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    Top Holiday Movies

    12 don't-miss movies of the holidays, including sure-fire Oscar picks and a Hobbit

    Joe Leydon
    Dec 8, 2013 | 3:36 pm

    I have made a list – and checked it twice – to ascertain what’s in store for audiences during the ongoing holiday movie season. It could be argued, of course, that this year’s season began as far back as Nov. 7 with the unleashing of Thor: The Dark World. But, hey, people who would claim that are the same sort of folks who start decking their halls, trimming their trees, and stocking their store shelves the week before Halloween.

    In any event: Here is a guide to what might be called The 12 Films of Christmas – not because of their Yuletide content, in most cases, but simply due to their release dates. It’s quite possible that one or two may turn out to be the equivalent of coal-stuffed stockings. But when it comes to moviegoing, it’s always the season to be hopeful.

    The Hobbit: The Desolation of Smaug

    Who’s in it? Ian McKellen, Martin Freeman, Richard Armitage, Benedict Cumberbatch, Stephen Fry, James Nesbitt, Orlando Bloom.

    What’s the pitch? Gandalf and the guys finally get their act together and take it on the road to Mirkwood.

    Why see it? Early reviews indicate that, if you like this sort of thing, this is the sort of thing you’ll like a lot more than The Hobbit: An Unexpected Journey. (Opens Dec. 13)

    Hours

    Who’s in it? Paul Walker, Genesis Rodriguez, Kerry Cahill, Yohance Miles, Matt Cook, Nick Gomez.

    What’s the pitch? During the aftermath of Hurricane Katrina, a desperate New Orleans father (Walker) struggles to keep his prematurely born daughter alive while operating a battery-powered ventilator in an abandoned hospital.

    Why see it? For some, I am sure, it may seem too soon after Walker’s tragic demise to see him in a life-or-death situation on screen. All I can say is: His performance here arguably is the finest of his all-too-short career. And the film itself is a small-scale, high-impact drama that likely will impress you more than many of the heavily hyped blockbusters of the season. (Opens Dec. 13)

    Tyler Perry’s A Madea Christmas

    Who’s in it? Tyler Perry, Larry the Cable Guy, Kathy Najimy.

    What’s the pitch? Madea (Perry) helps a friend pay a surprise visit to her daughter in a small rural town, only to find the young woman is married to a conspicuously Caucasian fellow from a raucous redneck family. Complications arise.

    Why see it? Madea and Larry the Cable Guy? How in God’s name can you resist? (Dec. 13)

    Anchorman 2: The Legend Continues

    Who’s in it? Will Ferrell, Steve Carell, David Koechner, Paul Rudd, Christina Applegate, Kristen Wiig.

    What’s the pitch? Legendary San Diego newsman Ron Burgundy tries to stay classy – and, more important, recover from a career setback – by reestablishing himself as a marquee player at the first 24-hour cable news network. In this endeavor, he is accompanied by sportscaster Champ King (Koechner), weatherman Brick Tamland (Carell) and field reporter Brian Fantana (Rudd).

    Why see it? Don’t know about you, but I feel like I can’t not see it after weeks of enduring the ubiquitous and relentless hard-sell promotional campaign. It’s like this movie is The Borg: Resistance is futile. (Opens Dec. 18)

    American Hustle

    Who’s in it? Christian Bale, Bradley Cooper, Amy Adams, Jeremy Renner, Jennifer Lawrence.

    What’s the pitch? In the 1980s, a maverick FBI agent (Cooper) employs an ace con artist (Bale) and his va-va-voom partner in crime (Adams) to launch the sting operation that would be known as Abscam.

    Why see it? Director David O. Russell reunites with the stars of his Silver Linings Playbook (Cooper, Lawrence) and The Fighter (Bale, Adams) for a darkly comical con movie based on real-life events. Not surprisingly, there already has been much talk about Oscar nominations. (Opens Dec. 20)

    Inside Llewyn Davis

    Who’s in it? Oscar Isaac, Carey Mulligan, John Goodman, Garrett Hedlund, F. Murray Abraham, Justin Timberlake.

    What’s the pitch? Joel and Ethan Coen go acoustic for this seriocomic musical drama, set in Greenwich Village during the early ‘60s, about a guitar-strumming folk singer (Isaac) whose career is going nowhere fast.

