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    The Arthropologist

    Large Animal Games explores sex, love & self delusion; throw in bullfights &lingerie, too

    Nancy Wozny
    Jun 28, 2012 | 4:52 pm
    • Ron Jones, from left, Britny Bush, Lyndsay Sweeney, Bobby Haworth, CrystalO'Brien and Autumn Clack in Mildred's Umbrella's production of Large AnimalGames
      Photo by Lynn Lane
    • A scene from Mildred's Umbrella's production of Large Animal Games with KalidPuentes and Lyndsay Sweeney
      Photo by Lynn Lane
    • Crystal O'Brien in Large Animal Games
      Photo by Lynn Lane
    • Autumn Clack, left, and Lyndsay Sweeney in the Mildred's Umbrella productionof Large Animal Games
      Photo by Lynn Lane

    Large Animal Games by Steve Yockey is at Mildred's Umbrella Theatre Company through July 14 at Studio 101. It's always interesting to find out how a play lands on a Houston stage: One with lingerie and bull fights, even more so.

    Yockey investigates sex, love, and self delusion as a group of friends navigate the treacherous and hilarious romantic road with the help of a lingerie salesman.

    Mildred's artistic director Jennifer Decker has her reasons for selecting the Atlanta-born playwright. She also brought in Matt Huff from Atlanta to direct. Lyndsay Sweeney, who plays Rosie in Yockey's play, has no connection to Atlanta, but she worked with Huff before in Mildred's sensational production of Will Eno's The Flu Season.

    It's always interesting to find out how a play lands on a Houston stage: One with lingerie and bull fights, even more so.

    So read on for a three-pronged perspective on Large Animal Games.

    Decker dishes

    Besides her job as artistic director, Decker is also the chief curator of plays at Mildred's. They're an eclectic bunch over there, with a history of producing plays not found anywhere else in town. In the past, the fledgling troupe has presented work from such renegades as Eno, Mac Wellman, Jen Lenkin, Naomi Wallace and Houston's own iconic scribe, John Harvey.

    Decker is looking for a certain something, and she knows it when she reads it. Many plays go before her eyes before deciding the "what"; then there's the "when." Later, the "who" to direct and "who" to cast. A confluence of factors make a play actually happen. Yockey's Large Animal Games jumped off the page immediately as ideal Mildred material.

    "I loved how clever it was. It examines relationships and how people figure out what they need from them by using metaphors of bullfighting and the challenge of killing large animals to represent lust and the thrill of the chase that many people need in order to get satisfaction," says Decker.

    "At the same time, a very other-worldly lingerie salesman and his shop guide people in their relationships by finding what they want through fitting them with custom apparel designed to help them be who they truly are. The juxtaposition of lingerie and the killing of animals was intriguing."

    Decker found the play before she found the right time to present it. "I had it on the backburner for over a year, waiting for the right place to produce it," she says. "It has never been done in Houston (and neither has this playwright), so it fit us perfectly."

    The lowdown on Yockey

    Huff and Yockey's careers have circled around each other for years now, although they have never actually worked together.

    "Yockey's plays love to give voice those hidden desires lurking just below the surface of our skins and our egos. What happens when we attempt to live out those desires?"

    "I was in grad school in Austin when he was developing his reputation in Atlanta, and then when I returned, Steve was in the MFA Playwriting Program at Tisch School of the Arts at New York University. Shortly after, he received a prestigious grant to be the Playwright-in-Residence at the Marin Theatre Company in California. He's been West Coast bound ever since," reports Huff. "Oddly enough, one of Mildred's company members pitched the play to Jennifer before I even became involved. Jennifer sent me several scripts, and when I saw Steve's name, I was like, 'Hey, I know that guy!'"

    Huff took that as a sign that this was the play that he should direct for Mildred's.

    "I'm very proud to introduce Yockey's work to Houston," he says. "Yockey's plays love to give voice those hidden desires lurking just below the surface of our skins and our egos. What happens when we attempt to live out those desires?"

    Things never quite turn out they way we plan. So it goes in life and in Yockey's plays.

    Huff explains the dilemma that Yockey sets forth in Large Animal Games. "Instead of getting what we originally wanted, we are often confronted with what we really need. Then, the question becomes, do we accept that? Do we embrace the opportunity to grow, to re-imagine ourselves and, perhaps, become a more authentic version of ourselves?"

