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    the Picassos are real

    Star NYC designer dishes on Texas ranch-inspired Memorial restaurant

    Emily Cotton
    Jul 11, 2025 | 1:00 pm

    When Houston rancher and restaurateur Allison Knight first plucked interior designer Alfredo Paredes from an Elle Decor list of top designers, she was looking to overhaul a few “cabinlike structures” on her family’s Colorado ranch — which he executed to perfection. Now, Parades, a 33-year veteran of Ralph Lauren, including roles as senior vice president and chief creative officer, has put his stamp on Houston. Latuli, the cozy new Gulf Coast and Texas-game-heavy restaurant by Knight and chef Bryan Caswell shares its sophisticated-casual aesthetic with other Paredes-designed projects like the Polo Club in NYC and Ralph’s in Paris.

    Taking their cue from the lack of elevated-but-approachable dining options in the Memorial area, friends and business partners Knight and Caswell chose Hedwig Village as the ideal location to debut a restaurant that offers a little something for everyone — from art enthusiasts to kids.

    “It’s very comfortable. This is supposed to feel like an extension of somebody’s home,” Knight tells CultureMap. “It’s in the neighborhood. I wanted to create this unique space and gathering place. We want people to come multiple times a week.”

    An extension of someone’s home it certainly is — Knight’s, to be exact. Most of the eclectic art collections and sprinklings of taxidermy throughout the restaurant found their way into Latuli’s many spaces via Knight’s Memorial area home, some even pulled from the attic. Original watercolors by John P. Cowan, the founding father of sporting art and Texas wildlife conservation, intermingle with works by Kate Boxer, Fritz Scholder, Paul Meyer, and even Pablo Picasso.

    “People come in and ask immediately about the Picassos, even though they are just signed lithographs,” Knight says with a chuckle. Picasso aside, the larger-than-life, textural portrait of a Native American man by Austin-based artist Paul Meyer is most likely to win MVP when it comes to Instagram moments.

    The interior color palette of blue, ivory, and cognac lends itself to a myriad of styles, all which can lean either coastal or ranch, depending on the space. The soaring wood beamed ceilings and enormous caribou head over the functional fireplace in the main dining room play juxtaposition to the tropical grasscloth wallpaper by Fine & Dandy and pair of 11’ palm trees, yet their coexistence is harmonious—a quality that carries itself throughout the design.

    Latuli is comprised of five separate, but cohesive dining spaces — a covered outdoor patio, a main dining room, an intimate, secondary dining room, and bar/lounge occupy the ground floor, while a private lounge and event space is situated on the second. Knight and Paredes took advantage of Houston’s proximity to Round Top to source antique vases, pots, and the large antique bar and artworks found upstairs. Inspired by her ranches in Colorado and Texas, but wanting to incorporate coastal features as well, Knight finds it interesting to see how the design reads to guests.

    “It feels familiar to them, and they can relate to it in some way. Some people say it reminds them of a Texas ranch, some people say Santa Barbara, some people said Palm Springs, somebody said South America. It’s just really interesting to hear what everybody sort of focuses on and connects to,” says Knight.

    While the design inspiration may be pleasantly ambiguous, the execution was decidedly not. Designs by Paredes were all carried out by local makers and artisans. The extensive millwork and joinery found throughout the restaurant, including the paneling, flooring, ceiling beams, and inset white oak wait stations are all creations by Doro’s Unique Flooring. The glimmering and impossibly smooth plaster work is by QTS, and the very Ralph Lauren-esque cognac-colored banquettes were fabricated and upholstered by Martin Irazoqui of Picchios in Cypress.

    Paredes designed the dining chairs, but they were crafted in Houston, along with the tables, by Agile Interiors. The intricate textile-clad backs of the dining chairs have been a fan favorite.

    “The fabric features a series of horizontal stripes incorporating geometric and tribal motifs in a rich palette of blues and grays. The intricate pattern evokes handwoven and artisanal aesthetics,” Parades explains.

    Taking a step away from the blue, ivory, and cognac color palette of the restaurant, the glossy, emerald green tiled bathrooms are something to behold. Light from the bamboo Ralph Lauren sconces dances along the high gloss tile work, illuminating the softer features of the marble countertops and classic, unlaquered brass Waterworks fixtures. The tiles were sourced from local hidden gem Pyramid Imports.

    The intention for Latuli being that it’s a place that serves the local community, Knight and Caswell wanted to make sure there is a comfortable space for everyone. There is a somewhat sceney vibe to the main dining room, an always 21+ only bar that offers both bar and table seating for those who want to catch up with friends or take in a game, and an intimate dining room for those looking for a quiet, relaxed atmosphere. The latter of which has proven quite popular: “We have those tables booked every single night, which was a surprise to me,” says Knight.

