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    Houston Grand Opera named only U.S. finalist for Best Opera Company in the World

    Tarra Gaines
    Feb 10, 2017 | 5:23 pm
    Houston Grand Opera presents Götterdämmerung
    When the curtain rises on Götterdämmerung, HGO could be the World's Best Opera Company.
    Photo by Eva Ripoll

    On May 7, all opera-lovers’ eyes will look to London for the announcement of the International Opera Awards. Here in Houston that gaze should be particularly intense, because Houston Grand Opera finds itself named as a much-deserved finalist in the Best Opera Company Award category.

    HGO stands as not only the one U.S. opera house to make that rarified shortlist, which includes such celebrated companies as The Royal Opera House in London, Milan’s La Scala, and France’s Opéra de Lyon. HGO is also the only opera company from outside of Europe to be selected by the jury as one of the final six recognized for their excellence.

    “We are thrilled to receive this recognition from such a prestigious organization,” said HGO artistic and music director Patrick Summers and managing director Perryn Leech in a statement reflecting on the announcement of HGO’s nomination. “This affirms a fact that our audiences and supporters have long appreciated: that the quality of work produced by Houston Grand Opera is second to none.”

    The International Opera Awards, founded in 2012, celebrates excellence in opera world-wide, while also raising funds for Opera Awards Foundation, a charity that supports emerging opera artists across the globe.

    With more than 20,000 nominations from opera industry insiders, the finalists were chosen by a illustrious jury chaired by John Allison, editor of Opera magazine, and consisting of prominent opera critics, company directors, and international opera artists. HGO’s placement as a finalist certainly validates and celebrates the company’s place on the world opera stage.

    In a strange bit of happenstance, HGO’s last performance of Götterdämmerung, (Twilight of the Gods) the final opera in Wagner’s tetralogy, and the conclusion of the company’s historic project to deliver one opera from the Ring Cycle per season, also occurs on May 7. With the time difference, the awards ceremony inside the London Coliseum might very well arrive at the Best Company reveal exactly as the curtain goes up at the Wortham Center. Coincidence or a dramatic sign from the opera gods?

    operaawards
    news/arts

    Arts News

    Houston arts organization spins up a new record label for creative works

    Jef Rouner
    Jan 27, 2026 | 2:30 pm
    Two CD copies of Tyshawn Sorey's Monochromatic Light (Afterlife)
    Photo courtesy of DACAMERA Editions
    DACAMERA's unique musical contribution to Houston now comes in LP form.

    For more than three decades, Houston arts and music non-profit DaCamera has brought innovative and unique jazz and chamber music performances to the city. Now, they are launching their own record label called DaCamera Editions, starting with TyShawn Sorey's Monochromatic Light (Afterlife) releasing on January 30.

    Since 1987, DaCamera has been a nationally-celebrated curator, commissioner, and presenter of modern works that often fly under the mainstream radar. With the establishment of an in-house record label, the music they are known for becomes more widely available to audiences.

    "Following the thrilling experience of commissioning, performing, and recording Monochromatic Light (Afterlife), we saw an opportunity to launch our own label," DaCamera artistic director Sarah Rothenberg said in a statement. "DaCamera Editions will enable us to share our distinctive, curated mix of new music, classical repertoire, and jazz in a way that emphasizes connections to art, literature and the world in which we live, all under the DaCamera umbrella."

    Monochromatic Light (Afterlife) is the perfect album to herald a new Houston record label. The meditative piece was a joint commission from DaCamera and the Rothko Chapel to celebrate the 50th Anniversary of the renowned Houston landmark. Featuring soloists Davóne Tines (bass-baritone), Kim Kashkashian (viola), Sarah Rothenberg (piano/celesta), Steven Schick (percussion), and the Houston Chamber Choir, the 75-minute work was a critical hit when it premiered in 2022. It built on a previous work, Morton Feldman's Rothko Chapel, which debuted at the site in 1972. Sorey composed a bass-baritone part for Tines and expanded the keyboard role by adding piano. As part of the performance, Tines sings lines from the spiritual "I Feel Like a Motherless Child."

    Both The New York Times and The New Yorker named the premiere of Monochromatic Light (Afterlife) as a top 10 classical performance of 2022. It was also a Finalist for the 2023 Pulitzer Prize in Music.

    The album will be released on both CD and digital formats. Pre-orders are available at DaCameraEditions.com.

    Future planned releases include Rothenberg's In Darkness and Light (May 2026), a piano album inspired by the anxiety of COVID and featuring Vijay Iyer’s eloquent personal memorial "For My Father;" and Tyshawn Sorey’s solo piano work For Julius Eastman, a tribute to the minimalist composer and activist whose work has undergone a 21st Century renaissance since his death in relative obscurity in 1990.

    "DaCamera Editions will enable us to share our distinctive, curated mix of new music, classical repertoire, and jazz in a way that emphasizes connections to art, literature and the world in which we live,” Rothenberg said.

    performing-artsdacameramusic
    news/arts
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