    Why see it? You did see that this is a Coen Brothers film, right? And if that’s not enough, consider: T Bone Burnett once again serves as musical producer for the Coens. If you recall, one of their previous collaborations – O Brother, Where Art Thou? – worked out fairly well. (Opens Dec. 20)

    Saving Mr. Banks

    Who’s in it? Emma Thompson, Tom Hanks, Paul Giamatti, Jason Schwartzman, Bradley Whitford, Colin Farrell, Ruth Wilson, Rachel Griffiths, Kathy Baker.

    What’s the pitch? Walt Disney (Hanks) tries to convince starchy novelist P.L. Travers (Thompson) to let his studio adapt her classic book Mary Poppins into a musical movie. It is not an easy task.

    Why see it? If, like me, you’re a sucker for movies about moviemaking – or at least when those movies are appreciably better than last year’s ill-conceived Hitchcock – you’re doubtless already looking forward to this one as a Christmas present for cineastes of all ages. Advance word has been sufficiently promising to increase anticipation. (Opens Dec. 20)

    August: Osage County

    Who’s in it? Meryl Streep, Julia Roberts, Ewan McGregor, Chris Cooper, Abigail Breslin, Benedict Cumberbatch, Juliette Lewis, Margo Martindale, Dermot Mulroney, Julianne Nicholson, Sam Shepard.

    What’s the pitch? It’s the big-screen version of Tracy Letts’ Pulitzer Prize-winning play, about a domineering family matriarch (Streep) who’s visited by her extended family following the suicide of her husband.

    Why see it? The acting duel between Streep and Roberts (as the matriarch’s equally strong-willed daughter) should be reason enough to visit the megaplex. (Opens Dec. 25)

    47 Ronin

    Who’s in it? Keanu Reeves, Hiroyuki Sanada, Tadanobu Asano, Rinko Kikuchi

    What’s the pitch? After a wicked warlord kills their master, 47 newly unemployed samurai join forces with a previously ostracized half-breed (Reeves) as they journey through a savage world populated by CGI bogeymen of various shapes and sizes.

    Why see it? Can’t deny that there has been significant negative buzz about this large-scale fantasy flick, which originally was supposed to open last year, and has reportedly burned through tens of millions while scenes were reshot and special effects were made more special. But the finished product, judging from trailers and TV spots, could be a spectacular action-adventure epic that’s worth the wait. (Opens Dec. 25)

    Grudge Match

    Who’s in it? Sylvester Stallone, Robert De Niro, Kevin Hart, Alan Arkin, Kim Basinger

    What’s the pitch? Two long-retired Pittsburgh fighters step back into the ring, to finally decide who’s the tougher dude – and because they really, really don’t like each other.

    Why see it? Admit it: You’ve always wanted to see Rocky Balboa duke it out with Jake LaMotta, right? But wait, there’s more: Hart and Arkin may have their own down-card bout to see who can steal more scenes. (Opens Dec. 25)

    The Secret Life of Walter Mitty

    Who’s in it? Ben Stiller, Kristen Wiig, Shirley MacLaine, Adam Scott, Sean Penn. .

    What’s the pitch? A shy Life magazine photo editor (Stiller) must stop daydreaming about heroic deeds and indulge in real-life derring-do while seeking a missing shot by a legendary photographer (Penn).

    Why see it? Stiller serves as director and star for this long-delayed, eagerly awaited adaptation of the classic 1939 James Thurber short story. It would appear his latest double-duty effort is subtler and more sentimental than Zoolander and Tropic Thunder, earlier comedies that employed him on both sides of the camera. But inquiring minds in H-Town want to know: Will it be as overall nifty as Reality Bites, his debut feature as a director?

    The Wolf of Wall Street

    Who’s in it? Leonardo DiCaprio, Jonah Hill, Margot Robbie, John Favreau, Kyle Chandler, Rob Reiner, Jean Dujardin, Matthew McConaughey.

    What’s the pitch? Director Martin Scorsese and superstar Leonardo DiCaprio – together again! – join forces for the stranger- and wilder-than-fiction story of New York stockbroker Jordan Belfort, who savored a wild life of sex-drugs-and-greed excess until his world came tumbling down in the late 1990s.

