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    "Up in the Air" flies high

    Making sense out of the Golden Globe nominations

    Joe Leydon
    Dec 15, 2009 | 2:51 pm
    • Sandra Bullock received two Golden Globe nominations: As best actress in a dramafor "The Blind Side" (shown here where she plays Memphis matriach Leanne Tuohy)and best actress in a comedy or musical for "The Proposal."
      Courtesy photo
    • "Up In The Air," starring George Clooney, led Golden Globe film contenders withsix nominations, including best drama, best actor for Clooney and best directorfor Jason Reitman.
    • The cast of "Glee" (clockwise from left): Jenna Ushkowitz, Chris Colfer, CoryMonteith, Amber Riley, Kevin McHale and Lea Michele. The TV musical comedysnared four Globe nominations
    • "Precious" star Gabourey Sidibe was nominated for best actress in a drama.

    We’re still in the early phase of movie awards season madness – indeed, the Houston Film Critics Society won’t announce its winners until Saturday – but we’re definitely near the end of the beginning now that the Hollywood Foreign Press Association has announced nominees for the 67th annual Golden Globes.

    The actual winners won’t be named until Jan. 17, when NBC airs what’s bound to be must-see TV: A Golden Globes awards show improbably hosted by the acerbically iconoclastic Ricky Gervais. But it’s not too soon for eight utterly random observations:

    1. Does Golden Globe dominance automatically translate into Oscar front-runnership? Probably not. Still, it’s likely that much will be made of the fact that Up in the Air leads the pack with six nominations spread out over five categories. In contrast, the movie shaping up as its chief Academy Award competitor -- The Hurt Locker, which already has been named Best Picture by critics’ groups in New York, Los Angeles, Boston and San Francisco, and returns to Houston screens on Friday – picked up only three nods.

    2. And yet: Hurt Locker director Kathryn Bigelow – heretofore best known as the filmmaker who gave us Patrick Swayze as a parachuting bank-robber in Point Break – did earn a place among the finalists for Best Director, Drama. Not incidentally, she’ll be making Golden Globe history as the first filmmaker ever to compete against her ex-husband – James Cameron (Avatar) -- in the category.

    3. Some may be surprised to find Up in the Air in the Best Picture, Drama category – as opposed to Best Picture, Comedy or Musical -- considering how much the movie looks and sounds like a rom-com in 30-second television ads. But trust me: Once you see this quietly remarkable, zeitgeist-reflecting film for yourself, you’ll realize how spot-on the Globe voters are. And you’ll better appreciate why lead player George Clooney – aptly nominated as Best Actor, Drama – is emerging as a strong contender for Oscar gold as well.

    4. On the other hand: Sherlock Holmes is up for Best Picture, Comedy or Musical, and Robert Downey Jr. is nominated for Best Actor, Comedy or Musical, thereby answering the troublesome question raised by the flick’s less-than-promising trailer and TV spots: Yes, we’re supposed to laugh at it.

    5. Globe voters, they love them some star power. Which may explain why Clint Eastwood is up for Best Director – even though his Invictus failed to make the cut for Best Picture, Drama – while Lee Daniels (Precious) is the only director of a Best Drama contender to go unnominated. And why Julia Roberts grabs a Best Actress, Musical or Comedy nomination for the otherwise Globe-ignored Duplicity – remember that one? Someone? Anyone? Bueller? – while Zooey Deschanel gets bupkis for (500) Days of Summer (a Best Musical or Comedy hopeful that also landed a Best Actor nod for Joseph Gordon-Levitt).

    6. To be fair, however: The Globe voters did acknowledge the subtly detailed, affectingly implosive performance of the relatively little-known Michael Stulhlbarg (Best Actor, Musical or Comedy) in Joel and Ethan Coen’s A Serious Man. It’s doubtful that Academy voters will be quite so discerning.

