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    Live Music Now

    Here are the 6 best concerts in Houston this week

    Johnston Farrow
    Johnston Farrow
    Nov 13, 2018 | 2:26 pm

    The concert season is slowing down ahead of Thanksgiving next week and the cold weather, but that doesn't mean plans aren't being made for sunnier and warmer days.

    This week, British trio and arguably the biggest rock band in the world, Muse, announced they would kick off their Simulation Theory world tour in earnest right here in in Houston. The fact that they will place the more intimate confines of the Toyota Center, as opposed to a music festival or ampitheater, will make this one of the hottest tickets of the 2019. Tickets are on sale now and come with a copy of their latest album and tour namesake, Simulation Theory.

    Meanwhile, there are plenty of shows to warm up with this week in the Bayou City. Here are CultureMap's biggest, best, and most notable shows of the week:

    Ben Rector
    Want to know how fast Americana/pop-rock singer-songwriter Ben Rector's star is rising? His latest album, Magic, debuted at No. 1 on Billboard magazine's Americana/Folk album chart, dethroning Chris Stapleton's 111-week run in that position. That's impressive. The Nashville-based piano player is on his biggest tour yet, Rector's new album isn't really Americana. It's more in line with the more upbeat odes by Coldplay or OneRepublic, so it's no surprise he's catching on in a big way.

    Ben Rector performs at the Revention Music Center, located at 520 Texas Ave., on Wednesday, November 14. The Band Camino opens. Tickets start at $30 plus service fees. Doors open at 7 pm.

    CultureMap recommends: Cory Henry and the Funk Apostles
    Considered one of the the best Hammond organ players in the game right now, Cory Henry rolls into town with his band, the Funk Apostles, a collective of top-rate players. The two-time Grammy award winner is a master at mixing genres, including jazz, soul, R&B, and pop, meaning it'll be necessary to do some stretching before this show at the intimate Heights Theater as the grooves are set to commence. The group is touring behind their debut album, Love Will Find a Way.

    Cory Henry and the Funk Apostles hit the Heights Theater, located at 339 W. 19th St., on Friday, November 16. Tickets start at $22 plus a $6 service fee. Doors open at 7 pm.

    CultureMap show of the week: AstroWorld Festival
    The biggest question on everyone's lips in the local music scene is who is going to play the AstroWorld Festival this weekend at NRG Park? We all know Houston's own Travis Scott will headline, promoting the album of the same name, and his partner, Kylie Jenner will be selling make-up. But organizers thus far abstained from revealing any other performers.

    Inside sources told CultureMap that Post Malone, Lil' Wayne, and Rae Sremmurd will make appearances with a potential surprise guest, but take that with a grain of salt until the official word comes down. That hasn't stopped fans from snatching up all the tickets to this thing that no one really knows much about. Maybe the mystery is the point (insert chin-scratching emoji here)? Although we're not sure what point organizers were trying to make in keeping it a secret.

    AstroWorld Festival takes place at NRG Park, located at 1 NRG Pwky, on Saturday, November 17. Tickets start at $119 (but may have to be purchased on the re-sale market). Gates open at noon. An after-party will go down at Spire Nightclub, located at 1720 Main St. Tickets are $50 plus service fees. Doors open at 10 pm.

    Glo-stick nation: DJ Irene
    Raver kids, time to pull out those phat pants, pacifiers, and candy necklaces. Houston had a pretty thriving underground rave scene in the late-'90s/early-2000s and very few DJs were more popular than house master DJ Irene. The Los Angeles-based producer has been a mainstay on the dance music circuit for 20 years and widely beloved by fans for her hard and funky beats and melodic, progressive interludes. There's no doubt that EDM wouldn't have blown up in the U.S. without her influence. This set will be a real treat for those who love to put their dancing shoes to the test.

    DJ Irene comes to Gravity Nightclub, located at 2401 South Main St., on Saturday, November 17. Tickets start at $10 plus service fees. Doors open at 9 pm.

    Iceage and The Black Lips
    Danish post-punk band Iceage rolls into town for its second show of the year, this time at the bigger White Oak stage, largely based on the reception of one of the best albums of the year, Beyondless. Mixing the throwaway vocal stylings that recall The Strokes, fierce melodic punk of The Clash and The Ramones, with a dash of Joy Division, Iceage is one of the most exciting alt-rock acts going right now. They'll be joined by Atlanta garage-rock act, The Black Lips, meaning lots of bang for your buck when purchasing a ticket.

