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    Coming Home

    Tigers, elephants and aliens: The strange, magical love stories of local authorRajesh Parameswaran

    Tarra Gaines
    Apr 22, 2012 | 4:31 pm
    • I am an Executioner by Rajesh Parameswaran
      Courtesy Photo
    • Author Rajesh Parameswaran
      Photo by Michael Lionstar

    A tiger in love with his zoo keeper, a newlywed executioner whose wife despises him, an elephant writing her memoir, and a sentient insect creature in the Andromeda Galaxy trying to raise a rebellious daughter . . . these are some of the minds and lives explored in the short story collection I Am an Executioner: Love Stories by the India-born, Texas-raised writer Rajesh Parameswaran.

    On Wednesday, Parameswaran makes a visit back to Houston, where he grew up, for a reading at Brazos Bookstore.

    Though many contemporary writers find their training ground in graduate creative writing, MFA programs, Parameswaran took a slightly different path to becoming a writer — law school. Yet he thinks he found some of the tools creative writing programs can give another way.

     

      “I saw that there were other people around me in law school or in that world who were also writing fiction," he says. "It felt very compatible." 

    “I had good friends from college who were excellent readers. I felt like I had a community of people from whom I could get feedback, so I really didn’t feel like I was missing something and I didn’t feel the need to get an MFA,” he tells CultureMap.

    While he was interested in writing before entering law school, it was there that he became more serious about writing fiction. When I ask him if it was a strange jump from the law to writing stories, Parameswaran gives an intriguing peek into what might be a hidden American subculture, story-writing lawyers.

    “I saw that there were other people around me in law school or in that world who were also writing fiction," he says. "It felt very compatible. It didn’t feel like they were necessarily contradictory. After law school I clerked for a judge in (New York), and I was doing law related freelance writing while also writing fiction.”

    Elaborating on the connection between fiction writing and studying and practicing law, Parameswaran says, “It seems in way natural because they are both very writing intensive endeavors and a lot of people who are good writers, when they are trying to find a useful path in life, will naturally gravitate to law school because there’s so much writing involved.”

    He continues, “If I take a step back, I can see some of the same themes I was interested in as a law student are some of the themes I see cropping up in my fiction, so there is a continuity in that way.” And what are those themes and issues that stayed with him from law school into fiction writing? “Identity, community, and race.”

    He also feels law school taught him to be a very precise, meticulous, and thoughtful writer. Yet, to be a good fiction writer “you have to let go of that restraint, you have to let go of that control, if you want to write creatively.”

     Tales That Count

    The stories in I Am an Executioner illustrate that use of precision and the control of the language to produce worlds of unrestrained creativity. The first story in the book, “The Infamous Bengal Ming,” is narrated by a tiger who manages to transcend his zoo captivity both spiritually, and then literally, because of his love for his human keeper.

    In the last story, “On the Banks of the Table River (Planet Lucina, Andromeda Galaxy, AD 2319)” a loving but bewildered insectoid undertaker attempts to understand his sullen teen daughter. These two stories provide a frame for a collection that explores the dark and comic nature of relationships and the power love has to both destroy and create.

     

      "I just started with the premise what would happen if a tiger fell in love with a zoo keeper? And then it was just a matter of following the logic of that premise step by step." 

    Parameswaran wrote the stories over several years and at the time didn’t have one, coherent theme or idea in mind. “I was trying to approach each story on its own terms . . ." he says. "I was more interested in exploring and trying new things and finding out what I could do with fiction.”

    Later, when placed together, he found the stories did have some similar thematic “threads” running through them. They all are in one way or another about different kinds of love or relationships. He believes the juxtaposition of the book’s title, I Am an Executioner and its subtitle Love Stories capture both the darker side of some of the stories along with the “irony and humor found in the collection.”

    “The Infamous Bengal Ming” is again a good illustration of how all these varying themes of love and the variety of tones work together in the book. The story is both very dark and yet very funny, and Parameswaran’s description of how he went about creating the mind of a philosophical, smitten tiger is almost as amusing. He says, “I feel like in many ways it’s a very straight forward story . . .

