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    RodeoHouston 2021

    RodeoHouston promises bigger, better 2021 season after this year's sudden cancellation

    Johnston Farrow
    Apr 7, 2020 | 2:40 pm

    The curtains are drawn, but the show will return. After a disappointing and heartbreaking end to RodeoHouston 2020, event organizers are already planning a triumphant return in 2021.

    RodeoHouston is still dealing with the effects of closing shop after hosting only eight of 20 shows for the mammoth charitable event that usually runs three weeks and draws well over 2.5 million people to NRG Stadium. But there is hope for next year — the team behind the dust and dirt, cowboy, and music spectacle is already working on plans to bring it back better than ever.

    The situation turned serious on March 11 when Judge Lina Hidalgo and Mayor Sylvester Turner announced an emergency health declaration, effectively shutting down the Houston Livestock Show and Rodeo along with its entertainment division, RodeoHouston.

    “I have to say that all of the folks that we work with, our entire production team on the concert side did an extraordinarily good job under very difficult circumstances,” Jason Kane, manager of entertainment and concert production, tells CultureMap.

    “We got the news literally before the press conference. You have to work through the initial shock and then get to closing up business in an orderly fashion.”

    Even though RodeoHouston soldiered on after Austin officials shuttered the international multimedia event South By Southwest on March 6, it seemed inevitable the city’s biggest annual music event would follow suit. Despite enacting a widespread health and safety campaign throughout the fairgrounds and NRG Stadium, the event couldn’t ignore the warning signs ahead, namely a shelter-in-place order that forced millions of Houstonians to stay home.

    “Internally, people said, ‘Why now?’ And by Tuesday of our second week, the wave was forming,” Kane notes. “By Wednesday, the wave had hit the beach. By Thursday, the tsunami had come in. If it wasn’t Wednesday, it would have been Thursday. There’s no way for me to project what could have happened other than what did happen.”

    Before the show closed down hours ahead of country star Kane Brown taking the star-shaped stage, the effects of people’s concerns had already been felt. For instance, Chance the Rapper only managed to draw short of 62,000 for a Friday night show, far from capacity for a show that drew a lot of buzz.

    The eight shows that did take place produced high-end entertainment. Openers Midland brought charismatic honky-tonk charm and Willie Nelson impressed a 70,000-plus crowd with decades of hits. Chance the Rapper took his crowd to church. Country ingenue Maren Morris admirably performed nine-months pregnant, giving birth to a son soon after her appearance.

    “I think that we had a lot of great shows and the strength of the lineup would have become more apparent as we moved through,” Kane says. “But even the eight shows that we were able to get in had some great results when you look at it in the face of this challenge that was coming at us.”

    The good news is Kane and his team are already working on next year’s event. Hometown Grammy award winner, Lizzo, who easily had the most anticipated show this year, selling out in less than 30 minutes, is on Kane’s wishlist for the 2021 edition.

    “We were disappointed too,” Kane says about Lizzo’s cancelled performance. “All of us were looking forward to it. The layout of the show was going to be a spectacular presentation. I think we can safely say that we’re going to do everything we can to make sure Lizzo gets to play her hometown.”

    Another goal, Kane adds, is to work on bringing back the other artists that weren’t able to perform this year. He is unable to confirm anyone for the next edition as it's still too early in the process, but Kane makes it clear that the 2021 season will be one to remember, dedicated to all those who supported RodeoHouston as they worked through the unprecedented task of closing down early for the first time in its storied, 89-year history.

    “My plan is to have a 2021 lineup that is bigger, better, and gives everybody in our audience in the Houston metro a reason to come out and celebrate,” Kane says. “I think Houston will deserve it, all the rodeo fans deserve it, and I think they’ll all be looking for a real celebration in 2021.”

    Outside the performances, the disappointment, and adverse economic impact, the one thing that stands out in 2020 for Kane was the unbelievable support he received from the community and everyone behind the scenes when faced with a seemingly insurmountable challenge. Many season ticket holders either rolled their passes over to next year or donated the funds back to the rodeo.

