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    Let's Go Rodeo!

    Alabama opens RodeoHouston with hit songs from glory days

    Whitney Radley
    Feb 29, 2012 | 6:46 am
    • The opening notes of the first song rang through the dark stadium: "If You'reGonna Play in Texas (You've Gotta Have a Fiddle in the Band)."
      Photo by © Michelle Watson/CatchLightGroup.com
    • Wearing a personalized Texans jersey and enlivening the crowd with claps andyells, Randy Owen commanded the stage.
      Photo by © Michelle Watson/CatchLightGroup.com
    • Alabama salutes the RodeoHouston audience.
      Photo by © Michelle Watson/CatchLightGroup.com

    Mutton Bustin' is undoubtedly a tough act to follow on opening night of the 2012 Houston Livestock Show and Rodeo, but legendary Southern rock band Alabama did its best. As 10-year veterans of RodeoHouston, the group knows how to put on a show.

    Overhead lights at Reliant Stadium flickered out one by one as the livestock left the field, and after a flurry of fireworks and lasers, the opening notes of the first song rang through the dark stadium: "If You're Gonna Play in Texas (You've Gotta Have a Fiddle in the Band)."

    For whatever reason, "Song of the South" began with a series of hip gyrations (courtesy of Owen) and ended with a fond reminiscence of his families' truck loyalties.

    "Now ladies and gentlemen, we came here tonight for one reason and one reason only. We came here to have a party with y'all tonight," said Randy Owen, the band's guitarist and lead vocalist. At 62, Owen is still graced with a full head of hair, a statement mustache and a spry body adept at kicking and jumping along to the music.

    Wearing a personalized Texans jersey and enlivening the crowd with claps and yells, Owen certainly commanded the stage, but bassist Teddy Gentry's fancy fretwork and Jeff Cook's dexterity on both his guitar and electric fiddle didn't go unnoticed.

    Bolstered by a five-piece backing band, Alabama dipped into an arsenal of hit songs from the glory days of the '80s throughout its hour-long performance. "Tennessee River" (the single that first brought the band to the top of the country music charts) made the set list, followed by "Dixieland Delight," a tale of love in the backwoods.

    For whatever reason, "Song of the South" began with a series of hip gyrations (courtesy of Owen) and ended with a fond reminiscence of his families' truck loyalties. Soon after, the tempo slowed with the love ballad "Feels So Right," then picked up again with "She and I" and "Closer You Get" before a heavy dedication to the veterans and the military men and women still serving overseas with "Angels Among Us."

    "Roll On (Eighteen Wheeler)," "My Home's in Alabama" and "Lady Down On Love" rounded out the show, and by the time the closing song — the epic "Mountain Music" — came on, the stadium's crowd had largely thinned.

    Still, Owen, Gentry and Cook left the stadium to thunderous applause. Exiting in the bed of a Ford pickup, bathed in a beam of light, Alabama left a longing for simpler times and an appreciation of Southern values.

    unspecifiedseries568664023
    news/entertainment
    series/lets-go-rodeo-2012

    Movie Review

    Michelle Pfeiffer visits Houston in new Christmas movie Oh. What. Fun.

    Alex Bentley
    Dec 5, 2025 | 3:30 pm
    Michelle Pfeiffer in Oh. What. Fun.
    Photo courtesy of Amazon MGM Studios
    Michelle Pfeiffer in Oh. What. Fun.

    Of all the formulaic movie genres, Christmas/holiday movies are among the most predictable. No matter what the problem is that arises between family members, friends, or potential romantic partners, the stories in holiday movies are designed to give viewers a feel-good ending even if the majority of the movie makes you feel pretty bad.

    That’s certainly the case in Oh. What. Fun., in which Michelle Pfeiffer plays Claire, an underappreciated mom living in Houston with her inattentive husband, Nick (Denis Leary). As the film begins, her three children are arriving back home for Christmas: The high-strung Channing (Felicity Jones) is married to the milquetoast Doug (Jason Schwartzman); the aloof Taylor (Chloë Grace Moretz) brings home yet another new girlfriend; and the perpetual child Sammy (Dominic Sessa) has just broken up with his girlfriend.

    Each of the family members seems to be oblivious to everything Claire does for them, especially when it comes to what she really wants: For them to nominate her to win a trip to see a talk show in L.A. hosted by Zazzy Tims (Eva Longoria). When she accidentally gets left behind on a planned outing to see a show, Claire reaches her breaking point and — in a kind of Home Alone in reverse — she decides to drive across the country to get to the show herself.

    Written and directed by Michael Showalter (The Idea of You), and co-written by Chandler Baker (who wrote the short story on which the film is based), the movie never establishes any kind of enjoyable rhythm. Each of the characters, including competitive neighbor Jeanne (Joan Chen), is assigned a character trait that becomes their entire personality, with none of them allowed to evolve into something deeper.

    The filmmakers lean hard into the idea that Claire is a person who always puts her family first and receives very little in return, but the evidence presented in the story is sketchy at best. Every situation shown in the film is so superficial that tension barely exists, and the (over)reactions by Claire give her family members few opportunities to make up for their failings.

    The most interesting part of the movie comes when Claire actually makes it to the Zazzy Sims show. Even though what happens there is just as unbelievable as anything else presented in the story, Showalter and Baker concoct a scene that allows Claire and others to fully express the central theme of the film, and for a few minutes the movie actually lives up to its title.

    Pfeiffer, given her first leading role since 2020’s French Exit, is a somewhat manic presence, and her thick Texas accent and unnecessary voiceover don’t do her any favors. It seems weird to have such a strong supporting cast with almost nothing of substance to do, but almost all of them are wasted, including Danielle Brooks in a blink-and-you'll-miss-it cameo. The lone exception is Longoria, who is a blast in the few scenes she gets.

    Oh. What. Fun. is far from the first movie to try and fail at becoming a new holiday classic, but the pedigree of Showalter and the cast make this dismal viewing experience extra disappointing. Ironically, overworked and underappreciated moms deserve a much better story than the one this movie delivers.

    ---

    Oh. What. Fun. is now streaming on Prime Video.

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    news/entertainment
    series/lets-go-rodeo-2012

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