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    Married to Medicine Houston

    Married to Medicine Houston Recap Episode 3: Crawfish drama and other cheesy moments

    Kaitlin Steinberg
    Nov 18, 2016 | 9:01 pm

    Say what you will about Southerners, we are nothing if not hospitable. Which is why we start this week’s episode of Married to Medicine Houston with a “Sorry Supper” prepared by Rachel as penance for showing up to Elly’s fabulous Persian New Year celebration looking like a Holi ghost. Take note, aspiring socialites: You may attend elegant events in wellies, dog wash water and dyed corn starch if, and only if, you are prepared to cook short ribs in a frilly pink Barbie apron on national television afterwards.

    Wait. Wait a minute. Are you telling me Rachel is wearing that apron because she wants to, not as an attempt at self-flagellation for her transgressions? Oh. My bad. Moving on.

    So Rachel sets out on her apology dinner tour with Mama Maribel and Dr. Ashandra, but Maribel is quick to point out that Dr. Sato and Dr. Monica aren’t on the guest list. Rachel says they didn’t think they had anything to apologize for and shrugs it off. “If they want to apologize, they can apologize on their own.”

    Somehow I don’t see that happening.

    As Dr. Elly and her sister, Pegah, head toward Rachel’s house, they still seem to be having a really hard time letting go of their friends’ fashion faux pas. The two agree to remain positive, which will be difficult in the face of such adversity, but props to them for being so strong.

    Meanwhile, Dr. Monica and her man-child boyfriend Imad head to Hugo’s for dinner with Dr. Sato and her hubs, Derek. This scene seems to serve two purposes: give Imad a pedestal upon which to display his misogyny and advertise Hugo’s by going into much more detail than usual about the food. Last week, the ladies hit up Backstreet Café, and this week they’re at another Hugo Ortega/Tracy Vaught establishment. Good for you, Hugo and Tracy!

    Erika shows up to dinner straight off a shift in scrubs and no makeup, which is a brave move for a thirty-something woman on Bravo. It’s awesome that she keeps it so real. Less awesome, though, are the next words that come out of her mouth: “I literally have blood on me.” Um, isn’t that, like, a biohazard?

    Over cocktails and barbacoa, Erika and Monica wonder if they’re now the “bad guys” because they didn’t apologize. Monica maintains they have nothing to apologize for because they showed up. Congrats, you have met the minimum required standards for being an acquaintance.

    Anyway, Hugo’s queso flameado looks delicious, as usual, but the cheesiest moment of this meal comes from Imad. When Erika and Derek reveal their plans to freeze some eggs and use a surrogate to have a baby, Imad becomes a chauvinist pig straight out of Mad Men. “If you can do it, you have to do it,” he says to Erika. “What I heard is ‘I work too much, so I can’t carry the baby.’ Screw that.” Bro, screw you.

    As usual, Erika is unfazed. Girl, you are going to have to react to something at some point. Don’t you know you can’t be on a Bravo show unless you demonstrate a willingness to throw a drink in someone’s face at the slightest provocation?

    Back at the Sorry Supper

    Back at the Rachel Suliburk Sorry Supper©, Elly is making the ladies work for her forgiveness. Ashandra, seemingly taking a page out of Monica’s excuse book, notes that they did what they were supposed to: show up. Apparently you have to be very specific when you invite these women to events. “Dear friend, please come to my party. Preferably on time. Preferably not wet. Maybe wear something clean.”

    Fortunately, the Sorry Supper© seems to be working, because Elly accepts the apologies and promises to get over it. Rachel is thrilled, and notes that “everyone smiles in the same language.” The syrupy aphorism makes everyone vomit. Just kidding, that was only me.

    Rachel then invites the ladies to a crawfish boil at her friend’s house near Beaumont, promising a nice, “drama free” event. Damnit, Rachel. You done jinxed it.

    Next, we get the only scene of Ashandra and Ricky’s family life for this week, which is disappointing, because I think I could watch an entire hour of them being goofy. Ricky isn’t sure if he can make it to the crawfish boil, insinuating that if he does make the effort, Dr. A owes him in the bedroom, if you know what I mean. Then, he incites a veritable riot with the children demanding dinner, and yes, I still think he’s a caveman, but he’s such an endearing caveman. You win, Ricky. You win.

