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    The Review is In

    Rim job tips and Tupperware hookers: Dixie riotously blows away TUTS' family-friendly image

    Joel Luks
    Jun 7, 2013 | 11:32 am
    Dixie's Tupperware Party
    Theatre Under the Stars presents Dixie's Tupperware Party at the Hobby Center for the Performing Arts through June 16.
    Photo by Bradford Rogne

    Rimming races? Yes, she went there, took a picture, got the T-shirt and tweeted all about it. Oh. My. Word. I. die.

    I am not the kind of chap who blushes at dirty jokes or ribald play on words. In fact, I've inappropriately "opened mouth and inserted foot" on more than one occasion, only to wonder, what the hell I was thinking. But nothing could've prepared me for the run on inventory of double entendres and sexual innuendos that just kept on coming courtesy of one fast-talking southern dame who tells it like it is — and doesn't apologize for it. What you see is what you get.

    You have no choice but love on Dixie Longate, the trailer chic gentlewoman hailing from a classy trailer park suburb in Mobile, Ala., who's the star of Dixie's Tupperware Party, presented by Theatre Under the Stars through June 16.

    Nothing could've prepared me for the run on inventory of double entendres and sexual innuendos that just kept on coming.

    It isn't easy to discern where her real story ends and fiction begins — and what's scripted and what's improv — in this two-hour, one-woman show that gets going when the leading gal pours Jack Daniel's into a no-spill tumbler with a bendy straw. Turn the drinking vessel upside down and . . . the happy liquid stays put, preventing leaks like a tight vagina, Dixie jokes.

    The show-and-tell sales demonstration is the real deal, y'all. Audiences members, which she endearingly calls hookers, are encouraged to pore over printed Tupperware catalogs, circle their favorites and purchase them at the end of the non-stop comedy fiasco — cash, checks and credit card accepted.

    Tupperware Warning

    Tip: Whatever you do, don't call the containers, bowls. Make no mistake about it. These are food storage solutions for the home that carry lifetime warranties. Moreover, some of the products are on display at museums, have earned design awards and are studied in business schools as examples of a successful marketing strategy.

    Yet amid the delightfully lewd homily that includes how to perform fellatio, the best way to cook and carry vodka-spiked Jell-O shots and suggestions on keeping that cucumber crisp and firm in the ice box (or next to your bed) — because there's no use for flaccid and slimy cylindrical produce— Dixie's Tupperware Party goes beyond the riotous farce setup to detail a journey of female empowerment from the 1950s to today.

    There's substance to the show and depth to this amicable, enterprising lady, who's instantly everyone's friend.

    After all, it was a divorcee, Georgia-native Brownie Wise, who first conceived of a domestic, social function (those tupperware parties) as a means to morph from a housewife into a bread winner for her family. The successful entrepreneur became the first woman to be featured on the cover of Business Week when she was hired as the vice president of Tupperware home parties for Stanley Home Products.

    A New Hampshire man, Earl Silas Tupper, may be credited with introducing Tupper Plastics to the market in 1946. And sure, it's his patronymic that's now a household name. But the real achievement belongs to Wise.

    Longate's story follows along the same line. She earned the title of America's No. 1 Personal Seller of Tupperware because of her uncanny ability to move "plastic crap" after surviving three ex-husbands, who are all deceased, raising three children, Wynona, Dwayne and Absorbine Jr., and doing hard time in the slammer.

    What launched as an Ars Nova production in New York presented by the New York International Fringe Festival off Broadway, a work of playwright Kris Andersson and director Patrick Richwood, is causing quite a hoopla in theater circles, earning a Drama Desk Award nomination. With this run, TUTS set in motion a series of more intimate pieces staged at the Hobby Center's smaller theater, the 500-seat Zilkha Hall.

    It's a move that broadens the local company's reputation from its current standing as a family-friendly art presenter to one who isn't afraid to walk on the wild side with mature, risqué works.

    Dixie's Tupperware Party may seem like its all lucrative naughty fun and drinking games. Plastic bowls plus inebriated women typically equals loads of Tupperware orders. But there's substance to the show and depth to this amicable, enterprising lady, who's instantly everyone's friend, the kind of who's an indispensable addition to an all-night carouse that ends when you pass out next to an aromatic dumpster — and the kind of kindred spirit who uplifts you when you are down in the dumps.

    You could say that Dixie Longate is a modern definition of the American dream.

    ___

    Theatre Under the Stars presents Dixie's Tupperware Party at the Hobby Center for the Performing Arts through June 16. Tickets start at $24 and can be purchased online or by calling 713-558-8887.

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    Movie Review

    Safe cracking takes center stage in new heist movie Tuner

    Alex Bentley
    May 29, 2026 | 3:14 pm
    Leo Woodall in Tuner
    Photo courtesy of Black Bear
    Leo Woodall in Tuner.

    Of all the ways that movies depict people trying to steal money and other valuables, safe cracking is among the least exciting. By design, it’s a laborious process that only those with a very certain set of skills can do. While clever editing and the right music can enhance scenes of safes being cracked, there’s a reason that the method is among the least used in heist films.

    In the new film Tuner, Niki (Leo Woodall) has a job and a condition that just happens to lend itself well to committing that specific crime. He works as an apprentice piano tuner for Harry (Dustin Hoffman), usually doing the hard work while Harry schmoozes the client. Niki is well-suited for the job because he has a rare condition called hyperacusis, which makes him both sensitive to loud noises and able to hear subtle things that others cannot.

    When he runs across a trio of criminals trying to break open a safe at a house where he’s tuning a piano, he helps them more out of frustration than avarice. But when Harry goes into the hospital and racks up huge bills, Niki decides to join the group to make some quick money. They soon want more than he’s willing to give, and he must find a way to extricate himself from them without losing himself completely.

    Written and directed by documentary filmmaker Daniel Roher (making his narrative feature debut) and co-written by Robert Ramsey, the film has a nice pace to it despite there being relatively little action. Roher and Ramsey spend the first third or so establishing Niki, Harry, and Harry’s wife Marla (Tovah Feldshuh) as characters, letting the audience understand their relationships and how they interact with each other.

    The time they devote to the personal storytelling pays dividends when Niki starts to descend into crime, as his divided loyalties — not to mention the danger of the thefts — insert tension into the plot. That stress is heightened even more when Niki starts a relationship with piano student Ruthie (Havana Rose Liu), as getting closer to her necessitates a series of lies.

    There comes a point, though, where the plot stagnates to a degree. Niki’s end goal, if he has one, is never clear, and it’s obvious that it’s only a matter of time before things start to fall apart. After starting strong in their character development, Roher and Ramsey take shortcuts as the film rushes toward its conclusion. This is most notable in a weird argument scene between Niki and Ruthie that comes out of nowhere and seems to serve no purpose in the story.

    Woodall, who had a memorable turn in season 2 of The White Lotus, is on the cusp of breaking out, and this understated-but-compelling lead role should help him become an even bigger name in Hollywood. Hoffman has a small role, but he remains as interesting as ever despite the lack of screentime. Liu (Bottoms) is also an up-and-coming actor who should become a star with more roles like this one.

    Tuner is a low-key thriller that succeeds because of the way the filmmakers approach the under-used method of robbery. Even if it doesn’t quite reach its potential, the film maintains a high quality throughout thanks to its storytelling and acting.

    ---

    Tuner is now playing in theaters.

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