    “The unbelievable effort that has been made from the moment we were asked to pull the plug, by everyone involved on this team, volunteers and staff, and all the folks who support us has been absolutely tremendous,” says Kane. “It’s a real statement on the organization but it’s a bigger statement on the heart and mind of this community.”

    Despite being a sell-out, Chance the Rapper only drew a little over 61,000 into the stands.

    Chance the Rapper
    Photo courtesy of RodeoHouston
    Despite being a sell-out, Chance the Rapper only drew a little over 61,000 into the stands.
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    Movie Review

    Sheriff Bob Odenkirk is back in over-the-top new action movie 'Normal'

    Alex Bentley
    Apr 17, 2026 | 2:30 pm
    Bob Odenkirk in Normal
    Photo courtesy of Magnolia Pictures
    Bob Odenkirk in Normal.

    Screenwriter Derek Kolstad, who wrote the first three John Wick movies, has essentially had a blank check to do what he wants in the movie landscape since 2014. In recent years that has meant writing the action series Nobody for Bob Odenkirk, who has turned from a comedian into an unlikely action star in his sixties. Kolstad and Odenkirk are teaming up again in Normal.

    A film that tries to evoke Fargo in multiple ways, Normal finds Ulysses Richardson (Odenkirk) serving as a temporary sheriff for the small town of Normal, Minnesota after the previous sheriff died. Knowing he’s just a steward until a new sheriff is elected, Ulysses takes a live-and-let-live approach to the job, letting the deputies (Ryan Allen and Billy MacLellan) do the grunt work and trying to stay out of everyone’s way, including Mayor Kibner (Henry Winkler).

    A bank robbery attempt by two non-citizens upsets his best-laid plans in more ways than he can imagine. Not only is he forced to confront a crime not often seen in a town like Normal, but the robbery uncovers secrets that turn the film into an all-out bloodbath. Soon, almost everyone in town becomes involved in what comes to resemble a war, along with — you guessed it — Yakuza henchmen from Japan.

    Directed by Ben Wheatley and written by Kolstad, the film is a slight twist on the everyman-turned-hero character Odenkirk played in the two Nobody films. While Ulysses is in law enforcement, he prefers to use words instead of weapons, and it’s only when he’s pushed to the brink that he crosses that line. Naturally, his skills are beyond what anyone would expect of him, allowing him to match up well with people half his age.

    The film is not a comedy in the traditional sense, but instead aims for laughs by catching the audience off-guard with its ultraviolence. Some characters are dispatched in shockingly unexpected ways, with one of the only natural reactions to the jarring nature of their deaths being laughter. That’s not necessarily the case for other killings, which range from blasé to sadistic, and the only reason they count as entertainment is because the filmmakers have primed the audience to accept them as such.

    After a relatively solid setup, where Wheatley and Kolstad seem to take their time getting to know the main characters, the second half of the film is pure action that dispenses with good storytelling. Like many action movies, there are double crosses, surprise revelations, and more, but the filmmakers don’t seem to care about making sense of any character arcs. All they care about is delivering mayhem, and they succeed on that front.

    Odenkirk has perfected the mild-yet-intimidating nature of his action characters, and it is satisfying to see him get the better of those who have done him wrong. He doesn’t run or jump like fellow 63-year-old Tom Cruise, but — with the help of fast-paced editing — he still makes for a credible action hero. The only other actors of any note in the film are Winkler, who’s a nice presence with his sardonic personality, and Lena Headey, whose small role doesn't match up with her experience.

    You have to have a certain mindset to enjoy a film like Normal, but if you can abide its over-the-top bloodiness, it’s a serviceable action film. Few would have expected Odenkirk to take on these kinds of roles at this late stage of his career, but he’s making the most of his opportunities.

    ---

    Normal opens in theaters on April 17.

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