    7. Congratulations to native Texan Woody Harrelson for his richly deserved Best Supporting Actor nomination: In The Messenger, he gives the performance of his career as an Army officer determined to maintain emotional distance while breaking tragic news to next of kin. And while we’re at it, kudos to adopted Austinite Sandra Bullock for landing two – count ‘em, two! – Best Actress nominations. In the Comedy or Musical class, she’s honored for her amusing turn as a workaholic redeemed by love in The Proposal. (Too bad she almost certainly will lose to the similarly double-nominated Meryl Streep.) In the Drama division, though, she’s even more impressive – and, yes, a much stronger contender – as the feisty force of nature that is Memphis matriarch Leigh Anne Tuohy in the season’s surprise smash hit, The Blind Side.

    8. Unlike the Motion Picture Academy, the Hollywood Foreign Press Association does not offer glittering prizes in technical categories. There are no awards for costumes, make-up, editing, production design, special effects and sound effects -- categories in which Avatar can reasonably expect to excel on Oscar night. This means, of course, there will be plenty of time during the awards telecast for all those Globes that go to nominees who toil in television. (Hey! Tina Fey! Come on down!) But it also means that, by and large, most of the people who pick up awards will be people you’ve actually heard of. And let’s face it: You don’t want to see Ricky Gervais turned loose on helpless nobodies, do you?

    Follow longtime Houston movie critic Joe Leydon on his movingpictureblog.

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    Movie Review

    Michelle Pfeiffer visits Houston in new Christmas movie Oh. What. Fun.

    Alex Bentley
    Dec 5, 2025 | 3:30 pm
    Michelle Pfeiffer in Oh. What. Fun.
    Photo courtesy of Amazon MGM Studios
    Michelle Pfeiffer in Oh. What. Fun.

    Of all the formulaic movie genres, Christmas/holiday movies are among the most predictable. No matter what the problem is that arises between family members, friends, or potential romantic partners, the stories in holiday movies are designed to give viewers a feel-good ending even if the majority of the movie makes you feel pretty bad.

    That’s certainly the case in Oh. What. Fun., in which Michelle Pfeiffer plays Claire, an underappreciated mom living in Houston with her inattentive husband, Nick (Denis Leary). As the film begins, her three children are arriving back home for Christmas: The high-strung Channing (Felicity Jones) is married to the milquetoast Doug (Jason Schwartzman); the aloof Taylor (Chloë Grace Moretz) brings home yet another new girlfriend; and the perpetual child Sammy (Dominic Sessa) has just broken up with his girlfriend.

    Each of the family members seems to be oblivious to everything Claire does for them, especially when it comes to what she really wants: For them to nominate her to win a trip to see a talk show in L.A. hosted by Zazzy Tims (Eva Longoria). When she accidentally gets left behind on a planned outing to see a show, Claire reaches her breaking point and — in a kind of Home Alone in reverse — she decides to drive across the country to get to the show herself.

    Written and directed by Michael Showalter (The Idea of You), and co-written by Chandler Baker (who wrote the short story on which the film is based), the movie never establishes any kind of enjoyable rhythm. Each of the characters, including competitive neighbor Jeanne (Joan Chen), is assigned a character trait that becomes their entire personality, with none of them allowed to evolve into something deeper.

    The filmmakers lean hard into the idea that Claire is a person who always puts her family first and receives very little in return, but the evidence presented in the story is sketchy at best. Every situation shown in the film is so superficial that tension barely exists, and the (over)reactions by Claire give her family members few opportunities to make up for their failings.

    The most interesting part of the movie comes when Claire actually makes it to the Zazzy Sims show. Even though what happens there is just as unbelievable as anything else presented in the story, Showalter and Baker concoct a scene that allows Claire and others to fully express the central theme of the film, and for a few minutes the movie actually lives up to its title.

    Pfeiffer, given her first leading role since 2020’s French Exit, is a somewhat manic presence, and her thick Texas accent and unnecessary voiceover don’t do her any favors. It seems weird to have such a strong supporting cast with almost nothing of substance to do, but almost all of them are wasted, including Danielle Brooks in a blink-and-you'll-miss-it cameo. The lone exception is Longoria, who is a blast in the few scenes she gets.

    Oh. What. Fun. is far from the first movie to try and fail at becoming a new holiday classic, but the pedigree of Showalter and the cast make this dismal viewing experience extra disappointing. Ironically, overworked and underappreciated moms deserve a much better story than the one this movie delivers.

    ---

    Oh. What. Fun. is now streaming on Prime Video.

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