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    Round Top's Massive Antique Show

    What to know about Round Top's 43-acre Marburger Farm Antique Show

    Emily Cotton
    Mar 22, 2024 | 11:10 am

    The rodeo may be over, but don’t be too quick to pack away those boots. Round Top, Texas, population 93, is a year round destination for lovers of all things antique. The town’s Spring Antiques Fair is currently underway, but my particular favorite event is just about to get started.

    Open since 1997, the Marburger Farm Antique Show is truly my favorite destination for sourcing antiques for both myself and for clients. When I crack open the spine of a new datebook — yes, I still use those — I highlight the dates of the spring and fall shows right along with my loved ones’ birthdays. This year’s show, which takes place March 26-30, is highlighted in pink.

    Vendors unveil the best of their best for Marburger, and all of the country’s top designers come out to play and shop for clients. With more than 300 vendors spread across 43 acres, the selection is essentially limitless. Also, it’s worth noting that some vendors can be flexible on pricing — at least on the last day. I once snatched a pair of beautiful chain-link lamps that I only agreed to take home after a $300 price adjustment.

    Just a 90 minute drive from Houston, even people who aren’t looking for antiques could make the day trip just to people-watch. Choosing a cowboy cosplay outfit for Marburger is no small task, and the semi-inadvertent fashion show taking place amongst show-goers is a thing.

    Emily Cotton Camp Round TopOur author sporting her finest cowboy cosplay.Courtesy of Emily Cotton

    Marburger’s own Mallory Culbert gave CultureMap the scoop on what to expect, as well as some other fun facts. With so many permanent vendors to shop year round, what makes Marburger so special: “Scarcity psychology,” she says.

    Marburger Farm Antique Show

    Photo by Jenny Antill

    Top designers like Kelly Wearstler and Sheila Youngblood shop at Marburger Farm.

    Vendors spend months scouring the globe for incredible finds just to show at Marburger, and she’s not lying when she adds that “this stuff doesn’t grow on trees.”

    Read on for more insight into the show.

    CultureMap: In terms of space, how large is the actual show?
    Mallory Culbert: 43 acres! And it is the halfway point between Round Top and Warrenton — precisely two miles in on the four-mile stretch.

    CM: How many vendors will there be this year, and what’s the approximate ratio of new and return vendors?
    MC: Between all of the tents and buildings, we have over 300 dealers, and the space for new dealers is largely determined by the number of retirees because, thankfully, most dealers who set up at Marburger want to come back! We have some devoted (and equally treasured) dealers who have never missed a show in now over fifty shows!

    CM: In terms of a day trip, how long would you say someone can expect to spend roaming the tents?
    MC: Marburger is worth visiting for a sprint or a marathon, but it's such a feast that I would say a whole day. We have people who come back every day of the five days because our dealers change up their displays and spaces each day with yet-to-be-seen finds!

    CM: Every year famous designers flock to your show. I know I lost my absolute chill when I once came face-to-face with Kelly Wearstler. What is it about Marburger that makes it so irresistible?
    MC: I agree; Kelly is the coolest. A true visionary.

    I think Marburger draws a lot of independent thinkers because the merchandise runs such a tremendous gamut — so many centuries, so many styles. I, for one, find Marburger worth visiting just for "inspo" alone. The presentation skills are mad genius. I see what these spaces are like before they arrive, and the jump from blank canvas to what they put together by Opening Morning is simply marvelous.

    Most of our dealers are artists, even if they don't say they are. I think that really sets Marburger apart as well. We also have dealers who do no other show in the entire year but ours, and their clients know that they can only find them then and there.

    CM: Not withstanding never-ending attempts, the show has no sponsors or affiliates. Do you think that add to the show's authenticity?
    MC: Certain sponsors and collaborations could be a great fit, but it certainly doesn't hurt the objective of giving both our exhibitors and shoppers an experience that is truly immersive.

    CM: Apart from the vendor tents, there is a quaint, frontier-style village at the entrance. Were those moved onto the property for aesthetics, or are they original to the farm? What’s the story there?
    MC: Thank you for mentioning this as it is one of my favorite aspects of the show. The Marburger Farm House is original to the farm, and one of Marburger's co-founders Ed Gage (who can still be found set up in Tent A!) helped take care of Mrs. Leona Marburger in the earliest days of the show.