    The characters in many of Yockey's plays, as with Large Animal Games, face such a dilemma. "And, of course, when it comes to living out our fantasies and desires, humor always plays a role whether we like it or not and Yockey's plays are deliciously funny in this regard," adds Huff.

    Finally, there are often elements of fantasy, mystery and magic present too. "It's Yockey's way of creating a physical reality for the unseen, psychic forces at work in our lives," says Huff.

    The actor's perspective

    Sweeney plays Rose, who she describes as a vivacious woman with an over the top quality. "She states the simple fact that 'we do the best we can with what we have.' Perhaps that is why she is willing to take such a crazy risk for love," says Sweeney. "She wants true love. The wonderful beauty about this play is that these characters are real and complicated. I can relate to these characters. I see a lot of myself in Rose. Then throw in an enchanting lingerie store."

    "The wonderful beauty about this play is that these characters are real and complicated. I can relate to these characters."

    Sweeney's chemistry with Huff was in full evidence in The Flu Season, by far Mildred's finest production. The director and actor bonded.

    "Oh my, do I love me some Matt Huff," enthuses Sweeney. "He is an incredibly refreshing director, and I am so grateful that Jennifer was able to get him to come to Houston to direct this production. Matt has an uncanny way of encouraging you to explore your character and relationships to embarrassing lengths, but making you feel at ease throughout the process. He throws out challenges, yet goes on the journey with you, enjoying each moment of discovery just as you do."

    Sweeney sums up exactly why Houston theater lovers should leave their chilled dwellings to come out and see this play. "Yockey is a young playwright with a unique vision and strong reputation on the East and West coasts. It's time Houston got to know him. We'll be hearing a lot more from him in the future I'm sure. Also, Large Animal Games is definitely an ensemble show, and given Mildred's dedication to fostering a company of actors, it's a terrific choice to showcase their work."

    Oh, and one more thing, all three of them agree that this is one sexy play.

    unspecified
    news/entertainment

    Texas will always love you

    Superstar Dolly Parton dies at 80 — her legacy includes many Texas ties

    Associated Press
    Aug 25, 2026 | 7:47 pm
    Dolly Parton onstage
    Photo by Jason Kempin/Getty Images
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    NASHVILLE, Tenn. (AP) — Dolly Parton, the country music icon whose soaring vibrato vocals, poignant songwriting and sparkling costumes defined her rise from a log cabin in the Tennessee mountains to the height of stardom and acclaim, has died. She was 80 years old.

    Parton died peacefully Tuesday in Nashville, Tennessee, her publicist said in a statement. A cause of death was not disclosed.

    Known for her curvy physique, massive blond wigs and skin-tight outfits that served her self-deprecating wit, she was among the most beloved personalities in music and beyond — the rare celebrity whose appeal transcended generations, geography and politics.

    She wrote hundreds of songs, including classics like “Jolene,” “Coat of Many Colors” and “I Will Always Love You,” that totaled more than 100 million worldwide sales and more than 1 billion online streams. Parton, who plucked bejeweled banjos, guitar and dulcimers with her long fingernails during performances, was a generous philanthropist and successful businesswoman whose projects included a theme park in the Smoky Mountain foothills near her birthplace.

    Her career was forever influenced by her upbringing as one of 12 children born into what she called a “dirt poor” Tennessee family. She started her education nonprofit, Imagination Library, to send free books to children in Tennessee because her father, who quit school to work on the farm, struggled to learn to read.

    Parton's first musical performances were in church, where her grandfather was a preacher. By age 10, she was learning guitar and singing on local television shows. At 13, she appeared on the Grand Ole Opry in Nashville, where Johnny Cash introduced her as “a little girl here from up in East Tennessee.”

    With a suitcase of songs, she followed her uncle, Bill Owens, also a songwriter, to Nashville after graduating high school in 1964. Fred Foster, who produced Roy Orbison, Willie Nelson and more, saw her potential and got her songs cut by other artists, as well as recording and releasing Parton singing her own material. By the mid-1970s, Parton was a Nashville queen.

    Parton's partnership with Porter Wagoner, a pencil-thin pompadoured star with flashy rhinestone outfits, was key to her career. She honed her acting skills on his syndicated TV show and he advocated for her to get a record deal at RCA. Their first duet, “The Last Thing On My Mind,” was released in 1967, the same year she started her own publishing company.

