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    Who's Sari Now?

    Here's everything that happened on the shocking season finale of Married to Medicine Houston

    Kaitlin Steinberg
    Dec 30, 2016 | 10:01 pm

    Well friends, this is it. This is the end.

    Bravo will neither confirm nor deny that Married to Medicine Houston will be returning for season two, but now, nearly two years after this initial season wrapped filming, there have been no moves (that we know of) to continue filming. So, my dears, enjoy the last 44 minutes of our favorite medical professionals, because, while I’m no Herb the astrologer, my tea leaves tell me that this premier season will also be the only season.

    But before we begin our collective mourning, let’s celebrate, because Imad and Monica are finally, finally getting along. They’re actually communicating and listening to each other without fighting, and Monica’s has arranged for her mother and Imad to meet, which is a big step in her family. This meeting doesn’t include Monica’s father, because she wants to get her mother’s approval first and then chip away at her dad.

    They gather at El Tiempo for the famly powwow, and Imad is visibly nervous, which is a good look on his smug face for a change. Sorry, I forgot I’m not currently hating on Imad, cause he’s been a good guy lately.

    Anyway, the initial meeting goes smoothly, but then Monica asks her mom what she wants for her daughter, and Monica’s mom replies that she thinks a highly educated woman deserves a highly educated man. I can’t say I disagree with that, but Imad takes offense, because he has worked hard to get where he is without a formal education, I guess? Imad worries that he’s never going to be good enough for her parents, but says that at the end of the day, it’s between him and Monica.

    Not so fast there, buddy! Monica reminds him that early in their relationship, he told her that if her dad doesn’t approve of their relationship, he can’t marry her. So, yeah, it’s not just between them. Eventually, Monica’s mom says that if Monica’s happy, then she’s happy, which the couple takes as her blessing. Happy seems like a strong word to describe this relationship, though. Just saying.

    Later, Ashandra and Ricky meet Ashandra’s sister, Devonya, and brother, Aaron, and the only purpose this gathering serves is to remind us all how much more perfect Ashandra’s entire freaking family is then we are. Thanks, guys.

    All about Monica

    This episode is all about Monica, though, so back at her house, she’s practicing a dance for a Bollywood-themed fundraiser Cindi Rose is hosting. Erika is preparing for the fundraiser as well, and she’s invited all the girls to her place before the event to get ready and drink bubbles. Monica’s mom is also invited, because no one knows how to put on a sari.

    Ashandra shows up at Erika’s with multiple bags and demands a shower because she needs to literally wash her ass. If you were confused by that entrance, you are not alone. Everyone is kind of befuddled, but it’s okay, cause there’s plenty of champagne to be consumed while we wait for Ashandra’s ass to…get…cleaned.

    Moving on! Monica and her mom arrive to get the ladies all Bollywooded up properly. By the way, Monica’s mom is adorable. Everyone is getting along too, which is great for them, but super boring for me. They’re all sharing jewelry and wearing beautiful saris and Monica talks about how she loves that they’re all from different cultures and so wonderfully representative of the Houston melting pot. The diversity of the cast is truly what makes this show special and unique from other Bravo shows, buuuuuuuut someone needs to throw a drink in someone else’s face ASAP.

    As anyone who has been reading these recaps knows, I’ve had some choice words about Cindi Rose, but I will say the woman knows how to throw a party. The Bollywood event is stunning, and now I’m really sad that my invite got lost in the mail back when it happened.

    Also, there’s a woman dressed as Cleopatra wearing what looks like the boning of a hoop skirt that has been refashioned into a drink holder, so she’s just walking around offering flutes of champagne to people from her skirt. It’s weird, and I’m very, very into it, because it seems like the type of thing only rich people get to have at their gatherings, and I desperately want to be a part of that.

    The big question

    Once Imad and Monica arrive at the party, Imad slips away and pulls Suzie aside. She immediately assumes he has another relationship woe to share with her (Suzie, you’re a saint), but shocker of shockers, the man pulls out an engagement ring to show her. He has decided (sort of, mostly, even though he’s still maybe not 100 percent on board) to propose to Monica after her big Bollywood dance.

    Monica’s performance is lovely, but the best part of the dance was seeing the face of my buddy Herb, the astrologer, in the crowd. Quick, Herb, warn Monica of what’s about to happen!

    Pegah picks this time, during a lovely event, to tell her sister Elly that she probably won’t be living in Houston much longer because her husband is taking a job elsewhere. Not the time or the place to devastate your sister, girlfriend!

