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    REVIEW: WE JUST GOT PUNK'D

    Punk’d returns: Justin Bieber ain't no Ashton Kutcher and - surprise! - TaylorSwift acts really surprised

    Minh Vu
    Apr 1, 2012 | 10:00 am
    • Justin Bieber is seen in the control room, watching his pranks unfold.
    • In this screen grab, Taylor Swift reacts to seeing a bridge and groom swimmingto shore after their wedding boat gets set on fire.
    • The new Punk'd logo.

    Punk’d is back on MTV after going on a five-year hiatus — its ninth season premiered Thursday night. This time around, Ashton Kutcher and his trucker hat are nowhere to be seen, and instead, we’re stuck with starting-the-transition-to-becoming-an-adult-singer, Justin Bieber — but luckily, only for one night.

    We learn in the episode that each week, a different guest host will be featured in the episode. People like Miley Cyrus, Bam Margera, Hayden Panettiere, Nick Canon and others will eventually end up punking people like Demi Lovato, Khloe Kardashian, Zac Efron, Snooki and Ronnie.

    Perhaps it’s me getting older (and by older, I mean in pop culture years), because this list of people is uncomfortably skewing a little young for me.

    I kept getting nostalgic for the old Punk’d that brought people like Justin Timberlake to tears, got Zach Braff to curse at little kids, and had Kanye West steal his reel of film on the set of his music video.

    After watching the episode, I couldn’t help but feel things were a little lackluster. Taylor Swift was the first victim of the season and perhaps it’s hard to get a good reaction from her, because she’s got the whole acting “surprised” during all occasions nailed down.

    When she “accidentally” sets a wedding boat on fire, her look of “oh shit, what did I just do?” closely resembles “oh my gosh, y’all! I just won another award!”

    You can see a clip from the prank below:

    Maybe I’m being a bit too harsh, because during the whole episode, I kept getting nostalgic for the old Punk’d that brought people like Justin Timberlake to tears, got Zach Braff to curse at little kids and had Kanye West steal his reel of film on the set of his music video.

    Still, there was one standout from the episode and that was Bieber’s reversal punk on Miley Cyrus, who reacted in a way that I think most people prefer: the belligerent cursing, middle finger, pushing and shoving reaction.

    All in all, the show is back, and will probably get better as different hosts come on and the show finds itself again, but if you’re into seeing celebrities flipping their shit, you’ve probably disregarded every negative thing I’ve had to say and will be glued to the TV screen Thursdays at 9 p.m. on MTV.

    ----

    Punk’d airs on Thursdays at 9 p.m. on MTV. You can catch the first full episode online at MTV.com

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    Movie Review

    Shaun the Sheep welcomes spooky season with PG-scary new movie

    Alex Bentley
    Sep 18, 2026 | 2:30 pm
    Shaun the Sheep in Shaun the Sheep: The Beast of Mossy Bottom
    Photo courtesy of Aardman / Sky UK LTD / StudioCanal 2026
    Shaun the Sheep in Shaun the Sheep: The Beast of Mossy Bottom.

    Since his introduction over 30 years ago, the Aardman Animations character Shaun the Sheep has been almost as popular as the studio’s flagship characters, Wallace and Gromit. There is never a shortage of trouble Shaun can get into as he leads his flock and proves to be a thorn in the side of his farmer and Bitzer, the farmer’s loyal sheepdog.

    His antics lead everyone down some slightly spooky roads in the new film, Shaun the Sheep: The Beast of Mossy Bottom. At first, things are only slightly awry as Shaun and the flock are growing a secret pumpkin patch to have their own jack-o-lanterns. But when the farmer accidentally destroys the pumpkin patch, Shaun tries to regrow it quickly with a Frankenstein-esque experiment.

    However, disaster looms when Shaun uses an old bottle of Hair-Gro as the container for the serum he creates. Naturally, the balding farmer uses it on his head, and everyone soon discovers how truly successful it is, with pumpkins growing out of control and the farmer sprouting hair all over his body. Through a series of mishaps, the farmer becomes the titular beast, creating mayhem while Shaun and others try to stop him.

    Directed by Steve Cox and Matthew Walker, and written by Mark Burton and Giles Pilbrow, the film goes down just as easy as every other Aardman project has. They get the Halloween vibes started from the opening credits, with things like the sheep doing the “Thriller” dance, and continue the fun throughout, referencing everything from Psycho to Friday the 13th in a nice, PG way.

    With no script — every character is mute save for reaction noises — the movie relies on sight gags for its humor, and the Aardman team is endlessly inventive in that respect. Sometimes it’s small things like a sheep using toilet paper rolls as binoculars, and sometimes it’s something like forcing the Bigfoot-like farmer to be shaped into a rectangle as he escapes through a window. But there’s a never-ending stream of such moments, so even if one doesn’t tickle your funny bone, chances are the next one will.

    The biggest benefit of the characters not talking is that there’s no need for deep character development. The filmmakers do a great job of giving the basic traits of each character, and then use those attributes to color everyone’s actions for the rest of the film. Shaun is the troublemaker, the farmer is a bumbling fool, Bitzer is preternaturally smart, and the town’s vet is empathetic, and the combination of those characters and others makes for a highly entertaining blend.

    Like all Aardman creations, Shaun the Sheep: The Beast of Mossy Bottom is a fun lark that doesn’t make its audience think too hard. With just enough references to keep viewers engaged but not so many as to be overbearing, the film puts its well-worn characters to good use once again, delivering a Halloween season story that can be enjoyed by people of all ages.

    ---

    Shaun the Sheep: The Beast of Mossy Bottom is now playing in theaters.

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