    The buildings that make up the rest of the village were purchased over the course of many years and moved from various places around Texas. The Dance Hall which hails from nearby Plum, Texas, is under consideration for historic preservation status, and if you look around at the names — the Bingo Hall, Blacksmith Shop, Silver Dollar Saloon — it makes entering the buildings that much more interesting, knowing what the spaces were originally used for while seeing them filled with beautiful, juxtaposing displays and new life.

    CM: I know the cafe options are something of a local affair. Can you tell us a little about the vendors?
    MC: Every provider of food and drink at Marburger is a small business, in most cases literally a mom-and-pop. That's Gail and her company Blue House (who also keep us fed on-site throughout set-up), and then there's The Soda Shoppe (the adorable ice cream trailer), and Clementine Coffee & Cream, the historic Kenney Store which was founded in 1887 (!), Courtney and her beloved Simply D'lish out of Brenham, and the wonderful Blackmore family's delicious Duende from Smithville.

    CM: Aside from the cafe, is there a lounge area or a respite place for shoppers to rest their boots?
    MC: Yes, we recently added a tent between the Clementine trailer and the Kettle Corn (which by the way some people come to Marburger just for that!) that has a bunch of picnic tables and is also the drop-off/pick-up point for the parking shuttle. (I'm partial to this tent because it has cute white pole flags atop the tentpoles 🙂).

    CM: There is a permanent restroom facility near the “village,” and a few polo field style facility trailers sprinkling the property. Is there anything someone with mobility issues should keep in mind if they plan to visit the show?
    MC: Great question. We have a range of facilities scattered around the show to suit a variety of mobility needs and constraints. We also offer golf carts for rent that allow for traversing the show much more smoothly for anyone, and those can be reserved in advance or, if one is available, rented day-of on-site.

    CM: Okay, I’ve run the gauntlet and have all of my fabulous antiques…will someone help carry them to my car? And what about that Chesterfield sofa I just had to have, how can I get that home?
    MC: I'll help you, Emily! Just kidding. We all know Chesterfields need trucks so unless you're driving an XL with a tarp for the bed (please prove me wrong and tell me you are, Miss Cotton!), I would suggest enlisting Distinguished Transport, our preferred on-site shipping and portering team, or do like the REAL pros do and roll in on an empty box truck. Fill 'er up!

    More Round Top tips

    Can’t make it to Marburger Farm? Rest assured that many of the permanent shops and showrooms around town have incredible finds that are available year-round. Market Hill and The Compound are two of my absolute favorites, and I’ve never left Round Top Antiques & Design Center or the Humble Donkey Studio (be sure to pickup a “Camp Round Top” patch while they last!) empty handed after attempting to walk off a slice of pie from Royer’s — lemon-blueberry crumble for the win!

    If traveling with a group and not planning to keep track of the Ellis Motel margaritas, I highly recommend Hostie and their Sprinter van services. Round trip to Round Top is also an option, with luxury Sprinter van services to and from surrounding major cities like Houston and Austin. They handle accommodations and have a concierge service as well. Hostie is based in Round Top, so they know everything and everyone. I cannot recommend a better service for anyone seeking a turnkey-style Round Top experience. See y’all out there!

    For more details about the show, including tickets and a complete list of vendors, visit the Marburger Farm website.

    -----

    What are you hoping to find at Round Top this year? Tell Emily at emilycharlottecotton@gmail.com.

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    show-stopping sights

    10 must-see booths and the Technicolor tapestry at Houston's Untitled Art

    Emily Cotton
    Oct 2, 2026 | 12:45 pm
    Untitled Art Houston 2026
    Photo by Emily Jaschke
    Silver Party, the VIP lounge designed by Gin Braverman.

    The second installment of the Untitled Art Fair opened to quite the fanfare on Thursday, October 1. VIP guests and members of the press looked on as Houston Mayor John Whitmire sliced through the ceremonial ribbon, allowing eager contemporary art enthusiasts to be the first to see what the show has in store over the weekend.

