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    Rare Birds

    Sweet dreams are made of this: The lengths we go to — and things we avoid — fora good night's sleep

    Chris Becker
    Jun 24, 2012 | 5:00 pm
    • Little Ego from the comic by Vittorio Giardino
      Cartoon by Vittorio Giardino
    • Little Nemo from the comic by Winsor McCay
      Cartoon by Winsor McCay
    • Comic writer Harvey Pekar
      Courtesy Photo
    • Little Nemo from the comic by Winsor McCay
      Cartoon by Winsor McCay

    One of my favorite comic book writers, Cleveland-born Harvey Pekar, who passed away in July 2010, lifts a direct quote from author George Orwell's autobiographical novel Down and Out In Paris and London for his own autobiographical story "Sleep."

    The Orwell quote reads: "Work had taught me the true value of sleep, just as being hungry had taught me the true value of food. Sleep had ceased to be a physical necessity. It was something voluptuous, a debauch more than a relief."

    Like most of you, I don't get enough sleep. And I work a lot, probably more than I should.

    And sleep? Pfft! Pshaw! You'll sleep when you're dead pal!

    While doing research for an article about men's health issues, I discovered that men at middle age are prone to become workaholics, usually because either consciously or unconsciously, the reality of, well, dying is hitting them.

    Around the age of 40, the male logical brain decides that if your time on the planet is short and steadily getting shorter, the productive and useful thing to do is not to enjoy life or, you know, have FUN. No, the proper, alpha-male response to the reality of mortality is to work, work, work your ass off.

    And sleep? Pfft! Pshaw! You'll sleep when you're dead pal!

    "Ay, there's the rub,
    For in that sleep of death, what dreams may come,
    When we have shuffled off this mortal coil,
    Must give us pause."

    Night light reading

    If I find I can't get to sleep at night, the only thing that seems to get me back to Theta sleep is reading, including crime novels, Stephen King, Marketing in the Age of Google (just kidding), and, of course, comics.

    There's nothing alpha male about Winsor McCay's visually stunning vintage comic strip Little Nemo In Slumberland. Man, you think comics are weird now? Well back in 1905, way before Sandman, or Heavy Metal, you had McCay's very young zonked out protagonist navigating one bizarre dream scenario after another before thankfully waking up safe in his own bed to address the reader, or more often his mother (of course).

    My own dreams these days are pretty mundane, and usually work-oriented, although if I'm lucky, they occasionally provide a fantastic solution to a practical problem.

    So do you have dreams that are even half as fantastic as our man Little Nemo? If yes, please share one in the comments below.

    And then there's Little Ego, Italian artist Vittorio Giardino's lovely, and very adult erotic parody of McCay's Little Nemo in Slumberland. Little Ego is deep in Theta sleep at the start of each story, and over the course of a handful of panels…well, whatever gender you are, if you're dreams are half as hot as Little Ego's, you probably can't wait to go to sleep each night. In contrast to Nemo however, the last panel of Giardino's strips is usually a wide-awake Little Ego wondering if she needs to schedule an appointment with her psychoanalyst.

    My own dreams these days are pretty mundane, and usually work-oriented, although if I'm lucky, they occasionally provide a fantastic solution to a practical problem (for instance, if I flap my arms, I can fly to work instead of taking the bus, saving myself money and time).

    Drugs

    Which reminds me, why is it all sleep aid drugs seems to be named after musical terms? Ambien! Say it in a low, gentle, female voice: Ambien.The only sleep aid created by ambient musician Brian Eno. Take it, and while sleeping, you will attempt to eat your own hair, sleepwalk to the Taqueria, and log on to amazon.com and buy several copies of Little Ego. Do not operate heavy machinery, drive, or plan on having a waking life that doesn't involve being committed to an insane asylum while taking ambien.