    She got her first No. 1 solo single with “Joshua,” and reached the Top 5 with the ballad “Coat of Many Colors,” about how her mother sewed together scraps of clothes to make a coat Parton wore “so proudly” even as her peers mocked her for being poor. The song, with its Biblical references and ode to maternal love, was later made into a children’s book and a TV movie.

    In 1973, she had the hit that made her career — “Jolene,” a country music standard with its steady, churning rhythm and Parton's repeated delivery of the title as she pleads for the woman not to steal her man.

    A pop crossover star
    She followed “Jolene” with a huge hit in 1974, “I Will Always Love You,” an ode and farewell to Wagoner that helped her win the Country Music Association’s female vocalist of the year back-to-back in 1975 and 1976. She famously turned down Elvis Presley, who wanted to record it, because she would not share publishing rights.

    Decades later, Whitney Houston’s version of “I Will Always Love You” became a smash for the soundtrack of her 1992 film “The Bodyguard,” and broke sales records. Houston won a Grammy for her performance in 1994, presented to her by Parton.

    “Here You Come Again,” a pop crossover hit and one of the few she didn’t write, further established Parton as a multi-genre entertainer and brought her first Grammy Award in 1979.

    “A lot of people thought I had totally lost my mind,” she told The Associated Press in 1979 of changing her singing style. “But I had no fear of change. I expected success, but I was braced for failure. I didn’t care if people thought I was wrong. In my own heart, I knew I was doing the right thing.”

    Parton's other crossover hits included the title song from “9 to 5,” the 1980 comedy starring Parton, Jane Fonda and Lily Tomlin; and her duet with longtime friend Kenny Rogers, “Islands in the Stream,” written by brothers Barry, Maurice and Robin Gibb of the Bee Gees. In 1987, she collaborated with Linda Ronstadt and Emmylou Harris on the million-selling “Trio” album.

    Down home charm
    For millions of fans, she was simply “Dolly,” a mixture of Southern charm, humor and glamour. But she was also considered a feminist role model for holding the reins of her own career, writing her own songs, owning her content and looking after her finances in an entertainment world dominated by men.

    Parton was open to making fun of herself; when she hosted “Saturday Night Live” in 1989 she told the writers that her only restrictions were she wouldn’t curse and she wouldn’t make fun of Jesus. She regularly joked about her breasts or her dumb blonde appearance, but with a wink that she was the one controlling the laughs.

    Throughout her career, she embraced her glamorous style, often wearing custom curve-hugging rhinestone dresses and bodysuits even if they drew tsk-tsks from others in the industry. Her look was always a part of her larger musical business plan.

    “I knew my songs were good even if I had been ugly as sin,” she told the AP in 2014. “So I thought, ‘Well, I would have probably chose to look this way even if I had been a waitress.’ I mean, this is my look. I mean, I like a lot of makeup. I like a lot of hair. I like flashy clothes. I like to show it off. But that’s just who I am.”

    She married Carl Dean, an asphalt paving contractor, in the mid-1960s; they were together until his death in 2025 at the age of 82. Though rarely seen in public, he was an influence on her career. She told NPR that she wrote “Jolene” about a flirty bank teller who seemed to take an interest in Dean.

    ‘9 to 5’ to Hollywood and Broadway
    In her first major film role, Parton played alongside Fonda and Tomlin as office workers who rebel against their tyrannical boss in “9 to 5.” Critic Roger Ebert called her a “natural-born movie star” and the title song earned her two Grammy Awards and a ranking of 78 on the American Film Institute's list of top 100 movie songs. Starring roles in “The Best Little Whorehouse In Texas” and “Steel Magnolias” followed.

    Her love affair with TV and film continued for decades, with appearances alongside her goddaughter Miley Cyrus on “Hannah Montana” and adaptations of her music for Christmas specials, films and streaming series. She also became an author, her books ranging from the memoir “Dolly” to a bestselling novel co-authored by James Patterson, “Run, Rose, Run."

    The stage adaptation “9 to 5: The Musical” debuted in 2009, and “DOLLY: A True Original Musical” is set to open Jan. 19, 2027, on what would have been her 81st birthday.

    United States of Dolly
    Beyond her music, Parton’s most lasting legacy might be her generosity and broad appeal.

    When a deadly wildfire swept through the Smokies in 2016, she held an all-star telethon and set up a foundation that sent monthly checks to residents whose homes were damaged or destroyed.