    Speaking of wrong time, wrong place, Imad grabs Monica immediately after her dance and ushers her outside and into his oh-so-romantic car. If you’re like me and could see where this was headed, this is the point at which you, too, decided tonight was the wrong evening to skip your nightly glass of wine, and you, too, grabbed the whole damn bottle and started chugging.

    As they sit in the front seats, separated by the center console, Imad tells Monica that she’s crazy and psychotic and that they have a lot of things they need to work out in the future. And then he lists all the things they need to work out, cause nothing is more romantic than outlining the flaws in your relationship.

    I know what you’re thinking: This sounds like a breakup speech. But, surprise! It’s actually a proposal! Yep, Imad gets the ring out of the center console and presents it to Monica with the words, “Will you marry me?”

    There’s a good five second pause during which Monica looks like a deer caught in the headlights of an oncoming train. And then the words all men want to hear after they’ve proposed marriage: “I’m not sure.”

    Imad seems dumbfounded and says he’s not going to put the ring on Monica’s finger unless she says yes. So Monica takes a good look at the giant rock and decides what the hell! She says yes, but I’m pretty sure it was just to add that ridiculous diamond to her collection.

    They sit in the car for a while longer while Imad tries to process why Monica isn’t more excited and Monica tries to process what the hell she’s just agreed to. She was a bit taken aback by the proposal that outlined their foibles, which seems fair. Imad can’t handle adult conversations, though, so he throws a tantrum, telling Monica that she’s just proven him right about everything and that he wants the ring back.

    When Monica tries to talk to him, he does what all mature men do when faced with a difficult discussion: He quite literally runs away. OK, maybe it was more of a walk, but DUDE. WHAT IS WRONG WITH YOU?

    Time to down some booze

    Monica returns to the party and shows her friend Neera the ring that’s still on her finger in spite of the fact that her boyfriend fiancé this guy she knows just told her he’s done and stormed off. Neera’s initial squeal of delight is probably more the reaction Imad was expecting from Monica, but she quickly changes her tune when Monica explains what happened. Neera asks for a shot, which is what I’m doing now. Downing booze. I am so uncomfortable.

    Once again, poor Suzie is pulled away by Imad who tells her he regrets the whole thing and he wants the ring back. While he’s doing this, Monica is inside showing the ring off to the girls as if everything is fine and dandy. When they ask if she’s engaged, she says, “I don’t know,” and continues staring into the flawless depths of her giant rock.

    Rachel, rightly, says that if you want to marry someone, it should be the easiest decision ever. Elly suggests that Monica wouldn’t want to remember this day in a negative way, so maybe she should give the ring back. It’s too late for Monica, though. She is firmly in the grasps of the sparkly object, and nothing is going to separate her from her one true love. I’m talking about the ring, of course, not Imad.

    She says she’s still processing, but she knows that she wants Imad and that he’s now going to require a grand gesture to apologize. So, in the middle of the fundraiser dance floor and with everyone watching, she goes to Imad, takes the ring off her finger, gets down on one knee and puts the ring on his finger.

    If you watch only one scene from one episode of Married to Medicine Houston, make it this one. Not for the monumental display of affection from Monica to Imad, but for Ashandra’s facial expressions. Like most of us, she can’t quite wrap her head around what’s happening, and she makes no effort to hide her utter bewilderment.

    Elly also seems confused. In fact, the whole group looks like they’re watching a car crash happen in front of them, which, essentially, they are. Ashandra says that if you feel the need to do what Monica just did, you should not be getting married. Rachel calls it a Bollywood bad romance. I open another bottle of wine.

    Imad says yes, though, so apparently they’re engaged. After all that. Monica describes their relationship as being like a rollercoaster in that sometimes it makes her feel like vomiting. Ain’t love beautiful?

    The episode — and most likely the whole series — comes to an end with everyone saying nice things about each other and the experience of filming the show. They all talk about how much they love and support each other and always tell each other the truth, even when it hurts.

    Except Ashandra, who rightly notes that when you dance with the devil, you’re going to get burned. Amen.

    --------------------

    Previous recaps:

    Here's everything that happened on the first episode of Married to Medicine Houston

    Married to Medicine Houston Recap Episode 2: Holi Moley, pole dancing, and a visit to the dog wash

    Married to Medicine Houston Recap Episode 3: Crawfish drama and other cheesy moments

    Married to Medicine Houston Recap Episode 4: Cindi Rose returns, praise Monica!

