Flipping out

Olympics' biggest stars join Houston's Simone Biles for thrilling gymnastics showcase in Houston

Jordan Chiles, MyKayla Skinner, Jade Carey, and Grace McCallum won a trove of Olympic medals in Tokyo — and now they're coming to Texas entertain fans in a thrilling gymnastics "spectacular." Nearly every member of the Team USA gymnastics squad (minus one, sadly, Sunisa Lee) will join headliner Simone Biles on the Gold Over America Tour stopping at Toyota Center on October 8.

According to an August 19 news release, also performing will be 2016 Olympic gold and silver medalist and Dancing With The Stars champion Laurie Hernandez; All-American, NCAA National Champion and viral video sensation Katelyn Ohashi; winner of three gold medals in 2019 and 2020 at the Tokyo World Cup Morgan Hurd; elite gymnast Shilese Jones; former USA Gymnastics Women's Athlete of the Year Chellsie Memmel (who mounted a comeback at Nationals in Fort Worth); 2021 French Olympian Melanie De Jesus dos Santos; and 2018 NCAA National Champion from UCLA where she achieved 10 perfect 10’s, Peng-Peng Lee.

“The Athleta Presents Gold Over America Tour will match athleticism and entertainment,” Biles says in the release. “The show embodies the themes of empowerment and togetherness, which was on display in Tokyo. Together, all the gymnasts on this tour want to inspire the next generation of women and athletes.”

Beyond being a demonstration of eye-popping twists and flips, the show promises to promote values of empowerment, friendship, positive body image, mental health awareness, and self-confidence, organizers say.

But let's be real. We're there for the eye-popping twists and flips, too — and we know this dream lineup can raise the roof with them.

For those who need an Olympics refresher:

(Deep breath)

Houston's Biles — the most-decorated gymnast of all time — experienced a medical issue called "the twisties" after qualifying rounds, which made her death-defying stunts too dangerous to compete safely. When she suddenly dropped out of the team final, her Texas training mate Chiles and calm-and-collected teammate McCallum delivered some unscheduled clutch performances that helped win the team silver medal.

And then ... when Biles couldn't compete in the vault final, Skinner — who hadn't qualified, announced her retirement, and packed her bags to leave Tokyo — got the call to compete in Biles' spot and won herself a silver medal.

And then ... Carey, who'd flubbed her vault in the same final where Skinner won the silver medal, came charging back the next day with a stunning floor exercise and won herself a gold medal.

And then ... Biles returned triumphantly on the very last day of competition with a "twist-less" balance beam routine she could compete safely, and won herself a bronze medal.

(Exhale)

These shining stars of the Games will each perform some of their most famous routines mixed with career highlights, personal videos, and social media interactions; "the show is a high-energy, gymnastics-meets-pop-concert spectacular," the release says. A crew of gymnastic dancers under bright LED video screens and lights will heighten the adrenaline, and some ticketholders will get to join them onstage at the end.

It could be fans' last time to see Skinner perform, as she still plans to retire. Biles has not yet announced her future plans, but there was much pre-Olympics speculation that she'd hang up her leotard after this year, too. Both women are a "grandmotherly" 24 in a sport dominated by teenagers.

Local fans of Hernandez will be happy to see her back on the mats, too, as an injury in warmups at the National Championships took her out of the Fort Worth competition; she served as an NBC commentator at the Olympics. (Follow her comeback journey, as well as those of Hurd and other elite gymnasts, in the excellent docu-series Golden, streaming on NBC's Peacock app — one episode goes inside Dickies Arena for Nationals.)

The 35-city tour, which starts September 21 in Tucson, Arizona will also make Texas stops in San Antonio on October 6 and Houston on October 8.

Tickets for the Houston show start at $30, available through Ticketmaster.

To sign up for more information about VIP packages and a chance to dance in the show finale, visit www.GoldOverAmericaTour.com. Follow on Instagram & Facebook @GoldOverAmericaTour, Twitter @GoldOverAmerica and YouTube. #GoldInAllOfUs

Five of these Team USA gymnasts are going on tour.

Getty Images

Five of these Team USA gymnasts are going on tour.

tours sports

Movie Review

Summer camp drama The Plague proves middle school is still pure horror

Photo courtesy of IFC

Everett Blunck in The Plague.

Anybody who’s attended elementary school in the last 100 years knows the concept of “cooties,” a fictional affliction that is typically caught when touched by a member of the opposite sex. A more updated version of the same idea is featured in the Diary of a Wimpy Kid series, this time called the “Cheese Touch,” making anyone who touches a moldy piece of cheese on the school’s basketball court an outcast.

A much more menacing version of this “disease” is on display in The Plague, which takes place at a summer water polo camp for tweens. The film focuses on Ben (Everett Blunck), a slightly awkward boy who struggles to fit in with the “cool” crowd led by Jake (Kayo Martin). That group has no problems making fun of others that they deem to be different, especially Eli (Kenny Rasmussen), who has been ostracized because of a rash he has that the kids call “the plague.”

Ben wants to be part of the main group, but his natural empathy leads him to reach out to Eli on more than one occasion despite Eli engaging in some uncomfortable behavior. With the camp’s coach (Joel Edgerton) not much help when it comes to the bullying tactics by Jake and others, especially those that take place at night, Ben is left to fend for himself. His vacillations between wanting to be accepted and wanting to do what’s right continue until his hand is forced.

Written and directed by first-time feature filmmaker Charlie Polinger, the film has all the feel of a horror movie without actually being a horror. The staging used by Polinger gives the film a claustrophobic feel as Ben can’t seem to escape the psychological torture inflicted by Jake and others no matter where he goes. He also employs a jarring score by Johan Lenox to great effect, one that’s designed to keep viewers on edge even when nothing bad is happening.

No matter how far removed you are from middle school, the film will likely bring up feelings you thought you had left behind. Much like with Bo Burnham’s Eighth Grade, Polinger finds a way to tap into something universal in his depiction of tweens, an age when everyone is still discovering who they really are. Some go along to get along, others don’t even attempt to fit in, but no one truly feels settled.

Whether the plague is real or not in the world of the film is up for debate. While most of the time it comes off as something made up to underscore the feeling of otherness felt by Ben, Polinger does literalize it to a degree. He even tiptoes up to the line of body horror before wisely retreating, although what he does show will still make some viewers squeamish. However, because he seems to be leaning one way before pulling back, there’s the possibility that some will be disappointed by the tease of something more intense.

The film’s biggest success is in its casting. Finding good child actors is notoriously tough, and yet Polinger and casting director Rebecca Dealy found a bunch who sell the story for all it’s worth. Blunck, Martin, and Rasmussen get the most play, but everyone else complements them well. Edgerton is the only well-known actor in the film, but he’s used sparingly and isn’t asked to do much, leaving the kids to carry the story on their shoulders.

Fitting in as a tween is hard enough without others actively trying to find ways to cast someone out. The Plague is an effective demonstration of the dynamics that can play out in a competitive environment that also includes a group that has yet to develop into fully-rounded people. It features discomfort on multiple levels, marking an auspicious debut for Polinger.

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The Plague is now playing in theaters.

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