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    Lively Theater for Lively Children

    Summer stages: 6 family-friendly Houston shows guaranteed to entertain your kids

    Bernadette Verzosa
    By Bernadette Verzosa
    May 31, 2013 | 2:23 pm

    Schools are shutting down for the summer and parents are looking for ways to keep kids engaged and excited. Fortunately, Houston’s theater companies are ready for culture-seeking families, presenting an array of shows that can spark everyone’s thinking and creativity.

    In June, the Theater District offers the indescribable experience of Blue Man Group and the fantastic ballet Peter Pan. In the Museum District, musicals take center stage: the beloved Alice In Wonderland and the popular Disney’s High School Musical. Finally, the Houston Symphony will perform celebration songs in its family concert series tour of the Bayou City.

    Scooby Doo Live! Musical Mystery

    When: Saturday; two shows 2 p.m. and 6 p.m.

    Where: Jones Hall, Presented by Society for the Performing Arts, 713-227-4772, www.spahouston.org

    Story line: Scooby-Dooby-Doo! Why is a ghost haunting a local theater? Who is this ghost haunting the local theater? Scooby and friends Shaggy, Daphne, Velma and Fred try to crack the case of the trouble-making ghost in this musical mystery. With the help of the Mystery Machine and Scooby Snacks, the gang solve one puzzle after another so the ghost stops frightening everyone out of the theater. Scooby-Doo is one of television’s longest-running animated series.

    “This is a timeless classic that multiple generations can enjoy,” says Karen Watassek, director of public relations for the Society for the Performing Arts. “Many parents and grandparents can remember watching the cartoons. It’s a fun family theatrical event.”

    Length: 90 minutes with a 15-minute intermission

    Ticket price: $18 - $48, Family Four-Pack for $99 by using promo code FAMILY

    Blue Man Group

    When: June 4 to 9 at 8 p.m.; June 8 at 2 p.m. and 8 p.m.; June 9 at 2 p.m.

    Where: Jones Hall, Presented by the Society for the Performing Arts, 713-227-4772, www.spahouston.org

    Story line: Three bald and blue characters, accompanied by a live tribal rhythm band, somehow entrance the audience from start to finish in this multi-media performance. Guests of all ages, from toddlers to grandparents, are delighted in different ways on the Blue Man journey.

    “We say that no matter how high-tech things get, there’s still something human there. We’ll always need others, always need to collaborate. People still need to come together and look each other in the eye,” says Blue Man Group co-founder Philip Stanton. “Through the Blue Man’s connection with the audience, we hope to encourage this human-to-human interaction, while helping people reconnect with their own sense of wonder and discovery, with their own sense of what is possible in their lives.”

    The first Blue Man Group performances were staged in 1987.

    Length: 100 minutes – No intermission

    Ticket price: $35 - $80

    Sounds Like Fun

    When: June 6 – July 10, Various times

    Where: Various locations around the Houston area, 713-224-7575, www.houstonsymphony.org

    Storyline: Conductor Robert Franz and the Houston Symphony orchestra perform nine family concerts in different neighborhood schools, churches and halls throughout the Houston area. Venues include Pershing Middle School, Methodist Hospital, The Centrum, Atascocita High School, United Methodist Church and Miller Outdoor Theatre.

    "Come join the Houston Symphony and me as we celebrate our 100th birthday this year. From Mardi Gras to Egypt to the final scene of Star Wars, we will perform some of the greatest celebration music ever written. I hope to see you at the party," says conductor Franz.

    Families can arrive up to one hour before the start of each concert for the instrument petting zoo. Kids are encouraged to touch and try instruments in the four instrument families: the strings, woodwinds, brass and percussion.

    Length: 1 hour

    Ticket price: Free

    Alice In Wonderland

    When: June 8-July 28, Saturdays at 2 p.m. and 5 p.m., Sundays at 2 p.m. Select weekdays at 1:30 p.m.

    Where: Main Street Theater, Chelsea Market, 713-524-6706, www.mainstreettheater.com

    Story line: This delightful musical is based on the beloved book by Lewis Carroll. Alice falls down a rabbit hole and discovers a world with strange creatures including the Mad Hatter, the March Hare and the Queen of Hearts.

