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    Shake Your Groove Thing

    Royal lineup: Priscilla, Evita & We Will Rock You are Queens of TUTS new musical season

    Joel Luks
    Feb 16, 2013 | 8:00 am

    Transsexuals, queens, half-human creatures, witches with issues and presidential first ladies are some of the characters who will work their magic onstage at the Hobby Center for the Performing Arts.

    Four traveling spectacles and two self-produced shows comprise Theatre Under the Stars (TUTS) playbill for the 2013-14 season, the art presenter's 46th year offering Houston audiences a melange of musicals, a blend of timeless classics and innovative productions. The season is sponsored by St. Luke's Episcopal Health System.

    Click on the videos to watch a short clip of the musical, keeping in mind that productions and casts will vary.

    Priscilla, Queen of the Desert - The Musical (Sept. 29 - Oct. 12)

    If you have an aversion to chatting about wigs, dresses, bust sizes, penises, drugs, stilettos, night clubs, exploding tampons and Abba, then it's best to keep your distance from this absolutely fabulous drag queen musical set down under. Think "I Will Survive," "Shake Your Groove Thing" and "Hot Stuff" in Aussie patois.

    Elf - The Musical (Dec. 6 - 19)

    Some may say that Elf - The Musical is just too young to be considered a holiday tradition like A Christmas Carol or The Nutcracker. But Matthew Sklar's and Chad Beguel's score plus a story about a young orphan, Santa's sleigh and a rendezvous to the North Pole are ideal elements of a feel-good show where the naughty and nice alike learn what Christmas is all about. Elf will be produced by TUTS.

    We Will Rock You (Jan. 22 - Feb 2. 2014)

    Here is a winning formula: The '80s, which are the new '70s, and the jukebox musical, a Broadway genre that has exploded in the past decade. We Will Rock You, which premiered in 2002, tunes into Queen's big hair anthems like "Somebody to Love" and "Bohemian Rhapsody" to craft an intertwined tale about prophecies and supernatural guitars.

    The Wizard of Oz (March 4 - 16, 2014)

    From the dude that gifted the world with Phantom of the Opera, Jesus Christ Superstar and Sunset Boulevard comes this fresh Andrew Lloyd Webber 2011 setting of an old film favorite, an adaptation that won Best Musical Revival at the 2013 Whatsonstage.com Theatergoers Choice Awards. Everyone knows what happens when Dorothy journeys along the Yellow Brick Road, but no one gets tired of revisiting the wizard. Because anything that's ridiculed by South Park will most likely survive the test of time.

    Evita (May 6 - 18, 2014)

    Tim Rice, who provided some of the lyrics for The Wizard of Oz, and Andrew Lloyd Webber are the duo responsible for the score that adds sass to the life of one of South America's most beloved civic leaders. Argentina's former First Lady Eva Perón is yet another example that women — not men — rule the world.

    Evita says not to cry, but you probably will.

    Disney's The Little Mermaid (June 13 - 26, 2014)

    It's Disney, and that, in a nutshell, certifies this TUTS under-the-sea production feels as refreshing as a dip in cool ocean waters on a hot and humid Houston midsummer night. Moral of the story: Stay clear of demonic sea witches named Ursula.

    ___

    Subscriptions to Theatre Under The Stars 2013-14 season are available online and by phone at 713-558-TUTS.

    We Will Rock You

    TUTS 2013-2014 season, February 2013, We Will Rock You
    Photo courtesy of Theatre Under the Stars
    We Will Rock You
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    welcome home, wes

    Wes Anderson's Houston homecoming supports historic theater restoration

    Craig D. Lindsey
    Jul 20, 2026 | 12:30 pm
    Wes Anderson's Houston homecoming supports historic theater restoration

    A fancy, eccentric-looking crowd showed up for the Wes Anderson Homecoming Soirée, held on Friday, July 17, at the Hobby Center for the Performing Arts’s Zilkha Hall.

    Fans of the Houston-born, Oscar-winning auteur paid hundreds of dollars to attend this benefit event. Guys dressed up like characters from The Royal Tenenbaums. Others wore red skull caps and low-top Adidas, like the characters from The Life Aquatic with Steve Zissou. Some people working the event even wore “Lobby Boy” hats, looking like the bellboy character from The Grand Budapest Hotel.

    The people gathered for two reasons: 1) to get a chance to see Anderson in person; and 2) to raise money to renovate and restore the Garden Oaks Theater, a project spearheaded by local nonprofit Arthouse Houston. Top-tier “Founders Experience” ticketholders got a chance to meet Anderson onstage for pics. The St. John's School alum also received a proclamation from Mayor John Whitmire declaring it “Wes Anderson Day.”

    After that, he and actor/fellow SJS alum Michael Maggart (who has appeared in several Anderson films) held a half-hour discussion where they reminisced about making Rushmore here in Houston, Anderson’s days working at the Bookstop on W. Alabama (now a Trader Joe’s), and how he and frequent collaborator Owen Wilson used to sneak into the River Oaks Theatre. (It involved pretending to lose a pair of glasses.)

    Of course, the conversation shifted to Anderson coming back home to support the Garden Oaks project. “I always say you can't build an old building,” Anderson said. “First of all, I mean, a beautiful old place has history, and has people's experiences tied into it, and it has stories involved in it. And I think an old cinema — these things are kind of endangered all over the world, and it's not just an architectural thing. It's not even just a community thing. It's a sort of delivery system for something that’s, to me, deeply important to our country.

    “It’s one thing we can access these things on all these devices,” he continued. “It's a different thing when you go to a place that's designed to help you share the experience of a movie together. It's such a powerful art form. And, anyway, for me, it's worth making a bit of an effort to try to save a place like the Garden Oaks.”

    After the convo, he introduced the quintet of films he curated for the event. (Unfortunately the DCP file for his 2007 short Hotel Chevalier had some technical difficulties and was cut short.) “We wanted to do a screening here, and I don't have a new movie to show,” he said. “I don't have something hot off the presses. So, I thought I'd put together a little something that just was different from what anybody else will see. So it's a sort of mixture… This is just for Texas, this little collection.”

    He eventually left the stage, leaving Arthouse Houston co-founder/director Maureen McNamara and Houston Public Media host Ernie Manouse to auction off perks & gifts and encourage the audience in helping revive another legendary, local movie palace. Among other items, attendees bid for treasures such as a special John Waters backstage VIP experience at his upcoming Christmas Show, dinner with John Cameron Mitchell, and a rare set of photo portraits of a young Anderson and friends, circa Bottle Rocket. Others paid $5,000 for select seats in the future theater and $5,000 to restore one foot of the venue's neon sign.

    Wes Anderson homecoming soiree

    Photo by Alan Nguyen

    Mayor John Whitmire declared Friday as Wes Anderson day in the director's honor.

    So far, the effort has raised approximately $1.3 million of the $4 million required to begin the renovation project. The organization needs to raise $4 million by July 30 for the project to move forward. Those interested in securing naming rights will find more information here.

    “River Oaks has 245 seats,” McNamara informed the crowd. “The Garden has over 700, and that is a place that we don't have in Houston. We have a need for that, for premieres, for performances in your life, for music, for a dynamic learning & exhibition space… So, we're building new on the shoulders of our history. I hope you guys will join us, and we need people to join us in a big way today.”

    wes andersongarden oaksrushmorehoustonfundraisers
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