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    MAI oh MAI

    Treasured Houston antiques collective adds 5 Round Top-worthy vendors

    Emily Cotton
    May 8, 2026 | 11:40 am

    Many Houstonians love a good stroll — or promenade, if you will — especially if that stroll includes a morning or afternoon meandering through collections of art, vintage, and antiques. As rising rents drive some of the city’s most beloved independent dealers exclusively into e-commerce, veteran collectives are holding the line on offering an in-person shopping experience.

    For 20 years, Memorial Antiques & Interiors, affectionately known as MAI, has remained a fixture of the interior design community. Don’t be intimidated by its location in the Houston Design Center. The more than 15,000-square-foot collection is completely open to the public, and it’s not uncommon to see fellow shoppers dressed for a Pilates class rather than a luxury boutique.

    Known for styled, magazine-worthy vignettes, MAI blends antiques with contemporary living and offers a fresh perspective on how to incorporate timeless pieces into today’s interiors. What’s not so well known, however, is that MAI is the off-season home to some of Round Top’s most illustrious dealers, with more joining the ranks every day.

    The spring refresh debuts five new faces to the lineup of over 45 dealers, offering curated pieces from across the US and Europe: “This season marks a defining shift at MAI,” MAI marketing director Meghan Horne tells CultureMap. “The vendor mix is exceptional, bringing together iconic dealers and a true trove of one-of-a-kind finds, all within a setting that offers unmatched access. Inventory is constantly evolving with new pieces arriving daily, and its proximity to Houston’s design community makes it an invaluable resource. If you love Round Top, this is that same energy, year-round.”

    Familiar faces from Round Top include Big Red Barn favorite Gracie’s Custom Interiors; Market Hill vendors Provence Antiques and Susan Horne Antiques (who recently doubled her space at MAI); and The Compound regular Laurier Blanc. Long time MAI vendor Tres Bien Antiques is a Blue Hills staple, while The Cargill Collective, The James Collected, and Zuniga & Co. all show under the tents at Marburger Farm. Zuniga & Co. shows at The Compound as well. The owner of Fickle Barn in Round Top also has a space a MAI.

    “MAI focuses on beautiful objects that are one of a kind, and we specialize not only for the trade, but for the public, and it’s a need and a necessity in Houston,” Horne says. “Specializing not only in antiques, but in fabulous oil paintings, lighting fixtures, bookcases, and all the small home decor accessories that you need, to say, impress your mother-in-law.”

    Joining longtime MAI favorites like Assemble Art & Advisory by photographer Kerry Kirk, BAYAT Rugs, and six-bay, 1,400-square-foot shop MK Rathmell Antiques and Interiors, these are the newest vendors to MAI:

    William Gardner Antiques
    W. Gardner brings his celebrated eye and decades of experience to Memorial Antiques & Interiors, marking his first expansion into a second location. Known as one of Houston’s most respected antique dealers, his collection reflects years of thoughtful curation, with pieces that feel both storied and relevant.

    Joseph Collins Antiques and Modern Design
    Palm Beach–based Joe Collins is on a mission to unearth undiscovered artists and artifacts, offering an extraordinary journey through time, culture, and the depths of human creativity. Now extending his footprint to Houston from Round Top’s Market Hill, he brings a fresh, globally-informed point of view to the city’s design landscape. We spotted an exceedingly rare, hand-signed Arthur Court humidor in the shape of a fox that will certainly not stay available for long.

    Memorial Antiques and Interiors Joseph Collins MAI newcomer Joseph Collins shops east coast estate sales for items like this rare, hand-signed humidor by Arthur Court.Photo by Emily Cotton

    Bug In The Box
    Bug in the Box offers handcrafted, museum-quality insect displays featuring rare specimens sourced from around the world and preserved with precision and artistry. Rooted in a background of entomology and design, each piece is ethically-sourced and thoughtfully-composed, resulting in striking, one-of-a-kind works that blur the line between natural history and decorative art. Through a special agreement with the Houston Museum of Natural Science, Bug in the Box preserves butterflies from the Cockrell Butterfly Center to be sold in the HMNS gift shop — in exchange for access to specimens to preserve for personal projects, giving them new life as curated works of art.

    Purveyor Tristan Erickson‘s sensitive and enthusiastic approach to specimen preservation allows his works to feel less like taxidermy and more like objets d’art. Butterflies centered around antique gilt pieces and placed beneath crystal clear cloches or in shadow boxes, perfectly-perched exotic birds, and brass candlesticks displaying ostrich and emu eggs are sure to catch the attention of the most discerning collectors.

    The James Collected
    The James Collected by Tara English offers a thoughtfully-curated mix of antiques, collectibles, and storied pieces chosen for their craftsmanship, character, and timeless appeal. With an eye for objects that bring warmth and depth to modern interiors, English sources pieces that feel both personal and enduring, grounding everyday spaces with a sense of history and charm.

