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    Looking for Love, round 1

    Fifty shades of cray, bridal gowns & Houston back flips steal the show on TheBachelor premiere

    Jennifer Chininis
    Jan 8, 2013 | 6:00 am
    • Tierra gets a rose before she even make it in the house. This does not sit wellwith her competitors.
      Photo courtesy of ABC
    • Lindsay, a substitute teacher, barrels out of the limo in a wedding dress.Shockingly, this does not get her booted from the house.
      Photo courtesy of ABC
    • Sean grins wildly at every girl coming out of the limo. No judgment here. Thesegirls are pretty hot.
      Photo courtesy of ABC

    Drama, drama, drama. Isn’t that why we love The Bachelor? The cat fights. The meltdowns. The catty comments. The tears. Predictably, this is how this Bachelor starts — with a montage of girls-behaving-badly moments.

    Some of our favorite sound bites from the highlight reel:

    • “These girls are crazy.”
    • “There are some dark horses in this house.”
    • “I didn’t come here to make best friends.”
    • “I’m above everyone else, and I’m done with this conversation.”
    • “All right, bitch. Game on.”

    It’s quite a hornet’s nest for Sean Lowe, the ultimate good guy, a man who loves his parents and his niece and nephew and God. Another montage shows the 6-foot-3 KSU football star at home in Dallas, talking about finding the kind of relationship his parents have.

    To which we say, good luck with that.

    We are clearly more cynical than this bachelor, who’s been down this road, fell in love and lost. But he’s the eternal optimist, his pearly white smile almost as pretty as his six-pack.

    Before Sean meets his bachelorettes, he’s visited by his former rival, Arie, who also vied for Emily’s affection on The Bachelorette. Arie gives Sean a pep talk and a few pointers — including how to kiss properly. In a nutshell:

    • “The most important thing is eye contact.”
    • “You’ve got to come in with the hands, slowly, not too fast. Dominant right hand, to play with the hair.”
    • “One hand on hair, one hand on face.”
    • “Pull them close. You’re not just kissing. You’re kissing with your whole body. (“That’s good,” Sean says. “I’m gonna write that down.”)
    • “Very little tongue. It’s almost like a teaser.”

    At the end of the Arie’s visit, Sean is reflective. “He had a lot of good advice for me,” he says. “I’m pretty sure I’m not going to be able to use any of it.”

    Too bad Arie didn’t give him advice about what to do when a girl pulls a tie out from between her breasts and threatens to go all Fifty Shades of Grey on his ass.

    Yes, the women reach into their bags of tricks to make an impression on this living Ken doll. Like Robyn from Houston, who botches a second back flip upon exiting the limo. (She gets a rose anyway.)

    “She is a lot to take in,” Sean says of Ashley P. “Fifty Shades of Grey may have become Fifty Shades of Drunk tonight.”

    Kelly, a cruise ship entertainer from Nashville, sings a little ditty she wrote herself. In the end, Sean doesn’t appreciate her kind of music and withholds a rose, even though he initially declares, “I’m buying that single!”

    Substitute teacher Lindsay goes big and arrives wearing a wedding gown. “Did I miss the memo?” Sean asks.

    “You may now kiss the bride,” she announces — then lays one on him.

    “I’m such a prankster,” she says. “I’ve got balls.”

    “I hope not,” he replies.

    Unlike previous iterations of the Bachelor, Sean takes liberties with the rose-giving, pausing the introduction parade to run inside after he first meets Tierra so he can hand her a rose before she ever steps foot in the house.

    This does not sit well with the other girls. To make matters more complicated, Sean starts handing out roses during cocktail hour, in his one-on-ones. The bachelorettes are baffled. Will there be any roses left for the damn ceremony? They must take action.

    Fifty Shades of Grey, a.k.a. hair stylist Ashley P., interrupts a conversation between Sean and one of the other ladies and proceeds to dance sexily in the background until her competitor gives up and walks off.

    “I’m so scared for him right now,” says one of the girls in the house.

    “Someone needs to save him,” whispers another.