    While everyone prepares to head out to the ranch, we learn a little bit more about Imad. He’s Lebanese and was raised Muslim. He’s a car dealer in San Antonio. He has a son from a previous relationship, but he’s afraid of commitment with Monica. He’s an asshole. Sorry, I’m editorializing.

    The importance of crawfish

    Rachel arrives at a beautiful ranch owned by her friend Ashley, and shortly thereafter, Elly, Pegah and Ashandra join the party. Then Ashandra treats us to a short sermon about the importance of crawfish season to Houstonians, and I firmly believe her words should be printed on a billboard at all entrances to the city. Also, it’s kind of unfair that this is airing when it’s not crawfish season, because now I am craving mudbugs something fierce.

    When Monica and Imad show up, Elly congratulates her (to the camera) on arriving not looking like “a drowned rat” and Monica makes comments (to the camera) about Elly not being a real doctor.

    And now, if I may, some words about audiologists, because I am getting sick of this "is-she-or-isn’t-she?" crap. According to the American Speech-Language-Hearing Association, to become a practicing audiologist and work with patients, one does not have to go to medical school, but one does need to get a doctoral degree, which can be an Au.D. (doctor of audiology) or a Ph.D. Dr. Elly is, therefore, a doctor. We all clear now? Great. Let’s never bring this up again.

    So the crawfish boil begins, and Monica and Erika are sitting in a corner not eating crawfish because they are skeeved out by the diminutive crustaceans. Look, ladies, I liked you all right before, but I don’t trust people who don’t eat crawfish. It’s un-Texan.

    As dinner winds down, the conversation among the group turns to the potential of Monica and Imad perhaps one day marrying, which, sorry kids, I really don’t see happening. Monica desperately wants a traditional marriage and family, so Imad, clever asshole that he is, says, “Let’s do it now!” and then refuses to let the joke die, even when Monica becomes visibly upset. (But she is not crying. For the record. NOT CRYING.)

    “Did I say anything wrong?” Imad asks the group, laughing. Goddamnit, Imad. YES.

    He and Monica try to hash it out, but the dude won’t listen to her concerns at all. Finally, they agree to forget it and return to the party, because forgetting problems is always the way to solve them!

    "White girl wasted"

    Cut to dusk. Ricky has arrived (thank the sweet baby Jesus), while Rachel is clearly “white girl wasted” (Elly’s words, not mine, though I would have chosen the same descriptor) and getting increasingly shrill. She gathers the cast — the owners of the ranch are nowhere to be seen — around a fire to make S’mores and play a rousing game of “Two Truths and a Lie,” which, even in my drunkest college days, I never deigned to play.

    Why? Because it’s boring. Erika knows. She’s sitting on Derek’s lap, whispering sweet nothings in his ear. And by “sweet nothings,” I mean they’re talking some shit, because Erika has better things to do than drink and play silly games. Of course, Drunk Rachel (that’s her new name) notices, and implores Erika and Derek to “Check yourself before you wreck yourself.” Oh, honey.

    In an aside, Erika theorizes that Drunk Rachel’s insecurities come out when she drinks because she’s surrounded by women with advanced degrees and careers. Erika’s revelations are harsh, but I kinda think she might be right. Drunk Rachel is actively bolstering Erika’s argument by telling everyone she’s super smart while slurring her words and acting like a middle school mean girl. It’s not a great look.

    Erika and Derek (have I mentioned yet he’s dressed like a 12-year-old going as a frat guy for Halloween?) make a swift exit to avoid any drama, which is admirable, but not the way to score a second season on a Bravo reality show. It was nice to meet you, Erika. Byeeeeeee.

    And then, of course, the moment we’ve all been waiting for. Remember last week when Monica mentioned that Elly wasn’t a “real” doctor or some such nonsense? Of course you do. I implored us never to bring up #doctorgate again, but here we are.

    Drunk Rachel informs Elly that Monica was talking smack, saying, “I guess they’re just giving away doctor degrees!” I didn’t hear that, so either it was said off camera, or Drunk Rachel is straight making stuff up. The message was, essentially, the same, though.