    She opened up her Dollywood theme park in East Tennessee, a major economic driver in Appalachia that draws tourists from around the country, and established the Dollywood Foundation. She wrote books and memoirs, was inducted into the Country Music Hall of Fame and was given a lifetime achievement award by the Recording Academy. She was selected for the Jean Hersholt Humanitarian Award from the Academy of Motion Picture Arts and Sciences in 2025.

    With 55 Grammy nominations and 10 wins, Parton is the third-most nominated woman in Grammy history, only behind Beyoncé and Taylor Swift.

    Parton spanned social and political divides, through multiple generations of fans, urban and rural and in between. In tumultuous election years, it wasn't uncommon to see “Dolly for President” shirts. But she was strict in not voicing her own political beliefs.

    When the Rock & Roll Hall of Fame Foundation sent out a ballot in 2022 with her name on it, though she said she felt she hadn't earned it, the voters answered with a “Hello, Dolly." Parton showed up to the induction ceremony, performed and then put out a rock album.

    Ties to Texas
    Though Parton didn't live in Texas, it was more than her Southern charm that tied her to the Lone Star State. Her campy persona and many ties to the state endeared her to Texans. The most famous was her lead appearance in the 1982 musical comedy film, The Best Little Whorehouse in Texas, which took place in a fictional town but was filmed on location around Austin.

    But with such a long career — in which she was active until her death — there are plenty more Texas connections to look back on.

    She co-wrote and filmed the 1991 TV movie Wild Texas Wind at the historic Broken Spoke in Austin. In 2016, she looked back fondly on "[all] the wonderful people in Austin and what a good time we had living there during that period."

    "It was just a wonderful time," Parton said. "It was a sad ass story as you know. Gary Busey played an abusive husband. But we really had a lot of fun, and I was proud to be part of that.”

    Parton also had a close relationship with Texas country music icon Willie Nelson. The two met in Nashville, and the two country singers later collaborated on some tunes, including their first duet, "From Here to the Moon and Back," in 1982. More than 50 years after their time in Nashville, Parton spoke on the relationship after winning the prestigious Willie Nelson Lifetime Achievement Award at the 2016 CMA Awards Show.

    "Well, I love Willie as much as I love anybody outside of my own family, and he feels like family to me," said Parton. "... We used to sit out in the same building and write songs for the same publishing company and record for the same record label, and we've known each other for a long time."

    The pair collaborated on a 1977 tour.

    Parton famously only played the Houston Livestock Show and Rodeo once, all the way back in 1978, but she led lists of performers that Houstonians most wanted to see return to the star-shaped stage. “While Parton still continues to make new music with the likes of Sabrina Carpenter, she’s said she’s done touring aside from special shows. Well, RodeoHouston is pretty dang special, we think,” CultureMap music expert Craig Hlavaty wrote last year.

    HLSR paid tribute to Parton on social media.


    View this post on Instagram
    A post shared by RODEOHOUSTON (@rodeohouston)


    Indeed, it’s been almost 10 years since Parton brought her Pure & Simple Tour to NRG Arena in December 2016. She demonstrated her versatility by playing the banjo, fiddle, saxophone, dulcimer, piano, autoharp, harmonica and other instruments at various times throughout the concert.

    “Even though she chatted incessantly between songs, telling long stories about her parents and growing up poor in the mountains of Tennessee in what seemed to be a ploy to give her body time to recover in order to belt out yet another big song — at one point she even admitted she was stalling, "trying to catch my breath," Parton more than proved that she can still captivate a crowd,” Clifford Pugh wrote in his review.

    Parton also had many appearances in Dallas-Fort Worth, including as co-host (with Garth Brooks) of the ACM Awards in Frisco in 2023. During the broadcast, Parton sang rock 'n' roll, wheeled a goat on stage, and Facetime'd with Willie Nelson.

    In one of her last and most memorable Texas appearances, Parton headlined the 2023 halftime show between the Dallas Cowboys and the Washington Commanders at AT&T Stadium in Arlington.

    Her performance became as buzzed-about for her wardrobe choice — the iconic, skimpy Dallas Cowboys Cheerleaders uniform — as it did for her musical delivery. "Well, hello, Dallas! Dolly does Dallas. You like my outfit?" she asked the adoring crowd from the stage.

    Her appearance even got its own segment, appropriately titled "9 to 5," in the hit Netflix docu-series America's Sweethearts: Dallas Cowboys Cheerleaders.

    ---

    Stephanie Allmon Merry and Eric Sandler contributed to this report.

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