    The popularity of the private dining space also lends itself to its moodier aesthetic. A lowered ceiling and dark blue walls provide the perfect atmosphere for groups who like to settle in and stay awhile. The walls in the room have a depth to them that is difficult to pinpoint. That’s because its textured finish isn’t a paint application — it’s actually a waxed canvas fabric from Lord Fabrik.

    “This material was originally developed for sailors and fishermen in the UK and later used in American field gear for workers,” says Paredes. “The materiality of the walls in this room pull both from coastal workers and American design.” Given that the pendants throughout this space are fishing baskets, the choice of wall covering is nothing short of genius.

    The thoughtfully covered patio plays multiple roles. Share a meal, have wine by the outdoor fireplace, or allow the kids to romp during pre-and-post-dinner lulls in the enclosed green space. While not exactly a “play area,” Knight knew she wanted a space for kids to be kids.

    “I did want to give the kids some breathing room, I knew we wanted a green space,” says Knight. “Families are coming in and they are using it exactly how I thought they would. They come in, they eat, the kids go out there, and mom and dad get a chance to actually visit and enjoy themselves.”

    While the interior spaces look primarily to Texas, the patio is more international. Guests dining al fresco are seated beneath a sea of pendant lights in a plethora of shapes and sizes, all in cohesive shades of ivory.

    “The pendants are made in Mexico but it draws inspiration from Mediterranean designs — more specifically the lattice part is Moroccan inspired,” says Paredes. “The intent was to evoke a mediterranean mood that complements the architecture of the building.”

    Knight looks forward to the cooler months ahead so that guests can appreciate the indoor and outdoor fireplaces. And you know what? So do we.

    Latuli restaurant interior

    Photo by Frank Frances

    A caribou over the fireplace and 11-foot palm trees mix ranch and coastal styles.

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    Soul Searching

    New York design veteran goes hunting for vintage finds at Round Top

    Emily Cotton
    Mar 18, 2026 | 12:15 pm
    Alfredo Paredes
    Courtesy of Alfredo Paredes
    Designer Alfredo Paredes shopped Round Top for his new store in Hudson, NY.

    The Round Top Spring Antiques & Design Show is officially in full-swing. In recent years, the diversity of vendors has grown from mom-and-pop shops selling classic Texas items to international purveyors of imported European wares with provenance spanning multiple centuries. Whether a shopper partakes of the festival as a mere spectator, or is genuinely seeking an “I’ll know it when I see it” opportunity, the question always remains: what’s worth buying?

    One person who can answer that question is Alfredo Paredes. Known locally as the interior designer for Houston restaurant Latuli, Paredes served as creative director for Ralph Lauren for three decades, designing all stores, restaurants, and Ralph Lauren Home collections.

    Recently, Paredes traveled to Round Top in search of antique and vintage finds for his private clients as well as his forthcoming store in Hudson, New York. CultureMap tagged along for an afternoon of learning a thing or two about shopping vintage like Ralph Lauren’s right hand man.

    While the jovial Paredes readily acknowledges that he loves items from every corner of the globe, the design guru was particularly drawn to Brutalist wooden consoles, wicker, and organic woven pieces. This is only the second trip to Round Top for Paredes, and certainly not the last.

    “What I’ve started to notice in the last 10 years is — I used to go to Europe a lot, London and the Paris flea market — now a lot of it is here. People are coming now because it’s a more varied experience. It’s not all western, or all cowboy, or all whatever. It’s all eclectic and you never know what you’re going to find, and that’s why it’s more interesting now I think. It’s just interesting that it’s all here — you just have to know where to look.”

    At Market Hill, Paredes found things he couldn’t pass up for his store and for his clients. Bulky wooden pieces, low-slung leather chairs, and paintings showcasing deep umbers and blues seemed to be a draw. Saltillo tile-topped tables received high praise, as did bisque-fired ceramic works and artistic wooden carvings.

    “My eye goes to things that appeal to me. Not necessarily to a client, but just things I’m liking right now,” explains Paredes. “It’s hard to articulate what I’m loving, but I’m drawn to this sort of masculine, French, midcentury country house, but not Parisian [aesthetic]. You know — rugged stuff. I’ve always liked that, but I’m really attracted to it now. It just appeals to me. I like soulful things. I like woods that have patina, woods that have a story. I don’t like things too polished.”

    There is something endearing about witnessing Paredes in action, in his element. When he sees something he likes — say a chair, or a sofa — he makes a beeline for it and plops the seat of his Ralph Lauren vintage label blue-jeans right on it. Next, the hands get going, patting and rubbing the materials. Is it soft, is it sturdy, what are the tactile qualities, is it comfortable; an invisible sea of datapoints striking and firing in a single shot. How to know if it passed his tests? He wants the price.

