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    music & the magic of fashion

    Tory Burch and Narciso Rodriguez cast a spell with moody fashion & "can't get itout of my head" music

    Clifford Pugh
    Feb 23, 2012 | 9:41 am
    • Tory Burch closed her show with a tulle and chiffon embroidered evening gown
      Photo by Mike Coppola/Getty Images for Mercedes-Benz Fashion Week
    • Burch opened her fall show with an embroidered tweed coat, embellished knitcardigan and organza eyelet skirt.
    • Tory Burch acknowledges the audience at the end of her show.
    • Narciso Rodriguez featured dresses with T-shaped fabric patterns that looked abit like a flock ot birds.
      Photo by Frazer Harrison/Getty Images for Mercedes-Benz Fashion Week

    NEW YORK — Fashion always reflects the times. So with the uncertainty in the economy, the popularity of The Hunger Games and interest in paranormal activity, many fall collections shown during Meredes-Benz Fashion Week were a little dark and unsettled. "It used to be happy endings. Now it's all about the dark side," Roseanne Morrison, fashion director at The Doneger Group, explained to me before one show.

    Ever perennially sunny Tory Burch seemed a little moody. She based her fall collection on a prim girl who is obsessed with a bad boyfriend. "She's innocent, unaware of her own sex appeal," Burch wrote in the program notes. Influenced by the 2000 Hong Kong movie, In the Mood for Love, in which neighbors each suspect their spouses of being unfaithful, Burch created a collection that is polished and proper, but with subversive undertones.

    Influenced by the 2000 Hong Kong movie, In the Mood for Love, in which neighbors each suspect their spouses of being unfaithful, Burch created a collection that is polished and proper, but with subversive undertones.

    To evoke the mood, the designer, a big music fan, selected the hypnotic song, "Under Your Spell," by Desire. (It was featured in the movie Drive.) Models walked down the runway to the words, "I don't eat, I don't sleep, I do nothing but think of you. You keep me under your spell."

    Burch has quickly built a worldwide brand by offering stylish clothing well below designer prices. Her latest collection rachets up the level of sophistication and sensuality, with snugger silhouettes and a mix of fabrics like tulle and leather.

    Yet it still includes plenty of saleable separates, including cardigans trimmed with pearls (very Chanel), tweed blazers with fringe detail, sweaters trimmed in tulle appliques, crinkled leather coats, patent skirts and handpainted plaids with sequin detail.

    A variety of handbags, which range in styles from boxy with a chain link strap to embellished clutches, and shoes (T-strap and spectator pumps) gave each look a polished touch.

    It was only Burch's second full-scale runway show and when I caught up with her that night at the Narcisco Rodriguez show, she seemed exhausted by the rigors of putting it together. Later, on her website, she listed the numbers involved in creating the runway show. It entailed:

    Seats: 626
    Racks of clothes: 10
    Pairs of shoes: 500
    Trips to fabric stores: 75
    Sequins sewn by hand: 3,500
    Hours to create custom hand-painted Gracie wallpaper: 1,200
    Stores called for Fogal tights: 40
    Pre-show food deliveries: 21
    Boxes of Girl Scout cookies consumed: 12 (surprisingly, less than we expected)

    Rather than get some rest, Burch and her boyfriend, record producer Lyor Cohen, sat in the front row of the Rodriguez show, alongside Gloria Estefan and Claire Danes. Burch and Rodriguez are close friends even though their design sensibilities couldn't be more different. In nearly 10 years of watching Rodriguez's shows, I don't recall ever seeing anything embellished. His designs are so pure and deceptively simple that it was surprising when several outfits in the fall collection were marked with T-shape fabric that looked a bit like flying birds.

    Rodriguez's designs are so pure and deceptively simple that it was surprising when several outfits in the fall collection were marked with T-shape fabric that looked a bit like flying birds.

    This collection is also populated with eye-assaulting colors of deep orange, chartreuse and wine in colorblock patterns as well as black and shades of gray. Eyecatching dresses in angular patterns and bell-shaped coats showcase Rodriguez's unique design style.

    He also introduced a new shoe and handbag collection featuring exotic skins and suede. Many of the runway looks featured kicky calf-high boots. But, like Burch, it was the music to his show that stayed in my mind as I exited the theater. Rodriguez featured a haunting song, "Tonight," by Koudlam, a French musician who was born in the Ivory Coast.
    Rodriguez highlighted "Tonight," by Koudlam:

    Burch highlighted "Under Your Spell" by Desire:

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    series/clifford-on-the-catwalk-htx

    Stepping up

    Texas bootmaker strikes a glossy note with the debut of new patent line

    Gabi De la Rosa
    Apr 13, 2026 | 9:30 am
    Miron Crosby Maggie Patent
    Photo courtesy of Miron Crosby
    Miron Crosby reimagines its signature Maggie boot in high-gloss patent leather for a polished update.

    Cowboy boots are based in tradition, but Miron Crosby continues to find ways to move the conversation forward. The Dallas-based label’s latest release, the Maggie Patent Collection, debuts a new material to its signature lineup while staying true to the workmanship that built its following.

    The brand’s best-selling Maggie boot is now available in a high-gloss patent leather. Although the new finish changes the silhouette's tone, delivering a more fashion-forward take on Western footwear, the boot’s structure remains the same.

    “Maggie is such a classic, flattering shape, so even when you introduce something like a patent, it still feels timeless at its core,” co-founder Sarah Means Ward tells CultureMap.

    When designing the boot, the sisters were careful not to lean into trends. They focused on letting the material enhance the boot rather than redefine it. “We wanted it to feel elevated and refined instead of overly flashy,” says Ward.

    Miron Crosby Maggie Patent New colorways Beurre, Sable, and Transformative Teal bring depth and shine to the Maggie Patent lineup.Photo courtesy of Miron Crosby

    Texas has strong roots and ideas about Western wear, and introducing patent leather into a heritage category can come with risks. The sisters approached the new collection with a respect for tradition as their foundation.

    “The craftsmanship, the construction, the way the boot fits and feels, those elements are non-negotiable,” Duplantis says. “From there, it’s about evolving the design in a way that still feels authentic.”

    The look was first tested in 2019 when Miron Crosby worked with Prabal Gurung on a limited run of patent boots for his runway show. That collaboration allowed Miron Crosby to explore new materials, something the brand has continued to build on. With Maggie Patent, that early concept was refined into a boot designed for daily wear, not just for the runway.

    “It showed us that something as unexpected as patent leather can feel completely natural in a Western silhouette when it’s approached thoughtfully,” says co-founder Lizzie Means Duplantis.

    The collection is available at their River Oaks boutique, in three colorways: Beurre, Sable, and Transformative Teal, which were influenced by materials seen at the 2025 Lineapelle show in Milan.

    “The patent leathers had this incredible richness that made us think about color in a different way,” Ward says.

    The sisters chose colors that were naturally approachable. Neutral tones like Beurre and Sable are great for everyday wear, while Transformative Teal offers a statement moment. “Some days (our customer) wants something understated, other days she wants something that stands out,” says Duplantis. “This was about giving her both.”

    Miron Crosby Maggie Patent

    Photo courtesy of Miron Crosby

    Miron Crosby reimagines its signature Maggie boot in high-gloss patent leather for a polished update.

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