    For anyone unfamiliar, Untitled Art serves as a curatorial platform for discovering contemporary art, spotlighting both emerging and established voices. Exhibitors are selected based on the strength of their programs and artistic vision, under the leadership of founder Jeffrey Lawson, executive director Clara Andrade, and Houston director Michael Slenske. This year, 98 galleries from over 20 countries and territories are participating.

    This year, Untitled Art offers hourly guided tours organized by advisory partner The Agency Art House. These intimate tours offer an insider’s perspective on key highlights, providing context, market insights, and acquisition strategies. Tours will be held hourly and can be booked in Booth A3.

    In addition, a podcast lounge where the audience can be seated to watch the Untitled Art Fair podcast sessions live has been carved out in an intimate corner of the show. Presented in partnership with Soho House Cities Without Houses, the Podcast Lounge will feature 28 panelists across seven discussions. This year’s program includes artists, collectors, curators, writers, institutional leaders, gallerists, and voices from the hospitality industry.

    Untitled tapped Houston-based hospitality designer Gin Braverman of the acclaimed Gin Design Group (Kirkwood, ChòpnBlọk, etc.) to design what have become “Public Lounge” and “Silver Party,” the Andy Warhol-inspired VIP lounge. In Public Lounge, Braverman conceived a gathering place anchored by a large-scale overhead installation — a visual marker within the fair’s landscape of tall partition walls.

    Braverman enlisted Rachel Hayes — textile artist and collaborator to brands such as Armani and Missoni, as well as musical acts Bon Iver and Olivia Rodrigo — to develop the artistic direction for the piece, resulting in True North, a new site-specific textile installation created specifically for Untitled Art Houston. The lounge is designed around the work, with its color and textile language extending into the space below, even the tablecloths have received the colorful Hayes treatment.

    “We knew pretty quickly that the lounge needed something with real scale. You’re surrounded by these tall white walls, and I wanted something overhead that would pull your eye up and give you a sense of where you were,” explains Braverman. “I’ve always loved Rachel’s work and the way it lives somewhere between art, architecture, craft, and fashion, so she immediately came to mind. We gave her the form and let her run with it. Then True North became our north star for everything happening underneath it—the color, the textiles, the way people move through the space. I love that you can sit under this enormous piece of art and actually live with it for a minute.”

    Hayes was immediately intrigued when approached for the commission. While the Tulsa, Oklahoma-based artist is no stranger to public art installations, the opportunity to weave her way into the hospitality realm seemed like a fresh and inspiring new avenue.

    “I’ve never done anything quite like this before. It’s fun to try something new and to have someone to try it with because it makes it a little less scary,” says Hayes. “These are my people — this art audience and art crowd — so I was really excited to get asked to do this. As someone who works on a lot of public art projects, the audience isn’t necessarily art-goers. I like that my work can ride the line between design, art, fashion, public art, and architecture.”

    Standing 16-feet-tall and spanning 10 feet in diameter, True North is a cylindrical textile installation composed of machine-sewn synthetic organza, nylon, lamé, and thread, including elements repurposed from Hayes’ previous works — every seam sewn by Hayes. The work draws on references ranging from grain silos and chandeliers to Mondrian’s grids and the pieced logic of quilts. On-site, Houston-based artist Matt Freis assisted Hayes with installation armature and lighting.

    Raised high above the show floor, True North can be anything the viewer desires it to be. Much like Joseph and the Amazing Technicolor Dreamcoat, a patchwork of translucent planes of color, intersecting seams, and shifting layers create a monumental volume that moves between art, design, architecture, and placemaking.

    “Something like this is a very contained form. The space is big enough that we could think big, but not have it be a total explosion or takeover of my art,” explains Hayes. “The fair is not about me. This is just one little moment in some breathing space and it’s cool to be a part of Gin’s world that she’s building. I’m really excited to see what people think. In textiles, different people bring different things to the table. It might remind them of quilts, or glass vessels, or sculptures — it’s fun to try something like that in fabric.”

