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    Reba McEntire review

    Reba McEntire kicks off RodeoHouston with Dua Lipa cover and sing-along classics

    Craig Hlavaty
    Mar 4, 2025 | 10:56 pm
    Reba McEntire RodeoHouston 2025

    Reba took the rodeo stage for the first time in 11 years.

    Courtesy of the Houston Livestock Show & Rodeo

    Reba McEntire made her long-awaited return to RodeoHouston on Tuesday, March 4. The country legend kicked off this year’s Houston’s crown jewel cultural event in grand fashion in front of 69,934 fans with a cadre of hits and heart after 11 years away. Before Tuesday night, she hadn’t played RodeoHouston since 2014.

    McEntire — who turns a spritely 70 years old later this month — is on everyone’s classic female country Mount Rushmore alongside the likes of Dolly Parton, Loretta Lynn, and Patsy Cline. Her multi-generational longevity and enduring pop-culture impact spanning six decades is only comparable to Parton’s. However, McEntire’s vibe has always skewed slightly more sassy denim diva than Backwoods Barbie. (RodeoHouston could use a Dolly Parton appearance sometime soon, for what it’s worth.)

    McEntire’s RodeoHouston story began in 1984 when she co-headlined the Astrodome with Charley Pride, back when a weekend double bill matinee could still be a reality, attracting over 77,000 fans across two shows. Tickets topped out at a whopping $8. Throughout the late ‘80s and ‘90s, she was a mainstay each year as her star continued to rise and the hits began to pile up on the charts. She had played in front of one million Houstonians at RodeoHouston by 1991 — before several of this year’s headliners such as Post Malone, Parker McCollum, and Lauren Daigle were born.

    McEntire is also the only performer on this year’s RodeoHouston schedule who can boast that she played the original Gilley’s in Pasadena. She was inducted into the rodeo’s Star Trail of Fame in 2007, joining the likes of George Strait and Elvis Presley. A burgeoning acting career, which famously included fighting subterranean worms in the desert, has only added to her legend.

    McEntire kicked things off just before 9:30 pm with 2010’s “Turn On The Radio” decked out like a rodeo queen in black satin, silver spangles, rhinestones, and a belt buckle fit for a New York strip steak. She quickly took the crowd back to 1986 with “One Promise Too Late,” followed by “You Lie” with an epic saxophone solo on the back end. She pulled out the thundering “Maggie Creek Road” from 2009, cut from the same cloth as “The Night The Lights Went Out In Georgia”.

    “I’m A Survivor,” the theme song from her hit 2000s sitcom, brought down the house. Her current NBC sitcom, Happy’s Place, was just renewed by the network for a second season, proving that McEntire still has the magic touch on the small screen.

    A disco-soul interpolation saw McEntire slide in a cover of Dua Lipa’s “Don’t Start Now,” showing that the gap between country queens and current Gen-Z pop idols — witness Parton recently teaming up with Sabrina Carpenter — is growing forever thinner. Last year’s “I Can’t” shows that McEntire can still do righteous condemnation with the best of them, complete with its crying guitar solo.

    McEntire closed out the show with a victory lap of some of her most enduring standards. “Is There Life Out There” remains as devastating as ever, and the chugging country-soul swing of “Why Haven’t I Heard From You” has always been a bridge between Memphis and Nashville. The promise of the fiery “Fancy” kept everyone in their seats until the night's end, with the stage bathed in red light and the tune’s ominous opening hook hanging in the stadium air.

    For a few minutes around 10:30 pm on Tuesday, NRG Stadium rightfully became the world’s largest karaoke bar.

