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    Slate expectations

    Meet the family business that’s successfully slated many Houston hotspots

    Emily Cotton
    Jul 16, 2024 | 12:45 pm

    Texans love a local family business success story, even one not entirely homegrown. Forty-four years ago, father-and-son duo Clive and Stuart Rae arrived from South Africa and soon began selling slate roofing tiles to Houston home builders out of their humble shop on West 34th Street. Fresh from that initial success, Thorntree Slate launched their own line of slate flooring and the rest, as they say, is history.

    Thorntree may not be a household name, even if they’re, quite literally, in your household. For 20 years and over 60 projects, Thorntree has supplied local real estate developer the Hanover Company with all of their stone surfaces — indoor and out. This includes the new and always bustling Autry Park development.

    Additional projects include a number of Houston highlights: The Post Oak Hotel, Georgia James Steakhouse, MF Lobster & Ceviche, the Ismaili Center, The Laura Hotel, and the very new social club Park House.

    At a meeting at Thorntree’s Jersey Village headquarters, Stuart Rae tells CultureMap that the mixed-use development along Buffalo Bayou has been a major undertaking.“Autry Park alone (which is thirteen acres), every restaurant, every wall, every unit and amenity…we did 80 units [of product] just for streets. We did that.”

    Rae prides himself in that all of the porcelain tile for Thorntree is made with the finest Italian clays, but manufactured right here in America — Clarksville, Tennessee, to be exact.

    “They have a huge operation. Twenty-four hours a day—it’s owned by Italians, but it’s run by Americans,” Rae says. “It’s been a great addition. All the Hanover projects, it’s all made in Tennessee. We save a huge carbon footprint [that way]. We can deliver [Italian porcelain] anywhere in the country from a central location and not from Italy. It makes our customer service impeccable — we can fly and be on site for anything.”

    The Raes and their incredible line of stones are also on high display at all of the Berg Hospitality restaurants, including the newly launched Turner’s Cut. When asked how Thorntree was able to build that relationship, Rae laughs and really leans into his South African accent to say, “We just lucked upon it!”

    “They [the Houston Design Center, where Thorntree keeps a secondary showroom] let us do a park setting outside our showroom. Luckily, one designer found us—she’s involved with [Ben] Berg. All of his projects are our materials.” Rae adds that the designer in question is Berg’s longtime designer Gail McCleese (formerly with Gensler), who helms her design firm Sensitori

    “She works exclusively for Berg. We just lucked out that they [Berg Hospitality] decided to embark upon this big growth program, so we have all of our materials on all of their projects,” Rae says.

    A major award

    Access to these collaborative relationships primed Thorntree for what is an honor for the company and for Houston as well. This year Thorntree earned the award for number one distributor of Italian tile in North America by the distinguished Confindustria Ceramica (the association of Italian ceramics). Eight members of the Thorntree team traveled to Atlanta to accept the award during “Coverings,” the most notable stone exhibition in North America.

    “[Winning the award] was so unbeknownst to us. They get to vote on who they believe is the best distributor every year and who really flies the Italian flag and stays true to them [Italy],” Rae says. “Number one distributor for porcelain in 2024, and it’s only once every 10 years that a company can receive this. We are just so proud of being in business for 44 years…48 people. We try to keep it under 50 people — it’s really an accomplishment for such a small company.”

    Showcasing Texas designers

    Thorntree, with all of their success and accolades, decided that it made sense to create a way to support local design communities within their markets — enter the mosaic competition.

    With Houston as their home base, plus a burgeoning showroom in the Dallas Design District and a presence in Austin, Thorntree opened their first competition to those three markets. Reaching out to architecture and design firms, Rae said, “Use these stones and see if you can come up with a design for Houston, Dallas, and Austin.”

    Rae continues, “It actually ended up being fantastic! Our team put together a power point presentation showing the 14-step process going into the [porcelain] products. It was just so much fun! We just thought that if we could just get some real designs for these markets and some creative thought, we could really make something.”

    Thorntree mosaic competition winnersBehold the winning designs.Courtesy of Thorntree

    The competition was a success. So many firms participated that it will, according to Rae, “definitely become an annual thing. First place winners get $1,000.00 and second place gets $500.00 in each market.”

    As a designer myself, and knowing that winning mosaics will be displayed and produced if purchased, I had to ask—“Do the designers get royalties?”

    While these designs are very new and have yet to be purchased by anyone, Rae came through with the answer that I’m sure everyone deems appropriate: “I’d love to pay someone royalties and use these designs.” There we have it!

    Without further ado, here are the winners of the Texas design triangle’s Thorntree mosaic design competition:

    Houston:
    • First Place: Marysia Kosacka & Jeff Horning-Rottet Studios
    • Second Place: Diana Moreno-AV Interiors
    Austin:
    • First Place: Ashlee Owens-(Owens has since parted ways with her affiliated firm)
    • Second Place: Kate Enriquez-Studio ELES
    Dallas:
    • First Place: Blaire Reed-IA Interior Architects
    • Second Place: Madelyn Crowl-Boka Powell

    Congratulations to all of the deserving winners. We cannot wait to see what the competition produces next.

    For those not in “the trade,” it’s important to note that Thorntree is also open to the public and that their Houston headquarters is actually open on Saturdays from 9-1. While it’s unusual for a high design operation to be open on a Saturday, Rae definitely keeps it real with his reasoning—“people work!”

