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    still trill after 25

    Houston's hip-hop icon Bun B reflects on the 25th anniversary of UGK's legendary album

    Craig Lindsey
    Jul 29, 2021 | 12:13 pm
    Bun B black shirt black hat
    Bun B looks back on Ridin' Dirty, UGK's historic and influential album.
    Photo courtesy of Bun B

    Twenty-five years ago this Friday, July 30, the duo of Bun B and Pimp C — better known as UGK (Underground Kingz) — released their third album Ridin' Dirty.

    Despite not having any singles or music videos for listeners to sample, it became their best-selling album, moving 70,000 copies in its first week and 850,000 copies sold to date. It has also become one of the most influential hip-hop albums to come out of Texas.

    "If a hundred people approach me," Bun B tells CultureMap, "ninety-five of them will immediately go to Ridin' Dirty."

    However, Bun B says he would've loved to have some singles and videos out there. "We simply didn't get any support from [Jive Records]," he laments. "UGK wanted what everybody else wanted. We wanted big videos, big marketing campaigns, tour buses and all of that. But our record company never believed in us enough to do that kind of stuff... We didn't want to not have videos for Ridin' Dirty. Pimp actually wanted a video for every song on Ridin' Dirty."

    Though Jive didn't give Bun and his late collaborator Pimp C (who died in 2007 from an accidental overdose of codeine and promethazine — aka "purple drank") the major publicity push they wanted, they still dropped an album full of vivid, inventive wordplay and funky beats.

    With Pimp handling most of the production, Bun says his partner made sure that his style of hip-hop funk (where the guitars were performed by Leo Nocentelli, of the funk group The Meters) wasn't an imitation of the G-funk other West Coast cats were doing.

    "Pimp C was actually trying to avoid any of that West Coast/Dr. Dre/G-funk influence, because everybody started putting heavy synths in their record and trying to imitate that sound," Bun B says. "Pimp was trying to be as far away from that as possible."

    If Pimp worked on the beats being distinctive, Bun worked on the lyricism being immaculate. His bars were so tight and timeless, Jay-Z would later jack one for his classic "99 Problems." (Of course, Jay-Z would get the pair to collab on the Timbaland-produced "Big Pimpin'.")

    "The reasons why the rhymes still work today is because we consciously would talk about not dating music, right?" says Bun B. "So, if you wanna talk about a Benz, you could talk about the class of the Benz, but try not to say the year of the Benz, right? So if you stick to those kinds of general themes in life — money, sex, power, love, betrayal — all of these kinds of themes that have always existed, then albums will stand the test of time."

    While Bun doesn't have a big anniversary celebration planned for Dirty, he is interviewing the people involved with the album on his radio show The 2 Trill Show, which can be heard weekly on SiriusXM's Rock the Bells Radio.

    Of course, you can still listen to the album, which — as the kids say — still slaps.

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    Movie Review

    Five Nights at Freddy’s 2 doesn't match the first movie's enthusiasm

    Alex Bentley
    Dec 4, 2025 | 3:45 pm
    Five Nights at Freddy's 2
    Blumhouse
    Five Nights at Freddy's 2.

    Blumhouse Productions first made their name with the Paranormal Activity series, establishing themselves as a leader in the horror genre thanks to their relatively cheap yet effective movies. In recent years, they’ve added on “soft” horror films like M3GAN and Five Nights at Freddy’s to draw in a younger audience, with both films becoming so successful that each was quickly given a sequel.

    Five Nights at Freddy’s 2 finds Mike (Josh Hutcherson) and his sister Abby (Piper Rubio) still recovering from the events of the first film, with Abby particularly missing her “friends.” Those friends just so happen to be the souls of murdered children who inhabit animatronic characters at the long-defunct Freddy Fazbear’s Pizza, children who were abducted and killed by William Afton (Matthew Lillard).

    A new threat emerges at another Freddy Fazbear’s location in the form of Charlotte, another murdered child who inhabits a creepy large marionette. Mike, distracted by a possible romance with Vanessa (Elizabeth Lail), fails to keep track of Abby, who makes her way to the old pizzeria and inadvertently unleashes Charlotte and her minions on the surrounding town.

    Directed by Emma Tammi and written by Scott Cawthon (who also created the video game on which the series is based), the film tries to mix together goofy elements with intense scenes. One particular sequence, in which the security guard for Freddy Fazbear’s lets a group of ghost hunters onto the property, toes the line between soft and hard horror. That and a few others show the potential that the filmmakers had if they had stuck to their guns.

    Unfortunately, more often than not they either soft-pedal things that would normally be horrific, or can’t figure out how to properly stage scenes. The sight of animatronic robots wreaking havoc is one that is simultaneously frightening and laughable, and the filmmakers never seem to find the right balance in tone. Every step in the direction of making a truly scary horror film is undercut by another in which the robots fail to live up to their promise.

    It doesn’t help that Cawthon gives the cast some extremely wooden dialogue, lines that none of the actors can elevate. What may work in a video game format comes off as stilted when said by actors in a live-action film. The story also loses momentum quickly after the first half hour or so, with Cawthon seemingly content to just have characters move from place to place with no sense of connection between any of the scenes.

    Hutcherson (The Hunger Games series), after being the true lead of the first film, is given very little to do in this film, and his effort is equal to his character’s arc. The same goes for Lail, whose character seems to be shoehorned into the story. Rubio is called upon to carry the load for a lot of the movie, and the teenager is not quite up to the task. A brief appearance by Skeet Ulrich seems to be a blatant appeal to Scream fans, but he and Lillard only underscore how limited this film is compared to that franchise.

    Five Nights at Freddy’s 2 is better than the first film, but not by much. The filmmakers do a decent job of making the new marionette character into a great villain, but they fail to capitalize on its inherent creepiness. Instead, they fall back on less effective elements, ensuring that the film will be forgettable for anyone other than hardcore Freddy fans.

    ---

    Five Nights at Freddy's 2 opens in theaters on December 5.

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