    Photo by Christiana
    Photographer Christiana Reckling captures moments with a sense of honesty and vibrancy that feels both effortless and enduring, blending bold color, natural emotion, and a subtle sense of nostalgia to offer a fresh perspective on familiar scenes. Each photograph is produced as a signed, numbered edition on museum-grade archival paper, created with intention and an emphasis on quality over quantity, resulting in a collection designed to spark curiosity, inspire a sense of place, and bring a refined layer of color and life into everyday interiors.

    Coming Soon

    Lisa Gillette
    Lisa Gillette is a seasoned antiques dealer known for her refined selection of European furnishings and décor, sourced with a discerning eye for quality, provenance, and enduring design. Exhibiting at Market Hill in Round Top, she brings together pieces that balance history with livability, appealing to designers and collectors seeking character-driven interiors. Her approach favors authenticity, craftsmanship, and subtle sophistication, with each find selected for its ability to elevate a space while telling a story.

    ----

    Memorial Antiques & Interiors; 7026 Old Katy Road #166; Monday - Friday, 10 am-5 pm, Saturday, 11 am-4 pm.



    Memorial Antiques and Interiors Laurier Blanc

    Photo by Andy Phan

    Laurier Blanc imports oil paintings and more from Belgium.

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    la dolce vita

    How a Houston designer transformed an Uptown hotel into an Italian escape

    Emily Cotton
    Jun 5, 2026 | 1:07 pm
    Hotel Granduca
    Photo by Julie Soefer
    Bespoke furnishings blend seamlessly with the antiques throughout.

    The Hotel Granduca — with its posh Uptown Park address, walled-grounds, and recently-refreshed interiors — has quietly pulled a fast one on Houstonians. While heads have been tilted toward the skyline’s mammoth new developments, the six-story Hotel Granduca has climbed the ranks of the trendiest boutique hotels around town for locals to just, well, be.

    The dark-and-heavy “Texas Tuscan” architecture and decor of the hotel’s earlier days have been replaced with bright interiors, a greenhouse, library, and a European garden terrace more in rhythm with actual Italian villa aesthetics. In addition to the in-house restaurant Remi, additions such as programming like Mahjong Mondays, themed brunches, local boutique pop-ups, live music performances, daily afternoon social hours, and a newly-minted preferred partnership with Biologique Recherché and Evolve Salon have made it impossible to deny the hotel’s reignited appeal. On any given day, someone in the group chat is headed to “The Granduca.”

    "Hotel Granduca presented a unique opportunity to reimagine what boutique luxury hospitality can look like in Houston," said Thomas Duncan, managing director of Transwestern Hospitality Group. “Hospitality should tell the story of the city it calls home, and our continued commitment to enhancing the property reflects a desire to create an experience that authentically captures Houston's warmth, diversity, and quiet sophistication. We are proud to offer a more intimate and personalized expression of luxury that is distinctly different from anything else available in Houston today."

    Originally opened in 2006, Houston’s only all-suite hotel was ready for a bit of a spa day of its own. Houston-based luxury designer Kara Childress — known for her elegant designs and one-of-a-kind antique finds — was picked by Transwestern for this grand reimagining. The newly-completed phase I of the renovation includes the lobby, library, Remi and Bar Remi, the garden courtyard, and over 5,000-square-feet of event spaces. The 141 suites will be rejuvenated as part of phase II.

    “Uptown Park is such a great, easy-to-get-to neighborhood with so many shops, and the hotel was in such need of a facelift,” explains Childress. “My hope was to make it more residential, and not so commercial like some big hotels. I think it feels good. I’m trying to transport you and make you feel like you’re in a beautiful old villa. These [Italian] families take so much pride in their homes. They never tear anything down and start over, they just keep adding to it.”

    Textural layering is something Childress effortlessly does to perfection. From the bones of the building to finishing with the placement of an 18th-century bibliothèque behind the check-in desk, the new design provides a naturally-formulated progression of the eye that suggests to the viewer that the hotel has been this way all along — which is exactly the point.

    Childress intends for the design to transport guests to an old Italian palazzo or monastery. Ceilings were raised and a pair of east-west doors was updated to a contemporary steel and glass combination, allowing the once dark interior space to become vibrant. Save for the doors, the space moves backwards in time. Designer-favorite Segreto Finishes replaced faux plaster paint techniques with genuine lime plaster throughout — including the elevators. Faux-limestone-printed porcelain floor tiles were replaced with genuine limestone, and 100-year-old pine floors reclaimed from a stable and installed in the restaurant all grant the hotel the genuine authenticity it had needed all along.

