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a star is born

Brad Paisley steals hearts — and a fan's phone — in his Star Trail of Fame RodeoHouston show

Craig Hlavaty
Mar 18, 2023 | 8:00 pm

Just a few hours before hitting the stage for his 15th show at RodeoHouston on Saturday, March 18, Brad Paisley was inducted into the Houston Livestock Show and Rodeo’s Star Trail of Fame.

The guitar picker joined the likes of Brooks & Dunn, Reba, Charley Pride, Elvis Presley, Gene Autry (the first performer ever), Roy Rogers, Alan Jackson, George Strait, and Selena.

Unless you are a certified rodeo rat like myself and have spent years stalking the halls of the NRG Center assignments, you’ve likely never seen this wall of gold plaques, located on the second floor of NRG Center outside HLSR’s offices.

Paisley’s star is the tenth on the wall, hanging next to Selena. On Saturday, he spoke briefly at an unveiling ceremony hosted by HLSR organizers.

“There’s nothing like this in the world,” Paisley told the assembled Houston press and rodeo brass on Saturday afternoon. “You guys realize that.”

It’s an honor reserved for the performers who’ve made a pronounced mark on the event. For some, like Reba and Strait, it’s about longevity and universal draw. While Selena (1993, 1994, 1995) and Elvis Presley (1970, 1974) only appeared at the rodeo a handful of times, their appearances have grown into sacred cultural milestones for two distinct demographics.

In Houston, you can age a native by who they first saw at the rodeo, like cowboy cosplay carbon dating. It doesn’t take long into a casual conversation about the rodeo without someone bragging about who they first saw.

Not unlike vegans, it won’t take long for someone to edify you with tales of seeing Elvis’ name on the Dome’s exploding scoreboard, or seeing Selena’s famous outfits in living color on Diamond Vision from the cheap seats. For me, it was being four years old and Strait showing off some of his ocean front property in 1987.

Paisley’s rodeo stops have always been breathers, nights to stretch and enjoy the scenery, like an industry night for the rodeo season. He’s performed at every RodeoHouston held since 2014, and without COVID changing the world’s plans, Saturday night’s matinee would have been his 17th show.

I’ve never heard anyone say an unkind word about a Paisley variety show stop. The rodeo’s starred stage, in whatever iteration, feels like home to him. The Grand Ole Opry and Guitar Hall of Fame member could be the house performer at an all-year rodeo theme park and no one would bat an eye.

He’s grown into an ambassador for a gentler, comical side of modern country music that’s always needed. Running counter to the stuffy modern hat acts, the sterner indie-toned traditionalists, and the rap-liters. Paisley’s the dude playing the hits, showing off his picking fingers, and having a beer with everyone in the room. No one else on this year’s rodeo lineup besides Paisley has recorded a song with Ukrainian President Volodymyr Zelensky, either.

On Saturday night, Paisley brought the warmth from his plaque unveiling onto the stage in front of a sold out matinee crowd. “River Bank” kicked things off with Paisley’s slashing riverbilly guitar out front.

It only took three songs for Paisley to make his first tour onto the dirt for “Perfect Storm”, which morphed into a cover of “The Love Boat” TV theme song as Paisley took a victory lap on the west side of the stadium. Of course, “Water” was the next song.

Music videos have always been Paisley’s multimedia creative jam and he made sure to sprinkle some gems from his videography into the set and screens. “Waitin’ On a Woman” came with the requisite posthumous cameo from Andy Griffith from the music video. For “Celebrity,” Paisley’s own mascot from the industry-skewering viral video made a minor cameo in the chute seats.

For a foggy mountain jam, Paisley and his band members with instruments that can go mobile joined him on the dirt for a road trip.

“You’re such a beautiful mix of Budweiser, cow shit, and Brut Cologne,” Paisley told the crowd as “I’m Still A Guy” worked its way into the set list.

