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    RodeoHouston 2019

    Cardi B sets new RodeoHouston attendance record with mostly clean and lean show

    Craig Lindsey
    Mar 2, 2019 | 12:23 am

    As the headlining talent for this year’s Black Heritage Day, rap princess Cardi B turned it out for 43 minutes and got the hell out of there — and the audience loved every moment of it.

    People were already pleased that the Rodeo got an A-list artist like Cardi for this year’s festivities. Many locals (especially African-American locals) cried foul when retro-soul singer (and Fort Worth native) Leon Bridges was booked as the headliner for Black Heritage Day last year. Some were miffed that the Rodeo couldn’t get a more popular performer.

    Despite Bridges doing an okay performance on the night in question (he even brought out beloved Houston rapper Bun B at one point), it was still the lowest-attended concert last year, with 51,870 in paid attendance.

    This year’s show was an entirely different story. After the resident DJ warmed up the packed house with a few Gulf Coast rap favorites, Cardi came out to the center, star-shaped stage in an SUV at 9:07 pm, covered in a sparkly, pink-and-blue, fringed-to-hell cowboy outfit.

    She got out the vehicle already hitting the audience with “Get Up 10,” the first track from her Grammy-winning, double platinum-selling debut Invasion of Privacy. Once she hit the stage, she was accompanied by Daisy Dukes-wearing dancers who were equally fringed out.

    Cardi mostly did a lean show, usually coming with just a verse or two of her already myriad hits. (Since most of the hits she’s done have been with other artists, she only did her verses.)

    As much as she tried to keep it clean for the predominantly family crowd, some F-bombs came out during a couple of songs. The most R-rated moment of the evening came when she went into “Please Me,” her latest collab with Bruno Mars, and reminded everyone that, even though she’s a new mom, she can still come with those stripper moves.

    Cardi also showed her humorous side, dropping some wisecracking asides in-between numbers. “This is for all my pretty girls — and the ugly ones too,” she said with a laugh before one tune. She also wasn’t afraid to be self-deprecating, saying she had to take a quick break to put on more deodorant. (The DJ played a trio of Cardi-associated numbers as the dancers danced for the crowd.)

    She obviously closed things out with her monster hit “Bodak Yellow,” stepping off the stage at 9:50. She got back in the SUV and did one more lap around the stadium, waving to fans out the window as the DJ played the oh-so-apt “Best Life,” her duet with Chance the Rapper.

    Though Bacardi gave Houstonians a short-and-sweet show, it was enough to bring in a paid attendance of 75,580, which is now a new record for the Houston Livestock Show & Rodeo. Cardi narrowly beat out the previous record holder, Garth Brooks, who played a sell-out show last year.

    Setlist

    “Get Up 10”
    “Backin’ It Up”
    “Money Bag”
    “No Limit”
    “She Bad”
    “MotorSport”
    “Money”
    “Drip”
    “Ring”
    “Be Careful”
    “Please Me”
    “Girls Like You”
    “I Like It”
    “Bickenhead”
    “Finesse (Remix)”
    “Bartier Cardi”
    “Bodak Yellow”

    Cardi B's Black Heritage Day show was wildly anticipated.

    Cardi B RodeoHouston 2019
      
    Photo by Jacob Power
    Cardi B's Black Heritage Day show was wildly anticipated.
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    RodeoHouston 2019

    'King of country' George Strait shatters NRG Stadium record with star-studded show

    Johnston Farrow
    Johnston Farrow
    Mar 18, 2019 | 3:35 am
    'King of country' George Strait shatters NRG Stadium record with star-studded show
    Photo courtesy of RodeoHouston
    Dress like King George on Tuesday.

    Country legend George Strait closed out RodeoHouston 2019 in style on Sunday, March 18, breaking the NRG Stadium attendance record he set back in 2013, attracting 80,108 country fans to see him play over two hours, and covering almost all the biggest hits of his career.

    It was a Texas-strong lineup all around, with popular regional country artists Robert Earl Keen and Lyle Lovett kicking things off with an hour-long set. The two Houston-raised performers traded off songs, with Lovett's rootsy take on the genre giving way to Keen's celebratory shuffle.

    Lovett shined on "Church," which turned NRG into a Sunday revivalist revue; and Keen rocked "Shades of Grey" with a jacket and hair to match that song's title, before the two teamed up for a duet of "This Old Porch," recalling the dirt, grit, and humidity of a hot Texas summer evening.