    Setlist

    Turn On The Radio
    The Fear of Being Alone
    One Promise Too Late
    I’m Gonna Take That Mountain
    You Lie
    Maggie Creek Road
    I’m A Survivor
    Happy’s Place
    Going Out Like That

    Disco-Soul Mix:
    Respect (Aretha Franklin cover)
    Don’t Start Now (Dua Lipa cover)
    You Keep Me Hangin’ On (The Supremes cover)

    Consider Me Gone
    The Night The Lights Went Out In Georgia
    I Can’t
    Back To God
    Is There Life Out There
    Why Haven’t I Heard From You
    Fancy


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    welcome home, wes

    Wes Anderson's Houston homecoming supports historic theater restoration

    Craig D. Lindsey
    Jul 20, 2026 | 12:30 pm
    Wes Anderson's Houston homecoming supports historic theater restoration

    A fancy, eccentric-looking crowd showed up for the Wes Anderson Homecoming Soirée, held on Friday, July 17, at the Hobby Center for the Performing Arts’s Zilkha Hall.

    Fans of the Houston-born, Oscar-winning auteur paid hundreds of dollars to attend this benefit event. Guys dressed up like characters from The Royal Tenenbaums. Others wore red skull caps and low-top Adidas, like the characters from The Life Aquatic with Steve Zissou. Some people working the event even wore “Lobby Boy” hats, looking like the bellboy character from The Grand Budapest Hotel.

    The people gathered for two reasons: 1) to get a chance to see Anderson in person; and 2) to raise money to renovate and restore the Garden Oaks Theater, a project spearheaded by local nonprofit Arthouse Houston. Top-tier “Founders Experience” ticketholders got a chance to meet Anderson onstage for pics. The St. John's School alum also received a proclamation from Mayor John Whitmire declaring it “Wes Anderson Day.”

    After that, he and actor/fellow SJS alum Michael Maggart (who has appeared in several Anderson films) held a half-hour discussion where they reminisced about making Rushmore here in Houston, Anderson’s days working at the Bookstop on W. Alabama (now a Trader Joe’s), and how he and frequent collaborator Owen Wilson used to sneak into the River Oaks Theatre. (It involved pretending to lose a pair of glasses.)

    Of course, the conversation shifted to Anderson coming back home to support the Garden Oaks project. “I always say you can't build an old building,” Anderson said. “First of all, I mean, a beautiful old place has history, and has people's experiences tied into it, and it has stories involved in it. And I think an old cinema — these things are kind of endangered all over the world, and it's not just an architectural thing. It's not even just a community thing. It's a sort of delivery system for something that’s, to me, deeply important to our country.

    “It’s one thing we can access these things on all these devices,” he continued. “It's a different thing when you go to a place that's designed to help you share the experience of a movie together. It's such a powerful art form. And, anyway, for me, it's worth making a bit of an effort to try to save a place like the Garden Oaks.”

    After the convo, he introduced the quintet of films he curated for the event. (Unfortunately the DCP file for his 2007 short Hotel Chevalier had some technical difficulties and was cut short.) “We wanted to do a screening here, and I don't have a new movie to show,” he said. “I don't have something hot off the presses. So, I thought I'd put together a little something that just was different from what anybody else will see. So it's a sort of mixture… This is just for Texas, this little collection.”

    He eventually left the stage, leaving Arthouse Houston co-founder/director Maureen McNamara and Houston Public Media host Ernie Manouse to auction off perks & gifts and encourage the audience in helping revive another legendary, local movie palace. Among other items, attendees bid for treasures such as a special John Waters backstage VIP experience at his upcoming Christmas Show, dinner with John Cameron Mitchell, and a rare set of photo portraits of a young Anderson and friends, circa Bottle Rocket. Others paid $5,000 for select seats in the future theater and $5,000 to restore one foot of the venue's neon sign.

    Wes Anderson homecoming soiree

    Photo by Alan Nguyen

    Mayor John Whitmire declared Friday as Wes Anderson day in the director's honor.

    So far, the effort has raised approximately $1.3 million of the $4 million required to begin the renovation project. The organization needs to raise $4 million by July 30 for the project to move forward. Those interested in securing naming rights will find more information here.

    “River Oaks has 245 seats,” McNamara informed the crowd. “The Garden has over 700, and that is a place that we don't have in Houston. We have a need for that, for premieres, for performances in your life, for music, for a dynamic learning & exhibition space… So, we're building new on the shoulders of our history. I hope you guys will join us, and we need people to join us in a big way today.”

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