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    Sarah McLachlan Live

    'Angel'-voiced Sarah McLachlan announces Houston concert date in 2020

    Johnston Farrow
    Johnston Farrow
    Nov 20, 2019 | 9:05 am
    Sarah McLachlan - headshot
    Canadian chanteuse Sarah McLachlan returns to Houston next year.
    Sarah McLachlan/Facebook

    The voice of an "Angel" is returning to the live stage and swinging through Texas.

    Sarah McLachlan, the award-winning Canadian singer-songwriter and founder of the predominately female '90s concert festival, Lilith Fair, will play four Texas dates in February 2020.

    Billed as "An Evening with Sarah McLachlin," the three-time Grammy award-winner will perform at the Hobby Center for the Performing Arts in Houston on February 6, the McFarlin Auditorium in Dallas on February 7, Bass Concert Hall in Austin on February 8, and the Majestic Theatre in San Antonio on February 9. Tickets for the shows go on sale to the general public on Friday at 10 a.m.

    McLachlan has largely stayed out of the spotlight the last decade or so, her last album coming in the form of the holiday record, Wonderland, in 2016. But the Nova Scotia-raised singer was a dominant force in the '90s, first as a cult act and then as a multi-platinum star.

    Her ethereal voice and innate ability to write a pop hook first gained international notice on her third album, 1993's Fumbling Towards Esctasy. While only a moderate success at the time, the album slowly found its way into the CD sleeves of music fans everywhere and set her up for her most successful album, 1997's Surfacing, featuring the hits "Building a Mystery," "Adia," "Sweet Surrender," and the pervasive "Angel," which has lived on in countless animal rescue commercials (McLachlan is an outspoken animal-rights advocate).

    Her crowning achievement, however, came in the form of Lilith Fair, the nearly all-female touring festival that lasted three summers between 1997-1999, and helped elevate the careers of countless female performers at a time when few women were able to win playtime on the radio, dominated by male programmers. Lilith Fair featured dozens of female-led acts such as Jewel, Sheryl Crow, Tracy Chapman, Lisa Loeb, and Dido. Partial proceeds of the festival went to charities that assisted women, raising a total of $10 million.

    Even if she never performed again, McLachlan would be a legend for her impact in shining the spotlight on female talent. It's easy to forget how difficult it was for women to break big in music on their own terms, especially since women now dominate the pop charts and performers like Beyoncé, Billie Eilish, Selena Gomez, Ariana Grande, and Kacey Musgraves sell out massive tours.

    All that aside, McLachlan is a fantastic live performer and has plenty of songs to pull from in her catalog. Expect to hear the favorites and much more when she hits Texas stages where she hasn't performed since her Lilith Fair days.

    concertsmusic
    news/entertainment

    Movie Review

    Michelle Pfeiffer visits Houston in new Christmas movie Oh. What. Fun.

    Alex Bentley
    Dec 5, 2025 | 3:30 pm
    Michelle Pfeiffer in Oh. What. Fun.
    Photo courtesy of Amazon MGM Studios
    Michelle Pfeiffer in Oh. What. Fun.

    Of all the formulaic movie genres, Christmas/holiday movies are among the most predictable. No matter what the problem is that arises between family members, friends, or potential romantic partners, the stories in holiday movies are designed to give viewers a feel-good ending even if the majority of the movie makes you feel pretty bad.

    That’s certainly the case in Oh. What. Fun., in which Michelle Pfeiffer plays Claire, an underappreciated mom living in Houston with her inattentive husband, Nick (Denis Leary). As the film begins, her three children are arriving back home for Christmas: The high-strung Channing (Felicity Jones) is married to the milquetoast Doug (Jason Schwartzman); the aloof Taylor (Chloë Grace Moretz) brings home yet another new girlfriend; and the perpetual child Sammy (Dominic Sessa) has just broken up with his girlfriend.

    Each of the family members seems to be oblivious to everything Claire does for them, especially when it comes to what she really wants: For them to nominate her to win a trip to see a talk show in L.A. hosted by Zazzy Tims (Eva Longoria). When she accidentally gets left behind on a planned outing to see a show, Claire reaches her breaking point and — in a kind of Home Alone in reverse — she decides to drive across the country to get to the show herself.

    Written and directed by Michael Showalter (The Idea of You), and co-written by Chandler Baker (who wrote the short story on which the film is based), the movie never establishes any kind of enjoyable rhythm. Each of the characters, including competitive neighbor Jeanne (Joan Chen), is assigned a character trait that becomes their entire personality, with none of them allowed to evolve into something deeper.

    The filmmakers lean hard into the idea that Claire is a person who always puts her family first and receives very little in return, but the evidence presented in the story is sketchy at best. Every situation shown in the film is so superficial that tension barely exists, and the (over)reactions by Claire give her family members few opportunities to make up for their failings.

    The most interesting part of the movie comes when Claire actually makes it to the Zazzy Sims show. Even though what happens there is just as unbelievable as anything else presented in the story, Showalter and Baker concoct a scene that allows Claire and others to fully express the central theme of the film, and for a few minutes the movie actually lives up to its title.

    Pfeiffer, given her first leading role since 2020’s French Exit, is a somewhat manic presence, and her thick Texas accent and unnecessary voiceover don’t do her any favors. It seems weird to have such a strong supporting cast with almost nothing of substance to do, but almost all of them are wasted, including Danielle Brooks in a blink-and-you'll-miss-it cameo. The lone exception is Longoria, who is a blast in the few scenes she gets.

    Oh. What. Fun. is far from the first movie to try and fail at becoming a new holiday classic, but the pedigree of Showalter and the cast make this dismal viewing experience extra disappointing. Ironically, overworked and underappreciated moms deserve a much better story than the one this movie delivers.

    ---

    Oh. What. Fun. is now streaming on Prime Video.

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    news/entertainment
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