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    Live Music Now

    These are the 7 best concerts to catch in Houston this week

    Johnston Farrow
    Johnston Farrow
    May 1, 2018 | 4:40 pm

    Another month, another festival in Houston as JMBLYA sets up shop on Sunday, May 6. Not that we’re complaining — it’s one of the few hip-hop focused festivals to take place in Space City, a town that loves its rap music. For those not inclined to that persuasion of the musical spectrum, there's a nice mix of other acts to see in the week ahead. Here’s a few of our favorites:

    Ska and Cinco
    What’s better than Cinco de Mayo? Having it fall on a Saturday. The underdog Mexican army’s win over the French Emoire at the Battle of Puebla, on May 5, 1862, has become a great excuse to party, eat tacos, and drink copious amounts of cerveza. This year, Market Square will host its very own Cinco de Mayo Kickoff Party, complete with a performance by local act Los Skarnales, 20-year vets who combine ska, cumbia, reggae ,and punk into one spicy mix.

    Los Skarnales performs at the Cinco de Mayo Kickoff Party at Market Square, located at 301 Milam St. on Saturday, May 5. Free admission. The event starts at 5 pm.

    Hip-hop at the horse track
    JMBLYA, one of the best touring festivals centering on hip-hop follows stops in Dallas and Austin with a date in Houston, setting up on the grounds of Sam Houston Race Park. The lineup is a who’s-who in the game right now, headlined by J. Cole, who owns the No. 1 spot on the Billboard charts with his new album, KOD, his fifth album to make that mark. Unfortunately, a pregnant Cardi B canceled her appearance, but Atlanta’s Young Thug stepped in to fill the void. Other performers include Migos; a recently released from prison Kevin Gates; Playboi Carti; and CultureMap cohort, Bun B.

    JMBLYA will go down at Sam Houston Race Park, located at 7575 North Sam Houston Pkwy. West, on Sunday, May 6. Tickets start at $89 plus fees. Gates open at 1 pm.

    The fantastic Foxes
    Seattle indie folk band Fleet Foxes bring soaring, lyrical tunes to Revention Music Center. They resemble fellow Seattle act Band of Horses if they listened to way more Bob Dylan and had an obsession with vocal harmonies. They’ve quietly amassed a large fanbase over the course of three albums, including 2017’s acclaimed Crack-Up.

    Fleet Foxes perform at Revention Music Center, 520 Texas St., on Monday, May 7. Amen Dunes opens. Tickets start at $35 plus fees. Doors open at 7 pm.

    iPhone heroes
    Anyone who has seen an iPhone commercial lately will have heard Sofi Tukker, a New York City-based electro-rock duo that has scored a place in the pantheon of emerging — usually great — artists to have their song used to sell electronics. Comprised of singer/guitarist Sophie Hawley-Weld and producer Tucker Halpern, two of their songs have appeared in iPhone commercials, and they are both electro-house, guitar-laced, dancefloor bangers, “Bats**t” and “Best Friend.” Check out Tucker’s protégé, LP Giobbi, who will open and has been making waves on the NYC scene.

    Sofi Tukker perform at White Oak Music Hall – Upstairs, located at 2915 N. Main St. on Monday, May 7. Kah-Lo and LP Giobbi open. Tickets start at $16 in advance plus fees. Doors open at 7 pm.

    Take me out...to White Oak
    Out of the class of U.K. guitar bands to break in the early aughts (The Libertines, Kaiser Chiefs, Bloc Party et. al.), Franz Ferdinand proved to be the true survivors, having produced five good-to-great albums of danceable indie-rock. While no hit made as much impact as 2004’s chugging earworm, “Take Me Out,” the Scottish five-piece always manages to produce a few killer singles per record, which equates to a fantastic live show, led by the charismatic Alex Kapranos. The latest album, Always Ascending, takes the dance-inflected tunes even further, incorporating disco and synths. This is a must-see show for anyone who's regularly read the NME. Stay tuned this week to CultureMap for an interview with Franz bassist Bob Hardy.

