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    The Review is In

    Rim job tips and Tupperware hookers: Dixie riotously blows away TUTS' family-friendly image

    Joel Luks
    Jun 7, 2013 | 11:32 am
    Dixie's Tupperware Party
    Theatre Under the Stars presents Dixie's Tupperware Party at the Hobby Center for the Performing Arts through June 16.
    Photo by Bradford Rogne

    Rimming races? Yes, she went there, took a picture, got the T-shirt and tweeted all about it. Oh. My. Word. I. die.

    I am not the kind of chap who blushes at dirty jokes or ribald play on words. In fact, I've inappropriately "opened mouth and inserted foot" on more than one occasion, only to wonder, what the hell I was thinking. But nothing could've prepared me for the run on inventory of double entendres and sexual innuendos that just kept on coming courtesy of one fast-talking southern dame who tells it like it is — and doesn't apologize for it. What you see is what you get.

    You have no choice but love on Dixie Longate, the trailer chic gentlewoman hailing from a classy trailer park suburb in Mobile, Ala., who's the star of Dixie's Tupperware Party, presented by Theatre Under the Stars through June 16.

    Nothing could've prepared me for the run on inventory of double entendres and sexual innuendos that just kept on coming.

    It isn't easy to discern where her real story ends and fiction begins — and what's scripted and what's improv — in this two-hour, one-woman show that gets going when the leading gal pours Jack Daniel's into a no-spill tumbler with a bendy straw. Turn the drinking vessel upside down and . . . the happy liquid stays put, preventing leaks like a tight vagina, Dixie jokes.

    The show-and-tell sales demonstration is the real deal, y'all. Audiences members, which she endearingly calls hookers, are encouraged to pore over printed Tupperware catalogs, circle their favorites and purchase them at the end of the non-stop comedy fiasco — cash, checks and credit card accepted.

    Tupperware Warning

    Tip: Whatever you do, don't call the containers, bowls. Make no mistake about it. These are food storage solutions for the home that carry lifetime warranties. Moreover, some of the products are on display at museums, have earned design awards and are studied in business schools as examples of a successful marketing strategy.

    Yet amid the delightfully lewd homily that includes how to perform fellatio, the best way to cook and carry vodka-spiked Jell-O shots and suggestions on keeping that cucumber crisp and firm in the ice box (or next to your bed) — because there's no use for flaccid and slimy cylindrical produce— Dixie's Tupperware Party goes beyond the riotous farce setup to detail a journey of female empowerment from the 1950s to today.

    There's substance to the show and depth to this amicable, enterprising lady, who's instantly everyone's friend.

    After all, it was a divorcee, Georgia-native Brownie Wise, who first conceived of a domestic, social function (those tupperware parties) as a means to morph from a housewife into a bread winner for her family. The successful entrepreneur became the first woman to be featured on the cover of Business Week when she was hired as the vice president of Tupperware home parties for Stanley Home Products.

    A New Hampshire man, Earl Silas Tupper, may be credited with introducing Tupper Plastics to the market in 1946. And sure, it's his patronymic that's now a household name. But the real achievement belongs to Wise.

    Longate's story follows along the same line. She earned the title of America's No. 1 Personal Seller of Tupperware because of her uncanny ability to move "plastic crap" after surviving three ex-husbands, who are all deceased, raising three children, Wynona, Dwayne and Absorbine Jr., and doing hard time in the slammer.

    What launched as an Ars Nova production in New York presented by the New York International Fringe Festival off Broadway, a work of playwright Kris Andersson and director Patrick Richwood, is causing quite a hoopla in theater circles, earning a Drama Desk Award nomination. With this run, TUTS set in motion a series of more intimate pieces staged at the Hobby Center's smaller theater, the 500-seat Zilkha Hall.

    It's a move that broadens the local company's reputation from its current standing as a family-friendly art presenter to one who isn't afraid to walk on the wild side with mature, risqué works.

    Dixie's Tupperware Party may seem like its all lucrative naughty fun and drinking games. Plastic bowls plus inebriated women typically equals loads of Tupperware orders. But there's substance to the show and depth to this amicable, enterprising lady, who's instantly everyone's friend, the kind of who's an indispensable addition to an all-night carouse that ends when you pass out next to an aromatic dumpster — and the kind of kindred spirit who uplifts you when you are down in the dumps.