    Married to Medicine Houston Recap Episode 5: Shabbat ShalOMG!, iPhone love and shots for everyone

    Married to Medicine Houston Recap Episode 6: Imanchild, hot mama, and restaurant confrontation

    Married to Medicine Houston Recap Episode 7: It's time to party with the Mad Hatters!

    Married to Medicine Houston Recap Episode 8: Twinkle, Twinkle...how bizarre!

    Married to Medicine Houston Recap Episode 9: Havana Sights and a San Antonio miracle

    If you watch only one scene from one episode of Married to Medicine Houston, make it this one. Not for the monumental display of affection from Monica to Imad, but for Ashandra’s facial expressions

    Married to Medicine Houston finale Ashandra is shocked
    Photo courtesy of Bravo
    If you watch only one scene from one episode of Married to Medicine Houston, make it this one. Not for the monumental display of affection from Monica to Imad, but for Ashandra’s facial expressions
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    Movie review

    Messy Frankenstein movie The Bride! stitches camp and confusion

    Alex Bentley
    Mar 9, 2026 | 3:45 pm
    Christian Bale and Jessie Buckley in The Bride!
    Photo by Niko Tavernise
    Christian Bale and Jessie Buckley in The Bride!.

    The story of Dr. Frankenstein and his monster is now over 200 years old, with Mary Shelley’s book having been adapted or referenced in close to 500 films. Less common is the character of The Bride of Frankenstein, which existed in the original text but has more often than not been excised in adaptations. Writer/director Maggie Gyllenhaal has tried to rectify that by giving the character a big showcase in her new film, The Bride!.

    Gyllenhaal has reimagined the story as one in which a woman named Ida (Jessie Buckley) becomes possessed by the spirit of Shelley (also Buckley). At the same time, the already-existing Frankenstein’s monster (Christian Bale) approaches Dr. Euphronius (Annette Bening), who specializes in reanimation, with the request to make him a wife. When Ida falls to her death in an “accident” involving her boyfriend (John Magaro), the ideal corpse becomes available.

    After Ida’s resurrection, she and the monster become restless being studied by Dr. Euphronius and decide to break out to experience the world. The world, naturally, is not exactly welcoming to them, and soon the couple are on the run for causing mayhem, including a few murders. In hot pursuit are detective Jake Wiles (Peter Sarsgaard) and his assistant, Myrna Mallow (Penélope Cruz), as well as other authorities.

    It’s clear that Gyllenhaal wanted to merge the Frankenstein story with Bonnie & Clyde, especially since she sets the film in the mid-1930s. And that wouldn’t have been a bad idea if having the monster and The Bride going on a crime spree was truly the focus of the movie. But most of the time there’s less intentionality in their misdeeds and more confusion, leading to a muddled plot with no clear direction or end goal in mind.

    One of the biggest problems is that Gyllenhaal starts the energy of the film at an 11, giving her and everyone else nowhere to go but down. She dabbles in multiple different tones, at times going the straight drama route and other times making what seems like full-on camp. At one point, she even has the monster and the Bride in a dance sequence set to “Puttin’ on the Ritz,” which would be hilarious as an homage to Young Frankenstein if the film weren’t so disjointed.

    Most baffling of all is what Gyllenhaal wants from The Bride character. She morphs multiple times over the course of the film, from close to unintelligible at the beginning to rough-and-tumble at the end. There are hints at the lack of control she has over her autonomy, including Shelley’s possession of her and the monster lying to her about her past, but any commentary that Gyllenhaal might be trying to make gets lost amid the oddity of the film as a whole.

    Both Buckley and Bale are all-in for their performances, which definitely fall in the “love it or hate it” dichotomy. Each scene is pitched so high that there’s little nuance to either of them, and neither is on par with their previous Oscar-caliber roles. The high-powered supporting cast of Bening, Sarsgaard, Cruz, and Jake Gyllenhaal is watchable based on previous roles, but none of them elevate this particular movie.

    Whatever intentions Maggie Gyllenhaal had in making The Bride! are only halfway legible in a film that can never find its tonal footing. There has rarely been subtlety in movies featuring Frankenstein’s monster and related characters, but this one makes all the others seem like stuffy dramas in comparison.

    ---

    The Bride! is now playing in theaters.

    moviesfilmmaggie gyllenhaalannette beningchristian balejessie buckleypeter sarsgaardpenélope cruzmovie review
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