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    This Week In Music

    This week in music: 5 shows bring the rock and local love to Houston

    Johnston Farrow
    Johnston Farrow
    Jan 19, 2018 | 1:05 pm
    Aimee Mann
    Oscar nominated singer-songwriter Aimee Mann will perform at The Heights Theater Saturday, January 20.
    Photo courtesy of Dallas Museum of Art

    For those about to rock, we salute you.

    This week in music is chockfull of great rock shows across town, including internationally known touring acts, and a fundraiser show with some of the best local talent of early 2018.

    Here are the best of the bunch:

    Best place to see critically acclaimed indie-rock
    San Diego’s Pinback will perform downstairs at White Oak Music Hall, bringing its electronically tinged indie rock to Houston. The band’s music — think early Modest Mouse — has built a solid fanbase on the back of great melodies, and vocal harmonies created by the duo of Armistead Burwell Smith IV and Rob Crow. The latter threatened to retire from music a few years ago, and they haven’t produced an album in years, but the band is doing a string of shows, presumably behind the 10th anniversary of one of its most beloved albums, Autumn of the Seraphs.

    Pinback performs Friday, January 19, downstairs at White Oak Music Hall, 2915 N Main St. Major Entertainer opens. Tickets are $20 plus fees. Doors open at 8 pm.

    Best display of rock 'n' roll swagger
    One of the hardest working bands in music, Black Rebel Motorcycle Club, returns to Houston after a killer show back in late-2016, this time promoting its best album in years, Wrong Creatures. No band does rock 'n' roll quite like B.R.M.C. these days. The San Francisco trio is almost a throwback to a time where bands wore black leather, and wrote dark songs about temptation, broken hearts, and making deals with the devil. Their new album recalls their still-great first two albums, B.R.M.C. and Take Them On, On Your Own with slow-burners and exhilarating rockers that wouldn’t be out of place on the soundtrack of Twin Peaks. That they have survived band shake ups, and the sudden passing of their sound engineer — who was the father of guitarist Robert Levon Been — is a testament to the staying power of a great live act.

    Black Rebel Motorcycle Club performs Saturday, January 20, at the House of Blues located at 1204 Caroline St. Night Beats opens. Tickets start at $25 plus fees. Doors open at 7 pm.

    Best chance to see a real-life Oscar nominee
    Singer-songwriter Aimee Mann has had a prolific career. First, she fronted the '80s act 'Til Tuesday (remember “Voices Carry”?), then embarked on a critically acclaimed solo career that found her music adored by Hollywood producers. Her Oscar nomination for her song, “Save Me,” for the film Magnolia, and her subsequent appearance at the awards ceremony, was a surreal experience up against established film songwriters. It boosted her career, and she’s put out several fine folk-rock albums since, the latest being another critical hit in 2017’s acoustic-driven Mental Illness.

    Aimee Mann performs Saturday, January 20, at The Heights Theater, 339 W 19th St. Jonathan Coulton opens. Tickets are sold out, but are available on the resale market. Doors open at 7 pm.

    Best show to feel good about seeing local bands
    Some of the best local bands will come together for a good cause Saturday, January 20, for Ashstock: Radiation Rock. The proceeds of the show will go to local dancer and teacher, Ashley Clos, who is fighting two separate forms of cancer. Thankfully, she has a great lineup supporting her cause, headlined by the fabulous, melodic Wild Moccasins. They’ll be joined by other local acts Buxton, BLACKIE, Narcons, Young Mammals, and Limb. If you want to see what’s going on in the Houston music scene, this is the show to attend.

    Ashstock: Radiation Rock kicks off Saturday, January 20, at Walter’s Downtown, 1120 Naylor St. Tickets are only $10 at the door. Show starts at 7 pm.

    Best comeback after a dumb move
    Shock-rocker Marilyn Manson makes up a canceled show from late 2017, after a piece of his live stage set fell on him. He attempted to climb it mid-show — and had to be carted off to the hospital following the accident. He's back, after recuperating, to bring his brand of oft-controversial, glam-inflected, industrial rock to a sea of Manson devotees. He is touring behind last year’s Heaven Upside Down.

    Marilyn Manson climbs the stage on Wednesday, January 24, at the House of Blues, 1204 Caroline St. New Years Day opens. Tickets start at $59.50 plus fees. Doors open at 8 pm.

