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    Diary of an aspiring filmmaker

    Getting a big break at City Hall: Cinema Arts Festival spotlights buddingHouston filmmakers

    Ford Gunter
    Nov 9, 2010 | 4:02 pm
    • Filming the movie is one thing, putting 10 minutes together to show at theCinema Arts Festival is a whole other challenge.
    • The Cinema Arts Festival is holding a free event Wednesday at noon at CityHall's 48-person theater that will feature a first look at art films inprogress.
    • Jena Moreno's "Stitched" is another one of the movies featured.
    • Alex Luster's "Stick Em Up" rounds out the threesome.

    Editor's note: Ford Gunter quit his full-time journalism job in Houston to make a movie with his childhood buddy/co-director/business partner Carlton Ahrens. This is part five of his account of chasing the dream with Art Car: The Movie.

    The latest installment of my filmmaker's diary is brought to you by Cinema Arts Festival Houston. Sort of.

    We were honored about two months ago when we were invited to be a part of First Look: Houston Art Films In Progress, a panel discussion and Q&A with two other Houston filmmakers to screen clips of works in progress and discuss the projects. This, my friends, is a first for del monte films.

    The trick is, as usual, we kind of waited until the last minute to work together a 10-minute segment of the film, so we've been underwater the last week or so frantically editing, then deciding that segment is not ready, then editing another one. In truth, I thought we could do the history of art cars in Houston, from the Orange Show's commissioning of the Fruitmobile through the 1986 New Music America parade in 10 minutes.

    Roughly laid out on the timeline, the section stretched beyond 50 minutes. In addition to not working at all for the Cinema Arts deal, it also does not bode well for the length of the first rough cut. Not at all.

    But we've settled on a segment and we're just about good to go with it, so I'm going to take this chance to do a little plugging. We're sharing the bill with our friend Jena Moreno, who is doing a film called Stitched on competitive quilting, which — like Art Car — calls Houston home in a big way. So big, in fact, that we're willing to forgive her for taking top billing on the event page for the festival. Grudgingly. I mean, she even got a photo.

    And it's a good photo. There's also a guy named Alex Luster, who we don't know but we're sure he's pretty cool, and his film is called Stick 'Em Up, so he wins the coolest title contest. (We'll settle for longest title.)

    And we get to kick off the whole festival, Wednesday at noon in the City Hall Visitor's Center, which has a 48-person theater (who knew?). Our event is free, which would be the best kind of event if it also included beer. But if you bring your own beer, I won't tell. Not if you bring one for me. After this past week, I'm going to need it.

    And finally, as if you couldn't get any more excited, check out this achingly awesome event intro film that our friends Kevin Ryan, Chance McClain and Frank Bullington at Blue Light Magic put together for the whole festival:

    unspecified
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    Movie Review

    Michelle Pfeiffer visits Houston in new Christmas movie Oh. What. Fun.

    Alex Bentley
    Dec 5, 2025 | 3:30 pm
    Michelle Pfeiffer in Oh. What. Fun.
    Photo courtesy of Amazon MGM Studios
    Michelle Pfeiffer in Oh. What. Fun.

    Of all the formulaic movie genres, Christmas/holiday movies are among the most predictable. No matter what the problem is that arises between family members, friends, or potential romantic partners, the stories in holiday movies are designed to give viewers a feel-good ending even if the majority of the movie makes you feel pretty bad.

    That’s certainly the case in Oh. What. Fun., in which Michelle Pfeiffer plays Claire, an underappreciated mom living in Houston with her inattentive husband, Nick (Denis Leary). As the film begins, her three children are arriving back home for Christmas: The high-strung Channing (Felicity Jones) is married to the milquetoast Doug (Jason Schwartzman); the aloof Taylor (Chloë Grace Moretz) brings home yet another new girlfriend; and the perpetual child Sammy (Dominic Sessa) has just broken up with his girlfriend.

    Each of the family members seems to be oblivious to everything Claire does for them, especially when it comes to what she really wants: For them to nominate her to win a trip to see a talk show in L.A. hosted by Zazzy Tims (Eva Longoria). When she accidentally gets left behind on a planned outing to see a show, Claire reaches her breaking point and — in a kind of Home Alone in reverse — she decides to drive across the country to get to the show herself.

    Written and directed by Michael Showalter (The Idea of You), and co-written by Chandler Baker (who wrote the short story on which the film is based), the movie never establishes any kind of enjoyable rhythm. Each of the characters, including competitive neighbor Jeanne (Joan Chen), is assigned a character trait that becomes their entire personality, with none of them allowed to evolve into something deeper.

    The filmmakers lean hard into the idea that Claire is a person who always puts her family first and receives very little in return, but the evidence presented in the story is sketchy at best. Every situation shown in the film is so superficial that tension barely exists, and the (over)reactions by Claire give her family members few opportunities to make up for their failings.

    The most interesting part of the movie comes when Claire actually makes it to the Zazzy Sims show. Even though what happens there is just as unbelievable as anything else presented in the story, Showalter and Baker concoct a scene that allows Claire and others to fully express the central theme of the film, and for a few minutes the movie actually lives up to its title.

    Pfeiffer, given her first leading role since 2020’s French Exit, is a somewhat manic presence, and her thick Texas accent and unnecessary voiceover don’t do her any favors. It seems weird to have such a strong supporting cast with almost nothing of substance to do, but almost all of them are wasted, including Danielle Brooks in a blink-and-you'll-miss-it cameo. The lone exception is Longoria, who is a blast in the few scenes she gets.

    Oh. What. Fun. is far from the first movie to try and fail at becoming a new holiday classic, but the pedigree of Showalter and the cast make this dismal viewing experience extra disappointing. Ironically, overworked and underappreciated moms deserve a much better story than the one this movie delivers.

    ---

    Oh. What. Fun. is now streaming on Prime Video.

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