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    Huge Concert News

    New winter music and arts festival boasts killer concert lineup: 5 entertainers we don't want to miss

    Elizabeth Rhodes
    Oct 8, 2015 | 5:49 pm

    Free Press Houston — known for organizing the massive annual music event, Free Press Summer Fest — has announced an incredible lineup for this winter's Day For Night, a two-day experiential art and music festival featuring superstar acts on par with those at the summer event.

    With headliners ranging from hip-hop sensation Kendrick Lamar and '80s rockers New Order to minimalist composer Philip Glass and R&B star Janelle Monáe, the event, which takes place in and around Silver Street Studios on December 19 and 20, is sure to rock Houstonians' expectations of future music festivals.

    Not only will Day For Night feature world-class musicians, but also leaders in various disciplines of digital art. The festival environment will be specifically designed around merging technology and sound and the way audiences experience them together.

    Although the entire lineup is astounding, here's a breakdown of a few of the can't-miss artists:

    Kendrick Lamar

    Hailing from Compton, 28-year-old Kendrick Lamar has risen to become a hip-hop superstar in just the last few years. His major-label album debut in 2012 with good kid, m.A.A.d city propelled Lamar to stardom, giving him three Top 40 tracks, including "Swimming Pools (Drank)," "Bitch, Don't Kill My Vibe" and "Poetic Justice."

    In March, Lamar's To Pimp a Butterfly debuted atop the U.S. Billboard 200 chart and established Spotify's global first-day streaming record with 9.6 million listens. Stunners like "King Kunta" and "Alright" showcase his talents for writing and delivery.

    New Order

    New Order's appearance at Day For Night is beyond significant as the famed English rockers haven't performed in Houston since playing at the Southern Star Amphitheater at AstroWorld on April 21, 1989. Formed in 1980, the group consists of the surviving members of legendary band Joy Division — Bernard Sumner and Stephen Morris — as well as Gillian Gilbert, Phil Cunningham and Tom Chapman.

    With immediately recognizable 80s hits like "Blue Monday," "Bizzare Love Triangle" and "Age of Consent" — as well as their latest album, Music Complete, released just last month — this promises to be one of the best performances in Houston this year.

    Philip Glass Ensemble

    While the festival features renowned artists of many genres, the inclusion of Philip Glass and his ensemble is perhaps the most welcome surprise of all. One of the most influential musicians and composers of the late 20th century and known for his signature minimal, repetitive stylings, Glass will perform on keyboard with his namesake ensemble that he founded in 1968.

    He is widely recognized for his film scores, including Academy Award-nominated compositions for Kundun, The Hours and Notes on a Scandal.

    Death Grips

    This experimental hip-hop group from Sacramento has had its fair share of ups and downs — including a temporary disbandment and canceled concert tours — but has managed to soldier on and continue to produce music unlike any other. After garnering attention for the 2012 album The Money Store, which includes popular tracks like "I've Seen Footage" and "Get Got," Death Grips has become notorious for noisy, bass-heavy tracks that feature lyrics with spitfire delivery.

    Their album Fashion Week was released in January and Jenny Death dropped on YouTube in March, leading fans to believe the group is certainly poised to continue their upward trajectory. With wild live performances that are often known to include the destruction of instruments, it is one the most anticipated Day For Night offerings.

    Dan Deacon

    As an impressive electronic musician known for frequently incorporating large-scale audience participation in his performances, Dan Deacon is the perfect choice for an experiential festival like this.

    Deacon, who came to notoriety with 2007's Spiderman of the Rings, honed his interactive live shows at smaller DIY spaces before launching at large venues. He performs on floor level within the audience with his musical devices set up on a table as he's completely surrounded by the crowd. Deacon even created a smartphone app that synchronizes with the live show, usually used during the song "True Thrush."

    With such a wonderful platform for interactive performances, Deacon's performance is one you'll want to catch at Day For Night.

    Check out the full lineup for all the musicians and artists performing at the festival.

    Dan Deacon.

    Dan Deacon for Day For Night promo
    survivingthegoldenage.com
    Dan Deacon.
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    Movie Review

    Five Nights at Freddy’s 2 doesn't match the first movie's enthusiasm

    Alex Bentley
    Dec 4, 2025 | 3:45 pm
    Five Nights at Freddy's 2
    Blumhouse
    Five Nights at Freddy's 2.

    Blumhouse Productions first made their name with the Paranormal Activity series, establishing themselves as a leader in the horror genre thanks to their relatively cheap yet effective movies. In recent years, they’ve added on “soft” horror films like M3GAN and Five Nights at Freddy’s to draw in a younger audience, with both films becoming so successful that each was quickly given a sequel.

    Five Nights at Freddy’s 2 finds Mike (Josh Hutcherson) and his sister Abby (Piper Rubio) still recovering from the events of the first film, with Abby particularly missing her “friends.” Those friends just so happen to be the souls of murdered children who inhabit animatronic characters at the long-defunct Freddy Fazbear’s Pizza, children who were abducted and killed by William Afton (Matthew Lillard).

    A new threat emerges at another Freddy Fazbear’s location in the form of Charlotte, another murdered child who inhabits a creepy large marionette. Mike, distracted by a possible romance with Vanessa (Elizabeth Lail), fails to keep track of Abby, who makes her way to the old pizzeria and inadvertently unleashes Charlotte and her minions on the surrounding town.

    Directed by Emma Tammi and written by Scott Cawthon (who also created the video game on which the series is based), the film tries to mix together goofy elements with intense scenes. One particular sequence, in which the security guard for Freddy Fazbear’s lets a group of ghost hunters onto the property, toes the line between soft and hard horror. That and a few others show the potential that the filmmakers had if they had stuck to their guns.

    Unfortunately, more often than not they either soft-pedal things that would normally be horrific, or can’t figure out how to properly stage scenes. The sight of animatronic robots wreaking havoc is one that is simultaneously frightening and laughable, and the filmmakers never seem to find the right balance in tone. Every step in the direction of making a truly scary horror film is undercut by another in which the robots fail to live up to their promise.

    It doesn’t help that Cawthon gives the cast some extremely wooden dialogue, lines that none of the actors can elevate. What may work in a video game format comes off as stilted when said by actors in a live-action film. The story also loses momentum quickly after the first half hour or so, with Cawthon seemingly content to just have characters move from place to place with no sense of connection between any of the scenes.

    Hutcherson (The Hunger Games series), after being the true lead of the first film, is given very little to do in this film, and his effort is equal to his character’s arc. The same goes for Lail, whose character seems to be shoehorned into the story. Rubio is called upon to carry the load for a lot of the movie, and the teenager is not quite up to the task. A brief appearance by Skeet Ulrich seems to be a blatant appeal to Scream fans, but he and Lillard only underscore how limited this film is compared to that franchise.

    Five Nights at Freddy’s 2 is better than the first film, but not by much. The filmmakers do a decent job of making the new marionette character into a great villain, but they fail to capitalize on its inherent creepiness. Instead, they fall back on less effective elements, ensuring that the film will be forgettable for anyone other than hardcore Freddy fans.

    ---

    Five Nights at Freddy's 2 opens in theaters on December 5.

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