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    Rare Birds

    Sweet dreams are made of this: The lengths we go to — and things we avoid — fora good night's sleep

    Chris Becker
    Jun 24, 2012 | 5:00 pm
    • Little Ego from the comic by Vittorio Giardino
      Cartoon by Vittorio Giardino
    • Little Nemo from the comic by Winsor McCay
      Cartoon by Winsor McCay
    • Comic writer Harvey Pekar
      Courtesy Photo
    • Little Nemo from the comic by Winsor McCay
      Cartoon by Winsor McCay

    One of my favorite comic book writers, Cleveland-born Harvey Pekar, who passed away in July 2010, lifts a direct quote from author George Orwell's autobiographical novel Down and Out In Paris and London for his own autobiographical story "Sleep."

    The Orwell quote reads: "Work had taught me the true value of sleep, just as being hungry had taught me the true value of food. Sleep had ceased to be a physical necessity. It was something voluptuous, a debauch more than a relief."

    Like most of you, I don't get enough sleep. And I work a lot, probably more than I should.

    And sleep? Pfft! Pshaw! You'll sleep when you're dead pal!

    While doing research for an article about men's health issues, I discovered that men at middle age are prone to become workaholics, usually because either consciously or unconsciously, the reality of, well, dying is hitting them.

    Around the age of 40, the male logical brain decides that if your time on the planet is short and steadily getting shorter, the productive and useful thing to do is not to enjoy life or, you know, have FUN. No, the proper, alpha-male response to the reality of mortality is to work, work, work your ass off.

    And sleep? Pfft! Pshaw! You'll sleep when you're dead pal!

    "Ay, there's the rub,
    For in that sleep of death, what dreams may come,
    When we have shuffled off this mortal coil,
    Must give us pause."

    Night light reading

    If I find I can't get to sleep at night, the only thing that seems to get me back to Theta sleep is reading, including crime novels, Stephen King, Marketing in the Age of Google (just kidding), and, of course, comics.

    There's nothing alpha male about Winsor McCay's visually stunning vintage comic strip Little Nemo In Slumberland. Man, you think comics are weird now? Well back in 1905, way before Sandman, or Heavy Metal, you had McCay's very young zonked out protagonist navigating one bizarre dream scenario after another before thankfully waking up safe in his own bed to address the reader, or more often his mother (of course).

    My own dreams these days are pretty mundane, and usually work-oriented, although if I'm lucky, they occasionally provide a fantastic solution to a practical problem.

    So do you have dreams that are even half as fantastic as our man Little Nemo? If yes, please share one in the comments below.

    And then there's Little Ego, Italian artist Vittorio Giardino's lovely, and very adult erotic parody of McCay's Little Nemo in Slumberland. Little Ego is deep in Theta sleep at the start of each story, and over the course of a handful of panels…well, whatever gender you are, if you're dreams are half as hot as Little Ego's, you probably can't wait to go to sleep each night. In contrast to Nemo however, the last panel of Giardino's strips is usually a wide-awake Little Ego wondering if she needs to schedule an appointment with her psychoanalyst.

    My own dreams these days are pretty mundane, and usually work-oriented, although if I'm lucky, they occasionally provide a fantastic solution to a practical problem (for instance, if I flap my arms, I can fly to work instead of taking the bus, saving myself money and time).

    Drugs

    Which reminds me, why is it all sleep aid drugs seems to be named after musical terms? Ambien! Say it in a low, gentle, female voice: Ambien.The only sleep aid created by ambient musician Brian Eno. Take it, and while sleeping, you will attempt to eat your own hair, sleepwalk to the Taqueria, and log on to amazon.com and buy several copies of Little Ego. Do not operate heavy machinery, drive, or plan on having a waking life that doesn't involve being committed to an insane asylum while taking ambien.

    So if, like me, you don't get enough sleep, and when you are blessed with some extra time to sleep, you find you can't GET to sleep but for the chatter in your brain, can music help you ease into a deep REM sleep? Forget about popping Ambien or whatever other drugs the pharmaceutical companies want to you get addicted to. What about music?

    Which reminds me, why is it all sleep aid drugs seems to be named after musical terms?

    Composer Chuck Wild reates music specifically designed to address insomnia. Wild served in the trenches of what is television composing, a physically and mentally exhausting career-choice that actually killed the great composer Oliver Nelson. Wild writes on his Liquid Mind website, "My life was completely out of perspective while I was scoring the ABC network television show Max Headroom. The seven day a week, 18-20 hour days without a break for three months led me to a nasty case of sleep deprivation, anxiety, and panic attacks."