    Turner's Cut exterior
    Photo by Brian Kennedy

    See Thorntree's products at Turner's Cut.

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    artist to entrepreneur

    Houston artist rolls out new Hawaii-inspired wallpaper collection

    Emily Cotton
    Sep 11, 2026 | 12:30 pm
    Kristen Leigh Studio Island Collection wallpaper
    Courtesy of Kristen Leigh Studio
    The Island Collection introduces Mili, Lana, Meadow Check, and Kiko to the Kristen Leigh Studio line of textiles and wallpapers.

    Houston watercolor artist Kristen Steen, founder and artist at Kristen Leigh Studio in West University Place, is set to make a colorful splash next month with her latest textile and wallpaper collection. Inspired by a family vacation to Hawaii, The Island Collection features four new patterns in shades like soft seafoam, muted blue, terracotta coral, and crisp white.

    The collection unfolds across four patterns, each offered in a range of colorways. Mili anchors the group and is the only pattern to come through in both fabric and wallpaper, moving through chambray, lakeside, terracotta, olive, and shades of blue and green. Lana follows in a similar range of chambray, lakeside, blue and green, and terracotta, while Meadow Check and Kiko round out the offering with the addition of forest and, for Meadow Check, olive green. Fabric is woven on French linen and linen cotton canvas, with wallpaper finished in a premium matte.

    The Island Collection brings the Kristen Leigh Studio line to approximately 85 fabrics and 30 wallpapers — quite an accomplishment for a studio that, like many, was created during the early days of the Covid-19 pandemic. Relying on what Steen refers to as “the power of Instagram,” Connecticut-based Cailini Coastal tapped Steen to design her first wallpaper, a delicate herringbone pattern named Parker that is available to this day.

    Kristen Leigh Studio Island Collection wallpaper

    Courtesy of Kristen Leigh Studio

    The Island Collection introduces Mili, Lana, Meadow Check, and Kiko to the Kristen Leigh Studio line of textiles and wallpapers.


    View this post on Instagram
    A post shared by Kristen Leigh (@kristenleighstudio)


    The success of her first wallpaper commission inspired Steen to design collections of her own, which have become designer favorites for providing classically-relaxed, nonchalant refinement elevated through their quality craftsmanship and sophisticated finishes. Fabrics are woven in either French linen or a linen cotton canvas, while wallpapers are premium matte, paper weave, or premium grasscloth. As with anything, trial and error ensued, but Steen quickly found a community that she credits with offering continuous support throughout the evolution of Kristen Leigh Studio.

    “I just jumped in and learned everything I could about manufacturing wallpaper. I tried out a few here and there; it’s just a lot of research,” explains Steen. “Now that I am in it and have friends who are wallpaper and textile designers, we talk and get together. For being such a singular and solo industry, it’s so valuable to have other designers to bounce ideas off of: what’s working, what isn’t, and what swings in the industry.”

    A family health scare kept Steen from creating anything new for a couple of seasons, until a wayward family vacation forced her hand. What was meant to be a week on the beaches of Hawaii ended up being a week indoors during a tropical storm.

    “You just kind of had to make the most of it. We couldn’t just sit there and complain — that doesn’t do any good,” says Steen. “There was a lot of sketch time — a lot of just doodling — then afterwards I was playing with color and thought ‘this could be fun.’”

    As a studio that mainly markets to designers and showrooms, the pressure to create a new collection each season can grind the gears of the creative process to a halt. After an 18-month hiatus, Steen credits the lack of pressure she felt while just passing time on vacation, while admiring the local flora and fauna, for the inspiration she needed to accumulate enough sketches for a complete collection.

    “It sounds really cliché, but just being able to draw and sketch without any end game in mind, being able to not really care about it, is where this collection came from,” explains Steen. “I’m biased, because it’s one of my favorites now, because that’s how it was created.”

    Lush botanicals, winding vines, and the easy, unhurried rhythm of island life came into focus, not as literal tropical motifs but filtered through a quieter, more classic point of view. As a watercolor artist, Steen’s work often maintains a traditional, serene dialect. However, her occasional use of bold, saturated color can feel electric and dramatic — something entirely foreign to those who speak in watercolor.

    “I do love how the watercolor will have variations in the tones and the shades. You can’t mimic that, you can’t fake it,” says Steen. “There are some patterns — like the Kate, or even the new Mili — that all started with just sketches and brushstrokes, but it just didn’t translate as well to pack that color punch that I wanted. So, when I was editing, I ended up really pushing the saturation to where it almost felt like a solid. But everything is done by hand, for sure.”

    More consumers than ever before are seeking out niche studios like Steen’s. Kristen Leigh Studio is not exclusively to-the-trade, a distinction that once made products nearly irresistible. Steen’s collections are available through her Houston studio, website, numerous trade studios throughout the country, through interior designers, and even through select pop-ups. So, with that being said, who is a Kristen Leigh Studio client?

    “Someone who wants to have something that feels warm and joyful. Something that feels special and authentic, but not necessarily fussy,” says Steen. “They want to feel proud of it, ‘This is a designer fabric. This is a designer wallpaper. This is something special that I don’t see in my neighbor’s house all the time.’ They want to feel like this is something special, but I’m also a mom of three kids. I realize that the fabrics have to be durable. They have to be something you can touch and live in and it’s not like a museum. Something that’s approachable and sophisticated. Just approachable design—something that’s everyday, but still special.”

    Kristen Leigh Studio’s The Island Collection will be available beginning October 1.

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