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    bigger and stronger

    Winner of Ren Fest lawsuit plans to keep the event mostly unchanged

    Jef Rouner
    May 14, 2025 | 2:34 pm
    Texas Renaissance Festival

    The new owner of the Texas Renaissance Festival isn't planning any major changes.

    Photo courtesy of Texas Renaissance Festival

    The Texas Renaissance Festival will soon be under new ownership, but will remain much the same as it has been for the last half century, attorney Anthony Laporte of Houston law firm Hanszen Laporte tells CultureMap.

    "All of the vendor contracts are in place for 2025," says Laporte. "Everyone who was already there will be there this year. Maybe one Dippin' Dots guy here and there will be swapped out with another, but we're sticking with what works. Even when the litigation was ongoing, they're having entertainment auditions. Both the old owners and the new ones are planning to give visitors a great time."

    Founder George Coulam has owned the Texas Renaissance Festivals since 1974. Now in his late 80s, Coulam has teased selling the festival multiple times, a process chronicled in a recent HBO docuseries. After pulling out of the latest sales agreement, the prospective buyer sued Coulam for breach of contract. Grimes County Judge Gary W. Chaney ruled against Coulam on May 7, paving the way for the sale to finally go through.

    The identity of the new owner was a mystery for some time. Court documents listed only the corporate entities RW Lands, Texas Stargate, and Royal Campgrounds. The prospective new owner is Meril Rivard, a real estate investor with no prior festival experience who sought to purchase the fair for $60 million. However, Rivard's son is married to the daughter of Geoff Wilson, owner of several Greek food establishments in the festival. Wilson's clan, referred to as "The Greeks" in the HBO documentary, were one of the groups featured in the show trying to buy the fair.

    "This is a family business now," says Laporte. "He has family that lives it, works it, and is part of it."

    According to Laporte, an appeal by Coulam and his counsel seems unlikely. He reports that all parties mostly feel relief that the case is over, though until the judgment is finalized in the next couple of months there is still the possibility that Coulam will try one last time to remain king of the festival.

    The rough final sales price of the Texas Renaissance Festivals is $60 million, Laporte says. This includes the intellectual property rights, some physical property owned by the festival but not strictly part of its grounds, and other assets. The festival is also partially owned by some of the larger business owners. The recently-settled lawsuit does not change those arrangements.

    "It's hard to say what will happen [to the partial owners]," Laporte says. "This judgment does not affect them, per se, but there will be ripple effects. However, no one wants the festival to fail."

    Coulam will no longer have an official role in the running of Texas Renaissance Festival, though he may advise in an unofficial capacity. Laporte did say there will be no more parades in his honor. Coulam has repeatedly been accused of sexual harassment by former employees.

    Until the judgement is finalized, no official date for the transfer of ownership will be set. In addition to the money changing hands for the sale, Coulam owes Rovard and the other plaintiffs $22 million in damages and another $1 million in attorney fees, the judge ruled. None of this is projected to impact the October opening of the festival in any way.

    "Everyone is ready to make Ren Fest bigger and stronger," says Laporte.

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    Movie Review

    Five Nights at Freddy’s 2 doesn't match the first movie's enthusiasm

    Alex Bentley
    Dec 4, 2025 | 3:45 pm
    Five Nights at Freddy's 2
    Blumhouse
    Five Nights at Freddy's 2.

    Blumhouse Productions first made their name with the Paranormal Activity series, establishing themselves as a leader in the horror genre thanks to their relatively cheap yet effective movies. In recent years, they’ve added on “soft” horror films like M3GAN and Five Nights at Freddy’s to draw in a younger audience, with both films becoming so successful that each was quickly given a sequel.

    Five Nights at Freddy’s 2 finds Mike (Josh Hutcherson) and his sister Abby (Piper Rubio) still recovering from the events of the first film, with Abby particularly missing her “friends.” Those friends just so happen to be the souls of murdered children who inhabit animatronic characters at the long-defunct Freddy Fazbear’s Pizza, children who were abducted and killed by William Afton (Matthew Lillard).

    A new threat emerges at another Freddy Fazbear’s location in the form of Charlotte, another murdered child who inhabits a creepy large marionette. Mike, distracted by a possible romance with Vanessa (Elizabeth Lail), fails to keep track of Abby, who makes her way to the old pizzeria and inadvertently unleashes Charlotte and her minions on the surrounding town.

    Directed by Emma Tammi and written by Scott Cawthon (who also created the video game on which the series is based), the film tries to mix together goofy elements with intense scenes. One particular sequence, in which the security guard for Freddy Fazbear’s lets a group of ghost hunters onto the property, toes the line between soft and hard horror. That and a few others show the potential that the filmmakers had if they had stuck to their guns.

    Unfortunately, more often than not they either soft-pedal things that would normally be horrific, or can’t figure out how to properly stage scenes. The sight of animatronic robots wreaking havoc is one that is simultaneously frightening and laughable, and the filmmakers never seem to find the right balance in tone. Every step in the direction of making a truly scary horror film is undercut by another in which the robots fail to live up to their promise.

    It doesn’t help that Cawthon gives the cast some extremely wooden dialogue, lines that none of the actors can elevate. What may work in a video game format comes off as stilted when said by actors in a live-action film. The story also loses momentum quickly after the first half hour or so, with Cawthon seemingly content to just have characters move from place to place with no sense of connection between any of the scenes.

    Hutcherson (The Hunger Games series), after being the true lead of the first film, is given very little to do in this film, and his effort is equal to his character’s arc. The same goes for Lail, whose character seems to be shoehorned into the story. Rubio is called upon to carry the load for a lot of the movie, and the teenager is not quite up to the task. A brief appearance by Skeet Ulrich seems to be a blatant appeal to Scream fans, but he and Lillard only underscore how limited this film is compared to that franchise.

    Five Nights at Freddy’s 2 is better than the first film, but not by much. The filmmakers do a decent job of making the new marionette character into a great villain, but they fail to capitalize on its inherent creepiness. Instead, they fall back on less effective elements, ensuring that the film will be forgettable for anyone other than hardcore Freddy fans.

    ---

    Five Nights at Freddy's 2 opens in theaters on December 5.

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