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    A smoking hot party: Bach to the Future gala turns up the theatrics, moves big spenders

    Joel Luks
    Mar 25, 2013 | 5:42 pm

    Everyone knows what happens when the clock strikes midnight. But only zealots of the Back to the Future trilogy are fully cognizant of the implications of 10:04 p.m., that is, when lightening hits at the perfect moment to vortex the film protagonists on a wild time-space travel adventure.

    No details were overlooked in the multimedia recreation of that scene for Mercury's "Bach to the Future" gala on the stage of Wortham Theater Center Friday — with a tuneful twist.

    As smoke lifted from behind a see-through screen, from an impeccably maintained DeLorean DMC-12, on loan from retired attorney Chuck Waters and wife Sandy, out came Mercury's maestro, "Doc" Antoine Plante, sporting a mad scientist lab coat and white powder on his curls. A zestful performance of timeless classics that included works by Vivaldi, Bach and "Johnny B. Goode" as a nod to the evening's theme stirred concertmaster Jonathan Godfrey, as a Marty McFly of sorts, to tear up solo riffs on his fiddle on the floor.

    Guests let their wallets do the talking and rocked on dancing.

    Brigid Spin, a discerning music lover, was so moved by the presentation that she agreed to underwrite the company's purchase of period timpani.

    Taking a bow for the gala were chairs Christine and Jan Spin, whose mother Brigid Spin, a discerning music lover who studied piano for 14 years, was so moved by the presentation that she agreed to underwrite the purchase of the company's period timpani for $9,000 — a gesture that earned a standing ovation.

    Big spenders Janet Kelly of honoree ConocoPhillips and former COO John Carrig couldn't let go of a holiday package at Plante's home in Isle Verte on the banks of the St. Lawrence River, and Joe Gonzalez and Huntsville-native Bill Baldwin added to their art collection an original David Adickes painting.

    With many new faces in the crowd, the energy in the room surpassed the expectations of organizers, who were thrilled at the $210,000 that will support Mercury's operations, performances and community education programs.

    In the crowd of 300-plus were Lynn Wyatt, Debbi and Lanny Griffith as emcee, Susan and Dennis Carlyle, Deana and Larry Blackburn, Janine Iannarelli, Tina Raham and Jonathan Stewart, Cathy and Randy Crath, Viviana and David Denechaud, Roy Schlappich, Glenna Scharon, Geoffroy Petit and opera star Ana María Martínez.

    Jeff and Pat Sheets, from left, Janet Kelly, John Carrig, Julie Fette and Luc Messier

    20, Mercury Gala, March 2013, Jeff & Pat Sheets, Janet Kelly, John Carrig, Julie Fette, Luc Messier
    Photo by © Roswitha Vogler Photosbyrovo.com
    Jeff and Pat Sheets, from left, Janet Kelly, John Carrig, Julie Fette and Luc Messier
    unspecified
    news/society

    Curtain Call

    Porgy and Bess revival leads stunning launch of HGO’s new season

    Joel Luks
    Nov 7, 2025 | 11:30 am
    Houston Grand Opera 2025 season opening
    Photo by Emily Jäschke
    The cast of Porgy and Bess with conductor James Gaffigan.

    Houston Grand Opera launched its 2025-26 season with a soul-stirring statement — one that blended history, harmony, and high jazzy American style — at the season-opening performance of Porgy and Bess, followed by a celebration dinner that felt more like an all-cast reunion than a buttoned-up black-tie din din.

    Houston Grand Opera 2025 season opening

    Photo by Emily Jäschke

    The cast of Porgy and Bess with conductor James Gaffigan.

    Under the direction of Francesca Zambello, the Gershwin classic unfolded on the Wortham Theater Center’s stage in a performance that was both nostalgic and unflinchingly honest. The lush, jazz-meets-classical score had audiences leaning in, and many found themselves marveling at how many of the opera’s melodies live rent-free in cultural memory.

    But it wasn’t just the music that captivated. The emotional weight of the story and the conversations it inspired lingered long after the curtain dropped.

    HGO general director and CEO Khori Dastoor opened the evening by reflecting on the company’s legacy with Porgy and Bess, which stretches back to a 1976 production that earned both a Tony and a Grammy. This 2025 revival, nearly 50 years later, brought that legacy full circle, honoring the past while setting a tone for the season’s theme: The light we hold.

    The production, which runs through November 15, features a powerhouse cast that includes bass-baritone Michael Sumuel as Porgy and soprano Angel Blue as Bess. Soprano Latonia Moore, making her HGO mainstage debut, appears as Serena. Baritone Blake Denson takes on the role of Crown, and tenor Demetrious Sampson Jr. brings charisma to Sportin’ Life. A poignant full-circle moment came with baritone Donnie Ray Albert, who portrayed Porgy in HGO’s 1976 production, returning to the stage as Lawyer Frazier. Opening night was conducted by James Gaffigan, with Richard Bado leading later performances.

    The post-performance celebration on Fish Plaza, chaired by Dina Alsowayel and Tony Chase, transformed the space into an elegant nod to Charleston charm. Creams and greens, soft candlelight, and natural textures made for a timeless scene, but it was the congenial vibe that truly stole the show. The mood was chatty, the energy high, and the mission clear: Reconnect, rejoice, and rally behind the power of opera.

    During the dinner, Dastoor and artistic and music director Patrick Summers acknowledged the many supporters who brought this night to life. Dastoor offered a poignant nod to Summers as he begins his final season in his current role, transitioning to music director emeritus next year. She also welcomed Astley Blair as HGO’s newly elected board chair, signaling an exciting chapter ahead.

    Weeks later, HGO announced Gaffigan’s appointment as the company’s fifth music director — a major milestone in its 70-year history. Gaffigan, a rising star in European opera houses and orchestras, made his American operatic debut at HGO in 2011 and returned this fall to conduct Porgy and Bess. His connection to Houston runs deep, as an alumnus of Rice University’s Shepherd School of Music.

    As the night wound down, the cast and creative team received a standing ovation again. And rightly so. The event drew 450 guests and raised $690,000, the second-highest total in HGO Opening Night history.

    CultureMap seen were Margaret Alkek Williams, Jana and Scotty Arnoldy, Sylvia Barnes and Jim Trimble, Vivianna Jolie, Elizabeth and Neil Chapman, Rebekka and Damon Chargois, Jane Cizik, Molly Crownover, Misook Doolittle, Marty Dudley, Elaine Finger, Marianne and Joe Geagea, Claire Liu and Joe Greenberg, Janet Gurwitch and Ron Franklin, Alecia Harris, Matt Healey and Denise Reyes, Chris and Morgan Hollins, Elizabeth and Richard Husseini, Teresa and José Ivo, Monica Karuturi and Kumaran Sathyamoorthy, Sarah and Bryant Lee, Karen and Ramon Manning, Nancy McGregor and Neal Manne, Terrylin Neale, Franci Neely, Cynthia and Tony Petrello, Rebecca Rabinow and Matt Ringel, Jill and Allyn Risley, Cora and Judson Robinson, Kelly and David Rose, Anita Smith, Dian and Harlan Stai, Ellen Susman, Marguerite Swartz, Charlene Tombar, Nestor Topchy, Jesse, Brooks, and Sherida Tutor, Marcia and Alfredo Vilas, Donna Sims and Frank Wilson, Gretchen Watkins, Mary-Olga and John Warren, Yuichi and Uny Watanabe, Geraldina and Scott Wise, and Kristina and Enoch Woodhouse.

    fundraisershouston grand opera
    news/society

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