    Following a 30-minute intermission, Strait walked out of the tunnel to thunderous applause, flashing his famously handsome smile, dressed in a plaid green dress shirt, brown cowboy hat, jeans, and cowboy boots. The 66-year-old acknowledged the crowd and quickly got into his No. 1 song "Write This Down," from 1999's Always Never the Same, backed by an 11-piece band that brought a well-rounded and big sound to the proceedings.

    But this was Strait's show, and he stood front-and-center throughout, letting his one-of-a-kind crooner baritone do much of the work throughout the insane, 32-song setlist, not moving much from his spot in front of the microphone.

    His performance of classic traditionalist country spanned decades of No. 1 songs, and the venue was packed to the rafters and on the floor, which was specially opened for the last of an overall successful season of performances for RodeoHouston. It might have been the most diverse lineup in recent memory of the three-week-long event, but Strait brought it back to its roots, the walking definition of a rodeo performer.

    The second-highest selling male country artist of all time (only behind Garth Brooks) and record-holder for most country No. 1 songs locked into a groove of faster-paced numbers, followed by a couple of slow dance songs, which the crowd on the NRG floor obliged by finding themselves waltz partners.

    To more casual fans, this rhythm of song selection might've been a bit tiresome, but if you were a Strait diehard, you would be hard pressed to find any fault with this show. A handful of songs incorporated heavy rodeo imagery, both in lyrics and in production, with Strait even alluding to his first appearance at the event way back in 1983, with photos from his first appearance flashing on screen during "Troubadour" from the 2008 album of the same name.

    All the big ones made the final cut: "Check Yes or No" from 1995's Strait Out of the Box; "The Fireman" from 1985's Does Fort Worth Ever Cross Your Mind; "The Chair" from 1985's Something Special; and the soulful, perfection of a country song "Amarillo By Morning" from 1982's Strait from the Heart, which Strait called his "most favorite song, ever." So many more were either chart-toppers or major country hits.

    As a rodeo tradition, covers found their way into the set, including two from another legend, Merle Haggard, the old school twang of “You Take Me for Granted” and “Are the Good Times Really Over," recalling the best of the AM radio dial. The encore also featured an inspired version of Tom Petty's "You Wreck Me," a classy nod by Strait to that acclaimed singer-songwriter's recent passing.

    Another highlight included a duet with the youngest performer at RodeoHouston this year when the adorable George Harvey Strait III joined his bubba onstage to sing back-up on "God and Country Music" from the forthcoming, sure-fire hit album, Honky Tonk Time Machine, set to be released later this year. "What a way to start your singing career, in front of 80,000 people," Strait exclaimed following the song.

    One of the best numbers of the night came in the form of what should be that album's first single, "Every Little Honky Tonk Bar," Strait's strongest tune in years with its clever lyrics and giddy-up beat. He also performed "Codigo," another cut from that album, and while it sounded great, having a song about your own brand of tequila seems a little too on the nose.

    But the biggest applause came when Strait came out for an encore of four songs, the mandatory "All My Exes Live In Texas" from 1987's Ocean Front Property, "I Cross My Heart," from 1992's Pure Country, the aforementioned Petty number, and wrapping up with "Cowboys Like Us" from the 2003 album, Honkytonkville.

    Though the show ended well after 10:30 pm, NRG remained nearly full throughout, a testament to the power that Strait and his still dominant, timeless voice carried among his fans, most especially in his second home at RodeoHouston. Let's hope it won't take another six years to get him back.

    George Strait Setlist
    “Write This Down”
    “I Can Still Make Cheyenne”
    “Take Me to Texas”
    “I Saw God Today”
    “Here for a Good Time”
    “She’ll Leave You with a Smile”
    “Wrapped”
    “You Take Me for Granted” (Merle Haggard cover)
    “Are the Good Times Really Over” (Merle Haggard cover)
    “Cold Beer Conversation”
    “Check Yes or No”
    “Arkansas Dave”
    “Give It Away”
    “Baby Blue”
    “Every Little Honky Tonk Bar”
    “Kicked Outta Country”
    “Ocean Front Property”
    “Old Violin”
    “The Weight of the Badge”
    “Codigo”
    “God and Country Music”
    “Amarillo By Morning”
    “The Chair”
    “The Fireman”
    “Run”
    “I’ll Always Remember You”
    “Troubadour”
    “Unwound”

    Encore
    “All My Exes Live in Texas”
    “I Cross My Heart”
    “You Wreck Me”
    “The Cowboy Rides Away”

    Strait's RodeoHouston appearance was one of the most anticipated shows of the year.

    George Strait RodeoHouston 2019
      
    Photo courtesy of RodeoHouston
    Strait's RodeoHouston appearance was one of the most anticipated shows of the year.
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