rashida Jones), an internal affairs officer at the spy agency who tracks Sterling around the world.

    At his best, Smith has just seemed cooler than most other actors, and that comes through loud and clear here, even in animated form. As Holland has shown as Spider-Man, he has an innocent goofiness that works well for this character, too. Jones gives Marcy a nice spunk, and Mendelsohn, experienced at playing villains in movies like Rogue One, is right at home.

    With lots of Oscar-worthy dramas and Star Wars dominating theaters right now, Spies in Disguise is great counter-programming and a perfect holiday option for families. It’s also the best thing Smith has made in years; maybe he’ll use it as a springboard toward better live action choices in the future.

    Walter (Tom Holland) and Sterling (Will Smith) in Spies in Disguise.

    Walter (Tom Holland) and Sterling (Will Smith) in Spies in Disguise
    Photo courtesy of Twentieth Century Fox Film Corporation
    Walter (Tom Holland) and Sterling (Will Smith) in Spies in Disguise.
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    Movie Review

    Michelle Pfeiffer visits Houston in new Christmas movie Oh. What. Fun.

    Alex Bentley
    Dec 5, 2025 | 3:30 pm
    Michelle Pfeiffer in Oh. What. Fun.
    Photo courtesy of Amazon MGM Studios
    Michelle Pfeiffer in Oh. What. Fun.

    Of all the formulaic movie genres, Christmas/holiday movies are among the most predictable. No matter what the problem is that arises between family members, friends, or potential romantic partners, the stories in holiday movies are designed to give viewers a feel-good ending even if the majority of the movie makes you feel pretty bad.

    That’s certainly the case in Oh. What. Fun., in which Michelle Pfeiffer plays Claire, an underappreciated mom living in Houston with her inattentive husband, Nick (Denis Leary). As the film begins, her three children are arriving back home for Christmas: The high-strung Channing (Felicity Jones) is married to the milquetoast Doug (Jason Schwartzman); the aloof Taylor (Chloë Grace Moretz) brings home yet another new girlfriend; and the perpetual child Sammy (Dominic Sessa) has just broken up with his girlfriend.

    Each of the family members seems to be oblivious to everything Claire does for them, especially when it comes to what she really wants: For them to nominate her to win a trip to see a talk show in L.A. hosted by Zazzy Tims (Eva Longoria). When she accidentally gets left behind on a planned outing to see a show, Claire reaches her breaking point and — in a kind of Home Alone in reverse — she decides to drive across the country to get to the show herself.

    Written and directed by Michael Showalter (The Idea of You), and co-written by Chandler Baker (who wrote the short story on which the film is based), the movie never establishes any kind of enjoyable rhythm. Each of the characters, including competitive neighbor Jeanne (Joan Chen), is assigned a character trait that becomes their entire personality, with none of them allowed to evolve into something deeper.

    The filmmakers lean hard into the idea that Claire is a person who always puts her family first and receives very little in return, but the evidence presented in the story is sketchy at best. Every situation shown in the film is so superficial that tension barely exists, and the (over)reactions by Claire give her family members few opportunities to make up for their failings.

    The most interesting part of the movie comes when Claire actually makes it to the Zazzy Sims show. Even though what happens there is just as unbelievable as anything else presented in the story, Showalter and Baker concoct a scene that allows Claire and others to fully express the central theme of the film, and for a few minutes the movie actually lives up to its title.

    Pfeiffer, given her first leading role since 2020’s French Exit, is a somewhat manic presence, and her thick Texas accent and unnecessary voiceover don’t do her any favors. It seems weird to have such a strong supporting cast with almost nothing of substance to do, but almost all of them are wasted, including Danielle Brooks in a blink-and-you'll-miss-it cameo. The lone exception is Longoria, who is a blast in the few scenes she gets.

    Oh. What. Fun. is far from the first movie to try and fail at becoming a new holiday classic, but the pedigree of Showalter and the cast make this dismal viewing experience extra disappointing. Ironically, overworked and underappreciated moms deserve a much better story than the one this movie delivers.

    ---

    Oh. What. Fun. is now streaming on Prime Video.

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