    San Francisco's Black Rebel Motorcycle Club will play the House of Blues Saturday, January 20.

    Austin Photo Set: tom_black rebel motorcycle club_march 2013_1
    Photo by James Minchin III
    San Francisco's Black Rebel Motorcycle Club will play the House of Blues Saturday, January 20.
    musicconcerts
    news/entertainment

    welcome home, wes

    Wes Anderson's Houston homecoming supports historic theater restoration

    Craig D. Lindsey
    Jul 20, 2026 | 12:30 pm
    Wes Anderson's Houston homecoming supports historic theater restoration

    A fancy, eccentric-looking crowd showed up for the Wes Anderson Homecoming Soirée, held on Friday, July 17, at the Hobby Center for the Performing Arts’s Zilkha Hall.

    Fans of the Houston-born, Oscar-winning auteur paid hundreds of dollars to attend this benefit event. Guys dressed up like characters from The Royal Tenenbaums. Others wore red skull caps and low-top Adidas, like the characters from The Life Aquatic with Steve Zissou. Some people working the event even wore “Lobby Boy” hats, looking like the bellboy character from The Grand Budapest Hotel.

    The people gathered for two reasons: 1) to get a chance to see Anderson in person; and 2) to raise money to renovate and restore the Garden Oaks Theater, a project spearheaded by local nonprofit Arthouse Houston. Top-tier “Founders Experience” ticketholders got a chance to meet Anderson onstage for pics. The St. John's School alum also received a proclamation from Mayor John Whitmire declaring it “Wes Anderson Day.”

    After that, he and actor/fellow SJS alum Michael Maggart (who has appeared in several Anderson films) held a half-hour discussion where they reminisced about making Rushmore here in Houston, Anderson’s days working at the Bookstop on W. Alabama (now a Trader Joe’s), and how he and frequent collaborator Owen Wilson used to sneak into the River Oaks Theatre. (It involved pretending to lose a pair of glasses.)

    Of course, the conversation shifted to Anderson coming back home to support the Garden Oaks project. “I always say you can't build an old building,” Anderson said. “First of all, I mean, a beautiful old place has history, and has people's experiences tied into it, and it has stories involved in it. And I think an old cinema — these things are kind of endangered all over the world, and it's not just an architectural thing. It's not even just a community thing. It's a sort of delivery system for something that’s, to me, deeply important to our country.

    “It’s one thing we can access these things on all these devices,” he continued. “It's a different thing when you go to a place that's designed to help you share the experience of a movie together. It's such a powerful art form. And, anyway, for me, it's worth making a bit of an effort to try to save a place like the Garden Oaks.”

    After the convo, he introduced the quintet of films he curated for the event. (Unfortunately the DCP file for his 2007 short Hotel Chevalier had some technical difficulties and was cut short.) “We wanted to do a screening here, and I don't have a new movie to show,” he said. “I don't have something hot off the presses. So, I thought I'd put together a little something that just was different from what anybody else will see. So it's a sort of mixture… This is just for Texas, this little collection.”

    He eventually left the stage, leaving Arthouse Houston co-founder/director Maureen McNamara and Houston Public Media host Ernie Manouse to auction off perks & gifts and encourage the audience in helping revive another legendary, local movie palace. Among other items, attendees bid for treasures such as a special John Waters backstage VIP experience at his upcoming Christmas Show, dinner with John Cameron Mitchell, and a rare set of photo portraits of a young Anderson and friends, circa Bottle Rocket. Others paid $5,000 for select seats in the future theater and $5,000 to restore one foot of the venue's neon sign.

    Wes Anderson homecoming soiree

    Photo by Alan Nguyen

    Mayor John Whitmire declared Friday as Wes Anderson day in the director's honor.

    So far, the effort has raised approximately $1.3 million of the $4 million required to begin the renovation project. The organization needs to raise $4 million by July 30 for the project to move forward. Those interested in securing naming rights will find more information here.

    “River Oaks has 245 seats,” McNamara informed the crowd. “The Garden has over 700, and that is a place that we don't have in Houston. We have a need for that, for premieres, for performances in your life, for music, for a dynamic learning & exhibition space… So, we're building new on the shoulders of our history. I hope you guys will join us, and we need people to join us in a big way today.”

    wes andersongarden oaksrushmorehoustonfundraisers
    news/entertainment

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