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    Rare Birds

    Sweet dreams are made of this: The lengths we go to — and things we avoid — fora good night's sleep

    Chris Becker
    Jun 24, 2012 | 5:00 pm
    • Little Ego from the comic by Vittorio Giardino
      Cartoon by Vittorio Giardino
    • Little Nemo from the comic by Winsor McCay
      Cartoon by Winsor McCay
    • Comic writer Harvey Pekar
      Courtesy Photo
    • Little Nemo from the comic by Winsor McCay
      Cartoon by Winsor McCay

    One of my favorite comic book writers, Cleveland-born Harvey Pekar, who passed away in July 2010, lifts a direct quote from author George Orwell's autobiographical novel Down and Out In Paris and London for his own autobiographical story "Sleep."

    The Orwell quote reads: "Work had taught me the true value of sleep, just as being hungry had taught me the true value of food. Sleep had ceased to be a physical necessity. It was something voluptuous, a debauch more than a relief."

    Like most of you, I don't get enough sleep. And I work a lot, probably more than I should.

    And sleep? Pfft! Pshaw! You'll sleep when you're dead pal!

    While doing research for an article about men's health issues, I discovered that men at middle age are prone to become workaholics, usually because either consciously or unconsciously, the reality of, well, dying is hitting them.

    Around the age of 40, the male logical brain decides that if your time on the planet is short and steadily getting shorter, the productive and useful thing to do is not to enjoy life or, you know, have FUN. No, the proper, alpha-male response to the reality of mortality is to work, work, work your ass off.

    And sleep? Pfft! Pshaw! You'll sleep when you're dead pal!

    "Ay, there's the rub,
    For in that sleep of death, what dreams may come,
    When we have shuffled off this mortal coil,
    Must give us pause."

    Night light reading

    If I find I can't get to sleep at night, the only thing that seems to get me back to Theta sleep is reading, including crime novels, Stephen King, Marketing in the Age of Google (just kidding), and, of course, comics.

    There's nothing alpha male about Winsor McCay's visually stunning vintage comic strip Little Nemo In Slumberland. Man, you think comics are weird now? Well back in 1905, way before Sandman, or Heavy Metal, you had McCay's very young zonked out protagonist navigating one bizarre dream scenario after another before thankfully waking up safe in his own bed to address the reader, or more often his mother (of course).

    My own dreams these days are pretty mundane, and usually work-oriented, although if I'm lucky, they occasionally provide a fantastic solution to a practical problem.

    So do you have dreams that are even half as fantastic as our man Little Nemo? If yes, please share one in the comments below.

    And then there's Little Ego, Italian artist Vittorio Giardino's lovely, and very adult erotic parody of McCay's Little Nemo in Slumberland. Little Ego is deep in Theta sleep at the start of each story, and over the course of a handful of panels…well, whatever gender you are, if you're dreams are half as hot as Little Ego's, you probably can't wait to go to sleep each night. In contrast to Nemo however, the last panel of Giardino's strips is usually a wide-awake Little Ego wondering if she needs to schedule an appointment with her psychoanalyst.

    My own dreams these days are pretty mundane, and usually work-oriented, although if I'm lucky, they occasionally provide a fantastic solution to a practical problem (for instance, if I flap my arms, I can fly to work instead of taking the bus, saving myself money and time).

    Drugs

    Which reminds me, why is it all sleep aid drugs seems to be named after musical terms? Ambien! Say it in a low, gentle, female voice: Ambien.The only sleep aid created by ambient musician Brian Eno. Take it, and while sleeping, you will attempt to eat your own hair, sleepwalk to the Taqueria, and log on to amazon.com and buy several copies of Little Ego. Do not operate heavy machinery, drive, or plan on having a waking life that doesn't involve being committed to an insane asylum while taking ambien.

    So if, like me, you don't get enough sleep, and when you are blessed with some extra time to sleep, you find you can't GET to sleep but for the chatter in your brain, can music help you ease into a deep REM sleep? Forget about popping Ambien or whatever other drugs the pharmaceutical companies want to you get addicted to. What about music?

    Which reminds me, why is it all sleep aid drugs seems to be named after musical terms?

    Composer Chuck Wild reates music specifically designed to address insomnia. Wild served in the trenches of what is television composing, a physically and mentally exhausting career-choice that actually killed the great composer Oliver Nelson. Wild writes on his Liquid Mind website, "My life was completely out of perspective while I was scoring the ABC network television show Max Headroom. The seven day a week, 18-20 hour days without a break for three months led me to a nasty case of sleep deprivation, anxiety, and panic attacks."

    Wild's music is kind of what you'd expect it to be, and that's not necessarily a criticism. It consists of lots of sustained, pastel-colored tones, gently ascending and then descending chords, and very little dissonance. There's something almost primal about the work, as it is designed to tap into your brain and lull you into a state of dreaming. But what I really appreciate the fact that his current career is born out of real world trauma.

