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    Texas Tornado

    Re-released documentary explores the greatest Texas musician you've probably never heard of

    Hannah J. Frías
    Nov 11, 2022 | 2:29 pm
    Sir Doug and the Genuine Texas Cosmic Groove explores the life and times of Doug Sahm.
    Sir Doug and the Genuine Texas Cosmic Groove explores the life and times of Doug Sahm.
    Courtesy of Arts and Labor

    What do Guy Clark, Hank Williams, the Beatles, Bob Dylan, Willie Nelson, ABBA, and Freddy Fender all have in common? Apart from being icons in their own right, each legend's name has at one time or another been in the same sentence as one Texas musician you may have never heard of. Why? One documentary, Sir Doug and the Genuine Texas Cosmic Groove explores this and more, and it's available to stream again this week.

    "Has San Antonio lost its soul? Has Austin lost its groove? Dough Sahm is the answer," reads a recent release for the documentary that's available for worldwide streaming at sirdougfilm.com.

    Born on the same day as Guy Clark in 1941, San Antonio native Dough Sahm started singing at age 5, playing steel guitar at age 6, followed by the fiddle and mandolin at age 8. At 11, he joined Hank Williams at Austin's Skyline Club for what turned out to be Williams' final show before his untimely death. As a teen, Sahm had hit country western radio records before reaching international fame (and a nod from Bob Dylan) with his rock-and-roll, Beatles-inspired band, Sir Douglas Quintet.

    Sahm started playing steel guitar at age 6, followed by the fiddle and mandolin at age 8.Sahm started playing steel guitar at age 6, followed by the fiddle and mandolin at age 8.Courtesy of Arts+Labor

    A bust up over cannabis possession sent Sahm to California right before the "Summer of Love" in 1967, where the band explored the psychedelic San Francisco scene. Returning to Texas in the '70s, he joined Willie Nelson on his Shotgun Willie record and became an integral part of the new Americana genre emerging out of Austin at that time. He moved to Sweden in the '80s, knocking ABBA off the top charts with the song Meet Me in Stockholm. And in the '90s, his new group, the Texas Tornadoes, featured fellow Texas musicians Freddy Fender, Flaco Jimenez, and Augie Meyers.

    Sir Doug and the Genuine Texas Cosmic Groove explores the enormous variety of genres Sahm absorbed into his own music, and the impact he left behind in each genre in return. Originally screened at South by Southwest in 2015, the film's website summarizes its portrait of Sahm as an "artist who had so much music inside himself that he had to play all the varied sounds he was schooled in in order to satisfy his soul."

    Directed by noted historian and author Joe Nick Patoski, who also co-wrote the film along with Jason Wehling, the documentary won multiple awards at film festivals around the world, landing on Amazon Prime before disappearing from circulation altogether in 2020 after initial music and visual licensing rights expired.

    Thanks to the Society for the Preservation of Texas Music (SPTM), the documentary was re-released on November 6, 2022, in honor of what would have been Sahm's 81st birthday. For the re-release, SPTM partnered with Austin-based production company Arts+Labor and digital distribution platform seer.la, which also produced the groundbreaking Guy Clark documentary, Without Getting Killed or Caught.

    Doug SahmA still from the documentary Sir Doug and the Genuine Texas Cosmic Groove.Courtesy of Arts+Labor

    “The revival of the film comes at a critical moment for Doug’s hometown of San Antonio, and his adopted home of Austin,” says Patoski in the release. “Both cities have grown rapidly and are growing towards each other, becoming a single metropolitan area of five million people touted as America’s next great metroplex. Nowhere else in the United States are two connected metro areas expanding so rapidly. Folks who don’t know Doug Sahm from Houdini need to see this film to better appreciate why San Antonio and Austin are such special, soulful places with a groove that fostered and championed the artistry of the greatest single musician to ever represent the state of Texas.”