    "I just started with the premise what would happen if a tiger fell in love with a zoo keeper? And then it was just a matter of following the logic of that premise step by step. Logically what would follow from that? Well, he would want to express his love and then how would he do that?

    "It felt like a very logical story in some ways.”

    Recently Parameswaran has simplified his life so he can devote more time to writing. He has also moved from short stories to a new novel. Though he is a little superstitious about giving many details of a work in progress, he does say the novel will tell the story of “a community of outcasts who process a city’s garbage.”

    If the worlds of I Am an Executioner are any indication, this former Houstonian has many stories yet to tell readers.

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    Movie Review

    New Superman movie forges into the future while honoring the past

    Alex Bentley
    Jul 11, 2025 | 3:30 pm
    David Corenswet in Superman
    Photo by Jessica Miglio
    David Corenswet in Superman.

    When the character of Superman was invented in 1938, it was perhaps easier to see the world in good and bad terms. Fascism was already on the rise in Germany under Adolf Hitler, and the idea of an all-powerful superhero who stood up for people in need was a welcome one. In the nearly 90 years since, though, the world and the character have undergone multiple evolutions, and the thought of someone who is purely good is often met with cynicism or worse.

    The new Superman, written and directed by James Gunn, puts the superhero (or metahuman, as the film calls him and similar creatures) squarely in the midst of the modern world, with geopolitical conflicts, mega-corporations, and social media all combining to make the altruism of Superman/Clark Kent (David Corenswet) questionable. That skepticism even extends to his coworker/girlfriend Lois Lane (Rachel Brosnahan), whose knowledge of his exploits puts her in a tricky position personally and professionally.

    Lex Luthor (Nicholas Hoult) is out to dominate the world and take down Superman, with his eponymous corporation and vast group of underlings dedicated to doing both. Superman is generally a one-man fighting crew, but he’s occasionally aided by a group calling themselves the Justice Gang, comprised of heroes many have never heard of like Guy Gardner (Nathan Fillion), a version of Green Lantern; Hawkgirl (Isabela Merced), a flying metahuman; and Mr. Terrific (Edi Gathegi), who knows all kinds of technology.

    One of the best things about this new version of Superman is that it mostly dispenses with introductions, putting the audience in a world where Superman is already a well-known quantity who’s adored by many and hated by some. Gunn has used his new position as co-CEO of DC Studios to honor the past of the hero and take him into the future. With the 1978 John Williams theme song echoing throughout and Corenswet giving off Christopher Reeve vibes, it’s clear Gunn wants audiences to feel nostalgia while still getting something new.

    He also appears to want viewers to fight against the negativity that the modern world can bring. The plot involves manipulation of the public, usually at the hands of Luthor, through bombastic talk shows, political theater, and social media, the latter of which — in a great joke — comes to involve hundreds of typing monkeys. The film could be read as a rebuttal of many real-world ills as, despite Luthor’s machinations, many choose to continue to believe in the goodness of Superman.

    There is a lot going on in the film, but somehow it never comes off as overly complicated. Superman’s relationship with Lois Lane and Luthor’s attempts at taking him down are given the most prominence, with everything else supporting those two main things. The Justice Gang is a fun addition, with Mr. Terrific becoming the breakout hero of the group. The addition of the (CGI) dog Krypto provides levity, poignant moments, and unexpectedly great action scenes. The only part that gets somewhat short shrift is the crew of The Daily Planet, with everyone besides Lois and Jimmy Olsen (Skyler Gisondo) getting little more than face time.

    Being the new Superman is a lot to live up to, but Corenswet is completely up to the job. He, like Reeve, plays the character as someone who is earnest but not naive, a quality that comes through even when he’s in the middle of fight scenes. Brosnahan is also fantastic, providing a nice balance to the relationship while also proving the character’s own worth. Hoult makes for a great new version of Luthor, and Gathegi nearly makes the case that Mr. Terrific should get a starring film of his own.

    Just as he did with the Guardians of the Galaxy trilogy, Gunn has shown that success can be found through making characters people want to see. Not everyone in this Superman will be familiar to viewers, but in the end a group of people working together toward a goal that serves the common good is one worth watching and cheering for.

    ---

    Superman is now playing in theaters.

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