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    We'll miss you, Frank

    Houston weather legend Frank Billingsley reveals his upcoming departure from KPRC

    Ken Hoffman
    May 14, 2024 | 2:49 pm
    Frank Billingsley KPRC

    Frank Billingsley will leave KPRC in June.

    Courtesy of KPRC

    The currently longest-running TV weather person in Houston is riding off into the sunset on June 28 — which according to Old Farmer’s Almanac, will be 8:26 p.m.

    Frank Billingsley will leave Channel 2 after 30 years with Houston’s NBC affiliate. He also spent six years with Channel 13 before that.

    “I'm going to take a break and see what it's like not to wear a suit five days a week!” Billingsley said.

    And what’s next? “I love all forms of communication so I'm sure I'll gravitate toward that either as a hobby or a second act. I'll weigh options and go from there. I can tell you that we have no intention of ever leaving Houston. It's our home.”

    I recently met with Billingsley to talk about his career in front of a weather map in Houston.

    CultureMap: Where did you grow up - was it in a chaotic weather environment like Houston?
    Frank Billingsley: Birmingham, Alabama and while we had a good variety of weather, we didn't have the extremes that Houston has. Warm, humid summers and occasional snowfall in the winter with beautiful springs and falls—but no direct hurricane hits, of course, very little flooding in homes and rarely a tornado. That's still true today although tornado alley has shifted a bit closer to them.

    CM: What inspired you to pursue a career in weather forecasting?
    FB: I went to college for journalism and mass Communications, most likely to be a magazine writer. But I did a little of everything and decided TV would be the best avenue. I have always loved television but in those days it was a lot harder to actually get on TV.

    CM: When did you get interested in a TV career?
    FB: The weather part when I was offered the job. The Weather Channel started in 1981 and by 1982, when I graduated, a lot of weathercasters were recruited to Atlanta, so stations were clearly in dire need of warm weather bodies. I was "any Frank in a storm". I figured when I failed at being a weatherman I'd pick up something easy, like law or medicine.

    CM: Take me through your TV career.
    FB: First job was 1982-1986 at WDBJ (CBS) in Roanoke, Virginia. Second job was 1987-1988 at WLOX (ABC) in Biloxi, Mississippi. Third job was 1989-1994 at KTRK (ABC) Houston and KPRC since 1995.

    CM: Who were the primary anchors at KPRC when you joined the station?
    FB: It was Feb. 1, 1995 and the anchors were Linda Lorelle and Bill Balleza.

    CM: What have been the biggest changes in your industry over the years? Is one trend that weather leads the news many days.
    FB: Funny, in the old days weather didn't lead over a raindrop for fear of hurting our credibility. Now if we don’t lead over a raindrop we fear losing our credibility. Computer models are the biggest change — they really have gotten so good. Gazillions of equations being processed in a single second to spit out a very accurate forecast. Once upon a time we had to actually do that ourselves. I am interested to see how Artificial Intelligence changes things.

    CM: Do you get amused, tired or fed up with TV weatherman jokes?
    FB: I love them. My license plate reads WEATHER. I am trying to change it to WEATHERED. I like to say that you've either grown old with me, grown up with me, or grown sick of me.

    CM: You went beyond the weather to publicly talk about adoption and being gay. Why did you open up your life like that?
    FB: And don't forget prostate cancer. There are subjects that a lot of people find difficult to talk about although the conversation often opens up new paths to learning and self-discovery. Having a platform to elevate those subjects to open and honest discussions has been the best part of my career. I help take away the fear. My intention has always been to help other people and I know for a fact that I have, which is the real reward.

    CM: What was the biggest weather story of your career so far?
    FB: Harvey, no question. That one goes down as flooding of biblical proportions. Followed by Hurricane Ike, Tropical Storm Allison, and the Big Freeze of 2021.

    CM: How would you rate your TV weatherman hair over the years?
    FB: The key to aging well is simple: keep your hair on and your weight off. There are pills for both.

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    preserving houston's history

    Last minute donations save historic Houston theater from demolition

    Craig D. Lindsey
    Sep 1, 2026 | 12:45 pm
    Garden Oaks theater renovation rendering
    Courtesy of Arthouse Houston
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    Arthouse Houston is closer than ever to bringing another historic movie palace back to life.

    After five months of fundraising, the community arts nonprofit is moving to close on the purchase of the Garden Oaks Theater. Ride-or-die donors have aided in Arthouse’s mission to remodel, restore, and revitalize the $7.1 million property, which will be home to a new community arts and film center with year-round film programming, live performances, film production, and educational resources.


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    “In partnership with other Houston arts organizations, we will establish the historic cinema as a new arts & film center that can support and help to grow film as an art form and industry in Texas and beyond,” says Arthouse director Maureen McNamara.

    Arthouse is around $400,000 short of a targeted $3.1 million goal to cover the down payment and carrying costs. Immediately after closing (which will be just after Labor Day), the next step begins: a capital campaign to fund the restoration, with a planned grand opening in 2028.

    Arthouse has worked diligently to round up support for this endeavor, even collaborating with two of the city’s most acclaimed, Oscar-nominated filmmakers. Last month, Wes Anderson came back to H-Town for the Wes Anderson Homecoming Soirée, a fundraiser that drew nearly 500 supporters and raised approximately $300,000 towards this campaign.

    “We’re almost there!” Anderson said. “The screen is just about to light up, and we can already taste the popcorn. The success of this little rescue belongs to every single person in Houston. It’s going to pay fantastic dividends for years to come — in ways no one can yet predict.”

    “We’re so close now we can almost taste it,” says Arthouse board member (and Dazed and Confused director) Richard Linklater. “What’s especially moving is the way Houston — and people far beyond Houston — have come together to make this possible: more than 800 individual donors from over 220 ZIP codes, giving everything from $5 a month to extraordinary major gifts.

    “The arts are part of what makes a city matter,” he continues, “and Houston has an opportunity here to create a world-class home for film and artistic life that reflects the extraordinary energy of the city. We’ve come incredibly far. Now we need to get across the finish line, close on the theater, and begin the real work of creating something that honors its past while building an exciting new future for film and the arts in Houston.”

    While other historic movie buildings have been repurposed as grocery stores, music venues, and other event spaces, the Garden Oaks will be one of only two remaining historic cinemas (the River Oaks Theatre is the other) in Houston that still operate as movie houses.

    "We are thrilled that so many people in Houston heard the call for help and responded with gifts large and small,” says founding donor Phoebe Tudor. “With the help of so many history and film lovers, we will be able to move forward with purchasing the beautiful historic Garden Oaks Theater and saving it from the wrecking ball. Now that the theater is saved, we can embark on a proper capital campaign for the renovation. Thank you, thank you! I knew we could do it!”

    For more information about the project, please visit arthousehtx.org. Private tours of the property are available for interested donors emailing info@arthousehtx.org.

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