    Wild's music is kind of what you'd expect it to be, and that's not necessarily a criticism. It consists of lots of sustained, pastel-colored tones, gently ascending and then descending chords, and very little dissonance. There's something almost primal about the work, as it is designed to tap into your brain and lull you into a state of dreaming. But what I really appreciate the fact that his current career is born out of real world trauma.

    There are times when I could fall asleep listening to Black Metal. But there is no denying that music can have a profound effect on the brain.

    While writing this particular column, I created my own playlist on Spotify, "Music for Counting Sheep," that, if you are a Spotify user, are able to access and utilize to battle insomnia and nerves. My two other public playlists, "Strange and Beautiful" and "Black Metal," are exactly what they sound like. So if the Art of Noise's "Moment of Love" doesn't do ya', try Deathspell Omega's "Chaining the Katechon" instead.

    Waking up to the terror of a brand new day

    Hamlet, I mean Harvey, who I mentioned at the start of this dream, may have been a pessimist at heart, but I don't think he ever lost his sense of humor. He certainly appreciated the most ordinary, even banal moments of day-to-day living, and even revealed a level of profundity in so-called ordinary life that very few, if any writers, can manage. The last two panels of one of Pekar's most well-known stories, "Alice Quinn," which describes his chance meeting with a college crush, only to return home to his books and relatively isolated existence, reads as follows:

    "…decades of faces ran through my mind. I felt like cryin'; life seemed so sweet an' so sad an' so hard t'let go of in the end. But this is Monday. I went t'work, hustled some records, came home an' wrote this…Life goes on. Every day is a new deal. Keep workin' an' maybe sump'n'll turn up."

    Sweet dreams.

    unspecified
    news/entertainment

    Movie Review

    Meta-comedy remake Anaconda coils itself into an unfunny mess

    Alex Bentley
    Dec 26, 2025 | 2:30 pm
    Jack Black and Paul Rudd in Anaconda
    Photo by Matt Grace
    Jack Black and Paul Rudd in Anaconda.

    In Hollywood’s never-ending quest to take advantage of existing intellectual property, seemingly no older movie is off limits, even if the original was not well-regarded. That’s certainly the case with 1997’s Anaconda, which is best known for being a lesser entry on the filmography of Ice Cube and Jennifer Lopez, as well as some horrendous accent work by Jon Voight.

    The idea behind the new meta-sequel Anaconda is arguably a good one. Four friends — Doug (Jack Black), Griff (Paul Rudd), Claire (Thandiwe Newton), and Kenny (Steve Zahn) — who made homemade movies when they were teenagers decide to remake Anaconda on a shoestring budget. Egged on by Griff, an actor who can’t catch a break, the four of them pull together enough money to fly down to Brazil, hire a boat, and film a script written by Doug.

    Naturally, almost nothing goes as planned in the Amazon, including losing their trained snake and running headlong into a criminal enterprise. Soon enough, everything else takes second place to the presence of a giant anaconda that is stalking them and anyone else who crosses its path.

    Written and directed by Tom Gormican, with help from co-writer Kevin Etten, the film is designed to be an outrageous comedy peppered with laugh-out-loud moments that cover up the fact that there’s really no story. That would be all well and good … if anything the film had to offer was truly funny. Only a few scenes elicit any honest laughter, and so instead the audience is fed half-baked jokes, a story with no focus, and actors who ham it up to get any kind of reaction.

    The biggest problem is that the meta-ness of the film goes too far. None of the core four characters possess any interesting traits, and their blandness is transferred over to the actors playing them. And so even as they face some harrowing situations or ones that could be funny, it’s difficult to care about anything they do since the filmmakers never make the basic effort of making the audience care about them.

    It’s weird to say in a movie called Anaconda, but it becomes much too focused on the snake in the second half of the film. If the goal is to be a straight-up comedy, then everything up to and including the snake attacks should be serving that objective. But most of the time the attacks are either random or moments when the characters are already scared, and so any humor that could be mined all but disappears.

    Black and Rudd are comedy all-stars who can typically be counted on to elevate even subpar material. That’s not the case here, as each only scores on a few occasions, with Black’s physicality being the funniest thing in the movie. Newton is not a good fit with this type of movie, and she isn’t done any favors by some seriously bad wigs. Zahn used to be the go-to guy for funny sidekicks, but he brings little to the table in this role.

    Any attempt at rebooting/remaking an old piece of IP should make a concerted effort to differentiate itself from the original, and in that way, the new Anaconda succeeds. Unfortunately, that’s its only success, as the filmmakers can never find the right balance to turn it into the bawdy comedy they seemed to want.

    ---

    Anaconda is now playing in theaters.

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    news/entertainment

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