Paisley stole a fan’s phone for a spell and began to play on Aurora Fernandez Sordelli’s Instagram account, perusing her socials and critiquing her profile. It completely made sense for United States Congressman Dan Crenshaw to sit in on “American Saturday Night,” playing tambourine more than slightly off beat.

Brad Paisley RodeoHouston 2023

Photo by Houston Livestock Show & Rodeo

“The Brad Paisley Variety Hour has been a certified hit for 15 rodeo seasons running and hopefully, we’re only at the beginning of its run.

Setlist

River Bank

Wrapped Around

Perfect Storm

The Literal Love Boat Theme

Water

Waitin’ On a Woman

Then

Celebrity

Last Time For Everything

Old Alabama

I’m Still A Guy

This is Country Music

American Saturday Night (with Dan Crenshaw on tambourine)

Ticks

She’s Everything





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Movie Review

Christopher Nolan's The Odyssey is technically stunning but lacks emotion

Alex Bentley
Jul 16, 2026 | 10:30 am
Matt Damon in The Odyssey
Photo by Melinda Sue Gordon/Universal Pictures
Matt Damon in The Odyssey.

For a story that is 3,000 years old and has been referenced innumerable times since the advent of the moving picture, it’s striking that The Odyssey has not been adapted into a film more often. Christopher Nolan’s new film is, depending on your definition, just the fourth time in film history that someone has attempted to tell the original story (oddly, the third film — The Return — came out just two years ago).

Matt Damon stars as Odysseus, who has been gone from his home of Ithaca for over 20 years. Waiting at home for him is his wife Penelope (Anne Hathaway) and son Telemachus (Tom Holland), as well as a hall full of suitors — most notably Antinous (Robert Pattinson) — who are hoping that Penelope will finally believe that Odysseus is dead and choose to marry one of them.

In typical Nolan fashion, the film goes back-and-forth in time often to show what has happened to Odysseus in the past two decades. His sea voyages with his crew have him attacking Troy using the legendary Trojan Horse; taking on the cyclops Polyphemus (Bill Irwin); trying to escape the clutches of the witch Circe (Samantha Morton); living with the nymph Calypso (Charlize Theron); communing with the vision of Athena (Zendaya); and more.

Nolan, who wrote and directed the epic film, has a clear reverence for the material and, perhaps more than any current filmmaker, has the chops to make the sprawling story feel coherent. With a plethora of characters who have names that take some time to understand for those not familiar with the ancient tale, it’s extremely tough to wrangle everything and everyone together, and Nolan and his team make that trick seem relatively easy.

However, there’s a difference between making the story comprehensible and making it compelling, and Nolan is not as successful on this front. As portrayed in this film, it’s difficult to care whether Odysseus ever finds his way home. His connection with Penelope and Telemachus is tenuous, at best, and his status as a hero is called into question on multiple occasions. Complicated protagonists are nothing new, but in a story where the hero’s journey is the whole point, Nolan fails to make the quest all encompassing.

That’s not to say that there aren’t some standout moments along the way. The sequence in Polyphemus’ cave is tremendous, as are a few other scenes in which Nolan’s reported reliance on practical effects make you wonder how the crew accomplished what they did. Damon has said this is the hardest movie he’s ever made, and that effort shows up in every scene, especially those on the water.

At 56 years old, Damon is getting close to elder statesman status in Hollywood, and he ably embodies the role of the respected and feared leader. Hathaway, Holland, and Pattinson get the next most screentime, and each makes their character interesting if not mesmerizing. The murderer’s row of the supporting cast — Theron, Lupita Nyong'o, Zendaya, Elliot Page, Morton, Jon Bernthal, John Leguizamo, and more — give each scene a nice sheen whether or not their individual arc makes sense.

While the technical achievements of Nolan and his team in The Odyssey are admirable and occasionally awe-inspiring, the story he lays out is not quite as overwhelming. The structure he chose to use doesn’t allow the story to overcome the episodic nature of Odysseus’ brutal journey, keeping big emotions mostly at bay.

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The Odyssey opens in theaters on July 17.

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