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    Rare Birds

    Sweet dreams are made of this: The lengths we go to — and things we avoid — fora good night's sleep

    Chris Becker
    Jun 24, 2012 | 5:00 pm
    • Little Ego from the comic by Vittorio Giardino
      Cartoon by Vittorio Giardino
    • Little Nemo from the comic by Winsor McCay
      Cartoon by Winsor McCay
    • Comic writer Harvey Pekar
      Courtesy Photo
    • Little Nemo from the comic by Winsor McCay
      Cartoon by Winsor McCay

    One of my favorite comic book writers, Cleveland-born Harvey Pekar, who passed away in July 2010, lifts a direct quote from author George Orwell's autobiographical novel Down and Out In Paris and London for his own autobiographical story "Sleep."

    The Orwell quote reads: "Work had taught me the true value of sleep, just as being hungry had taught me the true value of food. Sleep had ceased to be a physical necessity. It was something voluptuous, a debauch more than a relief."

    Like most of you, I don't get enough sleep. And I work a lot, probably more than I should.

    And sleep? Pfft! Pshaw! You'll sleep when you're dead pal!

    While doing research for an article about men's health issues, I discovered that men at middle age are prone to become workaholics, usually because either consciously or unconsciously, the reality of, well, dying is hitting them.

    Around the age of 40, the male logical brain decides that if your time on the planet is short and steadily getting shorter, the productive and useful thing to do is not to enjoy life or, you know, have FUN. No, the proper, alpha-male response to the reality of mortality is to work, work, work your ass off.

    And sleep? Pfft! Pshaw! You'll sleep when you're dead pal!

    "Ay, there's the rub,
    For in that sleep of death, what dreams may come,
    When we have shuffled off this mortal coil,
    Must give us pause."

    Night light reading

    If I find I can't get to sleep at night, the only thing that seems to get me back to Theta sleep is reading, including crime novels, Stephen King, Marketing in the Age of Google (just kidding), and, of course, comics.

    There's nothing alpha male about Winsor McCay's visually stunning vintage comic strip Little Nemo In Slumberland. Man, you think comics are weird now? Well back in 1905, way before Sandman, or Heavy Metal, you had McCay's very young zonked out protagonist navigating one bizarre dream scenario after another before thankfully waking up safe in his own bed to address the reader, or more often his mother (of course).

    My own dreams these days are pretty mundane, and usually work-oriented, although if I'm lucky, they occasionally provide a fantastic solution to a practical problem.

    So do you have dreams that are even half as fantastic as our man Little Nemo? If yes, please share one in the comments below.

    And then there's Little Ego, Italian artist Vittorio Giardino's lovely, and very adult erotic parody of McCay's Little Nemo in Slumberland. Little Ego is deep in Theta sleep at the start of each story, and over the course of a handful of panels…well, whatever gender you are, if you're dreams are half as hot as Little Ego's, you probably can't wait to go to sleep each night. In contrast to Nemo however, the last panel of Giardino's strips is usually a wide-awake Little Ego wondering if she needs to schedule an appointment with her psychoanalyst.

    My own dreams these days are pretty mundane, and usually work-oriented, although if I'm lucky, they occasionally provide a fantastic solution to a practical problem (for instance, if I flap my arms, I can fly to work instead of taking the bus, saving myself money and time).

    Drugs

    Which reminds me, why is it all sleep aid drugs seems to be named after musical terms? Ambien! Say it in a low, gentle, female voice: Ambien.The only sleep aid created by ambient musician Brian Eno. Take it, and while sleeping, you will attempt to eat your own hair, sleepwalk to the Taqueria, and log on to amazon.com and buy several copies of Little Ego. Do not operate heavy machinery, drive, or plan on having a waking life that doesn't involve being committed to an insane asylum while taking ambien.

    So if, like me, you don't get enough sleep, and when you are blessed with some extra time to sleep, you find you can't GET to sleep but for the chatter in your brain, can music help you ease into a deep REM sleep? Forget about popping Ambien or whatever other drugs the pharmaceutical companies want to you get addicted to. What about music?

    Which reminds me, why is it all sleep aid drugs seems to be named after musical terms?