    Iceage and The Black Lips co-headline at White Oak Music Hall, located at 2915 N Main St., on Sunday, November 18. Surfbort opens. Tickets start at $20 plus a $8.53 service fee. Doors open at 7 pm.

    Bone Thugs-N-Harmony
    "Wake up, wake up, wake up — it's the first of the month..." With that opening refrain from "1st of tha Month," Bone Thugs-N-Harmony blasted on the the radar of hip-hop fans everywhere, combining mind-blowing lyrical prowess with impressivly layered, well, harmonies into a multi-platinum selling package that made the group one of the most popular acts of the '90s with huge hits such as "Tha Crossroads," "Thuggish Ruggish Bone," and "Young Thugs." This show in the tiny space that is Scout Bar should make a certain subset of '90s kids very happy.

    Bone Thugs-N-Harmony meet you at the crossroads that is Scout Bar, located at 18307 Egret Bay Blvd., on Monday, November 19. Tickets start at $35 plus fees. Doors open at 8 pm.

    Americana singer Ben Rector performs at Revention Music Center on Thursday, November 15.

    Ben Rector
    Cameron Powell
    Americana singer Ben Rector performs at Revention Music Center on Thursday, November 15.
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    Movie Review

    Star TV producer James L. Brooks stumbles with meandering movie Ella McCay

    Alex Bentley
    Dec 12, 2025 | 2:30 pm
    Emma Mackey in Ella McCay
    Photo courtesy of 20th Century Studios
    Emma Mackey in Ella McCay.

    The impact that writer/director/producer James L. Brooks has made on Hollywood cannot be understated. The 85-year-old created The Mary Tyler Moore Show, personally won three Oscars for Terms of Endearment, and was one of the driving forces behind The Simpsons, among many other credits. Now, 15 years after his last movie, he’s back in the directing chair with Ella McCay.

    The similarly-named Emma Mackey plays Ella, a 34-year-old lieutenant governor of an unnamed state in 2008 who’s on the verge of becoming governor when Governor Bill (Albert Brooks) gets picked to be a member of the president’s Cabinet. What should be a happy time is sullied by her needy husband, Ryan (Jack Lowden), her agoraphobic brother, Casey (Spike Fearn), and her perpetually-cheating father, Eddie (Woody Harrelson).

    Despite the trio of men competing to bring her down, Ella remains an unapologetic optimist, an attitude bolstered by her aunt Helen (Jamie Lee Curtis), her assistant Estelle (Julie Kavner), and her police escort, Trooper Nash (Kumail Nanjiani). The film follows her over a few days as she navigates the perils of governing, the distractions her family brings, and the expectations being thrust upon her by many different people.

    Brooks, who wrote and directed the film, is all over the place with his storytelling. What at first seems to be a straightforward story about Ella and her various issues soon starts meandering into areas that, while related to Ella, don’t make the film better. Prime among them are her brother and father, who are given a relatively small amount of screentime in comparison to the importance they have in her life. This is compounded by a confounding subplot in which Casey tries to win back his girlfriend, Susan (Ayo Edebiri).

    Then there’s the whole political side of the story, which never finds its focus and is stuck in the past. Though it’s never stated explicitly, Ella and Governor Bill appear to be Democrats, especially given a signature program Ella pushes to help mothers in need. But if Brooks was trying to provide an antidote to the current real world politics, he doesn’t succeed, as Ella’s full goals are never clear. He also inexplicably shows her boring her fellow lawmakers to tears, a strange trait to give the person for whom the audience is supposed to be rooting.

    What saves the movie from being an all-out train wreck is the performances of Mackey and Curtis. Mackey, best known for the Netflix show Sex Education, has an assured confidence to her that keeps the character interesting and likable even when the story goes downhill. Curtis, who has tended to go over-the-top with her roles in recent years, tones it down, offering a warm place of comfort for Ella to turn to when she needs it. The two complement each other very well and are the best parts of the movie by far.

    Brooks puts much more effort into his female actors, including Kavner, who, even though she serves as an unnecessary narrator, gets most of the best laugh lines in the film. Harrelson is capable of playing a great cad, but his character here isn’t fleshed out enough. Fearn is super annoying in his role, and Lowden isn’t much better, although that could be mostly due to what his character is called to do. Were it not for the always-great Brooks and Nanjiani, the movie might be devoid of good male performances.

    Brooks has made many great TV shows and movies in his 60+ year career, but Ella McCay is a far cry from his best. The only positive that comes out of it is the boosting of Mackey, who proves herself capable of not only leading a film, but also elevating one that would otherwise be a slog to get through.

    ---

    Ella McCay opens in theaters on December 12.

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