    Why see it? Some early viewers have compared it – favorably – to Scorsese’s GoodFellas and Casino. Others insist it’ll grab a fistful of Oscar nominations, and actually will go home with a few of the golden statuettes. Strangely enough, however, there’s been no word yet as to whether co-star Matthew McConaughey has delivered the goods one more time to cap off the year of his career renaissance. (Opens Dec. 25)

    The Wolf of Wall Street with Leonardo DiCaprio

    The Wolf of Wall Street with Leonardo DiCaprio
    Photo courtesy of Paramount Pictures
    The Wolf of Wall Street with Leonardo DiCaprio
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    Movie Review

    Avatar: Fire and Ash returns to Pandora with big action and bold visuals

    Alex Bentley
    Dec 18, 2025 | 5:00 pm
    Oona Chaplin in Avatar: Fire and Ash
    Photo courtesy of 20th Century Studios
    Oona Chaplin in Avatar: Fire and Ash.

    For a series whose first two films made over $5 billion combined worldwide, Avatar has a curious lack of widespread cultural impact. The films seem to exist in a sort of vacuum, popping up for their run in theaters and then almost as quickly disappearing from the larger movie landscape. The third of five planned movies, Avatar: Fire and Ash, is finally being released three years after its predecessor, Avatar: The Way of Water.

    The new film finds the main duo, human-turned-Na’vi Jake Sully (Sam Worthington) and his native Na’vi wife, Neytiri (Zoë Saldaña), still living with the water-loving Metkayina clan led by Ronal (Kate Winslet) and Tonowari (Cliff Curtis). While Jake and Neytiri still play a big part, the focus shifts significantly to their two surviving children, Lo’ak (Britain Dalton) and Tuk (Trinity Jo-Li Bliss), as well as two they’ve essentially adopted, Kiri (Sigourney Weaver) and Spider (Jack Champion).

    Miles Quaritch (Stephen Lang), who lives on in a fabricated Na’vi body, is still looking for revenge on Jake, and he finds help in the form of the Mangkwan Clan (aka the Ash People), led by Varang (Oona Chaplin). Quaritch’s access to human weapons and the Mangkwan’s desire for more power on the moon known as Pandora make them a nice match, and they team up to try to dominate the other tribes.

    Aside from the story, the main point of making the films for writer/director James Cameron is showing off his considerable technical filmmaking prowess, and that is on full display right from the start. The characters zoom around both the air and sea on various creatures with which they’ve bonded, providing Cameron and his team with plenty of opportunities to put the audience right there with them. Cameron’s preferred viewing method of 3D makes the experience even more immersive, even if the high frame rate he uses makes some scenes look too realistic for their own good.

    The story, as it has been in the first two films, is a mixed bag. Cameron and co-writers Rick Jaffa and Amanda Silver start off well, having Jake, Neytiri, and their kids continue mourning the death of Neteyam (Jamie Flatters) in the previous film. The struggle for power provides an interesting setup, but Cameron and his team seem to drag out the conflict for much too long. This is the longest Avatar film yet, and you really start to feel it in the back half as the filmmakers add on a bunch of unnecessary elements.

    Worse than the elongated story, though, is the hackneyed dialogue that Cameron, Jaffa, and Silver have come up with. Almost every main character is forced to spout lines that diminish the importance of the events around them. The writers seemingly couldn’t resist trying to throw in jokes despite them clashing with the tone of the scenes in which they’re said. Combined with the somewhat goofy nature of the Na’vi themselves (not to mention talking whales), the eye-rolling words detract from any excitement or emotion the story builds up.

    A pre-movie behind-the-scenes short film shows how the actors act out every scene in performance capture suits, lending an authenticity to their performances. Still, some performers are better than others, with Saldaña, Worthington, and Lang standing out. It’s more than a little weird having Weaver play a 14-year-old girl, but it works relatively well. Those who actually get to show their real faces are collectively fine, but none of them elevate the film overall.

    There are undoubtedly some Avatar superfans for which Fire and Ash will move the larger story forward in significant ways. For anyone else, though, the film is a demonstration of both the good and bad sides of Cameron. As he’s proven for 40 years, his visuals are (almost) beyond reproach, but the lack of a story that sticks with you long after you’ve left the theater keeps the film from being truly memorable.

    ---

    Avatar: Fire and Ash opens in theaters on December 19.

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