    Composer Chuck Wild reates music specifically designed to address insomnia. Wild served in the trenches of what is television composing, a physically and mentally exhausting career-choice that actually killed the great composer Oliver Nelson. Wild writes on his Liquid Mind website, "My life was completely out of perspective while I was scoring the ABC network television show Max Headroom. The seven day a week, 18-20 hour days without a break for three months led me to a nasty case of sleep deprivation, anxiety, and panic attacks."

    Wild's music is kind of what you'd expect it to be, and that's not necessarily a criticism. It consists of lots of sustained, pastel-colored tones, gently ascending and then descending chords, and very little dissonance. There's something almost primal about the work, as it is designed to tap into your brain and lull you into a state of dreaming. But what I really appreciate the fact that his current career is born out of real world trauma.

    There are times when I could fall asleep listening to Black Metal. But there is no denying that music can have a profound effect on the brain.

    While writing this particular column, I created my own playlist on Spotify, "Music for Counting Sheep," that, if you are a Spotify user, are able to access and utilize to battle insomnia and nerves. My two other public playlists, "Strange and Beautiful" and "Black Metal," are exactly what they sound like. So if the Art of Noise's "Moment of Love" doesn't do ya', try Deathspell Omega's "Chaining the Katechon" instead.

    Waking up to the terror of a brand new day

    Hamlet, I mean Harvey, who I mentioned at the start of this dream, may have been a pessimist at heart, but I don't think he ever lost his sense of humor. He certainly appreciated the most ordinary, even banal moments of day-to-day living, and even revealed a level of profundity in so-called ordinary life that very few, if any writers, can manage. The last two panels of one of Pekar's most well-known stories, "Alice Quinn," which describes his chance meeting with a college crush, only to return home to his books and relatively isolated existence, reads as follows:

    "…decades of faces ran through my mind. I felt like cryin'; life seemed so sweet an' so sad an' so hard t'let go of in the end. But this is Monday. I went t'work, hustled some records, came home an' wrote this…Life goes on. Every day is a new deal. Keep workin' an' maybe sump'n'll turn up."

    Sweet dreams.

    unspecified
    news/entertainment

    Awards Season

    CultureMap critic's guide to the 2026 Oscar Best Picture nominees

    Alex Bentley
    Jan 22, 2026 | 2:00 pm
    Michael B. Jordan and Miles Caton in Sinners
    Photo courtesy of Warner Bros.
    Sinners leads all films at the 2026 Academy Awards with a stunning 16 nominations.

    The nominations for the 2026 Academy Awards have been announced, with 10 films vying for Best Picture. Leading the way is Sinners with an astonishing 16 nominations, the most in Oscars history.

    The other top films include One Battle After Another, which earned 13 nominations, and Frankenstein and Sentimental Value, which each got 9 nominations.

    As a refresher, below are links to the full reviews for each of the nominees covered by CultureMap in the past year, as well as brief thoughts on the films and their various nominations.

    Movie fans will have plenty of time to catch up with each of the nominees, as this year's Oscars ceremony will not take place until Sunday, March 15.

    Here's the list of Best Picture nominees, in alphabetical order:

    Bugonia
    Yet another off-the-wall film from director Yorgos Lanthimos features two great performances by Emma Stone (nominated for Best Actress) and Jesse Plemons at its center. Written by Will Tracy (nominated for Best Adapted Screenplay), the conspiracy theory film is alternately brutal and funny as the characters played by Stone and Plemons use their form of power to try to manipulate the other. With a fair amount of intrigue and two great actors going head-to-head for much of its running time, it gives even more Oscar pedigree to its filmmakers and stars.

    F1
    The biggest surprise among the Best Picture nominees has to be the racing movie F1. It was a technical marvel, to be sure, as its nominations in Film Editing, Sound, and Visual Affects attest. But the fact that it has no other nominations in any of the above the fold categories indicates that its other qualities are lacking. As a showcase (aka advertisement) for the sport it depicts, the film works relatively well. As a complete movie, though, there’s not much to recommend, to the point that it almost negates any of the positives that come from the racing scenes.

