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    Live Music Now

    These are the 7 best concerts in Houston this week

    Johnston Farrow
    Johnston Farrow
    Apr 30, 2019 | 9:01 am

    One-third of 2019 is over and what a year it's been for concerts in the Bayou City.

    RodeoHouston exceeded expectations with a handful of over-the-top shows, including Santana, Cardi B, and George Strait. Muse and Michael Bublé rocked Toyota Center. Leon Bridges kicked off another great season at Cynthia Woods Mitchell Pavilion last week. And a ton of other great bands already made appearances in a city that continues to draw huge names from across the music world.

    It will be hard to live up to those first four months, but if the concert calendar is any indication, the summer will be just as hot with more top caliber shows across the metro than a weekly column can handle.

    CultureMap's best, biggest, and most notable shows of the week are as follows:

    CultureMap show of the week: Al Green
    There is only one question surrounding this show. Why the heck are there still tickets available? The Reverend Al Green is one of music's best legends and talents, with countless timeless singles that are as part of the American experience as apple pie and the Fourth of July.

    Simply put, thousands have Green to thank for getting their parents in the mood to create them. That's the power of those silky, smooth vocals and soulful jams that include "Let's Stay Together," "How Can You Mend a Broken Heart?," "Let's Get Married," and "Take Me to the River." Better yet, New Orleans band Tank and the Bangas will open, a group that caught its big break after NPR singled them out from thousands of entries as part of its Tiny Desk Contest in 2017. Do not miss this one.

    Al Green plays Smart Financial Centre at Sugar Land, located at 18111 Lexington Blvd. in Sugar Land, on Tuesday, April 30. Tank and the Bangas open. Tickets start at $59.50 plus fees. Doors open at 8 pm.

    CultureMap recommends: Deerhunter at White Oak
    Few indie-rock bands today are as highly revered as Atlanta, Georgia's Deerhunter. Led by the distinctively gangly and charismatic Bradford Cox, the band combines hooky melodies with hints of psych-rock, art school pastiche, and layers of sound. Just check out "Desire Lines" from the 2010's Halcyon Digest as proof of their power.

    For a group that hasn't put out a bad album, they have hit a high watermark with one of this year's best in Why Hasn't Everything Already Disappeared? Now on their seventh album, Deerhunter will be able to pull from their back catalog to perform what's sure to be one killer live set.

    Deerhunter plays at White Oak Music Hall, located at 2915 N. Main St., on Wednesday, May 1. The TIMKOH opens. Tickets start at $25 plus fees. Doors open at 7 pm.

    The Cult at HOB
    The Cult were criminally underrated during their heyday due to the fact that they refused to wear spandex at the height of the hair metal and they loved The Doors a little too much. It's too bad, because the group, maintained by the vocal beast in Ian Astbury and supremely talented guitarist Billy Duffy, was insanely good during their best years, producing some fantastic hard rock albums and singles that have aged like fine wine, including "Fire Woman" and "She Sells Sanctuary."

    The Cult is at House of Blues, located at 1204 Caroline St., on Thursday, April 2. The Broken Things open. Tickets start at $35 plus fees. Doors open at 7 pm.

    Silent Disco at Revention
    Ever want to know what its like to hang out in a big music space with multiple DJs on stage, no audible sounds emanating from speakers, while the crowd dances to different beats? Welcome to Silent Disco, a strange, yet appealing concert experience that allows the audience to select their evening soundtrack through special headphone sets. Not into house music? Switch over to the hip-hop channel. Or try the '80s channel while your friend raves on with the EDM frequency. Sure to be a crowd pleaser, no matter the musical taste.

    Silent Disco goes down at Revention Music Center, located at 520 Texas Ave., on Friday, May 3. Tickets start at $12. Doors open at 8 pm.

    The 1975 in Sugar Land
    Exploding out of Manchester, the 1975 is one of the more successful U.K. acts to take American shores lately on the strength of dance pop that can be compared to a darker, more experimental take on Maroon 5's vision. Fronted by the eccentric Matt Healy, a Millennial version of INXS' Michael Hutchence, the band broke through with the verbose album, I like it when you sleep, for you are so beautiful yet so unaware of it, which hit No. 1 in both the U.K. and U.S.

    They have another hit on their hands with their most inspired set of their career, 2018's A Brief Inquiry Into Online Relationships, their third No. 1 U.K. album, featuring the singles "Give Yourself a Try" and "Love It If We Made It."

    The 1975 perform Smart Financial Centre at Sugar Land, located at 18111 Lexington Blvd. in Sugar Land, on Saturday, May 4. Pale Waves and No Rome open. Tickets start at $39.50 plus fees. Doors open at 8 pm.

