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    Movie Review

    Funny and heartwarming Language Lessons is a balm for the soul

    Alex Bentley
    Sep 10, 2021 | 5:28 pm
    Funny and heartwarming Language Lessons is a balm for the soul
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    Many people have become all too familiar with video conferencing over the past 18 months, so using that method as the conceit for a whole film may not initially sound appealing. But when a story is told well using expert actors, as it is in Language Lessons, it can transcend the gimmick to become something memorable.

    The film throws the audience into the concept right away with Adam (Mark Duplass) starting a Zoom call with Cariño (Natalie Morales), an online Spanish teacher hired for Adam by his husband, Will (Desean Terry). The lessons are a surprise for Adam, who maintains comprehension and conversational ability from his younger years, but wishes to become completely fluent.

    Adam and Cariño strike up a nice bond almost immediately, but very early on the film becomes about much more than just Adam learning Spanish. Through their various lessons and a variety of video messages they send each other, the relationship between student and teacher moves quickly from being merely transactional to something much deeper. They are able to reach that point in spite — or perhaps because — of the physical distance between them, with Adam in Oakland and Cariño in Costa Rica.

    Directed by Morales and written by both Morales and Duplass, the film is able to achieve big levels of emotion that wouldn’t seem possible with two actors never physically performing together. Whether it’s the ubiquity of video conferencing during the pandemic or the way it’s used in the film, the fact that the whole film is told through screens is never bothersome. Even some technical difficulties — fuzzy video, dropped audio, etc. — add to the unique feeling of the story.

    The film is broken up into six chapters which are technically meant to track Adam’s progress, but the chapter titles — immersion, comprehension, context, grammar, extra credit, and fluency — take on a greater meaning because of personal events in both Adam and Cariño’s personal lives. Also, even though the production of the film was made during and influenced by the pandemic, the story never references that event, allowing it to explore different avenues without that added weight.

    Duplass and Morales make for a great platonic pair, playing off each other in many fantastic ways. Neither allows the fact that they weren’t in the same room with other to interfere with their performances. In fact, their banter is arguably enhanced by the separation, with each engaging in movements and dialogue that would have changed drastically had they actually been next to each other.

    Language Lessons is alternately funny, heartwarming, and heartbreaking, making it a balm for anyone tired of noisy blockbusters or the stress of the world at large. It’s not flashy in the least, and that’s what makes it work so well.

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    Language Lessons is playing in select theaters.

    Natalie Morales and Mark Duplass in Language Lessons.

    Natalie Morales and Mark Duplass in Language Lessons
    Photo courtesy of Shout! Factory
    Natalie Morales and Mark Duplass in Language Lessons.
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    Movie Review

    Meta-comedy remake Anaconda coils itself into an unfunny mess

    Alex Bentley
    Dec 26, 2025 | 2:30 pm
    Jack Black and Paul Rudd in Anaconda
    Photo by Matt Grace
    Jack Black and Paul Rudd in Anaconda.

    In Hollywood’s never-ending quest to take advantage of existing intellectual property, seemingly no older movie is off limits, even if the original was not well-regarded. That’s certainly the case with 1997’s Anaconda, which is best known for being a lesser entry on the filmography of Ice Cube and Jennifer Lopez, as well as some horrendous accent work by Jon Voight.

    The idea behind the new meta-sequel Anaconda is arguably a good one. Four friends — Doug (Jack Black), Griff (Paul Rudd), Claire (Thandiwe Newton), and Kenny (Steve Zahn) — who made homemade movies when they were teenagers decide to remake Anaconda on a shoestring budget. Egged on by Griff, an actor who can’t catch a break, the four of them pull together enough money to fly down to Brazil, hire a boat, and film a script written by Doug.

    Naturally, almost nothing goes as planned in the Amazon, including losing their trained snake and running headlong into a criminal enterprise. Soon enough, everything else takes second place to the presence of a giant anaconda that is stalking them and anyone else who crosses its path.

    Written and directed by Tom Gormican, with help from co-writer Kevin Etten, the film is designed to be an outrageous comedy peppered with laugh-out-loud moments that cover up the fact that there’s really no story. That would be all well and good … if anything the film had to offer was truly funny. Only a few scenes elicit any honest laughter, and so instead the audience is fed half-baked jokes, a story with no focus, and actors who ham it up to get any kind of reaction.

    The biggest problem is that the meta-ness of the film goes too far. None of the core four characters possess any interesting traits, and their blandness is transferred over to the actors playing them. And so even as they face some harrowing situations or ones that could be funny, it’s difficult to care about anything they do since the filmmakers never make the basic effort of making the audience care about them.

    It’s weird to say in a movie called Anaconda, but it becomes much too focused on the snake in the second half of the film. If the goal is to be a straight-up comedy, then everything up to and including the snake attacks should be serving that objective. But most of the time the attacks are either random or moments when the characters are already scared, and so any humor that could be mined all but disappears.

    Black and Rudd are comedy all-stars who can typically be counted on to elevate even subpar material. That’s not the case here, as each only scores on a few occasions, with Black’s physicality being the funniest thing in the movie. Newton is not a good fit with this type of movie, and she isn’t done any favors by some seriously bad wigs. Zahn used to be the go-to guy for funny sidekicks, but he brings little to the table in this role.

    Any attempt at rebooting/remaking an old piece of IP should make a concerted effort to differentiate itself from the original, and in that way, the new Anaconda succeeds. Unfortunately, that’s its only success, as the filmmakers can never find the right balance to turn it into the bawdy comedy they seemed to want.

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    Anaconda is now playing in theaters.

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