    “Alice in Wonderland is a story about wonder and nonsense. It is absurd, extravagant and whimsical, and our production is all of that and more,” says Vivienne M. St. John, Main Street Theater for Youth producing director. “Our earnest heroine Alice, the Mad Hatter and his wacky antics, the very silly White Rabbit. Producing Alice in Wonderland is a chance to bring to life an enduring classic that allows patrons of all ages the chance to forget for awhile where and who they are and just enjoy a tale of frivolity!”

    Length: 1 hour 30 minutes with intermission

    Ticket price: $12 - $16

    Disney’s High School Musical

    When: June 12, 13 and 14 at 11 a.m.; June 14 and 15 at 8:15 p.m.

    Where: Miller Outdoor Theatre, Presented by Theatre Under The Stars’ Humphreys School of Musical Theatre, 832-487-7102, www.milleroutdoortheatre.com

    Story line: At East High, the students socialize in their own cliques: the Jocks, Brainiacs, Thespians and Skater Dudes. The groups come back from winter break and recount their vacations. Basketball star Troy Bolton met a girl on a ski trip during the break, and soon discovers that the girl, Gabriella Montez, is enrolled at East High. They both audition for the school musical and rock the social status quo.

    Talented local students play all the favorite characters in this popular Disney movie musical. “An essential part of TUTS' mission is to further musical theater education in the Greater Houston community, and we believe there is no better way to excite future fine arts audience members than to offer a popular Disney musical at Miller Outdoor Theatre,” says Bob Lawson, TUTS director of education at Theatre.

    Length: 50 minutes

    Ticket price: Free

    Peter Pan

    When: June 13, 15, 21 and 22 at 7:30 p.m.; June 15, 16 and 23 at 2 p.m.

    Where: Brown Theater, Wortham Theater Center, Presented by Houston Ballet, 713-227-ARTS, www.houstonballet.org

    Storyline: Based on the popular story by Sir James M. Barrie, this magical ballet features flying sequences, giant puppets, sword fights, colorful masks, punk fashion costumes and lavish sets – all to capture the adventures of Peter Pan, Wendy, John and Michael on the island of Neverland. Peter Pan is the boy who can fly, the leader of the lost boys and the target of Captain Hook. Choreographer Trey McIntyre received rave reviews when Houston Ballet premiered Peter Pan in March 2002.

    Length: 2 hours 15 minutes with two intermissions

    Ticket price: Starts at $19

    Bernadette Verzosa is founder and editor of ParentsPost.com

    Blue Man Group comes to Houston, thanks to the Society for the Performing Arts

    Blue Man Group
    Photo by Lindsey Best
    Blue Man Group comes to Houston, thanks to the Society for the Performing Arts
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    Creed concert review

    Creed serve up millennial nostalgia at pyro-packed RodeoHouston concert

    Craig Hlavaty
    Mar 11, 2026 | 11:54 pm
    Creed concert RodeoHouston
    Courtesy of Houston Livestock Show and Rodeo
    Singer Scott Stapp serenades the RodeoHouston crowd.

    Hello, my friend, we meet again.

    I’ve had a torrid relationship with Creed. As a circa-2000s punk rocker, it was implied that I was supposed to hate them. Nevertheless, I enjoyed those hook-laden Mark Tremonti riffs and Scott Stapp’s burly, Bono-grasping vocals, with just a hint of irony deep in the mix. I had “One Last Breath” on a burned mix CD, bunched in with Fugazi, Rancid, and Sham 69. I would skip it as quickly as I could, depending on who was in the car. Driving home from a long day slinging milk in the Kroger dairy cooler? Windows down, Stapp up.

    When I began my music journalism career 20 years ago (!!!), I began sticking up for them, much to the consternation of a lot of my fellow writers who were hung up on stuff that was supposed to be cooler and hipper. Creed’s pop-culture zenith came right as The Strokes and The White Stripes were thrust on us by the music press as a counter to post-grunge, which other music writers were categorically allergic to. Remember when our biggest problems in America were bands that were overtly influenced by Pearl Jam and Alice In Chains?

