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    Men in Black-tie

    Men in black-tie: Museum's boys' night out raises almost $1.3 million

    Shelby Hodge
    shelby hodge
    Nov 17, 2014 | 10:18 am

    Since its inception several decades ago, the Museum of Fine Arts Houston's "One Great Night in November" has been a financial windfall year over year, proving that when it comes to writing the big philanthropic checks, you can count on the men in black-tie to do the heavy lifting.

    Such was the case on Tuesday when the dinner evening (at one time referred to as a men's smoker) held at the MFAH brought in a tidy $1,282,790 million, thanks in part to grand underwriter Cadence Bank. While museum staff takes care of the logistics of the event, there was no designated chairman this year. Rather an honorary committee of past chairmen served as titular heads.

    As is tradition, the gents peruse a selection of artworks, hand picked by MFAH curators, for purchase for the museum's permanent collection. They then vote on which pieces they would like to see remain. While a total of 14 pieces were acquired with the evening's proceeds, the two receiving highest votes were Seated Figure (1500-300 B.C., earthenware figure) and James Abbott McNeill Whistler’s Nocturne (1879/80, etching and drypoint, state IV/IX).

    Cadence Bank's Paul Murphy joined museum director Gary Tinterow and museum board chairman Rich Kinder in addressing the gathering of 367, who sat down for a manly dinner prepared by City Kitchen. The evening was sweetened for the gents by the donation of Scotch from Balvanie and Davidoff cigars from The Briar Shoppe.

    Among guests were Meredith Long, Ralph Eads, Fayez Sarofim, Charles Duncan Jr., Charles Duncan III, Frank Hevrdejs, Brad Bucher, Will Mathis, Lenoir Josey, Jeff Hildebrand, Paul Hobby, Cal McNair and Wally Wilson.

    Christopher Sarofim, left, and Dale Dorn.

    Christopher Sarofim, from left, and Dale Dorn at Museum of Fine Arts Houston MFAH One Great Night November 2014
    Photo by © Wilson Parish
    Christopher Sarofim, left, and Dale Dorn.
    unspecified
    news/society

    Tuneful Adventures

    Classical music meets digital art at Houston orchestra's immersive soirée

    Joel Luks
    Oct 13, 2025 | 4:16 pm
    ROCO season opener 2025 Artechouse
    Photo by Alida Bonifaz
    Jane Johnson, Pia and Steve Vai, and Wendy Burks.

    Houston’s ever-adventurous chamber orchestra, ROCO, kicked off its 21st season — aptly dubbed The Season of the Senses — with a soirée that hit all the right notes. On September 27, hundreds of guests gathered at Artechouse, Houston’s high-tech temple of digital and experiential art, to celebrate the orchestra’s boundary-pushing ethos.

    ROCO season opener 2025 Artechouse

    Photo by Alida Bonifaz

    Jane Johnson, Pia and Steve Vai, and Wendy Burks.

    Leading the charge were co-chairs Wendy Burks and Jane Johnson, who brought both flair and purpose to the night, raising vital funds to support ROCO’s innovative performances and access initiatives.

    Earlier in the evening, guests experienced Feels Like Home, the season’s opening concert at The Church of St. John the Divine, led by conductor Delyana Lazarova and featuring world premieres by composers Kevin Lau, Starr Parodi, Heather Schmidt, and a chamber orchestra arrangement by local Houston composer Mark Buller of Steve Vai’s early work Salamanders in the Sun.

    Following the concert, guests made their way to Artechouse, where cocktails flowed as immersive digital blooms danced across the walls. ROCO’s signature warmth was on full display — musicians mingled freely with attendees, creating that rare symphony-world vibe that feels more like a family reunion than a formal gala.

    ROCO founder and artistic director Alecia Lawyer took a moment to honor Grammy-winning guitar legend Steve Vai with the Wildcatting in the Arts Award, recognizing his fearless creativity and genre-defying artistry. The Corporate Pillar of the Arts Award went to Kensinger Donnelly, celebrated for its community-focused leadership under Frank Donnelly.

    The evening’s ambiance — crafted by Kirksey Gregg Productions and accented by pours from Clos Dubreuil — was as dynamic as the ensemble itself: Innovative, inclusive, and deeply human. Between courses catered by the Ballroom at Bayou Place, guests wandered through the gallery’s vivid Blooming Wonders exhibit, blurring the line between art and audience. The Alexandar David Burnstein Foundation for Musical Performance served as the title sponsor for the gathering.

    Seen were Mary Catherine and Bailey Jones, Ali and Frank Donnelly, Cinda and Armando Palacios, Gregory Scott Brown and Taylor Brown, Elizabeth Blanton, Chuck Carlberg, Rachel and Bud Frazier, Jennifer and Todd Frazier, Tami Hiroaka, Kristine and Jeff Bird, Adrianna Buford and Nathaniel Higgins, Gene Wu and Miya Shay, and Leigh Ann and Richard Mann.

    news/society
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