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    Music matters

    No need for oysters before this show: Sade and John Legend bring the love toToyota Center

    Michael D. Clark
    Jul 22, 2011 | 10:17 pm

    Looking for a can't miss love cocktail for the weekend?

    Take one part Sade and add just a smidgen of John Legend. Shake it up on Saturday night downtown at the Toyota Center and let the sparks fly where they may.

    Back in May I predicted in the summer concert preview that the Sade/John Legend swoon-fest that is about to descend on Houston would be the can't-miss live music performance of the season. Some thought I had I had finally huffed too many Sharpie fumes.

    Few other concerts on the summer calendar, however, have a one-two punch built to perfectly draw a multi-generational, multi-cultural crowd.

    With Britney Spears, Rihanna, Motley Crue and a slew of other hot shot pop stars and classic rock legends playing in the area this summer, how dare I dub this night of "smooth jazz"oldies (a radio term for which I have yet to find a plausible definition) and soulful piano refrains the best? Even CultureMap Editor-in-Chief Clifford Pugh gave me the e-mail equivalent of a raised eyebrow.

    (Which was funny, because he's witnessed me say — and write — far more ridiculous declarations than this one over the years.)

    Nearly three months later and I am standing by my statement.

    True, many of these other shows had a lot of flash, glitz and pretty people posing as the cooed catchy choruses that we all like to sing-along with. Few other concerts on the calendar, however, have a one-two punch built to perfectly draw a multi-generational, multi-cultural crowd. Some ticket holders will be more excited about Grammy-winning, ivory-tickling, velvet-croon of opener John Legend than they will be for the 27 years of "quiet storm" — that's another term that I have trouble putting my ears around —hits by headliner Sade.

    But the one thing that none of those other shows have is the pitch-perfect delivery, exotic beauty and ageless sexiness that has defined Sade's multi-Grammy, multi-platinum career.

    Sade is to beauty what Chuck Norris is to toughness or that Dos Equis pitchman The Most Interesting Man in the World is to being... well, interesting.

    In that vein, I even thought up a couple of bon mots to describe Sade's sensuality.

    - Sade doesn't step up to a microphone to sing. The microphone eagerly sacrifices itself to her.

    - When Sade walks across a concert stage, the boards under her feet mute her graceful steps in gratitude.

    - Though Sade has sold millions of albums and enjoyed many successful singles like "Smooth Operator" and "The Sweetest Taboo," over the years, she has never enjoyed a chart-topping single. I guess there had to be something that stopped her from ascending to the heavens as a perfect angel.

    You can see where I'm going with this.

    But don't take my word for it. Go. Arrive early. Enjoy the show. And afterward I ask you acknowledge that this is not only one of the most surprising concerts of the year, but one of the most memorable.

    Sade with special guest John Legend, Saturday 7:30 p.m. at Toyota Center

    Tickets: $49.50-$149.50
    unspecified
    news/entertainment

    Movie Review

    Timothée Chalamet cements star status in new movie Marty Supreme

    Alex Bentley
    Dec 23, 2025 | 4:30 pm
    Timothée Chalamet
    Courtesy
    Timothée Chalamet

    In a time when true movie stars seem to be going extinct, Timothée Chalamet has emerged as an exception to the rule. Since 2021 he has headlined blockbusters like the two Dune movies and Wonka, and also earned an Oscar nomination for playing Bob Dylan in A Complete Unknown (his second nomination following 2018’s Call Me By Your Name). Now, he’s almost assured to get his third nomination for the stellar new film, Marty Supreme.

    Chalamet plays Marty Mauser, a world-class table tennis player living in New York. But reducing Marty to his best skill doesn’t do him justice, as he’s also a motormouth schemer who will do almost anything to achieve his dreams. He doesn’t have any qualms about wooing married women like neighbor Rachel (Odessa A’zion) or actress Kay Stone (Gwyneth Paltrow), or hiding his true ping pong skills to win money in scams with friends like Wally (Tyler the Creator).

    Marty is seemingly on the go the entire movie, whether it’s trying to convince Kay’s millionaire husband Milton Rockwell (Kevin O’Leary) to fund his table tennis ambitions; or trying to track down the dog of Ezra (Abel Ferrara), a man he accidentally injures; or trying to avoid the ire of the boss at the shoe store where he works. Just when you think he might slow down, he’s off to the races on another plan or adventure.

    Directed by Josh Safdie and written by Safdie and frequent co-writer Ronald Bronstein, the film is an almost continuous blast of pure energy for 2 ½ hours. So many different things happen over the course of the film that the story defies conventional narratives, and yet the throughline of Marty keeps everything tightly connected. His particular type of brash behavior turns much of the film into a comedy as he does and says things that are both shocking and thrilling.

    Another thing that makes the movie sing is the fantastic characterization by Safdie and Bronstein. Almost every person who is given a speaking line in the film has a moment where they pop, which speaks to airtight dialogue that the writers have created. Characters will be introduced and then disappear for long stretches of time, and yet because they make such an impression the first time they’re on screen, it’s easy to pick up their thread right away.

    Safdie, as he’s done previously with brother Bennie (Uncut Gems), calls on a host of well-known non-actors or people with interesting faces/vibes to inhabit supporting roles, and to a person they are crucial to the film’s success. O’Leary (of Shark Tank fame), rapper Tyler the Creator, director Ferrara, magician Penn Jillette, and fashion designer Isaac Mizrahi each deliver knockout performances. The relative unknowns who play smaller roles are just as impressive, making each beat of the film feel naturalistic.

    Leading the way is the powerhouse performance by Chalamet. For one person to believably play both the famously reserved Dylan and also a firecracker like Marty is astonishing, and this role cements Chalamet’s status as his generation’s movie star. A’zion is a rising star who gets great moments as Marty’s on-again/off-again love interest. Paltrow pops in and out of the film, lighting up the screen every time she appears. Fran Drescher as Marty’s mom and Sandra Bernhard as a neighbor also pay dividends in small roles.

    Josh Safdie’s first solo directorial effort is unlike any other movie this year, or maybe even this century. Thanks to its breakneck storytelling, a magnificent performance by Chalamet, and countless intangibles that Safdie employs expertly, the film smacks viewers in the face repeatedly and demands that they come back for more.

    ---

    Marty Supreme opens in theaters on December 25.

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