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    RodeoHouston 2021

    RodeoHouston promises bigger, better 2021 season after this year's sudden cancellation

    Johnston Farrow
    Apr 7, 2020 | 2:40 pm

    The curtains are drawn, but the show will return. After a disappointing and heartbreaking end to RodeoHouston 2020, event organizers are already planning a triumphant return in 2021.

    RodeoHouston is still dealing with the effects of closing shop after hosting only eight of 20 shows for the mammoth charitable event that usually runs three weeks and draws well over 2.5 million people to NRG Stadium. But there is hope for next year — the team behind the dust and dirt, cowboy, and music spectacle is already working on plans to bring it back better than ever.

    The situation turned serious on March 11 when Judge Lina Hidalgo and Mayor Sylvester Turner announced an emergency health declaration, effectively shutting down the Houston Livestock Show and Rodeo along with its entertainment division, RodeoHouston.

    “I have to say that all of the folks that we work with, our entire production team on the concert side did an extraordinarily good job under very difficult circumstances,” Jason Kane, manager of entertainment and concert production, tells CultureMap.

    “We got the news literally before the press conference. You have to work through the initial shock and then get to closing up business in an orderly fashion.”

    Even though RodeoHouston soldiered on after Austin officials shuttered the international multimedia event South By Southwest on March 6, it seemed inevitable the city’s biggest annual music event would follow suit. Despite enacting a widespread health and safety campaign throughout the fairgrounds and NRG Stadium, the event couldn’t ignore the warning signs ahead, namely a shelter-in-place order that forced millions of Houstonians to stay home.

    “Internally, people said, ‘Why now?’ And by Tuesday of our second week, the wave was forming,” Kane notes. “By Wednesday, the wave had hit the beach. By Thursday, the tsunami had come in. If it wasn’t Wednesday, it would have been Thursday. There’s no way for me to project what could have happened other than what did happen.”

    Before the show closed down hours ahead of country star Kane Brown taking the star-shaped stage, the effects of people’s concerns had already been felt. For instance, Chance the Rapper only managed to draw short of 62,000 for a Friday night show, far from capacity for a show that drew a lot of buzz.

    The eight shows that did take place produced high-end entertainment. Openers Midland brought charismatic honky-tonk charm and Willie Nelson impressed a 70,000-plus crowd with decades of hits. Chance the Rapper took his crowd to church. Country ingenue Maren Morris admirably performed nine-months pregnant, giving birth to a son soon after her appearance.

    “I think that we had a lot of great shows and the strength of the lineup would have become more apparent as we moved through,” Kane says. “But even the eight shows that we were able to get in had some great results when you look at it in the face of this challenge that was coming at us.”

    The good news is Kane and his team are already working on next year’s event. Hometown Grammy award winner, Lizzo, who easily had the most anticipated show this year, selling out in less than 30 minutes, is on Kane’s wishlist for the 2021 edition.

    “We were disappointed too,” Kane says about Lizzo’s cancelled performance. “All of us were looking forward to it. The layout of the show was going to be a spectacular presentation. I think we can safely say that we’re going to do everything we can to make sure Lizzo gets to play her hometown.”

    Another goal, Kane adds, is to work on bringing back the other artists that weren’t able to perform this year. He is unable to confirm anyone for the next edition as it's still too early in the process, but Kane makes it clear that the 2021 season will be one to remember, dedicated to all those who supported RodeoHouston as they worked through the unprecedented task of closing down early for the first time in its storied, 89-year history.

    “My plan is to have a 2021 lineup that is bigger, better, and gives everybody in our audience in the Houston metro a reason to come out and celebrate,” Kane says. “I think Houston will deserve it, all the rodeo fans deserve it, and I think they’ll all be looking for a real celebration in 2021.”

    Outside the performances, the disappointment, and adverse economic impact, the one thing that stands out in 2020 for Kane was the unbelievable support he received from the community and everyone behind the scenes when faced with a seemingly insurmountable challenge. Many season ticket holders either rolled their passes over to next year or donated the funds back to the rodeo.