    The afternoon is spent weaving through the well-organized mess of vendors getting ready for the spring show before it officially opens the next day. Boxes are being broken down and carried off, and telltale terrycloth squares peek out of back pockets — it’s nearly showtime. Paredes is recognized and greeted by vintage vendors he’s known since his days at Ralph Lauren. The genuine warmth of their greetings confirms a suspicion that’s been lingering since lunchtime — he’s the real deal.

    Favorites from the day come from Architectural Anarchy, Alma Gallery, and Amelia Tarbet Studios. Earlier in the day, Kansas City-based vendor Prize was also a great source for the style Paredes is currently curating.

    “I like this sort of — let’s call it ‘Old Hollywood Mogul.’ Something you’d see in Robert Redford’s house or an old movie star’s house; something of a period. I like that. I lean into old movies,” he explains

    Paredes shops with an air of confidence reserved for those who have long since forgotten to second guess themselves, but he remains all too aware that shopping vintage can intimidate the types of people who find solace in the arms of a robust and generous return policy.

    “Getting people to be comfortable with the sort of pace of shopping for vintage, and sort of collecting and owning [is tricky],” says Paredes. “Being okay that this is the one you selected — you know what I mean? If you miss it, you regret it. You need to know it’s a good investment, because you can always sell it. You can always move on. These pieces have been in people’s homes for a long time.”

    With his private clients, Paredes stays hard at work helping people understand the stewardship that goes along with collecting vintage pieces. It’s not about designer names with the things he’s drawn to, it’s about durability and craftsmanship — “artistry,” as he calls it. People shy away from the unfamiliar at times, then once they have had the time to consider rare vintage pieces long enough to fall in love with the idea, the piece is usually gone. And that’s something Paredes finds regrettable.

    “Vintage is a tricky thing for clients because you have to decide. Otherwise, it vanishes and it’s like hunt-and-peck. Then you’re not finished. A lot of people shy away from it because they can’t commit. That’s why you have an empty dining room, because you didn’t commit. We saw 30 tables and you didn’t commit. Missing out on things is a combination. People think they’re getting ripped off, or that it’s not the best one, or it’s ‘Can I see more options [of the same vintage piece]?’ The answer is no, no, and no. This is what it is — it’s collecting!”

    The new store in Hudson will be 60 percent vintage finds and 40 percent items from his private label. His pieces are bench-crafted in North Carolina and are inspired by his vintage finds. He loves that his line is made in the United States and inspired by pieces from across the globe. He doesn’t copy, he just lifts ideas.

    “I see this Parisian Art Deco chair that’s been upholstered in Mohair, and I’ll decide that we need a piece in Mohair. And that’s all I’ll take away from it,” he says.

    Textiles and other tactile materials are a big draw for Paredes, which is how he came to have a line with Kravet Fabrics. The line is mostly made of vintage-inspired patterns in classic, Americana colorways. This makes them easy to pair with vintage frames and materials plucked from anything from vintage fairs like the Round Top show to something inherited from a beloved family member.

    In his book, Alfredo Paredes at Home, he invites readers to explore the interiors of four homes he’s had throughout the years, showcasing his idea that inspired rooms can be built around the love of something as simple — yet unique — as a tassel.

    During his visit to Round Top, Paredes took the time to sign books and visit with vintage enthusiasts at gallerist Shelli Alter’s Round Top pop-up “dinnerpARTy.” Alter finds great success in mixing simplistic contemporary artworks by international artists like Riera Arago with ornate antique frames from the 18th century. The mix and juxtaposition is something very in line with the Paredes aesthetic.

    What’s most important to Paredes is the idea that people should just be having fun, loving the thrill of the hunt, and not putting too much pressure on themselves. As he says: “It’s someone’s own home — they need to enjoy it!”

    Explore the thrill of vintage at these top spots in Round Top

    Market Hill: March 9–29
    The Horseshoe: March 12–28
    Bader Ranch: March 13–28
    Zapp Hall: March 13–28
    Excess Field: March 1
    Blue Hills: March 14–28
    McLaren’s: March 14–28
    The Arbors: March 14–28
    The Compound: March 14–28
    The Halles: March 14–28
    Big Red Barn: March 22–28
    550 Market: March 14–28
    Marburger Farm: March 24–28
    Cisco Village: March 20–April 6

    Alfredo Paredes

    Courtesy of Alfredo Paredes

    Designer Alfredo Paredes shopped Round Top for his new store in Hudson, NY.

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