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    Diary of an aspiring filmmaker

    Getting a big break at City Hall: Cinema Arts Festival spotlights buddingHouston filmmakers

    Ford Gunter
    Nov 9, 2010 | 4:02 pm
    • Filming the movie is one thing, putting 10 minutes together to show at theCinema Arts Festival is a whole other challenge.
    • The Cinema Arts Festival is holding a free event Wednesday at noon at CityHall's 48-person theater that will feature a first look at art films inprogress.
    • Jena Moreno's "Stitched" is another one of the movies featured.
    • Alex Luster's "Stick Em Up" rounds out the threesome.

    Editor's note: Ford Gunter quit his full-time journalism job in Houston to make a movie with his childhood buddy/co-director/business partner Carlton Ahrens. This is part five of his account of chasing the dream with Art Car: The Movie.

    The latest installment of my filmmaker's diary is brought to you by Cinema Arts Festival Houston. Sort of.

    We were honored about two months ago when we were invited to be a part of First Look: Houston Art Films In Progress, a panel discussion and Q&A with two other Houston filmmakers to screen clips of works in progress and discuss the projects. This, my friends, is a first for del monte films.

    The trick is, as usual, we kind of waited until the last minute to work together a 10-minute segment of the film, so we've been underwater the last week or so frantically editing, then deciding that segment is not ready, then editing another one. In truth, I thought we could do the history of art cars in Houston, from the Orange Show's commissioning of the Fruitmobile through the 1986 New Music America parade in 10 minutes.

    Roughly laid out on the timeline, the section stretched beyond 50 minutes. In addition to not working at all for the Cinema Arts deal, it also does not bode well for the length of the first rough cut. Not at all.

    But we've settled on a segment and we're just about good to go with it, so I'm going to take this chance to do a little plugging. We're sharing the bill with our friend Jena Moreno, who is doing a film called Stitched on competitive quilting, which — like Art Car — calls Houston home in a big way. So big, in fact, that we're willing to forgive her for taking top billing on the event page for the festival. Grudgingly. I mean, she even got a photo.

    And it's a good photo. There's also a guy named Alex Luster, who we don't know but we're sure he's pretty cool, and his film is called Stick 'Em Up, so he wins the coolest title contest. (We'll settle for longest title.)

    And we get to kick off the whole festival, Wednesday at noon in the City Hall Visitor's Center, which has a 48-person theater (who knew?). Our event is free, which would be the best kind of event if it also included beer. But if you bring your own beer, I won't tell. Not if you bring one for me. After this past week, I'm going to need it.

    And finally, as if you couldn't get any more excited, check out this achingly awesome event intro film that our friends Kevin Ryan, Chance McClain and Frank Bullington at Blue Light Magic put together for the whole festival:

    unspecified
    news/entertainment

    Movie review

    Will Arnett shines in Bradley Cooper’s divorce drama Is This Thing On?

    Alex Bentley
    Jan 9, 2026 | 10:30 am
    Will Arnett in Is This Thing On?
    Photo by Searchlight Pictures/Jason McDonald
    Will Arnett in Is This Thing On?.

    With 12 Oscar nominations in the past 12 years in multiple categories, Bradley Cooper has turned into not only an acclaimed actor, but also a touted filmmaker. Given that pedigree, it might be difficult to remember that he first gained recognition as a comedy star in movies like Wedding Crashers, Yes Man, and The Hangover series. For his latest directorial effort, he has married comedy with drama in Is This Thing On?.

    Unlike the previous two films he directed, Cooper only has a supporting role, ceding the lead to Will Arnett. He plays Alex Novak, who, as the film begins, is starting the process of divorce from his wife of 20 years, Tess (Laura Dern). Forced to move to a depressing apartment in New York City and only getting limited time with his two kids, Alex finds the unexpected outlet of stand up comedy when he signs up for open mic night at the famous Comedy Cellar.

    The film follows Alex as he continues to pursue comedy while still having to see Tess on a regular basis, thanks to a shared custody agreement and get-togethers with friends like Balls and Christine (Cooper and Andra Day) and Stephen and Geoffrey (real life couple Sean Hayes and Scott Icenogle). While the comedy serves as a form of counseling for Alex, truly moving on proves more difficult than expected.

    The film, co-written by Cooper with Arnett and Mark Chappell, is loosely based on the real-life story of British comedian John Bishop, so one of the biggest things they needed to get right was the comedy itself. Alex’s marital situation lends his comedy more of a confessional style than actual jokes, and his evolution in that space is done well. Shooting in the actual Comedy Cellar and populating the club with real comedians like Amy Sedaris, Jordan Jensen, Reggie Conquest, and more gives those scenes an extra dose of realism.

    As if to underscore the personal and emotional nature of the story, Cooper and cinematographer Matthew Libatique make liberal use of closeups with handheld cameras. The camera is constantly moving around and often seems to be right in the actors’ faces, something that is most noticeable when Alex is performing. As if the stories Alex was telling weren’t intimate enough, having Arnett's entire face fill the frame forces the audience to pay attention to what his character is saying.

    If there is something to knock about the film, it’s a lack of dramatic stakes. While there’s natural tension between Alex and Tess due to the divorce, it’s way less than in a movie like, say, Marriage Story. There’s also a sneaking suspicion that Cooper was just looking to have fun with the film, casting himself as the comic sidekick and working with good friends like Arnett and Hayes. If ever there was a good hang divorce movie, this is it.

    Arnett rarely gets to be in movies, much less as the lead, but he ably embodies this somewhat dramatic part. It helps that he’s given a great scene partner like Dern, who knows when to dial her acting up or down for a particular situation. Cooper and Day are also good despite their story being slightly superfluous, and Christine Ebersole and Ciarán Hinds as Alex’s parents lend the film some extra gravitas.

    Is This Thing On? is a much different type of film from Cooper’s first two directorial efforts, A Star is Born and Maestro, and it’s nice to see the filmmaker offer something new. It has a relatable story for anyone who has ever been married while offering an element of uniqueness with someone discovering an undiscovered skill late in life.

    ---

    Is This Thing On? opens wide in theaters on January 9.

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