    So if, like me, you don't get enough sleep, and when you are blessed with some extra time to sleep, you find you can't GET to sleep but for the chatter in your brain, can music help you ease into a deep REM sleep? Forget about popping Ambien or whatever other drugs the pharmaceutical companies want to you get addicted to. What about music?

    Which reminds me, why is it all sleep aid drugs seems to be named after musical terms?

    Composer Chuck Wild reates music specifically designed to address insomnia. Wild served in the trenches of what is television composing, a physically and mentally exhausting career-choice that actually killed the great composer Oliver Nelson. Wild writes on his Liquid Mind website, "My life was completely out of perspective while I was scoring the ABC network television show Max Headroom. The seven day a week, 18-20 hour days without a break for three months led me to a nasty case of sleep deprivation, anxiety, and panic attacks."

    Wild's music is kind of what you'd expect it to be, and that's not necessarily a criticism. It consists of lots of sustained, pastel-colored tones, gently ascending and then descending chords, and very little dissonance. There's something almost primal about the work, as it is designed to tap into your brain and lull you into a state of dreaming. But what I really appreciate the fact that his current career is born out of real world trauma.

    There are times when I could fall asleep listening to Black Metal. But there is no denying that music can have a profound effect on the brain.

    While writing this particular column, I created my own playlist on Spotify, "Music for Counting Sheep," that, if you are a Spotify user, are able to access and utilize to battle insomnia and nerves. My two other public playlists, "Strange and Beautiful" and "Black Metal," are exactly what they sound like. So if the Art of Noise's "Moment of Love" doesn't do ya', try Deathspell Omega's "Chaining the Katechon" instead.

    Waking up to the terror of a brand new day

    Hamlet, I mean Harvey, who I mentioned at the start of this dream, may have been a pessimist at heart, but I don't think he ever lost his sense of humor. He certainly appreciated the most ordinary, even banal moments of day-to-day living, and even revealed a level of profundity in so-called ordinary life that very few, if any writers, can manage. The last two panels of one of Pekar's most well-known stories, "Alice Quinn," which describes his chance meeting with a college crush, only to return home to his books and relatively isolated existence, reads as follows:

    "…decades of faces ran through my mind. I felt like cryin'; life seemed so sweet an' so sad an' so hard t'let go of in the end. But this is Monday. I went t'work, hustled some records, came home an' wrote this…Life goes on. Every day is a new deal. Keep workin' an' maybe sump'n'll turn up."

    Sweet dreams.

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    lizzo concert review

    Lizzo makes Houston feel 'Good as Hell' at sold-out Rodeo concert

    Craig Hlavaty
    Mar 7, 2026 | 12:24 am
    Lizzo RodeoHouston
    Courtesy of Houston Livestock Show and Rodeo
    Lizzo entered the rodeo in a tricked out SLAB.

    Much like Mayor of Trill Town Bun B’s past rodeo shows, Lizzo’s sold-out Friday night show, closing out Black Heritage Day, was a rapturous celebration of Houston pride with a live jukebox.

    The best rodeo shows are when no one sits down, even if their boots make their dogs holler, and when the show ends, everyone spills out of the stadium barefoot, or the menfolk carry the heels. No other city would allow you to eat chicken fried lobster, drink award-winning wine by the bottle, watch teenagers wrestle calves for cash, see kindergartens hold on to a sheep with a death grip, and stomp your Ariats to “Still Tippin’” with 70,000 other people within the span of six hours.

    Along with Go Tejano Day, Black Heritage Day (which became a part of the RodeoHouston DNA in 1993) showcases the diversity found on the concrete and the hay off Kirby Drive every year. It’s a whole day of celebration on the grounds, including field trips, art installations, traveling museum exhibits, and an unofficial HBCU reunion event. As cowpokes in cowboy hats battled various beasts before the show, the big screen highlighted roving bands of women dressed in their finest rodeo attire. The sidewalks around NRG Stadium were a Friday night fashion show. Friday was also the kickoff of spring break for most Houston-area school districts, meaning the grounds will be insanely busy over the next week.