    “The unbelievable effort that has been made from the moment we were asked to pull the plug, by everyone involved on this team, volunteers and staff, and all the folks who support us has been absolutely tremendous,” says Kane. “It’s a real statement on the organization but it’s a bigger statement on the heart and mind of this community.”

    Despite being a sell-out, Chance the Rapper only drew a little over 61,000 into the stands.

    Chance the Rapper
    Photo courtesy of RodeoHouston
    Despite being a sell-out, Chance the Rapper only drew a little over 61,000 into the stands.
    houston-rodeo
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    Movie Review

    Cookie Queens goes behind the scenes of Girl Scout Cookie season

    Alex Bentley
    Aug 7, 2026 | 4:30 pm
    Cookie Queens
    Photo courtesy of Roadside Attractions
    Girl Scouts in Cookie Queens.

    Few people are strong enough to resist the lure of Girl Scout cookie season every year, with the cookies’ limited availability and unique flavors a strong incentive to indulge. But only the girls and their families who have sold the cookies know the joys and stresses of trying to get people to buy them, a process that is detailed in the new documentary, Cookie Queens.

    The film by documentarian Alysa Nahmias uses the stories of four different girls to represent the nationwide ritual for the Girl Scouts. They include 12-year-old Olive in Charlotte, North Carolina, a longtime top seller; 8-year-old Shannon Elizabeth in El Paso, Texas, who wants to earn the reward of going to camp; 5-year-old Ara in San Diego, California, whose goal is modest compared to most other girls; and 9-year-old Nikki in Chino, California, who has to compete with her older sisters in the cookie-selling bonanza.

    The girls represent a cross-section of both ages and backgrounds, with some girls coming from wealthy families and some girls dealing with more limited means. And how much money your family has makes a big difference, as not only does someone richer have more freedom with their time and supplies, but all scouts are required to reimburse the organization for every box they take in, regardless of whether they’re able to sell it or not.

    That caveat makes the journeys of the four featured girls feel wildly different. It’s clear from the start that Olive and Nikki’s families don’t give a second thought to the personal economics of selling cookies, with each girl taking in thousands of boxes at the beginning of the six-week selling season. With both Olive and Nikki rightfully confident that they’ll have no problem offloading their supply, their stories turn to how selling is personally affecting them, with each trying to reconcile the fun of doing it with the pressure they feel from their family members.

    Shannon Elizabeth’s story is more harrowing, as her parents feel a strong desire to help her accomplish her lofty goal, but worry that the cost might literally be too high for the family as a whole. More than once, the parents are shown fretting that they won’t have the money to pay back what they owe should they fall significantly short in their sales. Their selling approach, which includes walking through an empty swap meet and standing outside a chain restaurant at night, only adds to their stress.

    The most fun story to watch is that of Ara, whose innocence is matched by her confidence. Her parents teach her how much money they’ll owe with her small goal of 55 boxes, but right away she takes on more responsibility than expected. She’s shown making sales pitches and tallying the total number of boxes she’s sold with little-to-no help from either her mom or dad. With her high voice, glasses, and a monitor on her arm to manage her diabetes, she becomes the cute and sympathetic part of the film.

    There are times that the film starts to feel more than a little manipulative, however. While many of the moments documented come off as organic, some of them seem like Nahmias is actively guiding the participants in order to get a better story. This is especially evident with Shannon Elizabeth and her family, whose early struggles turn into a miraculous feel-good story by the end, a turnaround that seems implausible at best. Everything with them might have been aboveboard, but Nahmias and her team edit the family’s journey in a way that pushes a bit too hard for emotion.

    Cookie Queens, which was produced by a company owned by Prince Harry and Meghan Markle, helps to give insight into the business of selling Girl Scout cookies for those who’ve only been on the purchasing end of the transaction. The dedication of each girl toward selling their allotted supply proves fun and interesting, even if the filmmaker tries to gild the lily on occasion.

    ---

    Cookie Queens is now playing in theaters,

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