    There are times when I could fall asleep listening to Black Metal. But there is no denying that music can have a profound effect on the brain.

    While writing this particular column, I created my own playlist on Spotify, "Music for Counting Sheep," that, if you are a Spotify user, are able to access and utilize to battle insomnia and nerves. My two other public playlists, "Strange and Beautiful" and "Black Metal," are exactly what they sound like. So if the Art of Noise's "Moment of Love" doesn't do ya', try Deathspell Omega's "Chaining the Katechon" instead.

    Waking up to the terror of a brand new day

    Hamlet, I mean Harvey, who I mentioned at the start of this dream, may have been a pessimist at heart, but I don't think he ever lost his sense of humor. He certainly appreciated the most ordinary, even banal moments of day-to-day living, and even revealed a level of profundity in so-called ordinary life that very few, if any writers, can manage. The last two panels of one of Pekar's most well-known stories, "Alice Quinn," which describes his chance meeting with a college crush, only to return home to his books and relatively isolated existence, reads as follows:

    "…decades of faces ran through my mind. I felt like cryin'; life seemed so sweet an' so sad an' so hard t'let go of in the end. But this is Monday. I went t'work, hustled some records, came home an' wrote this…Life goes on. Every day is a new deal. Keep workin' an' maybe sump'n'll turn up."

    Sweet dreams.

    unspecified
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    Movie Review

    Matt Damon and Ben Affleck square off in Netflix crime thriller The Rip

    Alex Bentley
    Jan 16, 2026 | 2:30 pm
    Ben Affleck and Matt Damon in The Rip
    Photo by Claire Folger/Netflix
    Ben Affleck and Matt Damon in The Rip.

    For as closely tied together as Matt Damon and Ben Affleck are, it might come as a surprise how few times they’ve led a movie together. They’ve appeared alongside each other in Good Will Hunting, The Last Duel, and Air, but the only time they were on equal footing in a story was Kevin Smith’s Dogma. So the fact that they are the two true stars of the new Netflix movie The Rip makes it a rare opportunity for the longtime friends to square off against each other.

    Damon and Affleck play Lt. Dane Dumars and Detective Sgt. J.D Byrne, respectively, the two highest ranking members of a Miami police department squad that specializes in drug and drug money raids. A tragedy to begin the film already has the team — which includes Detectives Mike Ro (Steven Yeun), Numa Baptiste (Teyana Taylor), and Lolo Salazar (Catalina Sandina Moreno) — on edge, with the FBI and DEA breathing down their neck.

    Going off a tip, Dumars gathers the team to raid a house in nearby Hialeah that is supposed to have a stash of a relatively small amount of money. But when they get to the house occupied only by Desiree Molina (Sasha Calle), they discover close to $20 million. The team, required by law to count the money on site, must not only fight the urge to skim a little off the top for themselves, but also worry about the Cartel and other agencies that might want a slice of the pie.

    Written and directed by Joe Carnahan, the film is a surprisingly effective crime thriller made even better by its high-quality cast, which also includes Kyle Chandler as a DEA agent. The story is designed for the audience to not know who’s trustworthy until the last possible second, and the various twists and turns it takes are well done, with barely a hint of narrative cheating.

    Taking place entirely at night, the mood is set right from the start, with the only surprise being that Carnahan didn’t add in rain for extra effect. He keeps things tense with a number of subtle elements, including having the house located in a seemingly deserted cul-de-sac. This allows for the characters to remain on high alert at all times, with anything out of the ordinary — an unexpected noise, a flashing light, etc. — adding to the stress of the situation.

    The only element that could have used a bit more of a punch-up is the characterization. The story is set up to cast suspicion on almost everybody, making it tougher to understand exactly what type of person each of them is. As the two leads, more time is spent with Dumars and Byrne, leaving everyone else with slightly underwhelming arcs. It’s to the credit of the actors that everyone else below Damon and Affleck is still compelling.

    Damon and Affleck play their sometimes friendly, sometimes adversarial roles well, showing an ease together that’s a result of their friendship and the acting skills they’ve honed over 30+ years. Taylor, an Oscar hopeful for One Battle After Another, and Oscar nominee/Emmy winner Yeun have a pedigree that elevates their supporting roles. Chandler, Moreno, and Calle each get just enough to demonstrate why they were cast in their respective roles.

    Damon and Affleck have had their individual ups and downs throughout their careers, but when they choose to work together, the results are usually good-to-great, as they are in The Rip. It’s a different take on a crime thriller that features a story that will keep viewers guessing until the very end.

    ---

    The Rip is now streaming on Netflix.

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