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    Small-Town Gossip

    Houston Grand Opera trades Appalachian heartbreak for black-tie revelry

    Joel Luks
    Oct 28, 2026 | 11:45 am
    Houston Grand Opera opening 2026
    Photo by Michelle Watson
    James Gaffigan, Astley Blair, and Ping Sun.

    Ain’t it a pretty night? Well, that depends on whom you ask.

    For the title character in Carlisle Floyd’s Susannah, things go south rather quickly. For the Houston Grand Opera crowd gathered at the Wortham Theater Center on October 23, however, the evening was looking positively peachy.

    HGO opened its 72nd season with the American classic, celebrating Floyd’s centennial and the nation’s 250th birthday. And what better way to salute Americana than with a little Appalachian intrigue, religious fervor, and small-town gossip?

    The drama began before anyone sang a note. A passionate overture accompanied by sweeping projections offered a tantalizing preview of the story’s twists and turns. Spoiler alert: Susannah wasn’t headed for a fairy-tale ending. But the evening certainly had its leading man. James Gaffigan made his first appearance as HGO’s music director designate, taking the podium for a production reimagined by soprano-turned-director Patricia Racette.

    Houston Grand Opera opening 2026

    Photo by Michelle Watson

    James Gaffigan, Astley Blair, and Ping Sun.

    Soprano Sylvia D’Eramo made her role debut as Susannah, with baritone Rod Gilfry portraying the Reverend Olin Blitch. Tenors Bille Bruley and Aaron Blake rounded out the principal cast as Sam and Little Bat. And the audience delivered a standing ovation. Because heartbreak sounds better with a full orchestra.

    Chairs Sylvia Barnes and Jim Trimble, longtime HGO supporters, welcomed guests to Ray C. Fish Plaza, where The Events Company had conjured an Appalachian autumn, complete with sunset hues, lush greenery, and the illusion of a stream. Anyone fancy a dip? Considering how things turned out for Susannah after her ill-fated bathing excursion, perhaps not. You never know who might be watching. Better to plunge a fork into the flourless chocolate torte.

    And while Susannah might have had opinions about mail-order catalogs (if you know, you know), the Houston crowd was having none of that. The dress code was decidedly black tie.

    During dinner, board chair Astley Blair celebrated HGO’s recent Grammy win, while CEO Khori Dastoor reflected on the company’s artistic ambitions. Gaffigan introduced the cast, who received yet another standing O.

    Perhaps Susannah would have fared better had she set her sights beyond Nashville, Asheville, and Knoxville. Houston, after all, knows a thing or two about tall buildings, fancy clothes, and pretty nights. The festivities drew 370 guests and raised $640,000 to support HGO’s mission of bringing opera to Houston’s diverse communities.

    Making a scene were Claire Liu and Joe Greenberg, Patrick Summers, Margaret Alkek Williams, Renu and Suresh Khator, Dian and Harlan Stai, Farida Abjani, François Badoual, Jennifer Bielstein, Jack Bell, Katy and Logan Boatman, Norma and Beto Cardenas, Janet Clark, Louise Chapman, Ambassador Breno Costa, Molly and Jim Crownover, Isabel and Danny David, Mindy and Josh Davidson, Debra Dunn, Mahshid and Rod Foroozan, Sarah and Doug Foshee, Lily and Charles Foster, Mary Foster and Don DeSimone, Marianne and Joe Geagea, Christel and François Good, Janet Gurwitch and Ron Franklin, Celina Hellmund, Gary Hollingsworth and Ken Hyde, Elizabeth and Richard Husseini, Michelle and Doug Huth, Teresa and José Ivo, Sarah and Bryant Lee, Tomikia LeGrande, Kristen and Matthew Loden, Cynthia and Tony Petrello, Irina and Andrey Polunin, Ambassador David Satterfield, Ping Sun and David Leebron, Apurva Thekdi, Ellen and Bob Vladem, and Geraldina and Scott Wise.

    fundraisersgalashouston grand operaperforming-arts
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