    No worries, girls! Sean’s got a rape whistle! “In case I’m in trouble,” he says.

    “When you got dumped by Emily,” Ashley P. tells Sean, “I called my mom and said, ‘Mom, that is the guy I’m going to marry.’”

    “That girl’s a trip,” Sean says later. “I don’t even know where to start with her. She is a lot to take in. Fifty Shades of Grey may have become Fifty Shades of Drunk tonight.”

    And then Ashley P. falls down the stairs.

    But she’s not the only who has too much to drink. Prankster Lindsay is still looking for that first dance with her future husband. And then she asks him to sing. And wants another kiss.

    “I swear I’m not contagious.”

    Mr. Nice Guy is trying to be polite. “You are too much,” he says.

    “Are you Mr. Traditional?” she asks.

    “Probably a little bit more than you are.”

    Pay attention, ladies. These shenanigans work. Lindsay gets a rose.

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    Movie Review

    Rachel McAdams goes feral in Sam Raimi's gory new comedy Send Help

    Alex Bentley
    Jan 29, 2026 | 2:30 pm
    Rachel McAdams in Send Help
    Photo by Brook Rushton
    Rachel McAdams in Send Help.

    Director Sam Raimi has gone through different phases as a filmmaker, including leading the first Spider-Man trilogy and joining the MCU with Doctor Strange in the Multiverse of Madness. But he first gained notice with the gory and funny Evil Dead movies, a sensibility he’s returning to with his latest film, Send Help.

    Linda Liddle (Rachel McAdams) is a meek and eccentric middle manager at a financial firm that’s just named Bradley Preston (Dylan O’Brien) as its new nepo CEO. Bradley’s dad had promised Linda a promotion to vice president, but she gets passed over in favor of one of Bradley’s frat buddies, sending her into a mild rage. Still, she gets invited along on a planned business trip to Thailand, during which she hopes to prove her worth.

    Unfortunately for most of the passengers on the private plane, it crashes into the ocean, leaving only Linda and Bradley alive on a deserted island. Linda, who has privately developed survival skills, adapts quickly to the forbidding environment, while Bradley tries to revert to bossing her around. But Linda quickly understands the power dynamic has shifted, and she uses this knowledge to try to keep Bradley in line, turning their stranding into a battle of wills.

    Directed by Raimi and written by Damian Shannon and Mark Swift, the film is the classic “so bad it’s good” kind of experience. McAdams, inarguably an attractive and charming person, is given stringy hair, an antisocial personality, and quirks like eating tuna fish at her desk to make her as off-putting as possible. Bradley, along with almost everyone else at her office, is stereotyped just as hard in order to set up the twist of fate.

    When the action shifts to the island, things get even more over the top. The audience has already been primed for Linda to demonstrate her survival expertise, but the film does way more than just show her making fire. Whether it’s flawlessly building a shelter or hunting a wild boar, everything Linda does is portrayed in a slightly off-kilter manner. Then they turn everything up to 11, indulging in gore that is so unnecessary that you can’t help but laugh.

    The filmmakers prove they’re in on the joke the rest of the way, including a variety of preposterous but hilarious scenarios that would cause massive eyerolls if they were actually trying to take the film seriously. While they do a great job of showing Linda’s ability to handle herself in the wild, they also show that she is somehow the only person in the world who could get a glow up after a plane crash and weeks living in nature.

    McAdams, an Oscar-nominated actor for Spotlight, is way too high class for a movie like this, which makes her presence here all the more interesting. She is all-in on whatever Raimi wants her to do, and she’s at her most fun when she goes the animalistic route. O’Brien, who was great in the recent Twinless, doesn’t get as much of an opportunity to show his range, but he still proves to be an interesting foil for her.

    Were it released in any other month, Send Help might be looked at as bottom of the barrel material. But with the movie year just getting started, it’s easier to forgive its outrageous plot twists and just have fun, especially since Raimi and his team put the rest of the film together so well.

    ---

    Send Help opens in theaters on January 30.

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