    You could say that Dixie Longate is a modern definition of the American dream.

    ___

    Theatre Under the Stars presents Dixie's Tupperware Party at the Hobby Center for the Performing Arts through June 16. Tickets start at $24 and can be purchased online or by calling 713-558-8887.

    unspecified
    news/entertainment

    welcome home, wes

    Wes Anderson's Houston homecoming supports historic theater restoration

    Craig D. Lindsey
    Jul 20, 2026 | 12:30 pm
    Wes Anderson's Houston homecoming supports historic theater restoration

    A fancy, eccentric-looking crowd showed up for the Wes Anderson Homecoming Soirée, held on Friday, July 17, at the Hobby Center for the Performing Arts’s Zilkha Hall.

    Fans of the Houston-born, Oscar-winning auteur paid hundreds of dollars to attend this benefit event. Guys dressed up like characters from The Royal Tenenbaums. Others wore red skull caps and low-top Adidas, like the characters from The Life Aquatic with Steve Zissou. Some people working the event even wore “Lobby Boy” hats, looking like the bellboy character from The Grand Budapest Hotel.

    The people gathered for two reasons: 1) to get a chance to see Anderson in person; and 2) to raise money to renovate and restore the Garden Oaks Theater, a project spearheaded by local nonprofit Arthouse Houston. Top-tier “Founders Experience” ticketholders got a chance to meet Anderson onstage for pics. The St. John's School alum also received a proclamation from Mayor John Whitmire declaring it “Wes Anderson Day.”

    After that, he and actor/fellow SJS alum Michael Maggart (who has appeared in several Anderson films) held a half-hour discussion where they reminisced about making Rushmore here in Houston, Anderson’s days working at the Bookstop on W. Alabama (now a Trader Joe’s), and how he and frequent collaborator Owen Wilson used to sneak into the River Oaks Theatre. (It involved pretending to lose a pair of glasses.)

    Of course, the conversation shifted to Anderson coming back home to support the Garden Oaks project. “I always say you can't build an old building,” Anderson said. “First of all, I mean, a beautiful old place has history, and has people's experiences tied into it, and it has stories involved in it. And I think an old cinema — these things are kind of endangered all over the world, and it's not just an architectural thing. It's not even just a community thing. It's a sort of delivery system for something that’s, to me, deeply important to our country.

    “It’s one thing we can access these things on all these devices,” he continued. “It's a different thing when you go to a place that's designed to help you share the experience of a movie together. It's such a powerful art form. And, anyway, for me, it's worth making a bit of an effort to try to save a place like the Garden Oaks.”

    After the convo, he introduced the quintet of films he curated for the event. (Unfortunately the DCP file for his 2007 short Hotel Chevalier had some technical difficulties and was cut short.) “We wanted to do a screening here, and I don't have a new movie to show,” he said. “I don't have something hot off the presses. So, I thought I'd put together a little something that just was different from what anybody else will see. So it's a sort of mixture… This is just for Texas, this little collection.”

    He eventually left the stage, leaving Arthouse Houston co-founder/director Maureen McNamara and Houston Public Media host Ernie Manouse to auction off perks & gifts and encourage the audience in helping revive another legendary, local movie palace. Among other items, attendees bid for treasures such as a special John Waters backstage VIP experience at his upcoming Christmas Show, dinner with John Cameron Mitchell, and a rare set of photo portraits of a young Anderson and friends, circa Bottle Rocket. Others paid $5,000 for select seats in the future theater and $5,000 to restore one foot of the venue's neon sign.

    Wes Anderson homecoming soiree

    Photo by Alan Nguyen

    Mayor John Whitmire declared Friday as Wes Anderson day in the director's honor.

    So far, the effort has raised approximately $1.3 million of the $4 million required to begin the renovation project. The organization needs to raise $4 million by July 30 for the project to move forward. Those interested in securing naming rights will find more information here.

    “River Oaks has 245 seats,” McNamara informed the crowd. “The Garden has over 700, and that is a place that we don't have in Houston. We have a need for that, for premieres, for performances in your life, for music, for a dynamic learning & exhibition space… So, we're building new on the shoulders of our history. I hope you guys will join us, and we need people to join us in a big way today.”

    wes andersongarden oaksrushmorehoustonfundraisers
    news/entertainment
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