    In 2012, I interviewed lead singer Scott Stapp along the way for the Houston Press, and I distinctly recall Stapp being confused on our call that a guy from a smug alt-weekly wasn’t asking him stupid questions or making fun of his leather pants. The band was heading to Houston for a two-night stand at the Bayou Music Center in 2012 when they played 1997’s “My Own Prison” and 1999’s “Human Clay” in their entirety.

    Fun fact: “Human Clay” has sold over 20 million albums alone, besting Nirvana’s “Nevermind” and Pearl Jam’s “Ten” by only a relatively small margin. Creed moved more physical CDs when people actually bought music.

    Somehow, along the way, people stopped hating Creed and Nickelback, and the hate gave way to pre-social media, millennial high school, and pre-9/11 nostalgia. The similarly maligned Nickelback sold out the rodeo in 2024.

    On Wednesday, March 11, I saw junior high school kids wearing crispy new Creed shirts with their parents. Gen Alpha is beginning to get curious about what mom and dad were up to during spring break 2001, and Zoomers are rediscovering Y2K fashions. Haven’t you seen those “Mom, What Were You Like In The ‘90s?” memes?

    Creed has been sold out for weeks, drawing 70,007 attendees. If you had told someone 10 years ago that Creed would sell out RodeoHouston, they would have been skeptical. And yet here we are, staring down at a sold-out Creed show. These things run in cycles. Emotions fade. Annoyance turns into wistfulness for the days of Nokia brick phones and 99-cent gas. You can even go on a Creed Cruise now.

    Creed hit the stage just before 9:30 pm, an enviable bedtime for most elderly millennials, kicking off with the TOOL-chugalug of “Bullets,” with Stapp and Tremonti making the best use of their stage platforms, crucial devices for any major rock band in the 2000s. Unrelenting pyro shot from the dirt surrounding the stage every time Stapp lifted or flailed his arms like Elvis if he discovered cardio.

    The dirge of “Torn” — the second single from My Own Prison — was pyro-less, likely giving the cannons a few minutes to cool off. The sweaty Stapp, at just 52, looks to be in better shape than he did 20 years ago, now sporting a conservative haircut like he stepped out of his company’s stadium suite or finished a twilight run at Memorial Park.

    Stapp introduced “My Own Prison” with a preachery pep talk that wouldn’t sound out of place at an altar call at Sturgis. The crowd hung on every emphatic word. Maybe seeing two middle-aged dudes wearing Stryper shirts down on the concourse made more sense than I realized. Is Creed actually just TOOL that accepted Christ? The graphics behind the band could’ve fooled me.

    Stapp introduced “One” with a speech on commonalities and love. Looking back, Creed’s lyrics were much too earnest, hitting at a time when critics were still hungover from grunge.

    During “With Arms Wide Open,” the rodeo cameras would routinely cut to tattooed dads and rocker chicks in the crowd playing air guitar along with Tremonti and singing their guts out like they did the first time they heard it on 94.5 The Buzz. For a large segment of the crowd, they might have had a Gen-X parent jamming this stuff on the way to school in the morning.

    “Are you ready to get higher in here, Houston?” Stapp yells. The place erupts as “Higher” starts. Stapp was in his element, pyro shooting off, his silver jewelry dangling, taking in the crowd, like he didn’t expect such a response.

    Possibly the last true rock power ballad ever recorded, “One Last Breath,” got the biggest screams of the night; it might also be the Gen-Z “Don’t Stop Believing” as long as we’re making wildly controversial statements. [Editor’s note: Isn’t that Mr. Brightside? -ES]

    Welcome back, Creed, from pop-culture purgatory, and props for what might have been the loudest RodeoHouston show in years.

    SETLIST

    Bullets
    Torn
    Are You Ready?
    My Own Prison
    What If
    One
    With Arms Wide Open
    Higher
    One Last Breath
    My Sacrifice

    Creed concert RodeoHouston

    Courtesy of Houston Livestock Show and Rodeo

    Singer Scott Stapp serenades the RodeoHouston crowd.

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