    The Psychedelic Furs at WOMH
    Fans of '80s music and John Hughes flicks will be out in full force for the Psychedelic Furs on Saturday night. Sure, the band's biggest days are behind them, but the tunes they've racked up are fantastic. They are best known for the title track to the Molly Ringwald flick, Pretty In Pink, but their early albums were some of the post-rock era's best, including their 1980 self-titled debut and 1981's Talk Talk Talk. Fans of Echo and the Bunnymen, early U2, and synth-pop will find a home at White Oak this weekend.

    The Psychedelic headlines White Oak Music Hall, located at 2915 N. Main St., on Saturday, May 4. Royston Langdon opens. Tickets start at $30 plus fees. Doors open at 8 pm.

    Elle King at WOMH
    Los Angeles native Elle King, daughter of comedian Rob Schneider, made waves in 2016 with the hit single, "Ex's & Ohs," a poppy confection that made its way to the top of the alternative charts. She also dabbled in country, getting to No. 1 on those charts with the Dierks Bentley duet, "Different for Girls," that same year. Both songs garnered Grammy nominations, seemingly paving the way toward a solid career.

    A few years in the wilderness, a failed marriage, and rock star excess finally gave way to 2018's Shake the Spirit. While it hasn't made as much of a dent as those first big singles, the girl can sing, which is always worth the price of admission.

    Elle King rolls into White Oak Music Hall, located at 2915 N. Main St., on Sunday, May 5. Barns Courtney opens. Tickets start at $30 plus fees. Doors open at 8 pm.

    ---

    What are your favorite shows of 2019 so far? Let us know on Facebook.

    The 1975 are at Smart Financial Centre at Sugar Land on Saturday, May 4.

    The 1975 band
    Photo by Samuel Bradley
    The 1975 are at Smart Financial Centre at Sugar Land on Saturday, May 4.
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    Movie Review

    Offbeat drama Pillion features command performance by Alexander Skarsgård

    Alex Bentley
    Feb 20, 2026 | 4:30 pm
    Alexander Skarsgård and Harry Melling in Pillion
    Photo courtesy of A24
    Alexander Skarsgård and Harry Melling in Pillion.

    Describing the new movie Pillion is almost an act of futility. It contains a variety of seemingly disparate parts that coalesce into a whole to make it utterly fascinating. Few other recent films have been able to walk the line between filthy and wholesome in quite the way this one does, and that’s only because few other filmmakers would actually dare to try.

    It centers on Colin (Harry Melling), a meek man in his mid-thirties who still lives at home with his parents, Pete (Douglas Hodge) and Peggy (Lesley Sharp), while working a dead-end job giving out parking tickets. While performing in a barbershop quartet at his local pub, Colin catches the eye of biker Ray (Alexander Skarsgård), who summons him for a clandestine hook-up the following day (which just so happens to be Christmas Day).

    With barely a word exchanged between them, Ray establishes a dominance over Colin that quickly leads to them starting a relationship in which Colin does anything Ray asks. And that means more than just sex: Colin, whether desperate for any kind of affection or unlocking a side of himself he hadn’t known, readily agrees to cook, clean, shop, and basically do whatever else Ray wants him to do.

    Written and directed by first-time feature filmmaker Harry Lighton, the film is astonishing in the way it’s able to mine humor from Colin and Ray’s atypical bond. To call Ray “unfeeling” might not be totally accurate, but the way he treats Colin borders on cruel. However, the way Lighton structures the film, it’s easy to understand why someone like Colin would be willing to go along with the situation. It’s both hilarious and heartbreaking to see Colin debase himself in a variety of ways.

    On the flip side is Colin’s heartfelt arc with his parents. It’s established right away that Peggy, who is sick with cancer, is a bit too involved with Colin’s love life, with the opening scene featuring her setting him up on a blind date. But their easy acceptance of his queerness and desire to see him find love is as heartwarming as it gets. The juxtaposition between the wholesomeness of their family and Colin’s new life is also the source of a good amount of comedy.

    Lighton does not shy away from the sexual side of Colin and Ray’s relationship, and the scenes he depicts are as graphic as you are likely to see in an R-rated film. Some go up to and a little past what might be expected in a mainstream movie (including the use of a certain fake appendage). Other times they play out in a comical way to illustrate just how far Colin has progressed from the person he was when the film started.

    Skarsgård, who stole the show in the Charli XCX movie The Moment, is the attraction in more ways than one in this film. The part calls for someone who’s not only impossibly handsome, but also a person who can stop dissent with just a glance, and he lives up to both qualities equally well. Melling, best known for playing Neville Longbottom in the Harry Potter movies, also embodies his role perfectly. He plays Colin as weak enough to be run roughshod over by Ray, but not so hopeless as to not be worth rooting for.

    Pillion (which is the name of the secondary seat on a motorcycle on which Colin rides multiple times in the film) operates at a storytelling level that is difficult to achieve. Many people will not fully understand the film’s central relationship, but the way it is showcased by Lighton makes it compelling, gut-wrenching, and sexy.

    ---

    Pillion is now playing in theaters.

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