    Frankenstein (not reviewed)
    Writer/director Guillermo del Toro (nominated for Best Adapted Screenplay) loves himself a monster movie, and he takes on one of the classics with his new version of Frankenstein (now streaming on Netflix). Oscar Isaac plays Victor Frankenstein, who brings to life The Creature, played by Jacob Elordi (nominated for Best Supporting Actor). With a slew of nominations in technical categories, there's a chance this film goes home with a lot of awards at this year's ceremony.

    Hamnet (not reviewed)
    Writer/director Chloé Zhao (nominated for Best Director and Best Adapted Screenplay alongside co-writer Maggie O'Farrell) gets back to her Oscar-worthy skills for the first time since 2020's Nomadland (after the unfortunate detour into the MCU with Eternals). A story about love, loss, and grief involving William Shakespeare and his wife, Agnes, the film is most notable for the performances of its two leads, Jessie Buckley (nominated for Best Actress) and Paul Mescal.

    Marty Supreme
    There was no other movie this year, or maybe even this century, like Marty Supreme. Directed and co-written by Josh Safdie (nominated for Best Director and Best Original Screenplay alongside co-writer Ronald Bronstein), the film is an almost continuous blast of pure energy for 2 ½ hours. So many different things happen over the course of the film that the story defies conventional narratives. At its center is the fast-talking, powerhouse performance by star Timothée Chalamet (nominated for Best Actor), who cements his status as his generation’s movie star one year after playing the polar opposite role of Bob Dylan in A Complete Unknown. Look for the film to be a strong contender in the inaugural Best Casting category, as Safdie fills the film with non-actors who are crucial to the film's success.

    One Battle After Another
    Writer/director Paul Thomas Anderson (nominated for Best Director and Best Adapted Screenplay) has an acclaimed career going back 30 years, but has yet to actually win an Oscar. That will change this year, as One Battle After Another is one of the favorites to win Best Picture thanks to Anderson's stellar filmmaking, as well as multiple great performances that earned the film four acting nominations (Leonardo DiCaprio for Best Actor, Teyana Taylor for Best Supporting Actress, and Benicio Del Toro and Sean Penn for Best Supporting Actor). Add in a story with a very timely political critique (that's getting more relevant by the day) and you have the recipe for a big winner on Oscar night.

    The Secret Agent (not reviewed)
    No foreign country has quite the influence on the Oscars as Brazil, which for the second straight year has gotten one of its films nominated for both Best International Feature Film and Best Picture. Written and directed by Kleber Mendonça Filho, the film is anchored by the performance of Wagner Moura (nominated for Best Actor) as a technology expert in the late 1970s who flees from a mysterious past to try to find peace in his hometown.

    Sentimental Value (not reviewed)
    For the third year in a row, two international films made the cut in the Best Picture race (but whither It Was Just an Accident?). Directed and co-written by Joachim Trier (nominated for Best Director and Best Original Screenplay alongside co-writer Eskil Vogt), the film is tied for the most acting nominations this year, earning nods for Renate Reinsve for Best Actress, Elle Fanning and Inga Ibsdotter Lilleaas for Best Supporting Actress, and Stellan Skarsgård for Best Supporting Actor.

    Sinners
    It takes a special kind of filmmaker to make movies that are both popular and Oscar-worthy, and writer/director Ryan Coogler (nominated for Best Director and Best Original Screenplay) has done it again, seven years after helming the Oscar-winning Black Panther. Both a tribute to Black music history and a gnarly vampire movie, the film is led by Michael B. Jordan (nominated for Best Actor) in dual roles as twins Smoke and Stack. With a story infused with all manner of subtext and a bunch of great supporting performances, including Best Supporting Actress nominee Wunmi Mosaku, the film demonstrates Coogler's great filmmaking abilities that should keep him in demand for years to come. Amazingly, there was only one category for which it was eligible in which it did not receive a nomination.

    Train Dreams (not reviewed)
    The second Netflix movie this year to be nominated, Train Dreams is a contemplative film about a logger (played by Joel Edgerton) in early 20th century America who tries to adapt to a rapidly-changing world. Nominated for Best Adapted Screenplay for the script by director Clint Bentley and co-writer Greg Kwedar, the film is most notable for the work done by Adolpho Veloso (nominated for Best Cinematography), who showcases the Pacific Northwest in all its glory.

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