    Franz Ferdinand bring their unique brand of disco-fied Brit-pop to White Oak Music Hall, located at 2915 N. Main St., on Tuesday, May 8. Acclaimed indie act Priests opens. Tickets start at $31 in advance plus fees. Doors open at 7 pm.

    A.M. radio legend at Redneck
    Practically a god in his native Canada, Gordon Lightfoot is still playing his inimitable catalog of expertly crafted pop-folk-country tunes that made him an international star in the ’60s and ’70s. Simply put, the guy has a ton of fantastic songs and is a master storyteller, evidenced on the hooky “Sundown,” the heartbreaking “If You Could Read My Mind,” and the vivid “The Wreck of the Edmund Fitzgerald,” among many others. The fact that he’s creeping in on 80 years old means that music fans need to take the time to appreciate a guy that dominated A.M. airwaves for decades and influenced a wide-range of superstar musicians, including Jimmy Buffet, Bob Dylan, and Eric Clapton.

    The ageless Gordon Lightfoot performs at the Redneck Country Club, located at 1110 W. Airport Blvd., on Wednesday, May 9. Tickets start at $60 plus fees. Doors open at 6 pm. Show starts at 8:30 pm.

    Swingin’ in the Heights
    Ah, the ’90s. Audiences, sick of the watered-down grunge that dominated airwaves in the latter half of the decade, turned to seemingly dead genres to liven things up. Following a short resurgence of ska bands, swing-influenced bands exploded in full force — see 1996’s Jon Favreau flick Swingers as its definitive watermark — and no other band benefited more than Squirrel Nut Zippers. Not to be confused with the gross-named Cherry Poppin’ Daddies or Big Bad Voodoo Daddy, the Zippers hit it big with the 1930s throwback, “Hell,” from the aptly named Hot, an album that sold over a million copies — a record kids and grandparents alike could seemingly enjoy together. (It was a very strange time in pop culture.) Dust off the dance shoes, chum, and relive your youth for what’s sure to be a fun performance.

    Squirrel Nut Zippers brings the swing to the Heights Theater, located at 339 W. 19th St., Thursday, May 10. Ginny Mac opens. Tickets start at $24 in advance plus fees. Doors open at 7 pm.

    NYC electro-house duo Sofi Tukker brings their iPhone commercial jams to White Oak Music Hall on Monday, May 7.

    Sofi Tukker
    Toma Kostygina/Fancy PR
    NYC electro-house duo Sofi Tukker brings their iPhone commercial jams to White Oak Music Hall on Monday, May 7.
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    lizzo concert review

    Lizzo makes Houston feel 'Good as Hell' at sold-out Rodeo concert

    Craig Hlavaty
    Mar 7, 2026 | 12:24 am
    Lizzo RodeoHouston
    Courtesy of Houston Livestock Show and Rodeo
    Lizzo entered the rodeo in a tricked out SLAB.

    Much like Mayor of Trill Town Bun B’s past rodeo shows, Lizzo’s sold-out Friday night show, closing out Black Heritage Day, was a rapturous celebration of Houston pride with a live jukebox.

    The best rodeo shows are when no one sits down, even if their boots make their dogs holler, and when the show ends, everyone spills out of the stadium barefoot, or the menfolk carry the heels. No other city would allow you to eat chicken fried lobster, drink award-winning wine by the bottle, watch teenagers wrestle calves for cash, see kindergartens hold on to a sheep with a death grip, and stomp your Ariats to “Still Tippin’” with 70,000 other people within the span of six hours.

    Along with Go Tejano Day, Black Heritage Day (which became a part of the RodeoHouston DNA in 1993) showcases the diversity found on the concrete and the hay off Kirby Drive every year. It’s a whole day of celebration on the grounds, including field trips, art installations, traveling museum exhibits, and an unofficial HBCU reunion event. As cowpokes in cowboy hats battled various beasts before the show, the big screen highlighted roving bands of women dressed in their finest rodeo attire. The sidewalks around NRG Stadium were a Friday night fashion show. Friday was also the kickoff of spring break for most Houston-area school districts, meaning the grounds will be insanely busy over the next week.

