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    RodeoHouston

    RodeoHouston reveals genres for highly anticipated 2019 concert calendar

    Johnston Farrow
    Johnston Farrow
    Dec 11, 2018 | 4:46 pm

    Let the speculation commence.

    RodeoHouston gave fans a sneak-peek at concert calendar lineup today, announcing which genres will be featured throughout the 2019 season, which runs from Monday, February 25 through Sunday, March 17. It already has been announced that country legend George Strait will close out RodeoHouston on the final day. Now we have an idea of what to expect on the other days. The full lineup will be announced on January 3, 2019.

    As always, country music will be front on center, on tap for 13 of the 20 nights, including opening night. Organizers have always attracted the biggest, best, and buzziest upcoming country acts to the Stars Over Texas stage, so expect a massive roster with some major home runs as well as a few up-and-comers once the final line-up is announced.

    Most interestingly, the rave will return to NRG Stadium when EDM will get a chance to wave its glowsticks on Friday, March 8. This is a smart choice following the success of The Chainsmokers two years ago and a Friday night makes it an attractive family draw. CultureMap predicts Martin Garrix, Diplo, or Marshmello in this slot, but this one is a toss up and hardest to speculate on.

    After last year's controversial decision to give the lone hip-hop slot to Leon Bridges, who is definitely not hip-hop (but still great), will organizers give an actual hip-hop performer a shot on Friday, March 1 or will it be an R&B act that lives in that music sphere? There are a multitude of acts that could fill this role, clean enough to live up to the rodeo's standards, from The Weeknd, Migos, Post Malone, or DJ Khaled. Hint-hint to the powers-that-be: Rhianna has a huge catalog of hits, the cred, and would bring in fans in droves.

    Other nights include Spanish pop on Tuesday, February 26; pop-rock on Sunday, March 3 (almost always a family-friendly, Top 40 artist); pop on Tuesday, March 5 (think a young performer making waves); norteño on Sunday, March 10; rock on Tuesday, March 12 (Maroon 5 or Imagine Dragons would make sense and both don't have shows booked on these dates); and classic rock on Wednesday, March 13 (Def Leppard? Bon Jovi? Journey?).

    Visit the RodeoHouston website for a full rundown of the genre calendar.

    CultureMap's predictions for country performers at RodeoHouston 2019 include the following:

    Carrie Underwood
    We would be shocked if Underwood didn't appear on the Stars Over Texas stage this year. The massive star just released her latest album, Cry Pretty, and back to performing live after a horrific accident. She'd make a great RodeoHouston 2019 opener.

    Kasey Musgraves
    She's been everywhere with her album Golden Hour, including Saturday Night Live, and is a contender for the biggest music awards this year.

    Eric Church
    His album, Desperate Man, is a 2018 critical and commercial smash and he's been headlining festivals. He has big gaps in his early-2019 tour schedule and no Texas dates currently booked. He also played RodeoHouston in 2015. Call this prediction a shoo-in.

    Sam Hunt
    He's about to release new album and opened for Luke Bryan this summer.

    A miscellaneous country legend
    RodeoHouston always books one or two favorites to perform. Take your pick of Wille Nelson, Kris Kristofferson, Travis Tritt, Vince Gill, or Reba McIntire to run through their hits.

    Return performers
    Repeat performances are not uncommon. Acts that played last year that would be welcomed back include Keith Urban, Luke Bryan, and Chris Stapleton.

    Dolly Parton
    Okay, this is a long shot, but she would be a much-talked-about, instant sell-out and would attract a wide range of music fans. Make this happen RodeoHouston.

    Of course, guessing who will play is part of the fun.

    Country legend George Strait will close RodeoHouston 2019 on Sunday, March 17,

    George Strait guitar
    Photo by Michelle Watson/CultureMapSnap
    Country legend George Strait will close RodeoHouston 2019 on Sunday, March 17,
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    Movie Review

    Michelle Pfeiffer visits Houston in new Christmas movie Oh. What. Fun.

    Alex Bentley
    Dec 5, 2025 | 3:30 pm
    Michelle Pfeiffer in Oh. What. Fun.
    Photo courtesy of Amazon MGM Studios
    Michelle Pfeiffer in Oh. What. Fun.

    Of all the formulaic movie genres, Christmas/holiday movies are among the most predictable. No matter what the problem is that arises between family members, friends, or potential romantic partners, the stories in holiday movies are designed to give viewers a feel-good ending even if the majority of the movie makes you feel pretty bad.

    That’s certainly the case in Oh. What. Fun., in which Michelle Pfeiffer plays Claire, an underappreciated mom living in Houston with her inattentive husband, Nick (Denis Leary). As the film begins, her three children are arriving back home for Christmas: The high-strung Channing (Felicity Jones) is married to the milquetoast Doug (Jason Schwartzman); the aloof Taylor (Chloë Grace Moretz) brings home yet another new girlfriend; and the perpetual child Sammy (Dominic Sessa) has just broken up with his girlfriend.

    Each of the family members seems to be oblivious to everything Claire does for them, especially when it comes to what she really wants: For them to nominate her to win a trip to see a talk show in L.A. hosted by Zazzy Tims (Eva Longoria). When she accidentally gets left behind on a planned outing to see a show, Claire reaches her breaking point and — in a kind of Home Alone in reverse — she decides to drive across the country to get to the show herself.

    Written and directed by Michael Showalter (The Idea of You), and co-written by Chandler Baker (who wrote the short story on which the film is based), the movie never establishes any kind of enjoyable rhythm. Each of the characters, including competitive neighbor Jeanne (Joan Chen), is assigned a character trait that becomes their entire personality, with none of them allowed to evolve into something deeper.

    The filmmakers lean hard into the idea that Claire is a person who always puts her family first and receives very little in return, but the evidence presented in the story is sketchy at best. Every situation shown in the film is so superficial that tension barely exists, and the (over)reactions by Claire give her family members few opportunities to make up for their failings.

    The most interesting part of the movie comes when Claire actually makes it to the Zazzy Sims show. Even though what happens there is just as unbelievable as anything else presented in the story, Showalter and Baker concoct a scene that allows Claire and others to fully express the central theme of the film, and for a few minutes the movie actually lives up to its title.

    Pfeiffer, given her first leading role since 2020’s French Exit, is a somewhat manic presence, and her thick Texas accent and unnecessary voiceover don’t do her any favors. It seems weird to have such a strong supporting cast with almost nothing of substance to do, but almost all of them are wasted, including Danielle Brooks in a blink-and-you'll-miss-it cameo. The lone exception is Longoria, who is a blast in the few scenes she gets.

    Oh. What. Fun. is far from the first movie to try and fail at becoming a new holiday classic, but the pedigree of Showalter and the cast make this dismal viewing experience extra disappointing. Ironically, overworked and underappreciated moms deserve a much better story than the one this movie delivers.

    ---

    Oh. What. Fun. is now streaming on Prime Video.

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