    “We brought in a lot of authentic materials. We just gave the bones back to the building; that added a lot of character,” says Childress. “When you go to Italy, all of those hotels have been renovated from beautiful old buildings that all have that gorgeous architecture and they’re so outstanding. It’s all new, but it actually feels like it’s been there forever, because it’s all old materials. And that’s what I was hoping for. I didn’t want it to be shiny and brand new; it feels like it’s been there for a long time and it’s not too precious. The more you use and enjoy it actually adds to the age, and it just feels better.”

    Bespoke furnishings blend seamlessly with the antiques throughout. A contemporary mohair sofa is fast friends with an 18th-century French walnut buffet with unlacquered brass hardware. A lobby-centered tête-à-tête dressed in a plush, tiger’s stripe silk velvet by Scalamandré, a mid-17th-century walnut-paneled cassapanca chest, and 19th-century large Louis Philippe mirror mix materials, patinas, and eras to fall perfectly into place as a beacon of Contemporary Classicism.

    While the overall color story in the lobby is a wash of natural limestone and plaster tones, Childress introduces hints of terra-cotta and Mediterranean-inspired teal and blues, followed by a full commitment to color in both the more communal restaurant and library spaces.

    “I want the eye to look outside and not get arrested in the entry. I used teal and terra-cotta because they lean into Tuscan colors, but I really leaned heavily into the ones in the bar,” explains Childress. “Those colors are so warm and rich. We’re wanting it to be a hotel that — obviously — people come and stay when they’re from out of town, but also just locals. It’s a great place for a burger, and the breakfast is incredible.”

    Directly across from Remi and Bar Remi is the equally-moody library. A marble fireplace, Persian rugs, a c.1860 black and burl walnut Italian mirror, oil paintings, accessories, and hundreds of leather-bound books populate the space, while seating for groups and individuals makes it the perfect place to enjoy a coffee and check emails or share cocktails and stories with friends and family.

    Just outside, the garden courtyard serves as an al fresco dining and lounge space. The once-exposed pool fencing has been cleverly concealed with tall hedgerows that play as a backdrop to a large 18th-century horse trough repurposed into a lovely fountain. “Outdoor terrace dining is such a treat to be able to have in Houston, and that’s a really fun place to be when they have live music,” adds Childress.

    The new art collection at Hotel Granduca is a mix of large-scale antique painted canvases — like the depiction of cranes in the lobby and the 18th-century Dutch painted panels behind the front desk — mixed with fun, over-the-top works by Scottish-born philanthropist and photographer David Yarrow speckled around the property. The black and white photos were chosen by Childress — from Yarrow’s La Dolce Vita series — for their playful narratives and mix of sensibilities. With names like “Bull Rider,” “The Last Supper in Texas,” and “Cowgirl,” it’s easy to see the appeal for a hotel in Houston.

    “They’re all black and white, and they have a vintage feel to them, and it’s a little bit Italian and a little bit Texan,” explains Childress. “I’m kind of combining two cultures: Texas, which we are so proud of; and Italy, which we all love. They’re both friendly and convivial, and ‘nobody meets a stranger,’ which I love. So we tried to weave those two together.”

    The pièce de résistance lies within the belly of Hotel Granduca. A short journey through a hallway opens up to the elevator lobby and breathtaking plaster mural by Segreto Finishes. Floor-to-ceiling and wall-to-wall, this incredible piece reads sculptural more than anything — imagine a frieze extended down an entire wall. Childress worked with the team at Segreto to design a piece that is distinctly Texan. A large live oak tree (complete with a squirrel and snake) branches out over native flora and fauna, an armadillo, deer, birds, and even a windmill. This piece is absolutely worth seeking out when visiting the hotel.

    Overall, the reimagined Hotel Granduca is a testament to how excellent design, hospitality, and thoughtful partnerships and programming can be positively transformative. So much so that a handful of live-in residents partake of the available long-term rental options. As mentioned previously, the hotel doesn’t have an on-site spa, but the new partnership with Biologique Recherché makes for an easy spa day, with full concierge-driven appointments and hotel car service.

    Whether visiting from out of town or just down the street, settle in for the day, night, or even month. There is always something to do at Hotel Granduca. With the FIFA World Cup beginning soon, the hotel will offer an exclusive viewing lounge for all Houston-hosted matches, themed cocktails inspired by competing nations, and complimentary country-inspired bites for the first hour of each match.

    Houston-hosted World Cup Match Dates:

    • June 14 | Germany vs. Curaçao | 12 pm
    • June 17 | Portugal vs. Congo DR | 12 pm
    • June 20 | Netherlands vs. Sweden | 12 pm
    • June 23 | Portugal vs. Uzbekistan | 12 pm
    • June 26 | Cabo Verde vs. Saudi Arabia | 7 pm
    • June 29 | Round of 32 | 12 pm
    • July 4 | Round of 16 | 12 pm

    Hotel Granduca

    Photo by Julie Soefer

    Bespoke furnishings blend seamlessly with the antiques throughout.

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