    Proud Alief Elsik High School alum and University of Houston product Lizzo was supposed to have made her triumphant hometown rodeo debut back in 2020, but Covid-19 scuttled the second half of that season, including her appearance. Just a few weeks ago, she gushed on Late Night with Seth Meyers about how important the show would be to her, mentioning seeing John Mayer and Beyoncé during her teen years in town.

    At 9:15 pm, just next door to the 8th Wonder of the World the “9th Wonder of the World” — Texas Southern University’s Ocean of Soul Marching Band — made its way onto the show floor to massive applause as a hype video of Houston landmarks played on the show screens. If RodeoHouston needs a house band — founded in 1969 — this is it. In fact, it should be legally mandated that they appear every year.

    Before Lizzo even appeared, the show felt like a Super Bowl halftime show, with three SLABs driving out into the dirt, with the woman herself kicking off “About Damn Time” from the back seat of a fourth SLAB, clad in a black leather studded duster, surrounded by TSU dancers. This is the kind of big-budget spectacle that the rodeo salivates for. Backed by a mostly-female band onstage, the Ocean of Soul provided a constant brassy, bassy undercurrent.


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    “This is the city that raised me,” Lizzo said, taking in the 69,362 souls in her midst.

    She was met with a hurricane-force wall of screams as she launched into “Cuz I Love You,” ditching her black leather duster for a white tank top.

    Houston’s own gospel pop quartet The Walls Group appeared just then for the Black National Anthem, “Lift Every Voice And Sing.” Lizzo and the Walls siblings then wove “Special” into “Total Praise.” We’d all buy a Lizzo gospel album, and you know it.

    Her collaboration with Cardi B “Rumors” — flaunting rodeo lyrical standards — gave way to her own rendition 4 Non Blondes’ “What’s Up,” giving Linda Perry’s grunge pop classic a torch song glow-up.

    Lizzo got back into her custom SLAB for her own “Yitty On Yo Tittys” from last summer’s My Face Hurts From Smiling album, complete with a human-sized dancing Labubu. The Ocean of Soul got its own interlude while keen eyes could see Lizzo side stage, tuning up her famous flute with a familiar line.

    Wait, is that? Yes, by God, that’s Houston’s national anthem.

    Soon Slim Thug, Mike Jones, and Paul Wall sauntered out for “Still Tippin’” as city pride began to sweat from the stadium walls, all while the Ocean of Soul kept strutting along. The professor emeritus’ of Houston's 2000s rap explosion, you look up from your phone and realize all these Houston rap standards are all over 20 years old now. Paul is a silver fox, Slim is a real estate magnate, and even people in Japan know Jones’ personal phone number.

    “At the end of the day, I just want Houston to feel good as hell,” Lizzo said, tapping directly into “Good As Hell.” Was that a pregnant lady in a cowboy hat dancing on the big screen? How much more Houston can a fetus be?

    The only truly Houston things left to do tonight were to sweat through your Wranglers in the parking lot, gaze at the Astrodome, sit in standstill traffic, and join the drive-thru parade at the closest Whataburger.

    Setlist

    With Texas Southern University’s Ocean Of Soul

    About Damn Time
    Juice
    2 Be Loved (Am I Ready)
    Soulmate
    Cuz I Love You

    With The Walls Group

    Lift Every Voice And Sing
    Special > Total Praise
    Rumors > What’s Up

    Tempo > Wobble
    Boys (with Ocean Of Soul)
    Mo City Don (Z-Ro Cover)
    Yitty On Yo Tittys
    Screwed (with Ocean Of Soul)
    Still Tippin’ (with Slim Thug, Mike Jones, and Paul Wall)
    Truth Hurts
    Good As Hell (with Ocean Of Soul)

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