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    Home is where the art is

    Skydive art collective puts its feet on the ground

    Steven Devadanam
    Oct 22, 2010 | 2:32 pm
    • Skydive's new location at 2401 Norfolk St.
      Photo by Sasha Dela
    • Domestic bliss awaits at Skydive's new home.
      Photo by Sasha Dela
    • The formal living room will function as the main exhibition space.
      Photo by Sasha Dela
    • The property's expansive backyard offers ample opportunities for Earth art,climbing trees, networking etc.
      Photo by Sasha Dela
    • Catered exhibition openings? Yes, please.
      Photo by Sasha Dela
    • The bathtub simply begs for installation art.
      Photo by Sasha Dela

    What goes up must come down, but when it comes to grassroots art collectives, that's not always a bad thing.

    The Skydive art collective is moving from its original location in a Montrose Boulevard tower below the club formerly known as Scott Gertner's Skybar (and the organization's namesake) to an adorable brick two-story house on the neighborhood's western periphery. The old building at 3400 Montrose has a new proprietor, and all former tenants have left the premises as the high-rise receives a revamp.

    Located at 2041 Norfolk St., at the corner of Shepherd Drive across from Star Pizza, the new digs represent a shift from the former space's stark office building atmosphere to a domestic home base.

    The art exhibition area is located in the formal living room, which boasts a fireplace and French doors leading to a porch and backyard. The spacious 1920s home also allots for artist studios and living quarters. An acupuncturist, Percetta Curl, is moving into the home's library, where clients will receive treatments in the art-filled abode.

    In the months to come, Sasha & Co. will be overhauling the property's carriage house to offer even more studio space. The collective will have completed its move within the upcoming weeks and reopen in early November. Despite the residential redux, Skydive's keeping its original Montrose moniker.

    "I have always been interested in domestic space as a context for viewing artwork," Skydive co-founder and co-director Sasha Dela tells CultureMap, describing the new location as "ideal." An artist herself, she believes that the Saturday Free School of the Arts, a Skydive program that offers gratis art classes, workshops and "skill-shares," will flourish in the expanded space.

    Dela moved into the original 3400 Montrose office space in 2007 after completing the Glassell School's Core Program and launched Skydive in 2008. Exhibitions frequently drew themes from the office space setting, as artists riffed off of the mystique of the decaying corporate edifice, with its stain-concealing carpet and buzzing, fluorescent lights.

    "I think the move is going to change the context of our exhibitions," notes Dela, adding, "As a whole, we'll be able to show much more work since our space will be two to three times what the first Skydive space was." Rather than office-themed programs, she envisions future exhibitions with more of a "domestic sensibility."

    Skydive isn't the first local collective to display artwork in residential habitats rather than the traditional white cube. The DIY Menil-area Joanna collab encountered such a positive response in its original Graustark Street home that it has now relocated to a larger, multi-room space at 1401 Branard. These Houston spaces reflect an international trend for independent-minded artists preferring to show their work in cozy homes. Dela cites San Francisco's Hallway Bathroom Gallery, Danielle Arnaud's exhibition space in her London home and Austin's The Donkey Show and Fluent Collaborative.

    "There is a long tradition of people starting small businesses in their homes, and creating a diverse and mixed-use home/work situations," she says, drawing connections to Americans turning their homes into boarding houses and chicken coups in the 1930's.

    Dela anticipates the Norfolk Street house will be more welcoming to visitors in comparison to a doctrinal gallery setting. "It will be an exhibition space, but it's also a beautiful home," she gushes, "and we're inviting people inside our home."

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    Movie Review

    Matt Damon and Ben Affleck square off in Netflix crime thriller The Rip

    Alex Bentley
    Jan 16, 2026 | 2:30 pm
    Ben Affleck and Matt Damon in The Rip
    Photo by Claire Folger/Netflix
    Ben Affleck and Matt Damon in The Rip.

    For as closely tied together as Matt Damon and Ben Affleck are, it might come as a surprise how few times they’ve led a movie together. They’ve appeared alongside each other in Good Will Hunting, The Last Duel, and Air, but the only time they were on equal footing in a story was Kevin Smith’s Dogma. So the fact that they are the two true stars of the new Netflix movie The Rip makes it a rare opportunity for the longtime friends to square off against each other.

    Damon and Affleck play Lt. Dane Dumars and Detective Sgt. J.D Byrne, respectively, the two highest ranking members of a Miami police department squad that specializes in drug and drug money raids. A tragedy to begin the film already has the team — which includes Detectives Mike Ro (Steven Yeun), Numa Baptiste (Teyana Taylor), and Lolo Salazar (Catalina Sandina Moreno) — on edge, with the FBI and DEA breathing down their neck.

    Going off a tip, Dumars gathers the team to raid a house in nearby Hialeah that is supposed to have a stash of a relatively small amount of money. But when they get to the house occupied only by Desiree Molina (Sasha Calle), they discover close to $20 million. The team, required by law to count the money on site, must not only fight the urge to skim a little off the top for themselves, but also worry about the Cartel and other agencies that might want a slice of the pie.

    Written and directed by Joe Carnahan, the film is a surprisingly effective crime thriller made even better by its high-quality cast, which also includes Kyle Chandler as a DEA agent. The story is designed for the audience to not know who’s trustworthy until the last possible second, and the various twists and turns it takes are well done, with barely a hint of narrative cheating.

    Taking place entirely at night, the mood is set right from the start, with the only surprise being that Carnahan didn’t add in rain for extra effect. He keeps things tense with a number of subtle elements, including having the house located in a seemingly deserted cul-de-sac. This allows for the characters to remain on high alert at all times, with anything out of the ordinary — an unexpected noise, a flashing light, etc. — adding to the stress of the situation.

    The only element that could have used a bit more of a punch-up is the characterization. The story is set up to cast suspicion on almost everybody, making it tougher to understand exactly what type of person each of them is. As the two leads, more time is spent with Dumars and Byrne, leaving everyone else with slightly underwhelming arcs. It’s to the credit of the actors that everyone else below Damon and Affleck is still compelling.

    Damon and Affleck play their sometimes friendly, sometimes adversarial roles well, showing an ease together that’s a result of their friendship and the acting skills they’ve honed over 30+ years. Taylor, an Oscar hopeful for One Battle After Another, and Oscar nominee/Emmy winner Yeun have a pedigree that elevates their supporting roles. Chandler, Moreno, and Calle each get just enough to demonstrate why they were cast in their respective roles.

    Damon and Affleck have had their individual ups and downs throughout their careers, but when they choose to work together, the results are usually good-to-great, as they are in The Rip. It’s a different take on a crime thriller that features a story that will keep viewers guessing until the very end.

    ---

    The Rip is now streaming on Netflix.

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