    Sidenote: Does Elly sleep in all that makeup? What do her pillowcases look like?

    At the thought of her education and career being discounted by Monica, Elly starts crying, then vows to not say anything right now. “At some point, when I feel like the time is right, I’ll address it,” she says heroically, but with a hint of foreboding.

    I, for one, cannot wait.

    Stay tuned next week for the return of Cindi Rose. From the preview, it looks like she’s wearing a pink beret, so I’m pumped.

    ----------

    Previous recaps:

    Here's everything that happened on the first episode of Married to Medicine Houston

    Married to Medicine Houston Recap Episode 2: Holi Moley, pole dancing, and a visit to the dog wash

    The women of Married to Medicine Houston act up at a "Sorry Supper."

    Married to Medicine Houston episode 3 recap
    Photo courtesy of Bravo
    The women of Married to Medicine Houston act up at a "Sorry Supper."
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    Movie Review

    Matt Damon and Ben Affleck square off in Netflix crime thriller The Rip

    Alex Bentley
    Jan 16, 2026 | 2:30 pm
    Ben Affleck and Matt Damon in The Rip
    Photo by Claire Folger/Netflix
    Ben Affleck and Matt Damon in The Rip.

    For as closely tied together as Matt Damon and Ben Affleck are, it might come as a surprise how few times they’ve led a movie together. They’ve appeared alongside each other in Good Will Hunting, The Last Duel, and Air, but the only time they were on equal footing in a story was Kevin Smith’s Dogma. So the fact that they are the two true stars of the new Netflix movie The Rip makes it a rare opportunity for the longtime friends to square off against each other.

    Damon and Affleck play Lt. Dane Dumars and Detective Sgt. J.D Byrne, respectively, the two highest ranking members of a Miami police department squad that specializes in drug and drug money raids. A tragedy to begin the film already has the team — which includes Detectives Mike Ro (Steven Yeun), Numa Baptiste (Teyana Taylor), and Lolo Salazar (Catalina Sandina Moreno) — on edge, with the FBI and DEA breathing down their neck.

    Going off a tip, Dumars gathers the team to raid a house in nearby Hialeah that is supposed to have a stash of a relatively small amount of money. But when they get to the house occupied only by Desiree Molina (Sasha Calle), they discover close to $20 million. The team, required by law to count the money on site, must not only fight the urge to skim a little off the top for themselves, but also worry about the Cartel and other agencies that might want a slice of the pie.

    Written and directed by Joe Carnahan, the film is a surprisingly effective crime thriller made even better by its high-quality cast, which also includes Kyle Chandler as a DEA agent. The story is designed for the audience to not know who’s trustworthy until the last possible second, and the various twists and turns it takes are well done, with barely a hint of narrative cheating.

    Taking place entirely at night, the mood is set right from the start, with the only surprise being that Carnahan didn’t add in rain for extra effect. He keeps things tense with a number of subtle elements, including having the house located in a seemingly deserted cul-de-sac. This allows for the characters to remain on high alert at all times, with anything out of the ordinary — an unexpected noise, a flashing light, etc. — adding to the stress of the situation.

    The only element that could have used a bit more of a punch-up is the characterization. The story is set up to cast suspicion on almost everybody, making it tougher to understand exactly what type of person each of them is. As the two leads, more time is spent with Dumars and Byrne, leaving everyone else with slightly underwhelming arcs. It’s to the credit of the actors that everyone else below Damon and Affleck is still compelling.

    Damon and Affleck play their sometimes friendly, sometimes adversarial roles well, showing an ease together that’s a result of their friendship and the acting skills they’ve honed over 30+ years. Taylor, an Oscar hopeful for One Battle After Another, and Oscar nominee/Emmy winner Yeun have a pedigree that elevates their supporting roles. Chandler, Moreno, and Calle each get just enough to demonstrate why they were cast in their respective roles.

    Damon and Affleck have had their individual ups and downs throughout their careers, but when they choose to work together, the results are usually good-to-great, as they are in The Rip. It’s a different take on a crime thriller that features a story that will keep viewers guessing until the very end.

    ---

    The Rip is now streaming on Netflix.

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