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    Music Fantasy

    Don't count on a Destiny's Child reunion: Beyoncé has little reason to fulfillMathew Knowles' dream

    Braden Doyle
    Jul 14, 2012 | 9:52 pm
    • WRLTHD
    • Matthew Knowles
      Fisk University
    • Celebrities.BiteUs.org

    Houston's own Mathew Knowles, founder of Music World Entertainment and father of Beyoncé, has revealed that Destiny's Child will be releasing new music in the near future.

    In an interview with the Huffington Post's "Sunday Magazine", Knowles said that previously recorded, but unreleased songs will accompany old Destiny's Child hits on a new album. The girl group has not released any music since 2005 and the former members have spent the past seven years focusing on their own careers.

    Beyoncé, the most visible and well-known of the group by far, has released three solo albums since the group dispersed. She also found some success in movies — starring in Pink Panther, Dream Girls, Cadillac Records and Obsessed. The 30-year-old Beyoncé is a new mother as well. Her daughter with rapper Jay-Z, Blue Ivy Carter, was born on January 7.

    Since the birth of her daughter, it has come out that she is already working on two solo projects.

    Another of the three, Kelly Rowland, also has a successful solo career. After Destiny's Child, Rowland released albums. She has collaborated with famous rappers such as Lil Wayne, Tinie Tempah, Nelly, Snoop Dogg and Big Sean. Her singles "Motivation" and "Lay It On Me" were received well by the mainstream media and garnered air time on R&B and rap stations.

    Rowland cut ties with Mathew Knowles and Music World Entertainment in 2009 — supposedly in amicable fashion. Since then she has been represented by Universal Motown Records. As a prelude to her fourth solo studio album, Rowland released a singe entitled "Ice" on July 2.

    Michelle Williams, the third member, has had the least popular acclaim since the disbanding of Destiny's Child. Williams spent much of her time playing the part of Roxie Hart in the musical Chicago, becoming the first African-American woman to get the role. She parted ways with Music World Entertainment in 2010. Williams signed a recording deal with Light Records a little over a month ago and is planning to release a gospel record in 2013.

    With the three women focused on their solo careers, putting together a Destiny's Child reunion tour to go with the unreleased music could take some time.

    "It takes a year of planning to do these tours, but first it starts with the artist wanting to do it. And I think the ladies are still working happily in their solo careers."

    "It takes a year of planning to do these tours, but first it starts with the artist wanting to do it. And I think the ladies are still working happily in their solo careers," Knowles said.

    Not only will planning, timing and desire be issues, but also deciding which songs to choose to sing could pose a problem. Finding a balance between old Destiny's Child songs and each artist's individual hits would be imperative to the possibility of touring. Despite all of the potential obstacles, Knowles has not given up hope that it will happen.

    "I hope in the next five years that there is a reunion tour. I think it would be incredible," he said in the interview.

    For the foreseeable future though, Destiny's Child fans will have to be content with previously unreleased, "new" songs.

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    Movie Review

    Michelle Pfeiffer visits Houston in new Christmas movie Oh. What. Fun.

    Alex Bentley
    Dec 5, 2025 | 3:30 pm
    Michelle Pfeiffer in Oh. What. Fun.
    Photo courtesy of Amazon MGM Studios
    Michelle Pfeiffer in Oh. What. Fun.

    Of all the formulaic movie genres, Christmas/holiday movies are among the most predictable. No matter what the problem is that arises between family members, friends, or potential romantic partners, the stories in holiday movies are designed to give viewers a feel-good ending even if the majority of the movie makes you feel pretty bad.

    That’s certainly the case in Oh. What. Fun., in which Michelle Pfeiffer plays Claire, an underappreciated mom living in Houston with her inattentive husband, Nick (Denis Leary). As the film begins, her three children are arriving back home for Christmas: The high-strung Channing (Felicity Jones) is married to the milquetoast Doug (Jason Schwartzman); the aloof Taylor (Chloë Grace Moretz) brings home yet another new girlfriend; and the perpetual child Sammy (Dominic Sessa) has just broken up with his girlfriend.

    Each of the family members seems to be oblivious to everything Claire does for them, especially when it comes to what she really wants: For them to nominate her to win a trip to see a talk show in L.A. hosted by Zazzy Tims (Eva Longoria). When she accidentally gets left behind on a planned outing to see a show, Claire reaches her breaking point and — in a kind of Home Alone in reverse — she decides to drive across the country to get to the show herself.

    Written and directed by Michael Showalter (The Idea of You), and co-written by Chandler Baker (who wrote the short story on which the film is based), the movie never establishes any kind of enjoyable rhythm. Each of the characters, including competitive neighbor Jeanne (Joan Chen), is assigned a character trait that becomes their entire personality, with none of them allowed to evolve into something deeper.

    The filmmakers lean hard into the idea that Claire is a person who always puts her family first and receives very little in return, but the evidence presented in the story is sketchy at best. Every situation shown in the film is so superficial that tension barely exists, and the (over)reactions by Claire give her family members few opportunities to make up for their failings.

    The most interesting part of the movie comes when Claire actually makes it to the Zazzy Sims show. Even though what happens there is just as unbelievable as anything else presented in the story, Showalter and Baker concoct a scene that allows Claire and others to fully express the central theme of the film, and for a few minutes the movie actually lives up to its title.

    Pfeiffer, given her first leading role since 2020’s French Exit, is a somewhat manic presence, and her thick Texas accent and unnecessary voiceover don’t do her any favors. It seems weird to have such a strong supporting cast with almost nothing of substance to do, but almost all of them are wasted, including Danielle Brooks in a blink-and-you'll-miss-it cameo. The lone exception is Longoria, who is a blast in the few scenes she gets.

    Oh. What. Fun. is far from the first movie to try and fail at becoming a new holiday classic, but the pedigree of Showalter and the cast make this dismal viewing experience extra disappointing. Ironically, overworked and underappreciated moms deserve a much better story than the one this movie delivers.

    ---

    Oh. What. Fun. is now streaming on Prime Video.

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