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    Underground Shocker

    Naughty, naughty: New underground theater brings ax murderers, hardbodies and S&M to Houston stages

    Joel Luks
    Jul 27, 2013 | 10:00 am

    Theatre Under the Stars, the otherwise family friendly presenter of happy musicals at the Hobby Center for the Performing Arts, has officially lost its innocence with the spawning of the organization's newest alter ego.

    Think of the recently launched TUTS Underground performance series as not akin to the bipolar Dr. Jekyll and Mr. Hyde, but rather as Dorothy from The Wizard of Oz dressed up in dominatrix duds — leather whip included — and slithering about shadowy alleys in search for a secret, dirty romp with a cross-dressing coterie of fetish-loving mortals sporting silver ties. It's more than wicked (musical pun intended), and there's no clicking heels to whisk you back home.

    TUTS administrators describe these new offerings as edgy, captivating, rockin' and risque — a far departure from the virginal, mother-approved shows like The Little Mermaid, Xanadu and Evita that are scheduled as part of the regular TUTS 2013-14 season.

    "I want to bring important theater to Houston — shows that make people think and view the world around them differently."

    Instead, TUTS Underground will present a quartet of works that include Lizzie (Oct. 10-20), based on the true story of Lizzie Borden, a Massachusetts ax murderer who was controversially acquitted of butchering her father and stepmother; 50 Shades! (Dec 17-22), a spoof on the erotically explicit novel by E.L. James; and Hands on a Hardbody (June 12-22, 2014), a musical based on a 1997 documentary in which 10 Texans vie to win a Nissan truck by being the last one to keep at least one hand on the vehicle. The fourth selection has not yet been determined.

    "I want to bring important theater to Houston — shows that make people think and view the world around them differently and from a new and exciting angle," Bruce Lumpkin, artistic director, said in a statement. "Houston is ready for this. TUTS is ready for this."

    Performances will be held in Zilkha Hall, the smaller and more intimate of the two Hobby Center theaters. TUTS Underground fills a void left when former Hobby Center resident troupe, The Masquerade Theatre, halted operations mid-season in 2012 as a result of financial duress. TUTS' presented Dixie's Tupperware Party in June as an experiment that tested whether Houston theater goers would buy into a twisted edition of a company that has largely targeted PG audiences.

    Sold out shows, one after the other, delivered the answer.

    TUTS is treating Underground as an immersive experience that extends outside the performance itself, pledging to engage guests from when they enter the theater till after curtain call. An al fresco wine and beer garden for mixing and mingling will serve as a forum to discuss the shows. Tickets will range from $24 to $49 and will go on sale starting Aug. 4.

    Hands on a Hard Body performing at the Brooks Atkinson Theater in New York

    TUTS Underground announcement July 2013 Hardbody
    Photo by © Chad Batka
    Hands on a Hard Body performing at the Brooks Atkinson Theater in New York
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    welcome home, wes

    Wes Anderson's Houston homecoming supports historic theater restoration

    Craig D. Lindsey
    Jul 20, 2026 | 12:30 pm
    Wes Anderson's Houston homecoming supports historic theater restoration

    A fancy, eccentric-looking crowd showed up for the Wes Anderson Homecoming Soirée, held on Friday, July 17, at the Hobby Center for the Performing Arts’s Zilkha Hall.

    Fans of the Houston-born, Oscar-winning auteur paid hundreds of dollars to attend this benefit event. Guys dressed up like characters from The Royal Tenenbaums. Others wore red skull caps and low-top Adidas, like the characters from The Life Aquatic with Steve Zissou. Some people working the event even wore “Lobby Boy” hats, looking like the bellboy character from The Grand Budapest Hotel.

    The people gathered for two reasons: 1) to get a chance to see Anderson in person; and 2) to raise money to renovate and restore the Garden Oaks Theater, a project spearheaded by local nonprofit Arthouse Houston. Top-tier “Founders Experience” ticketholders got a chance to meet Anderson onstage for pics. The St. John's School alum also received a proclamation from Mayor John Whitmire declaring it “Wes Anderson Day.”

    After that, he and actor/fellow SJS alum Michael Maggart (who has appeared in several Anderson films) held a half-hour discussion where they reminisced about making Rushmore here in Houston, Anderson’s days working at the Bookstop on W. Alabama (now a Trader Joe’s), and how he and frequent collaborator Owen Wilson used to sneak into the River Oaks Theatre. (It involved pretending to lose a pair of glasses.)

    Of course, the conversation shifted to Anderson coming back home to support the Garden Oaks project. “I always say you can't build an old building,” Anderson said. “First of all, I mean, a beautiful old place has history, and has people's experiences tied into it, and it has stories involved in it. And I think an old cinema — these things are kind of endangered all over the world, and it's not just an architectural thing. It's not even just a community thing. It's a sort of delivery system for something that’s, to me, deeply important to our country.

    “It’s one thing we can access these things on all these devices,” he continued. “It's a different thing when you go to a place that's designed to help you share the experience of a movie together. It's such a powerful art form. And, anyway, for me, it's worth making a bit of an effort to try to save a place like the Garden Oaks.”

    After the convo, he introduced the quintet of films he curated for the event. (Unfortunately the DCP file for his 2007 short Hotel Chevalier had some technical difficulties and was cut short.) “We wanted to do a screening here, and I don't have a new movie to show,” he said. “I don't have something hot off the presses. So, I thought I'd put together a little something that just was different from what anybody else will see. So it's a sort of mixture… This is just for Texas, this little collection.”

    He eventually left the stage, leaving Arthouse Houston co-founder/director Maureen McNamara and Houston Public Media host Ernie Manouse to auction off perks & gifts and encourage the audience in helping revive another legendary, local movie palace. Among other items, attendees bid for treasures such as a special John Waters backstage VIP experience at his upcoming Christmas Show, dinner with John Cameron Mitchell, and a rare set of photo portraits of a young Anderson and friends, circa Bottle Rocket. Others paid $5,000 for select seats in the future theater and $5,000 to restore one foot of the venue's neon sign.

    Wes Anderson homecoming soiree

    Photo by Alan Nguyen

    Mayor John Whitmire declared Friday as Wes Anderson day in the director's honor.

    So far, the effort has raised approximately $1.3 million of the $4 million required to begin the renovation project. The organization needs to raise $4 million by July 30 for the project to move forward. Those interested in securing naming rights will find more information here.

    “River Oaks has 245 seats,” McNamara informed the crowd. “The Garden has over 700, and that is a place that we don't have in Houston. We have a need for that, for premieres, for performances in your life, for music, for a dynamic learning & exhibition space… So, we're building new on the shoulders of our history. I hope you guys will join us, and we need people to join us in a big way today.”

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