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    The Arthropologist

    Large Animal Games explores sex, love & self delusion; throw in bullfights &lingerie, too

    Nancy Wozny
    Jun 28, 2012 | 4:52 pm
    • Ron Jones, from left, Britny Bush, Lyndsay Sweeney, Bobby Haworth, CrystalO'Brien and Autumn Clack in Mildred's Umbrella's production of Large AnimalGames
      Photo by Lynn Lane
    • A scene from Mildred's Umbrella's production of Large Animal Games with KalidPuentes and Lyndsay Sweeney
      Photo by Lynn Lane
    • Crystal O'Brien in Large Animal Games
      Photo by Lynn Lane
    • Autumn Clack, left, and Lyndsay Sweeney in the Mildred's Umbrella productionof Large Animal Games
      Photo by Lynn Lane

    Large Animal Games by Steve Yockey is at Mildred's Umbrella Theatre Company through July 14 at Studio 101. It's always interesting to find out how a play lands on a Houston stage: One with lingerie and bull fights, even more so.

    Yockey investigates sex, love, and self delusion as a group of friends navigate the treacherous and hilarious romantic road with the help of a lingerie salesman.

    Mildred's artistic director Jennifer Decker has her reasons for selecting the Atlanta-born playwright. She also brought in Matt Huff from Atlanta to direct. Lyndsay Sweeney, who plays Rosie in Yockey's play, has no connection to Atlanta, but she worked with Huff before in Mildred's sensational production of Will Eno's The Flu Season.

    It's always interesting to find out how a play lands on a Houston stage: One with lingerie and bull fights, even more so.

    So read on for a three-pronged perspective on Large Animal Games.

    Decker dishes

    Besides her job as artistic director, Decker is also the chief curator of plays at Mildred's. They're an eclectic bunch over there, with a history of producing plays not found anywhere else in town. In the past, the fledgling troupe has presented work from such renegades as Eno, Mac Wellman, Jen Lenkin, Naomi Wallace and Houston's own iconic scribe, John Harvey.

    Decker is looking for a certain something, and she knows it when she reads it. Many plays go before her eyes before deciding the "what"; then there's the "when." Later, the "who" to direct and "who" to cast. A confluence of factors make a play actually happen. Yockey's Large Animal Games jumped off the page immediately as ideal Mildred material.

    "I loved how clever it was. It examines relationships and how people figure out what they need from them by using metaphors of bullfighting and the challenge of killing large animals to represent lust and the thrill of the chase that many people need in order to get satisfaction," says Decker.

    "At the same time, a very other-worldly lingerie salesman and his shop guide people in their relationships by finding what they want through fitting them with custom apparel designed to help them be who they truly are. The juxtaposition of lingerie and the killing of animals was intriguing."

    Decker found the play before she found the right time to present it. "I had it on the backburner for over a year, waiting for the right place to produce it," she says. "It has never been done in Houston (and neither has this playwright), so it fit us perfectly."

    The lowdown on Yockey

    Huff and Yockey's careers have circled around each other for years now, although they have never actually worked together.

    "Yockey's plays love to give voice those hidden desires lurking just below the surface of our skins and our egos. What happens when we attempt to live out those desires?"

    "I was in grad school in Austin when he was developing his reputation in Atlanta, and then when I returned, Steve was in the MFA Playwriting Program at Tisch School of the Arts at New York University. Shortly after, he received a prestigious grant to be the Playwright-in-Residence at the Marin Theatre Company in California. He's been West Coast bound ever since," reports Huff. "Oddly enough, one of Mildred's company members pitched the play to Jennifer before I even became involved. Jennifer sent me several scripts, and when I saw Steve's name, I was like, 'Hey, I know that guy!'"

    Huff took that as a sign that this was the play that he should direct for Mildred's.

    "I'm very proud to introduce Yockey's work to Houston," he says. "Yockey's plays love to give voice those hidden desires lurking just below the surface of our skins and our egos. What happens when we attempt to live out those desires?"

    Things never quite turn out they way we plan. So it goes in life and in Yockey's plays.

    Huff explains the dilemma that Yockey sets forth in Large Animal Games. "Instead of getting what we originally wanted, we are often confronted with what we really need. Then, the question becomes, do we accept that? Do we embrace the opportunity to grow, to re-imagine ourselves and, perhaps, become a more authentic version of ourselves?"

    The characters in many of Yockey's plays, as with Large Animal Games, face such a dilemma. "And, of course, when it comes to living out our fantasies and desires, humor always plays a role whether we like it or not and Yockey's plays are deliciously funny in this regard," adds Huff.

    Finally, there are often elements of fantasy, mystery and magic present too. "It's Yockey's way of creating a physical reality for the unseen, psychic forces at work in our lives," says Huff.

