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    Latin wave 7

    Proust at the beach: Bonsái is a Latin American gem

    David Theis
    Apr 27, 2012 | 9:33 pm

    Of the three Latin Wave films I was able to preview, Christián Jiménez’s Bonsái was by far my favorite. Based on a novella by Alejandro Zambra, the film, which will be shown Saturday night and Sunday afternoon at the Latin Wave film festival, is very visual and cinematic, but also infused with a refined literary sensibility.

    The film makes numerous references to Proust, including one that is really funny, and goes on an “in search of lost time” quest that is more typical of literature than of film. If that sounds a little precious, don’t worry. Jiménez wears his literary sensibility lightly.

    The film tells the story of Julio (Diego Noguera), a lackadaisical young student and would-be writer who, in order to impress a beautiful classmate, Emilia (Nathalia Galgani), pretends that he’s a Proust aficionado. Hoping to get it read before being found out (maybe he isn’t aware that In Search of Lost Time runs seven volumes), he checks out Book One from the school library and repairs to the beach to read.

    Based on a novella by Alejandro Zambra, Bonsái is very visual and cinematic, but also infused with a refined literary sensibility.

    This is already pretty funny, Proust as summer reading, but Jiménez compounds the joke by having Julio fall asleep when the book open on his chest; he tans around the outline of the book, so that he’s left with a big white rectangle on his red chest, and a one-word joke that I won’t give away here.

    The film then leaps forward eight years, where the formerly fresh faced Julio is now a bearded and disheveled would-be writer trying to make ends meet. He’s conducting a somewhat philosophical affair with his neighbor Blanca (Trinidad Gonzalez), whom at first I took to still be Emilia, looking a little different eight years on. I don’t know if I was being obtuse, or if tricking viewers to make that mistake is part of Jiménez’ scheme.

    Julio meets with a successful author, Gazmuri (Hugo Medina) who is looking for someone to type his handwritten manuscript. When Gazmuri gives the job to someone else, Julio pretends he’s doing it anyway, so he can tell Blanca that he’s working. In the pretense of writing Gazmuri’s novel, he instead writes his own, the one that presumably he hasn’t yet been able to write. In it he tells the sad story of his relationship with Emilia. The story cuts back and forth in time, with him reading “Gazmuri’s” novel to Blanca by night, and her commenting on his lost love, without realizing she’s doing so.

    The sight of Julio sinking into the past as he recreates it in fiction becomes very moving, but never mawkish. Jiménez and Noguera hit all the right notes, and maintain a touch of whimsy to the end. I’d like to see this one again.

    Bonsái will be shown Saturday at 7 p.m. and Sunday at 1 p.m. at the Museum of Fine Arts, Houston. Director Cristián Jiménez will be in attendance. For details, click here.

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    Movie Review

    Live action Lilo & Stitch remake offers up frenzied fun and nostalgia

    Alex Bentley
    May 23, 2025 | 2:30 pm
    Lilo & Stitch
    Courtesy of Disney
    Lilo & Stitch returns to theaters this weekend.

    The project to turn every single Disney animated movie into a “live action” film has rarely seemed like anything but a money grab by the movie studio. Most of the films have failed to update the original in any meaningful way, and in many of the cases, they’re almost shot-for-shot remakes, making the reason for the new film’s existence even more confusing.

    Having almost exhausted the supply of their 20th century movies, Disney has now remade 2002’s Lilo & Stitch. The film follows an alien experiment, originally known as 626 (voiced by Chris Sanders), created by Jumba ( Zach Galifianakis) for the benefit of an alien race led by the Grand Councilwoman (Hannah Waddingham). Unfortunately, 626 is too uncontrollable for them, and is banished to the faraway planet known as Earth.

    Landing in Hawaii, the creature soon to be known as Stitch gloms on to a young girl named Lilo (Maia Kealoha), who mistakes it for a dog while looking for companionship following the death of her parents. Tracked by Jumba and fellow alien Pleakley (Billy Magnussen), now in human form, Stitch leaves a trail of destruction wherever he goes, much to the chagrin of Lilo’s older sister, Nani (Sydney Agudong).

    Directed by Dean Fleischer Camp and written by Chris Kekaniokalani Bright and Mike Van Waes, the film will surely be a blast of nostalgia for anyone who was a kid when the original came out. The now-3D Stitch is just as chaotic as ever, and they even included cast members from the first film like Tia Carrere (now playing a social worker for the orphaned sisters) and Amy Hill as a kindly neighbor.

    But for all of the frenzied fun that Stitch offers, there’s very little else that holds the story together. For one, the Lilo character as a real person doesn’t work as well as she does in animated form, as there’s something fluid that happens in animation that feels stilted when it’s an actual little girl. Perhaps sensing this fault, the film is loaded to the hilt with bite-sized moments that try to make the audience laugh, but do little to give the story any meaning.

    The difference between animation and live action is never more evident than with Jumba, Pleakley, and CIA agent Cobra Bubbles (Courtney B. Vance). Characters that are goofy and enjoyable in animated form come off as weird and off-putting in human form. They’re supposed to bring a sense of fun and even suspense to the film, but instead they feel like characters who are getting in the way of a better story.

    Kealoha, making her professional debut, is definitely cute and offers up some interesting moments opposite Stitch and Nani, but her lack of experience shows. Agudong turns in the best performance, giving a bit of emotional weight to a film that needed more. Galifianakis and Magnussen would have been better served as voice-only roles; neither comes off well when their characters turn into humans. Hill is like a warm hug every time she comes on screen, and the story could have used more of her.

    The new Lilo & Stitch is not an abomination, but like most of the Disney live action remakes before it, it fails to stand on its own merits. Never given a chance to be its own thing and featuring storytelling too disjointed to be effective, the film is another so-so effort from a studio that knows how to make much better movies.

    ---

    Lilo & Stitch is now playing in theaters.

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