    Proud Alief Elsik High School alum and University of Houston product Lizzo was supposed to have made her triumphant hometown rodeo debut back in 2020, but Covid-19 scuttled the second half of that season, including her appearance. Just a few weeks ago, she gushed on Late Night with Seth Meyers about how important the show would be to her, mentioning seeing John Mayer and Beyoncé during her teen years in town.

    At 9:15 pm, just next door to the 8th Wonder of the World the “9th Wonder of the World” — Texas Southern University’s Ocean of Soul Marching Band — made its way onto the show floor to massive applause as a hype video of Houston landmarks played on the show screens. If RodeoHouston needs a house band — founded in 1969 — this is it. In fact, it should be legally mandated that they appear every year.

    Before Lizzo even appeared, the show felt like a Super Bowl halftime show, with three SLABs driving out into the dirt, with the woman herself kicking off “About Damn Time” from the back seat of a fourth SLAB, clad in a black leather studded duster, surrounded by TSU dancers. This is the kind of big-budget spectacle that the rodeo salivates for. Backed by a mostly-female band onstage, the Ocean of Soul provided a constant brassy, bassy undercurrent.


    View this post on Instagram
    A post shared by RODEOHOUSTON (@rodeohouston)


    “This is the city that raised me,” Lizzo said, taking in the 69,362 souls in her midst.

    She was met with a hurricane-force wall of screams as she launched into “Cuz I Love You,” ditching her black leather duster for a white tank top.

    Houston’s own gospel pop quartet The Walls Group appeared just then for the Black National Anthem, “Lift Every Voice And Sing.” Lizzo and the Walls siblings then wove “Special” into “Total Praise.” We’d all buy a Lizzo gospel album, and you know it.

    Her collaboration with Cardi B “Rumors” — flaunting rodeo lyrical standards — gave way to her own rendition 4 Non Blondes’ “What’s Up,” giving Linda Perry’s grunge pop classic a torch song glow-up.

    Lizzo got back into her custom SLAB for her own “Yitty On Yo Tittys” from last summer’s My Face Hurts From Smiling album, complete with a human-sized dancing Labubu. The Ocean of Soul got its own interlude while keen eyes could see Lizzo side stage, tuning up her famous flute with a familiar line.

    Wait, is that? Yes, by God, that’s Houston’s national anthem.

    Soon Slim Thug, Mike Jones, and Paul Wall sauntered out for “Still Tippin’” as city pride began to sweat from the stadium walls, all while the Ocean of Soul kept strutting along. The professor emeritus’ of Houston's 2000s rap explosion, you look up from your phone and realize all these Houston rap standards are all over 20 years old now. Paul is a silver fox, Slim is a real estate magnate, and even people in Japan know Jones’ personal phone number.

    “At the end of the day, I just want Houston to feel good as hell,” Lizzo said, tapping directly into “Good As Hell.” Was that a pregnant lady in a cowboy hat dancing on the big screen? How much more Houston can a fetus be?

    The only truly Houston things left to do tonight were to sweat through your Wranglers in the parking lot, gaze at the Astrodome, sit in standstill traffic, and join the drive-thru parade at the closest Whataburger.

    Setlist

    With Texas Southern University’s Ocean Of Soul

    About Damn Time
    Juice
    2 Be Loved (Am I Ready)
    Soulmate
    Cuz I Love You

    With The Walls Group

    Lift Every Voice And Sing
    Special > Total Praise
    Rumors > What’s Up

    Tempo > Wobble
    Boys (with Ocean Of Soul)
    Mo City Don (Z-Ro Cover)
    Yitty On Yo Tittys
    Screwed (with Ocean Of Soul)
    Still Tippin’ (with Slim Thug, Mike Jones, and Paul Wall)
    Truth Hurts
    Good As Hell (with Ocean Of Soul)

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