    The actor's perspective

    Sweeney plays Rose, who she describes as a vivacious woman with an over the top quality. "She states the simple fact that 'we do the best we can with what we have.' Perhaps that is why she is willing to take such a crazy risk for love," says Sweeney. "She wants true love. The wonderful beauty about this play is that these characters are real and complicated. I can relate to these characters. I see a lot of myself in Rose. Then throw in an enchanting lingerie store."

    "The wonderful beauty about this play is that these characters are real and complicated. I can relate to these characters."

    Sweeney's chemistry with Huff was in full evidence in The Flu Season, by far Mildred's finest production. The director and actor bonded.

    "Oh my, do I love me some Matt Huff," enthuses Sweeney. "He is an incredibly refreshing director, and I am so grateful that Jennifer was able to get him to come to Houston to direct this production. Matt has an uncanny way of encouraging you to explore your character and relationships to embarrassing lengths, but making you feel at ease throughout the process. He throws out challenges, yet goes on the journey with you, enjoying each moment of discovery just as you do."

    Sweeney sums up exactly why Houston theater lovers should leave their chilled dwellings to come out and see this play. "Yockey is a young playwright with a unique vision and strong reputation on the East and West coasts. It's time Houston got to know him. We'll be hearing a lot more from him in the future I'm sure. Also, Large Animal Games is definitely an ensemble show, and given Mildred's dedication to fostering a company of actors, it's a terrific choice to showcase their work."

    Oh, and one more thing, all three of them agree that this is one sexy play.

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    Movie Review

    Michelle Pfeiffer visits Houston in new Christmas movie Oh. What. Fun.

    Alex Bentley
    Dec 5, 2025 | 3:30 pm
    Michelle Pfeiffer in Oh. What. Fun.
    Photo courtesy of Amazon MGM Studios
    Michelle Pfeiffer in Oh. What. Fun.

    Of all the formulaic movie genres, Christmas/holiday movies are among the most predictable. No matter what the problem is that arises between family members, friends, or potential romantic partners, the stories in holiday movies are designed to give viewers a feel-good ending even if the majority of the movie makes you feel pretty bad.

    That’s certainly the case in Oh. What. Fun., in which Michelle Pfeiffer plays Claire, an underappreciated mom living in Houston with her inattentive husband, Nick (Denis Leary). As the film begins, her three children are arriving back home for Christmas: The high-strung Channing (Felicity Jones) is married to the milquetoast Doug (Jason Schwartzman); the aloof Taylor (Chloë Grace Moretz) brings home yet another new girlfriend; and the perpetual child Sammy (Dominic Sessa) has just broken up with his girlfriend.

    Each of the family members seems to be oblivious to everything Claire does for them, especially when it comes to what she really wants: For them to nominate her to win a trip to see a talk show in L.A. hosted by Zazzy Tims (Eva Longoria). When she accidentally gets left behind on a planned outing to see a show, Claire reaches her breaking point and — in a kind of Home Alone in reverse — she decides to drive across the country to get to the show herself.

    Written and directed by Michael Showalter (The Idea of You), and co-written by Chandler Baker (who wrote the short story on which the film is based), the movie never establishes any kind of enjoyable rhythm. Each of the characters, including competitive neighbor Jeanne (Joan Chen), is assigned a character trait that becomes their entire personality, with none of them allowed to evolve into something deeper.

    The filmmakers lean hard into the idea that Claire is a person who always puts her family first and receives very little in return, but the evidence presented in the story is sketchy at best. Every situation shown in the film is so superficial that tension barely exists, and the (over)reactions by Claire give her family members few opportunities to make up for their failings.

    The most interesting part of the movie comes when Claire actually makes it to the Zazzy Sims show. Even though what happens there is just as unbelievable as anything else presented in the story, Showalter and Baker concoct a scene that allows Claire and others to fully express the central theme of the film, and for a few minutes the movie actually lives up to its title.

    Pfeiffer, given her first leading role since 2020’s French Exit, is a somewhat manic presence, and her thick Texas accent and unnecessary voiceover don’t do her any favors. It seems weird to have such a strong supporting cast with almost nothing of substance to do, but almost all of them are wasted, including Danielle Brooks in a blink-and-you'll-miss-it cameo. The lone exception is Longoria, who is a blast in the few scenes she gets.

    Oh. What. Fun. is far from the first movie to try and fail at becoming a new holiday classic, but the pedigree of Showalter and the cast make this dismal viewing experience extra disappointing. Ironically, overworked and underappreciated moms deserve a much better story than the one this movie delivers.

    ---

    Oh. What. Fun. is now streaming on Prime Video.

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