    CultureMap Show Stoppers:

    Regardless of whether one attends as an admirer or a collector, Untitled Art offers so much to see. To best serve show-goers, CultureMap compiled a list of 10 do-not-miss galleries, artists, and a helpful guide to price points within the galleries themselves. From Houston and other Texas locals holding it down, to the international “big fish,” here are the top 10 standouts from the show…“in no particular order.”

    Gallery: LEE & BAE | New York/Busan, KR
    Artist: Sangmin Lee
    Price: $25,000
    Location: B30
    CultureMap’s Take: Inspired by Korean pottery, this artist carves vessel shapes into plate glass, then shadow box framing them to allow light to reflect the shapes into pottery formations in the background. Stunning.

    Gallery: HOFA | London
    Artist: Iljwa Kim
    Price: Starting, $32,500; Shown, $162,000
    Location: B31
    CultureMap’s Take: Working with hand-dyed Hanji paper, this artist creates surreal landscapes with stunning tactile qualities.

    Gallery: Dominique Porter Gallery | Los Angeles
    Artist: Sophie Vallance Cantor
    Price: Starting, $4,000; Shown, $12,600
    Location: C24
    CultureMap’s Take: This British portraiture artist and her fantastically-imagined self-portraits, shown with her cats, is sure to put a smile on every face.

    Gallery: Blouin Division | Montréal/Toronto, CA
    Artist: Renée Condo
    Price: $61,500
    Location: D26
    CultureMap’s Take: With a striking diameter of 108-inches, this wooden bead work by an indigenous artist puts bright colors and a contemporary twist on the natural world front-and-center.

    Gallery: Sundaram Tagore Gallery | New York/Singapore/London
    Artist: Anila Quayyum Agha* & more
    Price: Starting at $20,000
    Location: D16
    CultureMap’s Take: This gallery came to play. With multiple show-stopping works from various artists and mediums, steel sculptures, larger-than-life textiles works, and a lacquered steel light box display, this gallery is sure to pop up all over social media.

    Gallery: YOD Gallery + Zaza Galerie | Osaka/Kyoto/Tokyo, JP
    Artist: Kanaria Sur l’herbe
    Price: $8,000
    Location: D12
    CultureMap’s Take: Intrigued by the idea of complete utopia, this artist works in acrylic and colored pencil to create ethereal dreamscapes where bunnies, birds, and other creatures exist in nature as one.

    Gallery: TERN Gallery | Nassau, BS
    Artist: Richard Nattoo
    Price: Alter pieces, 3,500-4,250; “Bat,” $7,500
    Location: C6
    CultureMap’s Take: This Jamaican storyteller (and trained architect) leans into tradition and deep connections to nature in his episodic storytelling through a series of Jonkonoo festival-based pieces, bringing a full sensory experience through fragrant hand-framed alter pieces sourced from local Jamaican timber. Do not miss this.

    Gallery: Nara Roesler | Sāo Paulo/Rio De Janeiro, BR/New York
    Artist(s): Maria Dávila & Eduardo Portillo
    Price: $39,000
    Location: A2
    CultureMap’s Take: This large scale work in silk and Moriche fibers weaves a serene blanket of soothing autumnal hues guaranteed to bring all the cozy feels.

    Gallery: McClain Gallery | Houston, TX
    Artist: Pablo Picasso
    Price: Price upon request
    Location: A1
    CultureMap’s Take: Perhaps an obvious choice, there is always something magical about a slightly unhinged 1950s era Picasso in crayon, graphite, and ink on paper.

    Gallery: Silver Party VIP Lounge
    Artist: Maripol
    Price: Not for sale
    CultureMap’s Take: While not available to view by all Untitled ticket holders, the six Maripol works on display in Silver Party are quite incredible. Shot on an SX70 and printed on Canson satin paper, this collection of mostly selfies shot between 1977 and 1981 really are something to see.

    Check out Untitled Art Fair from Friday, October 2—Sunday, October 4 in Hall A3 at George R. Brown Convention Center.

    Untitled Art Houston 2026

    Photo by Emily Jaschke

    Silver Party, the VIP lounge designed by Gin Braverman.

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