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Movie Review

Teenage Mutant Ninja Turtles: Mutant Mayhem is an irreverent animated delight

Alex Bentley
Aug 2, 2023 | 9:44 am

The history of Teenage Mutant Ninja Turtles adaptations is a checkered one. After starting as a comic book in the early 1980s, it was first adapted into a beloved animated TV series. In the early ‘90s, came three live action movies, all reviled. Multiple other animated and live action projects followed, each earning the same scorn as the big-screen trilogy.

So fans have a right to be skeptical of the latest movie, Teenage Mutant Ninja Turtles: Mutant Mayhem, although it is thankfully in the animated realm instead of live action. Led by writers/producers Seth Rogen and Evan Goldberg, the film goes back to basics, showing how Leonardo (voiced by Nicolas Cantu), Raphael (Brady Noon), Donatello (Micah Abbey), and Michelangelo (Shamon Brown Jr.) came to be, as well as how they chafe under the strict rules of mentor/father figure Splinter (Jackie Chan).

A chance meeting with aspiring reporter April O’Neil (Ayo Edebiri) gets them out of the sewers, where they embark on a mission to stop the rampages of a villain known as Superfly (Ice Cube). The discovery that Superfly and his gang are also mutant versions of animals/insects throws them for a loop, but the turtles’ desire to become heroes who would be accepted by human society keeps their eyes on the prize.

The film, directed by Jeff Rowe and Kyle Spears and written by Rogen, Goldberg, Rowe, Dan Hernandez, and Benji Samit, is exactly the antidote the property needed for the two Michael Bay-produced live action films in the 2010s. The filmmakers understand the irreverent tone the film needs to strike, as well as establishing the distinct personalities of each of the turtles.

What really sets the film apart is the animation style, which can best be described as “purposefully rough.” Many of the characters have odd angles to their faces, and everything appears scuffed, as if it was drawn quickly. It’s perfect for a story about mutant creatures who live underground. Nothing in the film is pretty to look at, but it draws you in nonetheless.

Per usual for nostalgic properties like this, there is plenty in the film that will appeal to both kids and adults. The kinetic story, with lots of action scenes and fast-paced editing, will keep the attention of anyone with short attention spans, while a variety of references will have parents chuckling knowingly. Out-of-the-norm choices, like scoring a chase scene to 4 Non Blondes’ 1993 song “What’s Up?,” illustrate the effort to appeal to multiple generations at once.

The Ninja Turtles themselves are voiced by young actors, which drives home the impetuous decision-making and goofiness of the teenagers. Joining bold-faced names like Ice Cube and Jackie Chan are Rogen, Rose Byrne, Paul Rudd, Maya Rudolph, John Cena, and even Post Malone, each of whom adds a unique flair to their voice work.

There’s no need to fear disappointment from yet-another Teenage Mutant Ninja Turtles movie; Mutant Mayhem is a success from beginning to end. The look, the tone, and the attitude of the film are all as good as any fan could hope; let’s just hope they don’t screw up the (inevitable) sequel.

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Teenage Mutant Ninja Turtles: Mutant Mayhem opens in theaters on August 2.

April O'Neil, Raphael, Donatello, Michelangelo, and Leonardo in Teenage Mutant Ninja Turtles: Mutant Mayhem

Photo courtesy of Paramount Pictures

April O'Neil, Raphael, Donatello, Michelangelo, and Leonardo in Teenage Mutant Ninja Turtles: Mutant Mayhem.

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Movie Review

New thriller Crime 101 majors in cool with Hemsworth at the wheel

Alex Bentley
Feb 13, 2026 | 4:15 pm
Chris Hemsworth in Crime 101
Photo courtesy of Amazon Content Services
Chris Hemsworth in Crime 101.

The career of actor Chris Hemsworth is a curious one, as it feels like he’s a huge star (mostly from playing Thor in Marvel movies) and not at the same time, with most of the non-MCU movies featuring him in a lead role failing to become big successes. But he still has a certain presence about him, which is why he’s being given another chance to prove his star power in the new thriller, Crime 101.

Hemsworth plays Davis, a talented thief who knows how to get what he wants without resorting to violence. When a job early in the movie turns slightly sideways, it makes him think twice about working with his handler (Nick Nolte), who seems to prefer someone with a stronger touch, like the up-and-coming Ormon (Barry Keoghan).

Davis is the main character, but two others who come into his orbit get their own subplots. Lou (Mark Ruffalo) is a slightly schlubby LAPD detective who’s convinced he knows the pattern of an unknown thief that likes to hit places close to Highway 101. Sharon (Halle Berry) works for a high-end insurance agency known for working with ultra-wealthy clients, the types who might be a great target for a thief like Davis.

Written and directed by Bart Layton, the film has a decent propulsion to it that comes with most crime thrillers. Davis and Ormon represent the yin and the yang of criminal approaches, and and it’s interesting to see the juxtaposition between the two as their simmering rivalry heats up over the course of the film. When the film commits to actually showing its crimes, it has an excitement that’s worth watching.

Unfortunately, Layton displays a real lack of focus, taking the audience into subplots with each of the three main characters that prove unnecessarily distracting. Lou’s marriage problems may explain his disheveled appearance, but there’s no need to see him deal with them with wife Angie (Jennifer Jason Leigh). Sharon’s troubles with her male-dominated company prove slightly pivotal, but still don’t merit the time put into exploring them.

The most baffling subplot is Davis pursuing a relationship with Maya (Monica Barbaro), a woman he randomly meets. At different points in the movie, including many of his interactions with Maya, Davis seems like the most uncomfortable, antisocial person in the world. And yet he somehow morphs into a suave smooth-talker who’s able to convince anyone to do what he wants at other key points, making it unclear exactly what kind of person he really is.

Hemsworth does relatively well in the lead role, but he’s still missing that certain something to make his character, and therefore the movie, truly compelling. The rest of the cast is fine, too, but each of them seem to be putting in just the minimal amount of effort to make the film watchable. Ruffalo and Barbaro come off the best, but with the talent in the cast (11 Oscar nominations and one win), they could have been used better.

Crime 101 has most of the ingredients to be another great entry in the genre, and it succeeds when it actually decides to deliver on its promise. But too much of the film is spent on things that have no real bearing on plot or character development, leaving the movie in the middle of the pack.

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Crime 101 is now playing in the theaters.

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