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    Idol Worship

    Best American Idol season ender ever? Beyoncé, Lady Gaga & Scott McCreery makeit special

    Tara Seetharam
    May 26, 2011 | 7:36 am
    • Scotty McCreery,right, is the latest American Idol. He beat out Lauren Alaina,left.
    • Beyonce added star power to the show.......
    • ....along with Lady Gaga

    After Tuesday night’s poorly produced performance episode, last night’s American Idol finale was a breath of fresh air, punctuated by engaging performances and a willingness to poke fun where necessary. I was disappointed we didn’t get a final Lauren Alaina / Scotty McCreery duet as in past seasons, but there were still plenty of highlights to choose from:

    • Top 13, “Born This Way” medley – A ridiculous and fitting choice all at once. The animated Top 13 made the most of the anthem, cheesy choreography and all. It was a trip to see contestants like Scotty McCreery and Casey Abrams dig into the whole thing with reckless abandon.
    • Casey Abrams & Jack Black, “Fat Bottom Girls” – There were a handful of great duets last night, but I’m not sure any of them were more entertaining than this one. Abrams and Black infused the performance with the spirit and commitment of the best SNL parodies - and they actually sounded pretty good together.
    • Top 13 Girls, Beyonce medley – I don’t know that we’ve ever had a fiercer, more dynamic group of girls in the finals. Sure, Beyonce schooled the whole crew when she came out guns blazing on “Crazy in Love,” but who doesn’t pale in comparison to Sasha Fierce? The girls brought impressive individual swagger and vocals to the slew of hits.
    • Haley Reinhart & Tony Bennett, “Steppin’ Out With My Baby” – I love how this song drew out the delicious, feathery-light jazz side of Reinhart’s voice, and I adored the sweet dance intermission. I’ll say it again: Reinhart has grown into herself as an artist in a big way this season.
    • Scotty McCreery & Tim McGraw, “Live Like You Were Dying” – Maybe it was the song or maybe it was the adrenaline rush, but McCreery has never sounded better. It was a telling glimpse into his future as a recording artist - and how cute was their high five at the end?
    • Idol humor– Props to the producers for recognizing that a little self-parody goes a long way. My favorite segment showed the contestants musing over the young age of the final two contestants (the best: “So we have like two sixth graders in the competition and they’re kicking everyone’s ass” – Stefano Langone). Close seconds were the James Durbin / Casey Abrams / Pia Toscano fight over the “most shocking elimination” title and Randy’s “in it to win it” (never again, please) montage.
    • Lady Gaga, “The Edge of Glory” – Yeah, the performance got a little over-the-top towards the end, but if this song isn’t in the sweet spot of her vocal range, I don’t know what is. She sounded amazing, and maybe I totally dug the saxophone interlude. Don’t judge.
    • The results – Those who’ve been following me this season know that I’ve always been more drawn to the color and character of Alaina’s voice - but a sense of satisfaction washed over me when McCreery took the crown. Take a look at his best qualities –his firm sense of self, solid vocal talent, consistent performances and endearing sincerity—and you’ll see that he’s made of the same stuff of the previous Idol winners, albeit wrapped in a different, straightforward package. His post-Idol career will be an interesting one to follow, as he delves into a country music industry that doesn’t always seem willing to shed light on traditionalist artists like himself. Here’s to hoping he knocks down some doors and is met by people who allow him to embrace his individuality.

    And that’s a wrap, folks. Share your thoughts on the finale below, and sincere thanks to all of you for taking this wacky ride with me this season!

    Get more of Tara Seetharam's pop culture musings on her website www.taraseetharam.com and follow her on Twitter @TaraAshley.

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    Movie Review

    Clichéd rom-com You, Me & Tuscany can't get by on Italian charm alone

    Alex Bentley
    Apr 9, 2026 | 2:00 pm
    Halle Bailey and Regé-Jean Page in You, Me & Tuscany
    Photo by Giulia Parmigiani/Universal Pictures
    Halle Bailey and Regé-Jean Page in You, Me & Tuscany.

    The romantic comedy has become an endangered species in movie theaters, as most of those that are released these days go to streamers like Netflix. While there have been a few recent successful rom-coms in theaters, they are few and far between. All of which is to say that a movie like the new You, Me & Tuscany faces an uphill battle before it’s even released.

    Halle Bailey (The Little Mermaid) stars as Anna, a former culinary school student who’s struggling in the wake of her mother's death. When she has a chance meeting with an Italian man named Matteo (Lorenzo de Moor) in New York, her dream of going to the Italian region of Tuscany is reignited. Using her last $500 and a plane ticket her mom bought her, she makes her way to Italy looking for an adventure.

    With nowhere to stay and knowing Matteo’s villa is unoccupied, she finds a key and makes herself at home. When she finds an engagement ring soon before she’s discovered by Matteo’s family, she decides to pretend to be his fiancée. The more time she spends with them, the bigger the lie becomes, especially when she starts falling for Matteo’s adopted brother, Michael (Regé-Jean Page).

    Directed by Kat Coiro and written by husband-and-wife team Ryan and Kristin Engle, the film at times feels like it’s not even trying to be good. While the set-up of the premise is okay, the story quickly turns into an eye-rolling mess when Anna shows up in Italy. Not one bit of the character’s story is believable, and even though Michael catches her in an early lie, every member of the family accepts her at face value despite the abundant red flags.

    Of course, many rom-coms are not based in reality, and the filmmakers lean into the genre’s tropes, almost as if they were saying, “We know this makes no sense - just roll with it!” Surprisingly, the gambit works for the most part, as the odd pairing of an American woman, an English-Italian man, and his fully Italian family is enjoyable despite the many groan-worthy moments they produce. The sweet way in which the family brings in a woman still going through grief almost balances out the shoddy way in which the story is told.

    Naturally, there are precisely zero surprises about where the plot is heading, as Anna and Michael grow closer despite knowing they should resist the other. Strangely, though, the filmmakers don’t go all-in on the budding relationship, choosing to slow-roll things save for one notable sexy scene in a vineyard. Coiro and the Engles play up the family aspect as much as the romance aspect, and that choice allows the film to survive for longer than it should have.

    Bailey, a singer-turned-actor, has not yet found her stride on the acting side of things. Her line deliveries are often stilted and her timing is off in key moments. This doesn’t help her chemistry with older Page, who seems to be getting by on vibes and looks alone. The most enjoyable actors in the film are all Italian, including Marco Calvani, Isabella Ferrari, and Paolo Sassanelli.

    There are glimpses of a fully successful film in You, Me & Tuscany, enough to keep it watchable for its entire 104-minute running time. But then they have the Italian grandmother say a gobsmacking line like “If you wanna tap-a that ass, you should tap-a that ass,” and you remember exactly what type of film you’re watching.

    ---

    You, Me & Tuscany opens in theaters on April 10.

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